Frank Loesser Movies
American composer Frank Loesser is more closely associated with Broadway thanks to his classic quartet Where's Charley (1948), Guys and Dolls (1950), Most Happy Fella (1956) and How to Succeed in Business without Really Trying (1961). From 1938 through 1949, however, Loesser toiled almost exclusively in Hollywood, farming out his services to studios both big and small. Since Loesser was one of those rare birds who wrote both music and lyrics, he came in handy in the B-picture field, where a solo composer was a lot more attractive financially than a team. On more prestigious projects, however, Loesser did work in collaboration: With Alfred Newman, he wrote "Moon of Manakoora" for Goldwyn's The Hurricane (1939), while he was teamed with Frederick Hollander for such Destry Rides Again (1939) ditties as "See What the Boys in the Back Room Will Have." Largely unknown by name until the 1942 hit "Praise the Lord and Pass the Ammunition," Loesser became increasingly famous during his years at Paramount Pictures on the strength of such songs as "I Don't Want to Walk Without You, Baby," and "Jingle Jangle Jingle." 1949 was a particularly felicitous year for Loesser: He not only won the Academy Award for "Baby It's Cold Outside" (from MGM's Neptune's Darling) but also made his screen acting debut as a gangster in the Betty Hutton vehicle Red, Hot and Blue (1949). After composing such tunes as "Copenhagen," "Thumbelina" and "Inchworm" for Goldwyn's Hans Christian Andersen (1952), Loesser directed his energies almost exclusively to the Broadway stage (with a few sidetrips into TV commercial jingles). Frank Loesser's last direct-to-screen work consisted of three new songs for the 1955 film version of Guys and Dolls. ~ Hal Erickson, All Movie Guide
In this farcical comedy, Matthew Broderick plays Clark Kellogg, an aspiring director who arrives in New York City to attend film school. However, moments after he arrives in the city, he's robbed by Victor Ray (Bruno Kirby), leaving him no money for the $700 in books required by his instructor, Arthur Fleeber (Paul Benedict). A few days later, Clark runs into Victor and demands his money back, but Victor has already lost it (on a horse race in which he wasn't entirely sure the animal he bet on was a horse). Instead, he offers to fix Clark up with a job with his boss, an "importer and exporter" named Carmone Sabatini (Marlon Brando), who bears a stunning resemblance to Don Corleone in The Godfather. Clark's adventures with Sabatini are just beginning when he's instructed to pick up a package from the airport. Clark is expecting it to be contraband, and he's right, but not in the way he figured -- it turns out he's accepting delivery of a komodo dragon, which is to be served at a "gourmet club" specializing in dishes prepared from endangered species. Marlon Brando's hilarious comic variation on one of his best-known roles is the highlight of this film, but Bruno Kirby and Paul Benedict also deliver fine comic turns, and Matthew Broderick copes nobly with his role as the film's lone normal person. ~ Mark Deming, All Movie Guide
- Starring:
- Matthew Broderick, Marlon Brando, (more)
More than anything else, 13-year old New Jerseyite Josh (David Moscow) wants to be "big". That's the wish he makes at an odd-looking amusement pier fortunetelling machine. The next morning, Josh wakes up-only to discover that he's grown to manhood overnight! (At this point, the part is taken over by Tom Hanks). Still a 13-year-old mentally and emotionally, Josh decides to hide out in New York City until he can figure out what to do next. He lucks into a job with a major toy company run by kid-at-heart McMillan (Robert Loggia). By cannily bringing a child's eye view to McMillan's business, Josh rises to the top-and in process, he falls in love with fellow employee Susan (Elizabeth Perkins). But he's still a kid, and he'd like to go back to his own world and own body. Written by Gary Ross and Anne Spielberg, Big proved a crucial success for budding director Penny Marshall, who'd work harmoniously with Hanks again on the radically different A League of Their Own. The cinematography was by Barry Sonenfeld, who went on to become a director himself with The Addams Family. That Big was heavily reliant upon the input of Tom Hanks and Penny Marshall was proven by the failed attempt to turn the property into a Broadway musical. ~ Hal Erickson, All Movie Guide
- Starring:
- Tom Hanks, Elizabeth Perkins, (more)
Woody Allen's gentle and nostalgic tribute to the glory days of radio and coming-of-age during World War II plays like Fellini's Amarcord filtered through Neil Simon. The nominal star is Seth Green as Joe, a teenage Jewish boy, growing up with a house full of relatives in Brooklyn. Allen cuts between Joe's working class neighborhood of Rockaway Beach, Queens, and the glittery and glamorous world of radio in Manhattan. ~ Paul Brenner, All Movie Guide
- Starring:
- Mia Farrow, Seth Green, (more)
Mary Mapes Dodges' children's classic Hans Brinker: Or the Silver Skates was adapted as a TV musical, 104 years after its original publication, by Moose Charlap. Robin Askwith plays Hans, an Amsterdam teenager devoted to ice skating. When his father (John Gregson) is injured, the subsequent financial deprivations deny Hans the opportunity to purchase the silver skates that he'd had his heart set on. Hoping to win those skates in a New Years Eve competition, Hans hasn't forgotten his father's plight, and seeks out the aid of a prominent surgeon (Richard Basehart). Eleanor Parker and Cyril Ritchard co-star in this 2-hour film, which was filmed on location in Holland and Norway; it originally aired December 14, 1969. ~ Hal Erickson, All Movie Guide
- 1967
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Robert Morse recreated his Tony-winning stage role in this 1967 film version of Frank Loesser's Pulitzer Prize-winning Broadway musical. A humble window washer at the New York offices of World Wide Wickets, J. Pierpont Finch applies the lessons he's learned from a book called How to Succeed in Business Without Really Trying to wangle his way to the top of the executive heap. Though advised by the mailroom supervisor (Sammy Smith) to keep a low profile and play things "The Company Way," Finch follows his own skewed set of rules, endearing himself to bombastic company president J. B. Biggely (Rudy Vallee) by posing as a graduate of Grand Old Ivy, Biggely's alma mater. As he climbs to the top, Finch manages to dispose of an over-amorous rival by arranging a tryst between that rival and curvaceous secretary Hedy LaRue (Maureen Arthur)--who happens to be Biggely's live-in girlfriend. Finch also gets rid of the troublesome Mr. Ovington (Murray Matheson) by exposing the latter as an alumnus of Old Ivy's hated rival university. Graduating to vice-president, Finch feels secure enough to sing the show's one genuine love song "I Believe In You"--to himself! Actually, he's really in love with true-blue secretary Rosemary (Michele Lee), but won't admit to this until he suffers a career setback. Most of Loesser's songs survived the transition from stage to screen, with the exception of "Paris Original," which is heard merely as background music. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Morse, Michele Lee, (more)
This 1955 film began life as two Runyon short stories, the most prominent of which was "The Idyll of Miss Sarah Brown." This material was fleshed out into a 2-act libretto by Abe Burrows and Jo Swerling, then set to music by Frank Loesser and directed by George S. Kaufman. Opening late in 1950, Guys and Dolls was one of Broadway's hottest tickets for several seasons. The plot involves a certain Broadway citizen by the name of Nathan Detroit (Frank Sinatra), who maintains the "Oldest Established Permanent Floating Crap Game in New York." Seeking a location for his latest high-stakes game, Nathan has an opportunity to rent out the Biltmore Garage, but he needs $1000 to do so. He decides to extract the money from high-rolling Sky Masterson (Marlon Brando), known for his willingness to bet on anything. Nathan wagers that Sky will not be able to talk the virginal Salvation Army lass Sarah Brown (Jean Simmons) into going on a date with him. While Sky goes to work on Sarah, Nathan endeavors to fend off his girlfriend Miss Adelaide (Vivian Blaine, repeating her Broadway role), who has developed a psychosomatic cold because of her frustrating 14-year engagement to the slippery Mr. Detroit. Thanks to some fast finagling, Sky is able to take Sarah on that date, flying to Havana for this purpose. By the time they've returned to New York, Sky and Sarah are in love, but their ardor cools off abruptly when Nathan, unable to secure the Biltmore garage, attempts to use Sarah's mission as the site of his crap game. ~ Hal Erickson, All Movie Guide
- Starring:
- Marlon Brando, Jean Simmons, (more)
- 1952
Where's Charley?, Frank Loesser's hit Broadway musical version of Brandon Thomas' evergreen stage farce Charley's Aunt, was brought to the screen in 1952 with most of its original cast intact -- including, thank heaven, star Ray Bolger. In the original Brandon Thomas version, Oxford undergrad Lord Fancourt Babberly was coerced into disguising himself as "Charley's Aunt, from Brazil, where the nuts come from" so that his roommates Charley Wyckeham and Jack Chesney would have a proper escort for their visiting sweethearts Amy Spettigue and Kitty Verdun. In the musical version, Lord Fancourt is eliminated, and Charley plays his own aunt, making innumerable quickie costume changes throughout the proceedings. Complications ensue when three older characters show up: Jack's father Sir Francis Chesney, Amy and Kitty's irascible guardian Stephen Spettigue, and Charley's real aunt Donna Lucia D'Alvadorez. It goes without saying that Ray Bolger plays both Charley and the faux aunt, brilliantly recreating the sidesplitting comic turns that brought down the house on Broadway. Less successful is his re-creation of the audience-participation song "Once in Love With Amy," simply because it's difficult for a film actor to come "out" of the picture and encourage the audience to sing along. The other Loesser songs -- "Make a Miracle," "My Darling" and "New Ashmoleon Marching Society" are more satisfactorily rendered. For the record, the rest of the cast includes Allyn McLerie and Mary Germaine as Amy and Kitty, Robert Shackleton as Jack, Horace Cooper as Spettigue, Howard Marion Crawford as Chesney, and Margaretta Scott as Donna Lucia. ~ Hal Erickson, All Movie Guide
- Starring:
- Ray Bolger, Allyn Ann McLerie, (more)
Hans Christian Andersen was Sam Goldwyn's final production for RKO Radio release, and also the producer's last Danny Kaye vehicle. The Moss Hart-Myles Connolly screenplay largely disregards the facts concerning Denmark's great storyteller, opting for a fanciful blend of comedy, fantasy, romance and music. As played by Kaye, Hans Christian Andersen starts out as a small-town cobbler whose gift for spinning fairy tales is keeping the local kids from attending school. Asked to leave town, Hans heads to Copenhagen to seek his fortune as a writer. After having his heart broken by the beautiful ballerina Doro (Jeanmaire), Hans finds solace--and happiness--in the knowledge that hundreds of thousands of children the world over are devoted to his enchanting fantasy stories. The lilting Frank Loesser score includes such tunes as "No Two People," "The King's New Clothes," "Wonderful Copenhagen," "Inchworm," "The Ugly Duckling," "Thumbelina," and the title song. Though Hans Christian Andersen was a smashing box-office success, and as a bonus earned five Oscar nominations. Originally released at 112 minutes, the film is generally available in its 104-minute TV-release form. ~ Hal Erickson, All Movie Guide
- Starring:
- Danny Kaye, Farley Granger, (more)
- 1951
The title character (Paul Douglas) is a pro football player of the early 1940s at the end of his career. Douglas is offered a coaching job, but he stubbornly turns it down in hopes of making a comeback. Day after day he sits in his den watching movies of his past gridiron triumph, much to the dismay of his wife (Joan Bennett). When she chews him out for living in the past, Douglas walks out and takes up with a younger woman (Linda Darnell). To prove that he's still in top shape, Douglas takes a job as a professional wrestler. His new girl friend, realizing that Douglas is miserable without his wife, conspires with the other woman to get Douglas back on his old team. The wartime need for warm bodies allows Douglas a few more years in football, but eventually he gets wise to himself and takes the coaching job. Ironically, Guy Who Came Back star Paul Douglas was in his youth an football pro who retired from active play to become a sports announcer. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Douglas, Joan Bennett, (more)
- 1949
Esther Williams and Red Skelton share equal screen time for once in the MGM Technicolor musical Neptune's Daughter. The title character is, of course, Williams, here cast as Eve Barrett, a bathing-suit manufacturer (and sometimes model). Skelton plays Jack Spratt, the masseur at a fancy polo club, who falls for Eve's sister (Betty Garrett). To prove worthy of her love, Jack poses as dashing Latin polo star Jose O'Rourke (Ricardo Montalban), resulting in a wealth of comic complications. The slapstick setpieces include a hilarious horse-mounting routine and a climactic set-to between Skelton and petty crook Mike Mazurki; there's also a few inspired moments from Mel Blanc, cast as a slow-talking Mexican. While Xavier Cugat is on hand as "himself," the film's musical high point is the Oscar-winning Baby It's Cold Outside, performed first by Williams and Montalban and then by Skelton and Garrett. ~ Hal Erickson, All Movie Guide
- Starring:
- Esther Williams, Red Skelton, (more)
- 1949
Taken (as far as possible) from the Cole Porter musical comedy of the same name, Red, Hot and Blue stars Betty Hutton as an ambitious chorus girl. Hutton gets a job with a musical comedy bankrolled by gangsters, and is the wrong girl at the wrong place when one of the show's backers (William Talman) is bumped off. She is arrested for suspicion of murder, then is kidnapped by the villains to keep her from spilling the beans. The plot requires that she be rescued by hero Victor Mature, though many disgruntled audience members may have been rooting for the boisterous Hutton to be dumped in the East River. The stage version of Red Hot and Blue starred Ethel Merman, Jimmy Durante, and Bob Hope. Hutton is no Merman, but she gives her all to the brassy production numbers and the self-absorbed ballads--written not by Cole Porter, whose score was dispensed with, but by Paramount's in-house tunesmith Frank Loesser, who also plays a small role as one of the gangsters. ~ Hal Erickson, All Movie Guide
- Starring:
- Betty Hutton, Victor Mature, (more)
- 1949
The saga of the Hatfield-and-McCoy feud is romanticized in Samuel Goldwyn's Roseanna McCoy. Newcomer Joan Evans stars as the title character, whose elopement with Johnse Hatfield (Farley Granger) serves to further fuel the flames of the deadly mountain feud. The opposing patriarches, Devil Anse Hatfield and Old Randall McCoy, are vividly realized by Charles Bickford and Raymond Massey. In West Virginia and Kentucky, the debate still rages over what started the hostilities, but there's no question that the end result was tragedy for all concerned. In Goldwyn's version, the feud comes to a halt because Roseanna and Johnse demand it; would that real life were this simple and clear-cut. Based on a novel by Alberta Hannum, Roseanna McCoy was released through the distribution channels of RKO Radio. ~ Hal Erickson, All Movie Guide
- Starring:
- Farley Granger, Joan Evans, (more)
Also known as A Miracle Can Happen, On Our Merry Way is a multipart comedy linked by inquiring reporter Burgess Meredith. It is Meredith's job to interview several people, asking them what effect children have had on their lives. First he checks with two itinerant musicians (James Stewart and Henry Fonda), who earn extra under-the-counter money by fixing a music contest so the mayor's son will win. Next he meets Hollywood extras Dorothy Lamour and Victor Moore, who are hired to work with a precocious child star. Finally, the old "Ransom of Red Chief" twist is given to the tale of hoboes Fred MacMurray and William Demarest, who find themselves at the mercy of a preteen prankster, whose wealthy uncle (Hugh Herbert) won't take the kid back unless the hoboes pay him. Meredith returns to the newspaper office with a black eye, which earns him the sympathy and affection of coworker Paulette Goddard. Though the direction is credited to Leslie Fenton, portions of On Our Merry Way were actually directed (sans credit) by George Stevens and King Vidor. ~ Hal Erickson, All Movie Guide
- Starring:
- Burgess Meredith, Paulette Goddard, (more)
The third of four films bearing the title of The Perils of Pauline, this musical biopic purports to tell the life story of famed silent serial queen Pearl White. Right at the beginning, however, an introductory title informs the audience that what follows is merely "suggested" by incidents in White's life and career. Translation: The film is a fabrication from beginning to end, but an enjoyable one. Played on all four cylinders by Betty Hutton, White is introduced as a frustrated factory worker who aspires to become a dramatic actress. She joins a touring theatrical troupe managed by handsome but pompous Mike (John Lund), but fame and fortune elude her because she's unable to suppress her natural rambunctiousness. In desperation, White takes a job at a movie studio, where she promptly finds herself in the middle of a slapstick pie fight. With the help of bombastic director Mac (William Demarest), top-hatted villain portrayer Timmy (Billy De Wolfe), and imperious dramatics coach Julia (Constance Collier), Pearl soon becomes world-famous as the star of such cliffhanging, tied-to-the-railroad-tracks serials as The Perils of Pauline (hence the title of this film). At the height of her fame, she arranges for her theatrical mentor Mike to get a job as her leading man, forcing him to swallow his pride and admit that he's been in love with her from the moment he met her. A series of clichéd complications contrive to separate White and Mike, but he returns to her arms when she's seriously injured during a Parisian stage performance. A few fairly credible recreations of silent moviemaking techniques aside, The Perils of Pauline is wildly anachronistic and inaccurate (for one thing, Pearl White made most of her serials in New Jersey rather than Hollywood). As a musical comedy, however, the film passes muster, especially during the performance of such Frank Loesser tunes as "I Wish I Didn't Love You So" and "The Sewing Machine." As a bonus, the film rounds up several silent-movie veterans in cameo roles, including William Farnum, Chester Conklin, Jimmy Finlayson, Creighton Hale, Hank Mann -- and Paul Panzer, who played the sneering villain in the original 1914 Perils of Pauline. ~ All Movie Guide
- Starring:
- Betty Hutton, John Lund, (more)
- 1947
This story of two young hopefuls who come to Hollywood is merely a thin device to feature almost every star working for Paramount Studios in 1947. Mary Hatcher plays Catherine Brown, a woman of humble origins who arrives in Hollywood, where she meets another wanna-be movie star, Amber La Vonne (Olga San Juan). They work their way through the Paramount studios, trying to impress every important person. Mostly, the film is a cavalcade of songs by various stars that take place at several studio and Hollywood locations, including the famous Brown Derby restaurant. Many of the film's songs were written by Frank Loesser. Dorothy Lamour and Alan Ladd sing "Tallahassee"; Bing Crosby and Bob Hope play golf and sing a duet, "Harmony"; the Original Dixieland Jazz Band plays "Tiger Rag"; and a host of other top performers of the era appear in brief cameos. ~ Michael Betzold, All Movie Guide
- Starring:
- Eric Alden, Mary Hatcher, (more)
- 1944
Newspaper reporter Marion Hargrove's best-selling novel was adapted to the screen by MGM as a vehicle for Robert Walker. The story is basically a series of humorous anecdotes about Hargrove's tenure at boot camp in the early days of World War II. Keenan Wynn is terrific as Hargrove's topkick, and Robert Benchley is no less superb as the father of Hargrove's girl friend (Donna Reed). See Here, Private Hargrove not only secured the stardom of Robert Walker, but launched Marion Hargrove on a lengthy career as a Hollywood screenwriter (his son, Dean Hargrove, has carried on the tradition into TV). The film was followed by a lesser 1946 sequel, What Next, Corporal Hargrove?, which followed the leading character to France. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Walker, Donna Reed, (more)
- 1943
Paramount's Pine-Thomas unit continued humming profitably along with 1943's Tornado. Chester Morris (who eventually appeared in eight Pine-Thomas efforts) stars as coal miner Pete Ramsey, who falls in love with, and secretly marries, scheming showgirl Victory Kane (Nancy Kelly). Anxious to escape her poverty-stricken surroundings, Victory urges Pete to lobby for the position of mine superintendent. Climbing ever upward on the social and economic ladder, Victory has an affair with wealthy mine operator Gary Linden (Morgan Conway). She finally receives her comeuppance during the tornado of the title-an impressive piece of special effects, though obviously not in the league of Twister. Tornado was scripted by Maxwell Shane and directed by William Berke, two stalwarts of the Pine-Thomas operation. ~ Hal Erickson, All Movie Guide
- Starring:
- Chester Morris, Nancy Kelly, (more)
- 1943
Practically everybody on the Warner Bros. lot shows up in the wartime morale-boosting musical extravaganza Thank Your Lucky Stars. Believe it or not, this one has a wisp of a plot. A pair of enterprising producers, played by S.Z. Sakall and Edward Everett Horton, want to hire singer Dinah Shore for their upcoming Cavalcade of Stars. Unfortunately, this means they must deal with Shore's boss, radio comedian Eddie Cantor. The egotistical Cantor insists upon joining the show himself, driving everyone crazy with his take-charge attitude. Meanwhile, singer Dennis Morgan, hoodwinked by a crooked agent into thinking he's signed a contract with Cantor, shows up backstage at Sakall and Horton's rehearsal, only to be given the boot. While all this is going on, aspiring actress Joan Leslie has befriended a bus driver named Joe Simpson--who happens to be a dead ringer for Eddie Cantor (and why not? Ol' "Banjo Eyes" plays both parts). Turns out that Joe is another showbiz wannabe, but he has been denied a break because he looks too much like Cantor. You see what's comin' now, right, folks? Morgan and Leslie will get their big breaks when Joe Simpson impersonates Eddie Cantor, who's been kidnapped by Indians (bet you didn't see that one coming!) All of this expository nonsense is merely an excuse to show off Warners' talent roster in a series of engaging specialty numbers: John Garfield talk-sings Blues in the Night, Jack Carson and Alan Hale do a buck-and-wing, a jitterbug number is performed by Ida Lupino, Olivia de Havilland and George Tobias, Hattie McDaniel and Willie Best strut their stuff in Ice Cold Katie, and so on. Highlights include Errol Flynn's That's What You Jolly Well Get, an English music hall-style sendup of Flynn's movie heroics, and Bette Davis' peerless (and endearingly off-key) rendition of They're Either too Young or Too Old. As a bonus, Humphrey Bogart shows up long enough to be browbeaten and intimidated by S.Z. Sakall ("Gee, I hope none of my movie fans see this!" moans Bogart as the soundtrack plays a mocking rendition of Who's Afraid of the Big Bad Wolf?) Subtle and sophisticated it isn't, but Thank Your Lucky Stars is so entertaining that you'll forget all about its multitude of flaws. ~ Hal Erickson, All Movie Guide
- Starring:
- Eddie Cantor, Dinah Shore, (more)
- 1942
- NR
Like the John Steinbeck novel on which it is based, Tortilla Flat is not so much a movie as a series of warm-hearted anecdotes, all linked to a small California fishing village populated by poor but happy immigrants. The focus is upon Pilon (Spencer Tracy), a good-natured, charismatic freeloader, and Danny (John Garfield), a hot-headed fisherman who is dragged kicking and screaming into the world of personal responsibility when he inherits two small houses. As Pilon toys with the notion of stealing the nest egg saved up by an old man known as "the Pirate" (Frank Morgan), Danny tries to spark a romance with sexy cannery worker Dolores "Sweets" Ramirez (Hedy Lamarr). Abandoning the robbery plans when he learns that the Pirate intends to use his money to purchase a candlestick for St. Francis, Pilon turns his attentions to stealing Sweets away from Danny. But when Danny is injured in a drunken fight, the mercurial Pilon switches gears again, devoting his energies to bringing Danny and Sweets back together. Of the film's many highlights, standouts include the surprisingly effective "straight" performance by comic actor Frank Morgan (for which he received an Oscar nomination), and the seemingly improvised songfest between Spencer Tracy and John Garfield. ~ Hal Erickson, All Movie Guide
- Starring:
- Spencer Tracy, Hedy Lamarr, (more)
Though billed fourth in This Gun For Hire, Alan Ladd was catapulted to stardom in the role of Phillip Raven, a ruthless professional killer with a long-suppressed streak of decency. After successfully pulling off his latest murder, Raven reports to his boss, effeminate fifth columnist Willard Gates (Laird Cregar). He collects his $1000 fee, only to discover later that Gates has double-crossed him with marked bills. This was done at the behest of Gates' boss, crooked business executive Alvin Bewster (Tully Marshall), who wants no loose ends left around to connect him with a plot to sell poison gas to the Axis. As Raven ducks and dodges the police, detective Michael Crane (Robert Preston) is hot on the trail of Bewster and Gates. Crane talks his girlfriend, nightclub singer-musician Ellen Graham (Veronica Lake), into taking a job at Gates' nightclub. While on the train to the club, Ellen makes the acquaintance of the escaping Raven. Gates boards the train, spots Ellen innocently sitting next to Raven, and assumes that the two are in cahoots. Later, Gates kidnaps Ellen and spirits her away to his mansion, intending to do away with her the first chance he gets. Instead, Raven, still seeking revenge for being set up, bursts into the mansion in search of Gates. Having previously been impressed by Ellen's kindness, he rescues her, though he intends using her as hostage should the police catch up with him. As they hide out together in the rail yards, Ellen and Raven get to know each other. Learning of Raven's miserable, abusive childhood, Ellen tries to chip away his murderous veneer, hoping to reform him. But when the cops arrive, Raven reverts to his instincts, shooting his way out of his hiding place. As Crane escorts Ellen out of harm's way, Raven rushes towards a bloody showdown with Bewster and Gates. Based on Graham Greene's A Gun For Sale, This Gun For Hire was remade in 1958 as Short Cut to Hell, then again under the original title as a 1990 made-for-TV film. ~ Hal Erickson, All Movie Guide
- Starring:
- Veronica Lake, Robert Preston, (more)
- 1942
In this drama, a dedicated forest ranger begins suspecting that a recent series of fires has been caused by arson. He investigates in a neighboring town. There he meets a beautiful rich girl, and they fall in love and get married. Unfortunately, the other rangers do not react well to the female's intrusion into their domain. Meanwhile, the daughter of a lumber baron, who has always secretly loved the ranger, is deeply disturbed by the nuptials. When the fires begin running wild, the two women rally together and help. Unfortunately, they are trapped by a wildfire and the ranger must save them by parachuting into their locale. While en route, he discovers that it is the pilot of the airplane who has been setting the fires. The two get into a fight, the arsonist torches the plane and jumps, and the ranger lies unconscious on the airplane floor as it spirals into a fatal nose dive. Fortunately, he wakes up just in time to jump out. He lands near the women, and together they put out the blaze. Later they learn that the arsonist died when his chute drifted into one of the blazes he himself had set. ~ Sandra Brennan, All Movie Guide
- Starring:
- Fred MacMurray, Paulette Goddard, (more)
- 1942
In this lighthearted musical comedy, Marjory Stuart (Mary Martin) is a girl who works in the hatcheck room at a Manhattan nightclub and dreams of being a rich socialite herself. Toward that end, Marjory wants to land a rich husband, so she saves up her money and takes a cruise to the Caribbean, where she poses as wealthy debutante. Marjory quickly makes friends with Bubbles Hennessy (Betty Hutton), a brassy but good-natured singer who's on board to rendezvous with her boyfriend Wally Case (Eddie Bracken). Tagging along with Wally is his pal Pete Hamilton (Dick Powell), a beach bum with charm and personality but no bankroll. Bubbles, Wally, and Pete soon realize that Marjory is hardly a member of the upper crust, but they like her enough to help her snag the man she has her eye on, stiff-as-a-board millionaire Alfred Monroe (Rudy Vallee). However, just as Marjory begins making progress with Alfred, she and Pete begin to realize that they've fallen in love. Both Betty Hutton and Mary Martin sing several songs along the way (Hutton's standout number, "Murder, He Says," later found it's way into Woody Allen's Crimes and Misdemeanors), and legendary calypso performer Sir Lancelot performs "Ugly Woman" (later a hit for Jimmy Soul under the title "If You Want To Be Happy"). Hutton and Bracken were reunited a year later in the Preston Sturges classic The Miracle of Morgan's Creek. ~ Mark Deming, All Movie Guide
- Starring:
- Mary Martin, Dick Powell, (more)
- 1942
Sweater Girl is an okay remake of 1935's College Scandal, and like its predecessor is that rare bird, a "musical mystery". Someone is stalking a midwestern college campus, murdering students left and right. Among the victims is campus radio personality Miles Tucker (Kenneth Howell) and aspiring composer Johnny Arnold (Johnnie Johnston). If this keeps up, there won't be anyone left to stage the annual college musical-and that would be disastrous! Without giving the game away, it can be noted that solution of the mystery is not unlike that of the first Friday the 13th film of the 1980s (minus the blood and gore, of course). Amidst all this merry mayhem, two choice Frank Loesser song hits are spotlighted: the amusingly provocative "I Said No" and the enduring standard "I Don't Want to Walk Without You." ~ Hal Erickson, All Movie Guide
- Starring:
- Eddie Bracken, June Preisser, (more)
- 1942
It's Dorothy Lamour again, sarong and all, in the South Seas wish-dream Beyond the Blue Horizon. Lamour plays Tama, a daughter of the jungle who heads to the US to claim an inheritance. For publicity purposes, press agent Squidge (Jack Haley) tries to team Tama with his client, circus lion tamer Jakra (Richard Denning). As it turns out, Jakra is compelled to return to the South Seas with Tama to obtain positive proof that she is indeed sole heir to her family's fortune. The climax finds Jakra putting his animal-taming skills to practical use when a rogue elephant goes on a rampage. One suspects that audiences in 1942 didn't believe this one either. ~ Hal Erickson, All Movie Guide
- Starring:
- Dorothy Lamour, Richard Denning, (more)
- 1942
In this musical comedy set during WW II, a circus aerialist desires to be closer to her lover, a soldier. When she finds herself chased by gangsters, the woman dresses up as a man and joins the military. Mayhem ensues as she tries to undergo training and keep her sex a secret. The secret is revealed at the end, when the camp puts on a show and the gangsters suddenly appear. Luckily the police arrive at the same time and justice prevails. Songs include: "In the Army," "Need I Speak," "Jitterbug's Lullaby," "Spangles on My Tights," "Wacky for Khaki" (Frank Loesser, Harold Spina), "Swing in Line" (Loesser, Joseph J. Lilley), "Love in Bloom" (Ralph Rainger, Leo Robin), and "I Can't Give You Anything But Love" (Dorothy Fields, Jimmy McHugh). ~ Sandra Brennan, All Movie Guide
- Starring:
- Judy Canova, Allan Jones, (more)
