Sondra Locke Movies

William Katt directs this indie crime drama about a loser on the run. Buddy (Jack Noseworthy) manages to pull off a drug store robbery but kills a clerk in the process, thanks to his blood-thirsty partner. Now his longtime nemesis and law enforcement officer Wayne (Paul Francis) is hot on his trail. Meanwhile, Buddy's wife Marie (Laura Leighton) and his mentally impaired brother (Wes Culwell) remain in the dark as to his illegal activities. ~ Jonathan Crow, Rovi

Based on a well-publicized 1991 Dallas murder case, the made-for-TV Death in Small Doses begins with the death of architect Nancy Lyon (Glynnis O'Connor), who has succumbed to arsenic poisoning. The prime suspect is Nancy's frequently estranged husband Richard (Richard Lyon), who stands to collect an enormous insurance policy. Nancy's family pressures the local authorities to prosecute Richard--and never mind that virtually every person in that family also seems to have had substantial reason to wish Nancy dead. But Richard plays a trump card when he supplies evidence indicating that his wife actually committed suicide--a move that proves to be a thrown gauntlet to relentless Assistant DA Jerri Sims (Tess Harper). Filmed in 1993, Death in Small Doses did not air on ABC until January 16, 1995. The film was directed by actress Sondra Locke, best known at the time for her long association with Clint Eastwood. ~ Hal Erickson, Rovi

Actress Sondra Locke directed this visceral film noir about undercover cop Lottie Mason (Theresa Russell). A narcotics cop with the LAPD, she works a second shift at night as an undercover vice cop. Lottie works the bars and lures johns into the arms of the law. But her life is in a rut, and she would love to act on impulse like the narcotics and vice personas she adopts daily on the job. During the course of her duties, she begins a romantic relationship with district attorney Stan Harris (Jeff Fahey), who gets her involved with a case he is working on against a drug lord. But Stan is too nice to her, and she bolts from his apartment and into the nearest bar. After a few slugs of whiskey, she decides that for this one time, she will play out the role as a hooker, take a john to her apartment, and take the money. A guy saddles up to her and she goes back to his house. But the man happens to be the same drug kingpin Stan is building his case against. He is soon murdered, and she is left with a dead body and a case with $900,000 in drug money. ~ Paul Brenner, Rovi

In this fourth installment of the Dirty Harry series, Harry has been banished temporarily from San Francisco because his superiors are uncomfortable about his feud with a local crime boss. He goes to an oceanside small town for a little rest and recuperation but finds the town has been traumatized by a series of brutal murders. Harry meets and falls in love with Jennifer Spencer (Sandra Locke), a young artist. Jennifer and her sister were brutally raped a few years previously by a group of men, leaving her sister catatonic and Jennifer filled with a rage that is expressed in her disturbing artworks. Harry investigates the killings and the rapes, and one by one he dispatches Jennifer's rapists, one of whom is the son of the local police chief (which explains why the police have done little investigating). Finally, Harry finds out that Jennifer also dispenses her own brand of justice because she cannot rely on the criminal justice system. ~ Michael Betzold, Rovi

Bronco Billy stars Clint Eastwood (who also directed) as the impresario of a seedy wild west show. Going along for the ride is spoiled socialite Sondra Locke, who is "initiated" by being pressed into service as the wrong end of a knife-throwing act. The rest of the troupe, like Eastwood himself, are losers in life who yearn for the freedom and opportunity of the long-gone Old West. Despite its raucous ad campaign, Bronco Billy is at base a wistful character study, avoiding the usual trappings of car chases and redneck villains and offering quiet chuckles instead of belly laughs. Unfortunately it failed to click with the public, compelling Eastwood to temporarily return to his old crash-bang-pow formula in his next few films. ~ Hal Erickson, Rovi

This drama is set in Montreal when in the mid-'50s a young woman is impregnated by a petty thief who is caught and given ten years in the slammer. In the meantime, the woman bears a son and marries another. The time passes quickly and the thief is eventually released. He immediately goes to her and this nearly destroys her marriage. Fortunately, he realizes that taking the woman away from her husband will only hurt his son and so backs off. ~ Sandra Brennan, Rovi

In this adventure set during the Civil War, a traveler and an Irish-Indian named Half Moon O'Brien find a dying man who tells them of a large cache of diamonds he buried somewhere in the mountains. The two, joined by a man and a woman, begin searching for the treasure. Half-Moon senses that they are being followed. The members of their search party begin disappearing one-by-one. Soon they learn that the gems are cursed. ~ Sandra Brennan, Rovi

Shadow Mountain has yet to appear on the resumes of Joe Don Baker and Sondra Locke, but they're both in it whether they like it or not. Baker and Locke play a couple of 19th century fortune hunters, looking for diamonds. Just when the trail is hottest, our Hero and Heroine are beseiged by renegade Indians. Somebody's going to end up six feet under, and it's a probable Twelve to Seven that someone will be wearing feathers. Not that it really matters, but Shadow Mountain also snuck into theatres as Curse of Demon Mountain. ~ Hal Erickson, Rovi

Playing police stooge Ben Shockley, Clint Eastwood sends up his Dirty Harry-ness in this 1977 cop film-action movie-romantic comedy. Ben is assigned to escort tough Vegas hooker Gus Mally (Sondra Locke) to Phoenix for a Mob trial because, he thinks, he always "gets the job done." But corrupt commissioner Blakelock (William Prince) chose alcoholic Ben precisely because Ben does not get much done at all, and Blakelock has no intention of letting them get to Phoenix alive. Once Gus figures this out and makes Ben see the truth, Ben resolves to prove Blakelock wrong, even if it means surviving car bombs, a house shot to pieces, a helicopter-motorcycle chase, and finally driving an armored bus through a gauntlet formed by scores of shooting cops. Amidst the mayhem, Ben falls in love with the smart-mouthed, college-educated Gus, and she insists on riding out the gauntlet with her Ben. An obedient cop who is not as clever as his female charge, Ben Shockley is the opposite of Eastwood's ultra-capable loner Harry Callahan from the Dirty Harry series, allowing Eastwood to poke fun at his image even as Shockley eventually does get the job done. While the exaggerated action set pieces also parody the Eastwood cop hero's usual invincibility, their efficient, energetic staging still makes them effective; The Gauntlet was another popular success for Eastwood as director as well as star. ~ Lucia Bozzola, Rovi

Clint Eastwood's fifth film as a director and eighth Western as a star (ninth if you count Paint Your Wagon), The Outlaw Josey Wales chronicles the hero's violent journey westward after the Civil War. With fresh memoris of his family's slaughter by Red Leg soldier Terrill (Bill McKinney), Confederate Josey Wales (Eastwood) refuses to join his captain Fletcher (John Vernon) and the rest of his comrades in surrender to a U.S. Army regiment. Deemed a dangerous outlaw after a bloody one-man battle with that regiment, Josey is pursued by U.S. cavalry soldiers led by the unwilling Fletcher and the murderous Terrill, as well as by bounty hunters who eventually learn how coolly lethal Wales can be. Despite his desire to remain a lone fugitive, Josey soon has a crew of travelling companions that includes Cherokee Lone Watie (Chief Dan George) and the pretty Laura Lee (Sondra Locke) and her vigorous Grandma Sarah (Paula Trueman), settlers on their way to a ranch near ghost town Santa Rio. The few Santa Rio residents welcome the group, but their peace and Josey's burgeoning romance with Laura Lee are soon interrupted by Terrill's arrival. A skillfully violent man of few, well-chosen words, Josey Wales resembles Eastwood's previous Western heroes in Sergio Leone's trilogy, A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad, and the Ugly (1966). However, the emphasis on friends and family served notice that, in the words of one critic, "the Man With No Name doesn't live here anymore." Indeed, Josey Wales would be Eastwood's last western before 1985's Pale Rider. Although it did not garner similar critical praise when it was released, Eastwood considers The Outlaw Josey Wales to be the equal of the Oscar-winning Unforgiven (1992). ~ Lucia Bozzola, Rovi

In A Reflection of Fear a young woman, Marguerite (Sondra Locke), cloistered in a turn-of-the-century Victorian dream-world by her mother, vies for the attention of her visiting dad, Michael (Robert Shaw), both conventionally and sexually, in hopes that she'll get to live with him. Her plans are complicated by a series of murders that may or may not be by Marguerite or her eerie life-size doll Aaron. The perpetrator moves around the estate through secret passageways. The first victims are Marguerite 's mother and grandma. While the investigation is under way, a local boy tries to woo the girl, but whenever he gets too close, the girl lashes out in unpredictable ways. Meanwhile Michael's fiancée, Anne (Sally Kellerman), becomes suspicious of Marguerite and what she understandably sees as Marguerite's creepy competitions for her dad's love. Anne's initial efforts to befriend Michael's daughter turn into exasperation and disgust. As the situation spirals out of control, the long-absent father is forced to confront Marguerite 's twisted personality and upbringing. ~ Michael Buening, Rovi

It looks like it's going to be a "Dark Christmas" for the family of Richard Ghormley (John Lupton), former employee of smuggler William Shrack (Eugene Peterson). Though innocent of any wrongdoing himself, Ghormley knows too much about Shrack's operation for his own good. Inspector Erskine (Efrem Zimbalist Jr.) races against time to prevent Ghormley from being killed by professional hitman Stuart Tilden (Don Gordon)--who has already shot down several people who've have the misfortune to get in his way. Appearing as Tilden's erstwhile girlfriend is Sondra Locke, future leading lady (both onscreen and off) of Clint Eastwood. ~ Hal Erickson, Rovi

An amoral film student will stop at nothing to gain a movie contract in this pretentious effort. Tony Hall (Robert Forster) insults his cinema professor (Reegis Toomey), degrades his girlfriend Sondra Locke), and alienates his agent. Ken Kerchival and Sam Waterston also appear in this dreary film. ~ Dan Pavlides, Rovi