Peter Locke Movies
- 1984
Having acquired ownership of the California Bulls pro football team in a divorce settlement (her husband had run off with a lineman!), curvaceous Diane Barrow (Delta Burke) takes charge of the franchise -- and raises the temperatures of all the players in the process -- in the first season of the raunchy HBO sitcom 1st & Ten. Keeping the Bulls in line (and out of reach of the delectable Diane) is dyspeptic coach Ernie Denardo (Reid Shelton). The series' first 13 episodes deftly combine comedy, drama, dirty words, female mammaries, grungy locker-room conferences, tete-a-tetes with questionable-looking characters (most of them friends of Diane's mob-connected nephew) and down-and-dirty gridiron scenes. Episode titles include "By the Bulls," "The Opener," "All Roads Lead to Dayton," "The Slump," "Play Me or Trade Me," "You Are Who You Eat,"Uneasy Lies the Head," "The Sins of the Quarterback," "I Only Read Defenses," "Wine Time," "Rona's Fling,"Not Quite Mr. Right" and "Super Bull Sunday." ~ Hal Erickson, All Movie Guide
- Starring:
- Delta Burke, Reid Shelton, (more)
This atrocious sequel to the 1977 horror classic is padded with so much of that film's footage that it seems more like a rerun than a new story. The entire cast seems to have lengthy flashbacks of the previous movie's events, including -- in what must be a cinematic first -- the German shepherd dog. The remaining screen time is spent on an uninvolving battle between some bland motocross bikers and the cannibal hillfolk. To be fair, director Wes Craven has stated that the film was extensively tampered with prior to release. That may get Craven off the hook, but doesn't make this muddled mess any easier to watch. ~ Robert Firsching, All Movie Guide
- Starring:
- Michael Berryman, Tamara Stafford, (more)
- 1981
The infamous casting couch is the center point of this Hollywood behind-the-scenes drama that chronicles the exploits of a movie mogul and the actresses he turns into stars. ~ Sandra Brennan, All Movie Guide
When Stockard Channing agreed to co-produce the made-for-TV Gun in the House, she fully intended to play the leading role of Emily Cates herself. But schedule conflicts intervened, and Channing was forced to relinquish the role to Sally Struthers, who was quite good. Attacked in her home by two male assailants, Emily Cates grabs a handgun and shoots and kills one of the intruders. Alas, the police find no evidence that Emily was in fact attacked--nor do they discern any need for excessive force. As a result, Emily is arrested like a common criminal and charged with murder--targeted as an "example" to other would-be gun owners by politically ambitious DA Lance Kessler (Jeffrey Tambor). The Stephen Zito-James M. Miller teleplay takes an inordinately melodramatic approach to the film's provocative subject matter, offering cut-and-dried hero and villain types and occasionally illogical plot twists. Still, Gun in the House has remained food for thought ever since its February 11, 1981 debut. ~ Hal Erickson, All Movie Guide
Horror auteur Wes Craven followed his threadbare but horrifically compelling cult classic Last House on the Left with this wonderfully demented morality fable about a bloody war of attrition between two extremely different families. The story opens on the journey of the Carters, a mildly dysfunctional extended family led by patriarch "Big Bob" Carter (Russ Grieve), as they travel across the California desert in search of an inherited silver mine. When a broken axle leaves them stranded in the middle of a former nuclear testing site, their attempts to find help lead them unwittingly into the territory of a savage family of cave-dwelling cannibals, the apparent progeny of the bearlike Jupiter (James Whitworth) and an abducted prostitute. Jupiter's eldest son Pluto (professional movie weirdo Michael Berryman) leads the first brutal attack on the defenseless Carters who, through necessity, are driven to equally extreme measures in order to survive. Though the film is not overtly bloody, the scenes depicting this confrontation are rendered with an unflinching directness, and the violations visited on the Carters are so brutal as to make the survivors' regression into savagery all the more convincing. No one is spared from the nightmare: Jupiter's boys have even kidnapped the youngest member of the Carter family -- a mere infant -- to serve as fodder for their next barbecue, and the baby becomes the main point of contention between the rival clans. Craven nevertheless refuses to take the easy way out by depicting his "monsters" as soullessly evil; parallels between either family's "values" are clearly drawn as the differences between the two clans begin to blur. ~ Cavett Binion, All Movie Guide
- Starring:
- Susan Lanier, Robert Houston, (more)
Despite her best efforts, a pretty drive-in restaurant waitress just doesn't seem to be able to lose her virginity in this 1974 sex comedy that was also released under the title Kitty Can't Help It. ~ Jason Buchanan, All Movie Guide
- 1971
This satire follows the exploits of a young hippy who goes looking for Life's meaning in Central Park. There he is accosted by a corpulent black woman while he watches a young man moon an old woman while she curses at him. He then goes on to have more adventures that lead him to marry a kindred spirit, get a job, and begin raising a daughter. Things are fine until he loses his job, gets abandoned by his wife, and must raise his girl alone. He ends up back in the park pondering the meaning of it all. ~ Sandra Brennan, All Movie Guide
Inspired by Charles Dickens' novel Oliver Twist, Lionel Bart's 1961 London and Broadway musical hit glossed over some of Dickens' more graphic passages but managed to retain a strong subtext to what was essentially light entertainment. For its first half-hour or so, Carol Reed's Oscar-winning 1968 film version does a masterful job of telling its story almost exclusively through song and dance. Once nine-year-old orphan Oliver Twist (Mark Lester) falls in with such underworld types as pickpocket Fagin (Ron Moody) and murderous thief Bill Sykes (Oliver Reed), it becomes necessary to inject more and more dialogue, and the film loses some of its momentum. But not to worry; despite such brutal moments as Sikes' murder of Nancy (Shani Wallis), the film gets back on the right musical track, thanks in great part to Onna White's exuberant choreography and the faultless performances by Moody and by Jack Wild as the Artful Dodger. The supporting cast includes Harry Secombe as the self-righteous Mr. Bumble and Joseph O'Conor as Mr. Brownlow, the man who (through a series of typically Dickensian coincidences) rescues Oliver from the streets. Oliver! won six Oscars, including Best Picture, Best Director, and a special award to choreographer Onna White. ~ Hal Erickson, All Movie Guide
- Starring:
- Ron Moody, Shani Wallis, (more)
An ex-RCMP and DEA agent relocates to Key Mariah, Florida after being fired from his job and dropping out of society, only to form a detective agency with a street smart travel agent in this prime time action series. Dispite the fact that Nick Slaughter and his partner Sylvie Gerard make quite the sleuthing duo, the uncooperative nature of the local police frequently forces them to fall back on the skill of resourceful collaborators Ian, Spider, and Rollie. ~ Jason Buchanan, All Movie Guide
- Starring:
- Rob Stewart, Carolyn Dunn, (more)
