Norman Lloyd Movies

While Norman Lloyd managed to avoid becoming a household name, over the course of a career in the arts that has spanned eight decades he's distinguished himself as an actor, director, writer and producer in film, television and the legitimate stage. In the 1930s, Lloyd acted in a number of ground-breaking theatrical productions alongside his friend John Garfield under the direction of Elia Kazan, and he later became a member of Orson Welles' Mercury Theater company. As a film actor, Lloyd has worked with such directors as Alfred Hitchcock, Charlie Chaplin and Martin Scorsese, and as a television producer his credits include Alfred Hitchcock Presents and an award-winning series of adaptation of great plays for public television. However, the show-business blacklist against leftist artists in the Fifties stalled Lloyd's career, and while he's always had the respect of his peers, for years he struggled to put his career back on track. Who Is Norman Lloyd? is a documentary by filmmaker Matthew Sussman which gives Lloyd and some of his illustrious colleagues the opportunity to answer the titular question while discussing his life and work; the film includes interviews with Ray Bradbury, Cameron Diaz, Arthur Hiller, Karl Malden, Pat Hitchcock and many others. ~ Mark Deming, Rovi

American film historian and author Richard Schickel directs the documentary Charlie: The Life and Art of Charles Chaplin. Schickel offers an exploration into Chaplin's life, from his childhood in London until his death in 1977. The film also contains insight on his multifaceted film career and much-publicized private life. Includes archive footage, film clips, and narration by Sydney Pollack. Interwoven with the vintage bits are contemporary interviews with Hollywood personas such as Woody Allen, Martin Scorsese, and Johnny Depp. Chaplin's children Michael and Geraldine also provide contributions. Charlie was shown at the Edinburgh International Film Festival in 2003. ~ Andrea LeVasseur, Rovi

A seemingly-minor electronic error sets the world on the verge of nuclear annihilation in this made-for-TV adaptation of the novel by Eugene Burdick and Harvey Wheeler (which was previously filmed in 1964). Due to the burn-out of a piece of circuitry, a computer orders a U.S. Air Force jet on a strategic bombing raid, destroying targets in Russia with nuclear weapons. As Generals Bogan (Brian Dennehy) and Black (Harvey Keitel) desperately search for a way to recall the planes once the mistake has been discovered, the bomber's commander, Col. Grady (George Clooney) sets out on his mission with grim determination, while the President (Richard Dreyfuss) and his translator (Noah Wyle) stay in contact with the Soviet premier, trying to convince him that this was all a terrible mistake. Fail Safe was first presented as a live television broadcast which aired on CBS on April 9, 2000. The supporting cast includes Hank Azaria, Don Cheadle, James Cromwell, and Sam Elliott. Star George Clooney spearheaded the unique project and served as executive producer. ~ Mark Deming, Rovi

The pride of Frostbite Falls and Whatsamatta U's most famous alumni find their way onto the big screen (and the real world) in this comedy inspired by the popular cartoon series. Years after their TV show is cancelled, Rocky the Flying Squirrel (voice of June Foray) and Bullwinkle J. Moose (voice of Keith Scott) are barely getting by on residual checks; they're wondering what to do next when Fearless Leader (Robert De Niro), the evil genius of Pottsylvania, transforms himself from a cartoon into a living, breathing, nasty human being, thanks to the assistance of television executive Minnie Mogul (Janeane Garofalo). With the help of his newly flesh-and-blood henchmen Boris Badenov (Jason Alexander) and Natasha Fatale (Rene Russo), Fearless Leader plots to take over the world by using television to zombify people and then persuading the masses to elect him president. Can the daring flying squirrel and the well-meaning but not especially bright moose stop them? Unlike the TV show, which made a virtue of its unsophisticated animation, The Adventures of Rocky and Bullwinkle employs a technically sophisticated blend of computer-generated animated characters (Rocky and Bullwinkle) and live actors (Fearless Leader, Boris, and Natasha). Human beings making guest appearances include Randy Quaid, John Goodman, and Jonathan Winters. ~ Mark Deming, Rovi

This TV science fiction action drama is based on the familiar fantasy notion: what if it were possible to go back and do it all over again, minus mistakes? Ex-CIA agent Frank Parker (Jonathan LaPaglia) is yanked from a mental institution and assigned to a top-secret project engineered from a Roswell-based alien technology. The government has developed a device that can send a single human being into the past -- but only as far back as seven days. Parker has been selected to do this each week because of his contempt for authority, his ability to withstand pain, and his photographic memory. When the action cools down, Parker flirts with gorgeous Russian scientist Olga Vukavitch (Justina Vail). Filmed in L.A., the series premiered with a two-hour pilot on October 7, 1998 on United Paramount Network. ~ Bhob Stewart, Rovi

After a two-week rerun cycle, Next Generation's sixth season resumed on May 1, 1993 with this first-run episode. The title refers to a competition involving the Enterprise, the Cardassians, the Klingons, and the Romulans. All four combatants race to solve a genetic puzzle that has remained inscrutable for four billion years. Alas, the solution of the puzzle may unleash a secret that will mean the end of the Galaxy. Veteran actors Norman Lloyd and Salome Jens guest star as, respectively, Picard's former archeology professor Galen and an enigmatic Humanoid; additionally, former Avengers regular Linda Thorson is seen as Gul Ocett. Directed by Jonathan Frakes, "The Chase" was written by Joe Menosky and Ronald D. Moore. ~ Hal Erickson, Rovi

In Martin Scorsese's adaptation of Edith Wharton's 1920 novel, romance between an upper-class gentleman and an ostracized lady is doomed by 19th century New York society. Shortly after his engagement to blandly genteel May Welland (Winona Ryder), Newland Archer (Daniel Day-Lewis) is reacquainted with May's scandalous cousin Ellen Olenska (Michelle Pfeiffer). As the head of an esteemed family, Archer initially uses his standing to try to rehabilitate Ellen's reputation, but he finds himself increasingly drawn to her disregard for the codes of New York manners. Bound by ingrained society mores and his peers' insinuations, Newland tries to dodge his growing passion by rushing his marriage to May, but he cannot keep himself from confessing his love to Ellen. Recognizing that Newland could never abandon his sense of honor and be happy, Ellen pushes Newland to May and leaves town. The marriage proceeds as dictated, but when Newland unexpectedly sees Ellen again, he yearns for the affair to come to fruition. However, he underestimates not only what May knows but also her ability to uphold the rules of propriety. Sumptuously shot by Michael Ballhaus, the film offers meticulously designed costumes and settings that evoke a culture as seductively beautiful in its surfaces as it is stifling in its rituals. Unspoken emotions are expressed through such details as yellow roses or a clipped cigar, a fade to red or a single camera move. Using Wharton's original prose to comment on the setting's hypocrisies, Joanne Woodward's voiceover narration suggests how much decisive power is buried beneath dainty femininity. The Age of Innocence received five Oscar nominations, including Best Supporting Actress for Ryder and Best Screenplay for Scorsese and Jay Cocks, and a win for Best Costumes. Although The Age of Innocence seemed like a departure from Scorsese's prior work, Newland is as much at the mercy of his circle's Byzantine structure (and his own conscience) as are Scorsese's more familiar mobsters; Newland's persecutors just wear white tie and tails. ~ Lucia Bozzola, Rovi

Jessica (Angela Lansbury) is invited to speak at an exclusive club where only men are permitted as members. Despite her gender, Jessica is asks by the club's governing committee to help them solve a mystery involving the murder of a "rogue" member. This proves difficult when it becomes apparent that the killer may himself be on the committee. This episode is chock full of sly science-fiction and fantasy references--no surprise, inasmuch as it was written by J. Michael Straczynski, a guiding force behind the popular series Babylon 5. ~ Hal Erickson, Rovi

The fourth in a seemingly endless parade of Amityville sequels, this passable TV knock-off features an item of possessed furniture from the notorious haunted house -- a concept inspired by a series of novels by John G. Jones and exploited in no less than three films of the series. This time it's a lava lamp from the accursed site that houses the evil, traveling cross-country from an Amityville garage sale (now there's a title for a sequel) to an oceanfront California estate, whereupon it releases the demonic forces within to exert their vile influence on a young girl by assuming the form of her late father. To this end, the demon animates various household appliances to whittle down the cast in death scenes which are neither shocking nor original -- much like the rest of this film. ~ Cavett Binion, Rovi