John J. Lloyd Movies

Dudley Moore stars as Emory Lesson, an advertising genius whose finds himself committed to an insane asylum in Tony Bill's Crazy People. Emory becomes tired with creating phony ad campaigns and decides to create his own campaigns that tell the brutal truth. Since sex sells, Emory designs an explicit ad campaign consisting of unadorned sexuality. The campaign is so offensive that his colleagues have Emory put in a mental institution. At first Emory resists, but under the tutelage of a concerned psychiatrist, Dr. Liz Baylor (Mercedes Ruehl) and the tender love of Kathy (Daryl Hannah) a beautiful patient, Emory begins to like it in the mental home. Befriending the cute and lovable patients in the mental ward, Emory discovers that the crazy people are natural-born advertising geniuses and Emory utilizes their genius for a new ad campaign. ~ Paul Brenner, All Movie Guide

This third sequel to the 1975 mega-hit Jaws returns Lorraine Gary to the role of Ellen Brody, widow of the Roy Scheider character from the first two films. When her son Sean, the current police chief of shark-plagued Amity Island, is killed by the beast, Ellen goes to the Bahamas to comfort her surviving son. Michael Brody (Lance Guest) and his friend Jake (Mario Van Peebles) are marine biologists there to help, but in the end it is up to Ellen and her new beach-bum love -- played by Michael Caine -- to put a halt to the fishy horror. Director Joseph Sargent concludes the series with an ending chosen from several alternate possibilities. ~ Robert Firsching, All Movie Guide

Playing in a manner that can be conservatively described as larger than life, Kurt Russell plays a macho truck driver who agrees to go to the San Francisco airport and pick up his friend's (Dennis Dun) fiancee (Suzee Pai, freshly arrived from China. Suddenly, a gang of Chinatown toughs kidnap the girl right before Russell's eyes. After a wild chase sequence, Russell discovers that the girl has been abducted by a genuine, bonafide sorceror (James Hong), the ghost of a 3000 year old warlord. And that's just for starters. ~ Hal Erickson, All Movie Guide

In this spoof of McCarthy-era paranoia and 1950s wholesomeness, the characters and plot are drawn from the popular Parker Brothers board game of the same name. On a dark and stormy night in 1954, six individuals with ties to Washington are assembled for a dinner party at the swanky mansion of one Mr. Boddy (Lee Ving). Boddy's butler, Wadsworth (Tim Curry), assigns each guest a colorful name: Mr. Green (Michael McKean), Col. Mustard (Martin Mull), Mrs. Peacock (Eileen Brennan), Professor Plum (Christopher Lloyd), Miss Scarlet (Lesley Ann Warren), and Mrs. White (Madeline Kahn). Two additional servants, the Cook (Kellye Nakahara) and Yvette, the maid (Colleen Camp), assist Wadsworth as he informs the guests that they have been gathered to meet the man who has been blackmailing them: Mr. Boddy. When Boddy turns up dead, however, the guests must try to figure out who killed him so they can protect their own reputations and keep the body count from growing. Three separate endings were filmed for Clue and shown in different theaters; all three are collected for the video edition. Although the film is set in the 1950s, the original Clue game was actually devised by Anthony Pratt, a clerk in Leeds, England, to pass the time during World War II air-raid drills. First released in 1946 under the name Cluedo by British manufacturer Waddington's, Clue was renamed and released in the U.S. in 1949. Today, Clue/Cluedo is marketed in 70 countries around the world and has been adapted into a British game show and an off-Broadway musical. ~ Brian J. Dillard, All Movie Guide

In this comedy, an ordinary woman finds herself sharing both her home and her body with a ghost who has a pronounced wild streak. Jan (Glenn Close) and Nick (Mandy Patinkin) are a couple moving into an apartment in an old Victorian house in San Francisco. Jan is a straight-laced secretary working for a Catholic bishop, while Nick deals in used books. While stripping some old wallpaper in their new home, they discover a message written on the wall, which their flaky landlady Mrs. Lavin (Ruth Gordon) informs them was written by Maxie, a high-spirited flapper who had a career in silent films before dying in a car wreck on her way to audition for D.W. Griffith. Out of curiosity, Jan and Nick rent a video of one of Maxie's films to see her in action, but it just so happens that Maxie's ghost still lives in the house -- and is looking for a human host. Maxie's spirit enters Jan's body and makes her presence known at the most inconvenient times; suddenly mild mannered Jan is kicking up her heels, swilling gin, starting arguements, and acting like a flaming youth straight out of the 1920s. Nick finds Maxie a good bit more exciting than Jan and even tries to launch Maxie back into a movie career by having her audition for a remake of Cleopatra opposite Harry Hamlin; Jan, however, just wants to have her body to herself again. Maxie proved to be one of the last screen appearances for veteran actress Ruth Gordon, who died several weeks before the film was released. ~ Mark Deming, All Movie Guide

Created by Peter Fluck, Roger Law, and Martin Lambie-Nairn, the legendary British comedy series Spitting Image can be described, albeit inadequately, as a puppet show for grown-ups. Using huge rubber puppets and marionettes, all adorned with the grotesquely caricatured faces of international celebrities, the series mercilessly skewered the Rich and Famous of every political and ideological stripe. Singled out for an inordinate amount of satirical persecution were the members of the Royal Family, although the series was just as unsparing in its attacks of Ronald Reagan, Fidel Castro, Mikhail Gorbachev, and other eminently lampoon-able authority figures. Launched as a half-hour program in 1984, the series ultimately expanded to 45 minutes, chalking up 141 episodes. In addition, nine Spitting Image specials aired between 1986 and 1996; alas, the quality of the writing diminished as the program remained on the air, at least so far as its most fervent fans were concerned. Telecast by Central Television, Spitting Image was never formally syndicated to the United States, though tantalizing vignettes of the series popped up on such American news programs as 60 Minutes, spawning a home-grown imitation from the studios of Sid and Marty Krofft titled D.C. Follies. ~ Hal Erickson, All Movie Guide

A remake of Pigeon by Mario Monicelli, but set on the streets of San Francisco in a contemporary America instead of Italy in the '50s, this comedy about a conspiratorial heist of a greedy pawnbroker has excellent acting and good light fun but not much in the way of character motivation. Weslake (Donald Sutherland) is unemployed and has reason to frequent the pawnshop of his money-hungry friend Garvey (Jack Warden). People come and go around the shop (almost the only setting for the action): an aspiring musician of sorts (Sean Penn), the eccentric meter-maid Maxine (Christine Baranski), a safe-cracker (Irwin Corey), and others. Then one day Weslake gets the idea to break into Garvey's safe and make off with a few valuables just for the fun of it. Everyone agrees, and the plot goes on unhindered by motivation or ethics. ~ Eleanor Mannikka, All Movie Guide

John Carpenter's The Thing is both a remake of Howard Hawks' 1951 film of the same name and a re-adaptation of the John W. Campbell Jr. story "Who Goes There?" on which it was based. Carpenter's film is more faithful to Campbell's story than Hawks' version and also substantially more reliant on special effects, provided in abundance by a team of over 40 technicians, including veteran creature-effects artists Rob Bottin and Stan Winston. The film opens enigmatically with a Siberian Husky running through the Antarctic tundra, chased by two men in a helicopter firing at it from above. Even after the dog finds shelter at an American research outpost, the men in the helicopter (Norwegians from an outpost nearby) land and keep shooting. One of the Norwegians drops a grenade and blows himself and the helicopter to pieces; the other is shot dead in the snow by Garry (Donald Moffat), the American outpost captain. American helicopter pilot MacReady (Kurt Russell, fresh from Carpenter's Escape From New York) and camp doctor Copper (Richard Dysart) fly off to find the Norwegian base and discover some pretty strange goings-on. The base is in ruins, and the only occupants are a man frozen to a chair (having cut his own throat) and the burned remains of what could be one man or several men. In a side room, Copper and MacReady find a coffin-like block of ice from which something has been recently cut. That night at the American base, the Husky changes into the Thing, and the Americans learn first-hand that the creature has the ability to mutate into anything it kills. For the rest of the film the men fight a losing (and very gory) battle against it, never knowing if one of their own dwindling number is the Thing in disguise. Though resurrected as a cult favorite, The Thing failed at the box office during its initial run, possibly because of its release just two weeks after Steven Spielberg's warmly received E.T.The Extra-Terrestrial. Along with Ridley Scott's futuristic Alien, The Thing helped stimulate a new wave of sci-fi horror films in which action and special effects wizardry were often seen as ends in themselves. ~ Anthony Reed, All Movie Guide

Expanding on their Saturday Night Live characters, John Belushi and Dan Aykroyd star as Jake and Elwood Blues, two white boys with black soul. Sporting cool shades and look-alike suits, Jake and Elwood are dispatched on a "mission from God" by their former teacher, Sister Mary Stigmata (Kathleen Freeman). Said mission is to raise $5000 to save an orphanage. In the course of their zany adventures, the Blues Brothers run afoul of neo-Nazi Henry Gibson, perform the theme from Rawhide before the most unruly bar crowd in written history, and lay waste to hundreds of cars on the streets and freeways of Chicago. In case you aren't swept up in the infectuous nuttiness of the brothers Blue, you might have fun spotting film's legion of guest stars, including James Brown, Cab Calloway, Aretha Franklin, Ray Charles, John Candy, Carrie Fisher, Steve Lawrence, Twiggy, Paul Reubens (aka Pee-Wee Herman), Frank Oz, and Steven Spielberg. ~ Hal Erickson, All Movie Guide

A young man and an older woman wonder if tennis is the only place where love means nothing in this romantic drama. Twenty-something Chris (Dean Paul Martin) is a rising star on the professional tennis circuit. Nicole (Ali MacGraw) is an artist in her early 40s who's involved with a wealthy man. Chris falls for Nicole, but while she's certainly attracted to him, she's not sure if she should give up her life of luxury in order to follow Chris in his uncertain future. Players is loaded with cameos from major tennis stars, including John McEnroe, Guillermo Vilas, and Ilie Nastase; Pancho Gonzales has a major supporting role as Chris' coach. ~ Mark Deming, All Movie Guide

Director John Landis put himself on the map with this low-budget, fabulously successful comedy, which made a then-astounding 62 million dollars and started a slew of careers for its cast in the process. National Lampoon's Animal House is set in 1962 on the campus of Faber College in Faber, PA. The first glimpse we get of the campus is the statue of its founder Emil Faber, on the base of which is inscribed the motto, "Knowledge Is Good." Incoming freshmen Larry "Pinto" Kroger (Tom Hulce) and Kent "Flounder" Dorfman (Stephen Furst) find themselves rejected by the pretentious Omega fraternity, and instead pledge to Delta House. The Deltas are a motley fraternity of rejects and maladjusted undergraduates (some approaching their late twenties) whose main goal -- seemingly accomplished in part by their mere presence on campus -- is disrupting the staid, peaceful, rigidly orthodox, and totally hypocritical social order of the school, as represented by the Omegas and the college's dean, Vernon Wormer (John Vernon). Dean Wormer decides that this is the year he's going to get the Deltas expelled and their chapter decertified; he places the fraternity on "double secret probation" and, with help from Omega president Greg Marmalard (James Daughton) and hard-nosed member Doug Neidermeyer (Mark Metcalf), starts looking for any pretext on which to bring the members of the Delta fraternity up on charges.

The Deltas, oblivious to the danger they're in, are having a great time, steeped in irreverence, mild debauchery, and occasional drunkenness, led by seniors Otter (Tim Matheson), Hoover (James Widdoes), D-Day (Bruce McGill), Boon (Peter Riegert), and pledge master John "Bluto" Blutarsky (John Belushi). They're given enough rope to hang themselves, but even then manage to get into comical misadventures on a road trip (where they arrange an assignation with a group of young ladies from Emily Dickinson University). Finally, they are thrown out of school, and, as a result, stripped of their student deferments (and, thus, eligible for the draft). They decide to commit one last, utterly senseless (and screamingly funny) slapstick act of rebellion, making a shambles of the university's annual homecoming parade, and, in the process, getting revenge on the dean, the Omegas, and everyone else who has ever gone against them. ~ Bruce Eder, All Movie Guide

Star Gregory Peck went into MacArthur disliking the title character that he was slated to play, but emerged from the experience with a deeper understanding and respect for this complex historical figure. The film is framed in flashback, with an octogenarian General
Douglas MacArthur (Peck) making his final address before his alma mater of West Point. We flash back to the fall of Corregidor in 1942, with MacArthur promising "I shall return" to the beleaguered (and eventually imprisoned) American and Filipino troops. The story follows MacArthur's subsequent victories in the South Pacific, occasionally pausing to show us the General's omnipresent sense of "showmanship" (e.g. his wading ashore on the beaches of the Philippines for the benefit of the newsreel cameras). The greater part of the film involves MacArthur's attempts to restore dignity to the defeated postwar Japan, and to keep the Russian Communists from overtaking the orient as they had Eastern Europe. MacArthur is eventually fired from his post by President Truman after the general defies orders during the Korean conflict. MacArthur was intended as Universal's "answer" to 20th Century-Fox's enormously successful Patton (1970), but box-office returns were disappointing. ~ Hal Erickson, All Movie Guide