Jay Livingston Movies

Larry the Cable Guy's Christmas Spectacular features the redneck stand-up comic starring in an adaptation of the classic Dickens Christmas story that has been adapted to suit his particular comic persona. ~ Perry Seibert, All Movie Guide

In this farcical comedy, Matthew Broderick plays Clark Kellogg, an aspiring director who arrives in New York City to attend film school. However, moments after he arrives in the city, he's robbed by Victor Ray (Bruno Kirby), leaving him no money for the $700 in books required by his instructor, Arthur Fleeber (Paul Benedict). A few days later, Clark runs into Victor and demands his money back, but Victor has already lost it (on a horse race in which he wasn't entirely sure the animal he bet on was a horse). Instead, he offers to fix Clark up with a job with his boss, an "importer and exporter" named Carmone Sabatini (Marlon Brando), who bears a stunning resemblance to Don Corleone in The Godfather. Clark's adventures with Sabatini are just beginning when he's instructed to pick up a package from the airport. Clark is expecting it to be contraband, and he's right, but not in the way he figured -- it turns out he's accepting delivery of a komodo dragon, which is to be served at a "gourmet club" specializing in dishes prepared from endangered species. Marlon Brando's hilarious comic variation on one of his best-known roles is the highlight of this film, but Bruno Kirby and Paul Benedict also deliver fine comic turns, and Matthew Broderick copes nobly with his role as the film's lone normal person. ~ Mark Deming, All Movie Guide

Blake Edwards directed this big-screen adaptation of the once-popular TV detective series Peter Gunn, which Edwards helped create. Peter Gunn (Craig Stevens) is a tough but polished private eye who fights crime with the help of friendly advice from an inside source at the police department, Lt. Jacoby (Edward Asner), no-nonsense nightclub owner Mother (Helen Traubel), and Gunn's best girl, Edie (Laura Devon). When a top crime boss is assassinated, Gunn is called in to investigate. Fusco (Albert Paulson) is a mobster poised to take over the city's criminal empire, and Daisy Jane (Marion Marshall) is a madame who thinks that Fusco pulled the trigger to further his own career. Jane wants Gunn to dig up the truth about Fusco, though Daisy Jane turns out to be the one with the biggest secret of all. Gunn retains Henry Mancini's memorable theme music from the original show, and brought back Craig Stevens, who played Peter Gunn on the original TV series, though Herschel Bernardi and Lola Albright were replaced as (respectively) Jacoby and Edie. ~ Mark Deming, All Movie Guide

In this service comedy set during World War II, Capt. Cash (Dick Shawn) and Lt. Christian (James Coburn) are given orders to invade a small but strategically important village in Sicily. To their surprise, none of the natives offer the slightest resistance to the Americans taking over their town, who present only one stipulation -- the main event on the town's annual social calendar, a football match followed by a wine festival, is scheduled to happen in a few days. If the Americans would be kind enough to let them have their party, they'll hand over the town without a fight. Cash and Christian think that this plan sounds reasonable enough, and a few days later they and their men are drunkenly whooping it up with the townspeople when both German and U.S. surveillance planes spot the festivities. Thinking the wild party looks more like some sort of battle, both the Germans and Americans make plans to send in troops. Screenwriter William Peter Blatty would enjoy greater success a few years down the line with The Exorcist, a novel about a different sort of conflict. ~ Mark Deming, All Movie Guide

Of the two competing Jean Harlow biopics released in 1965, producer Joseph E. Levine's Harlow is the more slickly professional, though neither film is exactly a cinematic landmark. Carroll Baker plays 1930s "platinum blonde" Jean Harlow, who, in keeping with the portrait painted by biographer Irving Schulman and Arthur Landau (upon whose book this film is based) was a forlorn waif tossed around like a football by the predatory males of wicked old Hollywood. Prodded by a hellish stage mother (Angela Lansbury) and an implicitly incestuous stepfather (Raf Vallone), Harlow rises to the pinnacle of movie stardom but never finds true happiness. The wedding-night revelation that her new husband, producer Paul Bern (Peter Lawford), is impotent is just another devastating blow for the poor girl. After all she goes through in the film, Harlow's premature death at age 26 is almost a relief. The only person who truly, deeply, sincerely cares about her is her lovable agent Arthur Landau (played by lovable Red Buttons) who, it will be remembered, co-authored the original Harlow book. Movie buffs will derive some perverse pleasure by the script's many distortions of the facts. Whatever its shortcomings, Harlow posted a huge profit for Joe Levine and Paramount Pictures. ~ Hal Erickson, All Movie Guide

This quirky melodrama opens with an automobile crash. The driver, Steve Mallory (George Peppard), comes out of unconsciousness with amnesia. As his memory slowly returns, he learns that he is a wealthy manufacturer of table china. His wife Alexandria (Elizabeth Ashley) wants to leave him, and his cousin Oliver Parsons (Roddy McDowall) wants Steve to sell him the family business. He also learns that the passenger in his car, a cocktail waitress named Holly Mitchell (Sally Kellerman), was killed in the accident. Her husband Lester (Arte Johnson) joins forces with Parsons to frame Steve and blame him for the accident, and Steve is arrested. Lester then kidnaps Alexandria and threatens to kill her in revenge for Holly's death. The film is based on a novel by Joseph Hayes. ~ Michael Betzold, All Movie Guide

This time around, Tammy, played by Sandra Dee, becomes a nurse's aid to care for an old rich woman and causes a commotion. Since she is charming and warm, everyone likes her--especially Dr. Mark Cheswick (Peter Fonda)--who is warned by boss Dr. Bentley (MacDonald Carey) of the consequences of his pursuit. Fearing for his job, Doc Cheswick backs off, but everything gets complicated by romantic inclinations between head nurse Rachel Coleman (Margaret Lindsay) and head Doc Bentley. After Tammy saves the elderly woman's life and Bentley and Rachel get together, she and the Doctor soon are left to bask in the glow of new love. Third in the series of four, Tammy and the Doctor spun from the original Tammy and the Bachelor (1957)--starring Debbie Reynolds, and is followed by the last Tammy and the Millionaire (1967). ~ Kristie Hassen, All Movie Guide

In this standard children's story -- with a few teen songs added -- the head of Burberry Elementary School, Harry Davis (Eddie Albert) is the proud father of two boys, Timmy and Billy (Donnie Carter and Butch Patrick) who wish they were bears. If Dad was bothered before by this wish, things only get worse for him because the boys meet a gypsy who gives them a spell they can say that will grant their wish. Along with a bit of their sister's freckle cream (a necessary ingredient), the boys accomplish their transformation. Now Dad has a lot more to worry about. ~ Eleanor Mannikka, All Movie Guide

Young (19-year-old) reggae and rhythm-and-blues singer Johnny Nash stars in this conventional coming-of-age story about a well-heeled, Afro-American teen trying to find his way in a white-man's world. The realities of that world hit Spencer (Nash) hard, and at first he looks for solace and comfort in the black community, especially since like most teens his age going to his parents for support or consultation is out of the question. In his search for identity and meaning, Spencer comes to see the family maid Christine (Ruby Dee) in a way he never did before, and an implied sexual relationship with this kind-hearted, older woman begins to awaken in him a different, more adult viewpoint on life and its traumas. ~ Eleanor Mannikka, All Movie Guide

The first hour-long network Western series telecast in color, Bonanza was also the granddaddy of all "property" Westerns, future examples of which included The Virginian, The Big Valley, and The High Chaparral. The series took place during and after the Civil War in Virginia City, NV. Lorne Greene starred as Ben Cartwright, silver-haired owner of the fabulous, half-million-acre Ponderosa Ranch. The industrious, independent Cartwright had been widowed three times, each of his wives providing him with a single son. Pernell Roberts played eldest son Adam, the brooding, intellectual offspring of Ben's first wife Elizabeth; Dan Blocker played middle son Hoss, the beefy, affable issue of Ben's second wife Inger; and Michael Landon played youngest son Little Joe, a hotheaded, temperamental lad who took after his mother, Ben's third wife Marie. The four Cartwrights comprised the principal cast during the series' first six seasons, with occasional appearances by Victor Sen Yung as the Ponderosa's Chinese cook Hop Sing; Ray Teal as Virginia City's taciturn lawman, Sheriff Roy Coffee; and Bing Russell (father of Kurt Russell) as deputy Clem Foster. When Pernell Roberts left the series at the outset of season seven, it was explained that Adam had gone to Europe to complete his education. Several attempts were made to replace Adam in the hearts and minds of the viewing public: Guy Williams of Zorro fame was seen briefly as cousin Will Cartwright; David Canary appeared as ranch foreman Canady (aka Candy) during seasons nine through 11, then again during season 14, Lou Frizzell showed up as Ben's friend Dusty Rhoades beginning in season 12, as did Mitch Vogel as Dusty's ward Jamie Hunter, a teenaged orphan; and during the series' final year, Tim Matheson weaved through the proceedings as ex-convict Griff King, whom Ben tried to give a second chance by taking him on as a ranch hand. Making its NBC debut on September 12, 1959, Bonanza spent its first two seasons on Saturday evenings, opposite CBS' Perry Mason.
Ratings improved tremendously when Bonanza shifted to Sunday evenings at 9 PM (EST) beginning in the 1961-1962 season; in fact, the series was America's number one show for three seasons in a row, from 1964 through 1967. It might have run forever had it not been for two calamitous events during the 1972-1973 season: the decision by NBC to reschedule the show to Tuesdays, and the unexpected death of longtime regular Dan Blocker. With ratings plummeting precipitously, the show was canceled on January 16, 1973 -- a rather ignominious climax for a classic Western series that was second only to Gunsmoke in longevity. Since that time, a number of attempts have been made to revive Bonanza, notably a trio of made-for-TV movies produced in 1988, 1993, and 1995; the latter two appearing after the deaths of Lorne Greene and Michael Landon. And during the 2001-2002 season, the PAX network aired the prequel series Ponderosa, which detailed the adventures of the four Cartwrights in the years before Bonanza took place. ~ Hal Erickson, All Movie Guide

In her second film for Universal-International, Esther Williams stars as Laura, a high-priced fashion model. While working in Rome, Laura succumbs to the charms of international playboy Wally (Carlos Thompson), agreeing to join him on a chartered plane flight across the Mediterranean. When the plane crashes, Laura and Wally are rescued by mysterious loner Moore (Jeff Chandler). Chafing at the thought of remaining on Moore's sparsely populated island, Wally finds the wreckage of a yacht. While he repairs the vessel in hopes of returning to the mainland, Laura and Moore draw ever closer, leading to a potentially explosive situation. Is it just imagination, or does Carlos Thompson sound as though his voice has been dubbed by Paul Frees? ~ Hal Erickson, All Movie Guide

Having gained a measure of TV fame by 1958, the nightclub comedy duo of Dan Rowan and Dick Martin decided to give movies a try with Once Upon a Horse. Dan and Dick play Dan Casey and Doc Logan, a pair of nitwitted cowboys who turn to outlawry because they can't make a go at any honest profession. Stealing a valuable herd of cattle, the boys' dreams of financial security are dashed when they're forced to raise money to feed their stolen bovines. Martha Hyer costars as Miss Amity Babb, a resourceful saloon hall owner who applies 20th century business methods to her 19th century operation. For nostalgia buffs, several western-movie favorites (billed as "Our Old Pals") make cameo appearances, including Tom Keene, Bob Livingston, Kermit Maynard and Bob Steele. Hal Kanter's screenplay is full of clever, satirical touches, most of which proved to be too smart for the room in 1958. A financial disappointment, Once Upon a Horse (aka Hot Horse) would be Rowan and Martin's last joint film effort until 1969's The Maltese Bippy. ~ Hal Erickson, All Movie Guide