Jean-Louis Livi Movies

Alain Resnais, one of the towering figures of the French New Wave, demonstrates he still has plenty to say in this drama based on a novel by Christian Gailly. Marguerite (Sabine Azéma) is a successful dentist with a busy practice and an offbeat hobby, flying small airplanes. One day, while running errands, Marguerite loses her wallet, and it's found by Georges (André Dussollier), a seemingly happy man with a wife, Suzanne (Anne Consigny), and two children (Vladimir Consigny and Sara Forestier). As Georges looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession. Georges' attempts to integrate himself into Marguerite's life begin to alarm her, and she hires a private security team (Mathieu Amalric and Michel Vuillermoz) to keep him away, but Georges is determined that his new love for her will not be denied. Les Herbes Folles (aka Wild Grass) received its world premiere at the 2009 Cannes Film Festival. ~ Mark Deming, All Movie Guide

An orthodox Jewish teen living with her family in France attempts to balance her religious upbringing with her increasingly complex view of the outside world in director Karin Albou's incisive meditation on religion, philosophy, and the weight of romance on the mind of a growing girl. Eighteen-year-old student Laura (Fanny Valette) lives with her widowed mother (Sonia Tahar), her sister (Elsa Zylberstein), and her brother-in-law (Bruno Todeschini) in the suburban Paris neighborhood of Sarcelles. Though her exposure to the world thus far has been culturally limited due to the fact that her family resides in a neighborhood is often referred to as "Little Jerusalem" due to its large Jewish population, Laura's studies have told her that the world is full of interesting and diverse people. An overly serious and self-disciplined girl whose outward maturity defies her youthful age, Laura vows to avoid romance before finding that fate doesn't always play by the rules. ~ Jason Buchanan, All Movie Guide

Director Gen Sekiguchi and screenwriter Taku Tada, phenomenally successful award winners in Japan's advertising industry, make their feature-film debut with the fast-paced omnibus film, Survive Style 5+, which incorporates five strange tales that occasionally intersect. The ubiquitous Tadanobu Asano introduces the film, playing a man who has apparently just murdered his lovely wife (Reika Hashimoto). He drives out to the woods, buries the body, and returns home to find her waiting for him, and not in a particularly good mood. In the second story, Yoko (Kyôko Koizumi), a driven copywriter who constantly spews ad ideas into her handy minicassette recorder, has just had quick, unfulfilling sex with Aoyama (Hiroshi Abe), a sleazy, conceited TV hypnotist who proceeds to insult her work and her personal hygiene. Yoko takes it well, but she's got plans for the jerk. In the third story, Kobayashi (Ittoku Kishibe), a good-natured salaryman, is hypnotized by Aoyama into believing he's a bird. His family has a whole new set of problems when Aoyama is incapacitated before he can break the trance. The fourth thread follows three dimwitted burglars (Yoshiyuki Morishita, Jai West, and Kanji Tsuda) as they grapple with both professional and sexual confusion. The final plotline concerns a hot-tempered English hitman (Vinnie Jones) and his goofy employer (Yoshiyoshi Arakawa), who also serves as his translator as the hitman asks nearly everyone he meets, "What is your function on this planet?" Sonny Chiba has a cameo as the hen-pecked president of a drug company. Survive Style 5+ was shown at Subway Cinema's New York Asian Film Festival in 2005. ~ Josh Ralske, All Movie Guide

A woman looking for love finds a man who leads her into a life of crime in this thriller. Carla (Emmanuelle Devos) is a woman in her mid-twenties who works as a secretary in a real estate office. More cute than pretty, Carla is shy by nature, and the fact that she has a hearing problem has made her all the more withdrawn. While she longs for a relationship with a man, she finds herself living vicariously through her friend Annie (Olivia Bonamy), a single parent who dates often while Carla babysits her child. Carla makes the acquaintance of Paul (Vincent Cassel), a rough-hewn small-time criminal who has just been released from prison on parole. While Carla ought to know better, she finds herself strongly attracted to Paul, and Paul responds in kind. But before long, it becomes obvious that Paul is having an influence on Carla's normally stable nature; eager to get even with a co-worker who had wronged her, Carla persuades Paul to steal one of her company's files, which makes things more than a bit difficult for Carla's rival. Carla and Paul's actions go from malicious to seriously criminal when Paul hatches a scheme to rob a nightclub owner to whom he owes money -- a scheme that involves Carla's keen skill as a lip reader. ~ Mark Deming, All Movie Guide

Camille Claudel director Bruno Nuytten brings us a tale of the kind of l'amour fou that only the French can do so persistently. A moody, intense drama that opens with a present day car crash, Passionnement is told partially as an extended flashback centering on events that took place around Bastille Day ten years earlier. On the island of Porquerolles, Alice (Charlotte Gainsbourg) spies on Bernard (Gerard Lanvin), a man who has returned to France after living in Brazil for some years. The two had once been lovers, and Alice's obsession with Bernard -- which apparently didn't wane during their time apart -- sets in motion a string of events culminating with the aforementioned car crash. Dysfunction abounds. ~ Rebecca Flint Marx, All Movie Guide

Monsieur Naphtali (Elie Kakou) is a good-natured but somewhat feeble older man turned away from the rest home where he lives. In search of a place to stay, he finds his way to Paris, where a woman taking surveys takes pity on him and brings him home for a meal and a bed for the night. Naphtali finds himself spending the evening with the survey woman, her brother who works in publishing, his lovely but unhappy wife, an alcoholic doctor, and his wife, an ill-tempered judge. In a simple and unpretentious manner, Naphtali forces them all to open up about themselves and discuss elements of their lives that they usually prefer to avoid. Monsieur Naphtali was the final film for French comic Elie Kakou, who died two months before the film was released. ~ Mark Deming, All Movie Guide

Pierre Richard directed, co-scripted and stars in this French comedy. Former top film comedian Romain (Richard) is on a downward spiral -- rehearsing a play directed by his sister while also dealing with his wife, mistress, taxes, low self-esteem, demands for attention from his two children, and a private detective attempting to snap incriminating photos. Producer Jean-Louis Levi appears in a cameo as a poverty-stricken bum. ~ Bhob Stewart, All Movie Guide

This French tale, set in the 17th century, chronicles the marriage between an errant knight and a beautiful spinster. The tale begins in 1629, and the knight is Nathan Le Cerf who joins the regiments of Count Anchire after he loses his entire family to the plague. Nathan's first assignment is to kill the gambling rival of the count in a duel; Nathan obeys, but gets wounded in the process. Still he makes it back to his master and is expecting a generous reward. Instead, the count reviles the knight, invokes Louis XIII's ban on dueling, and orders Nathan beheaded. Nathan will have none of that. Despite his bleeding abdominal wound, he escapes into the countryside. Initially he finds shelter with his lifelong friend, a chalk maker; he then goes on to one of his patrons, an artist. Nathan is relegated to living in a humble hut in the wilds. Eventually he meets an impoverished noblewoman, Marhte de Lairac. She is a rare vision of beauty with her flowing red hair and wide eyes. She and Nathan decide to wed and she begins living with him in the simple cottage. At first the two are quite formal with each other, but soon a real sexual chemistry develops between them. Marthe seems to be terribly excited by Nathan's desire for vengeance against the treacherous count and she eagerly helps him train. The count eventually shows up and Nathan gets revenge. Unfortunately his actions create a disturbing change in his relationship with Marthe. ~ Sandra Brennan, All Movie Guide

Disney not only recycled the French farce Mon Pere, Ce Heros but brought back the lead actor of the original, Gerard Depardieu, for the Americanized remake My Father, the Hero. Depardieu plays Andre, the loving but neglectful French father of fourteen-year old Nicole (Katherine Heigl), who now wants to be called Nicky. To make up for lost time, Andre picks up Nicole from the condo of his ex-wife Megan (Lauren Hutton) to take her on a vacation to the Bahamas. Nicole, bitter at her father's frequent absences and embarrassed to be seen with him in the Bahamas, concocts a tale in which she tells her fellow vacationers that Andre is her lover -- and an ex-con to boot. Andre, oblivious to whom everyone thinks he is, tries to act like a father taking his daughter on a trip, shocking everyone with unintentional double entendres. At the same time, Nicole is making eyes at the handsome Ben (Dalton James). ~ Paul Brenner, All Movie Guide

The sweet sentimental gauze of director Giuseppe Tornatore's international hit Cinema Paradiso (1988) is nowhere to be found in this dark, Kafkaesque crime thriller that takes place, stage play-style, mostly in the confines of one room. Gerard Depardieu stars as Onoff, a famed author who has become a recluse in recent years, publishing nothing. Late one night he is picked up by police officers, who find him running across the French countryside in the rain, breathless and apparently suffering from short-term memory loss. A murder has been committed in the nearby woods, and suspecting Onoff's involvement, the authorities detain him at a leaky, dark command post to await the arrival of an inspector (Roman Polanski), ironically a fan of Onoff's work, who will interrogate his subject and try to arrive at the truth. Una Pura Formalita (1994) was produced simultaneously with Polanski's Death and the Maiden (1994), another film with a stage-bound quality featuring a long, stormy night's interrogation in a single room. ~ Karl Williams, All Movie Guide

Daniel Auteuil and Emmanuelle Béart from Manon of the Spring (1986) co-star once again in Un Coeur en Hiver, playing characters whose distance from each others' lives belies the enormous emotional impact they have on one another. Directed by Claude Sautet, whose 40-year career included the Oscar-winning César et Rosalie (1972), Un Coeur en Hiver is a remarkably restrained film with torrents of feeling just under the surface. Auteuil plays Stephane, partner in an exclusive violin brokerage. His older business partner Maxime (Andre Dussolier) has a lovely new violinist girlfriend, Camille (Béart), who stirs Stephane but is ultimately rejected by him, sending all three characters into a spin that destroys their delicate, symbiotic balance. Hovering over this story is an unusual musical motif that is key to the characters' inner motivations. Violins play, and play on camera, all through the film, but the nature of Stephane's craft, Camille's career, and Maxime's profits is that the music can always be refined, tinkered with, changed with a twist of this or a bit of that. That's precisely how they conduct their relationships and lives -- with a fragile sense of security and no idea when to stop manipulating life for effect. ~ Tom Keogh, All Movie Guide