Robert Littman Movies

Actor-director William Richert (Winter Kills), who directed the late River Phoenix in A Night in the Life of Jimmy Reardon (1988), originally planned this low-budget adaptation of Alexandre Dumas' 1848-50 classic adventure, as a vehicle for River Phoenix. Casting his son, Nick Richert, in the dual role of Philippe and King Louis XIV, he continued on with the project, despite the competition of the heavily promoted, more lavish MGM production scheduled for release almost the same month. The future King of France is kidnapped as a boy, put inside an iron mask, and imprisoned in the Bastille. Court intrigue then places his younger twin on the throne as Louis XIV. A decade later, the queen confesses on her deathbed, revealing the truth to Count Aramis (William Richert), who recruits the three Musketeers (Edward Albert, Dennis Hayden, Rex Ryon) in order to bring truth and justice to the situation. Filmed at the historic Mission Inn in Riverside, California. Previous film versions: the 1939 James Whale version with Louis Hayward, the 1976 TV movie with Richard Chamberlain, and Ken Annakin's The Fifth Musketeer (1978, aka Behind the Iron Mask) with Beau Bridges, Lloyd Bridges, Ursula Andress, Cornel Wilde, Jose Ferrer, Rex Harrison, and Olivia de Havilland. ~ Bhob Stewart, All Movie Guide

Ken Russell's adaptation of Oscar Wilde's Salome, Salome's Last Dance takes the form of a play within a film. Wilde (Nickolas Grace) arrives at a brothel with his lover, Bosey (aka Lord Alfred Douglas played by Douglas Hodge), where the proprietor, Alfred (Stratford Johns), has gathered his staff and assorted other colorful characters to mount a simple production of Wilde's new play. And so, with Alfred playing Herod, and Bosey playing John the Baptist, and with Wilde himself looking on with varying degrees of interest, the play is performed. Salome (Imogen Millais-Scott) is the daughter of Herodias (Glenda Jackson), who has abandoned her husband, since murdered, for his brother, Herod. Herod has an eye for Salome, but she mocks his interest. One evening, she hears the ranting of John the Baptist, who is Herod's prisoner, and demands that he be brought before her. She is very taken with the prophet, and attempts to seduce him while the captain of the guards, who is smitten with her, looks on. The young captain kills himself, and the prophet spurns her and is beaten. Still, she insists that she will kiss him, as he is brought away. Salome manipulates the horny Herod, who promises her anything if she will dance for him. She agrees, against the wishes of Herodias. While she performs, Wilde slips off with a young male performer, arousing Bosey's jealousy. After Salome's erotic dance (at the end of which she momentarily changes sexes), she confounds Herod by demanding the prophet's head. Russell himself has a small role in the film, as a photographer of ill repute. ~ Josh Ralske, All Movie Guide