Andre Link Movies

Scripter John Raffo made his directorial debut with this noir-slanted mystery thriller about free-lance crime-scene photographer Johnny Scardino (Peter Gallagher) and recovering alcoholic Alice (Frances McDormand). Scardino takes blackmail pictures of well-to-do types in rundown motels. After the blackmailers are bumped off, Scardino wonders if he's next on the hit list, so he searches for evidence or clues that might become visible in photo blowups. Shown at the 1998 Sundance Film Festival. ~ Bhob Stewart, All Movie Guide

This 1998 film about a dysfunctional Los Angeles family is directed by Bruce Wagner, on whose novel this is based. Everyone in this family has a problem. Perry (Frank Langella) is a successful TV producer who has been diagnosed with inoperable cancer just before his 60th birthday. His son Bertie (Andrew McCarthy) is an unsuccessful actor but a wonderful father with an adorable daughter and an ex-wife who is known to show up for visitations visibly stoned. Rachel (Rosanna Arquette), a niece who is now his adopted daughter, finds out that her father murdered her mother years ago before taking his own life. We follow these characters as they go through their share of hardships and love. We are given a lot to chew on, including death, adultery, AIDS, and deceit. Wagner got a lot of very good actors to appear in small roles, including Amanda Donohoe, Buck Henry, Elizabeth Perkins, and Ed Begley Jr.. Prior to this film Wagner was chiefly known as the writer of Wild Palms and Scenes from the Class Struggle in Beverly Hills. ~ Brett Harrison, All Movie Guide

A group of ten men come together for a bachelor party that goes horribly wrong in this made-for-TV drama. Mario Van Peebles and John Stockwell star as old friends Michael and Victor, both of them successful, well-off young professionals. The latter is about to be married, so Michael throws him a lavish party complete with booze, drugs, a pair of stripper sisters and some old friends that Michael would actually rather not see, including Pete (Andrew McCarthy), a street-smart drug dealer. When one of the girls is accidentally killed and her handler is shot in the ensuing confusion, the group of men reacts in completely different ways. Timan (John Henson) becomes completely unraveled, while others like Pete and Daniel (Kevin Dillon) keep their cool and try to come up with a viable plan to handle their new "problem." A next door neighbor (Jerry Stiller) who comes over to investigate the noise only compounds the problem. Stag bore almost precisely the same plot as Very Bad Things (1998), a more comic take on the story that was released theatrically one year later. The surviving stripper was played by former pop music star Taylor Dayne. ~ Karl Williams, All Movie Guide

A talented young rock keyboardist allows his life to fall into the gutter after he loses both hands during a mugging. He is later fitted with special hand extensions, but these neither allow him to play music nor much of anything else. Despondent, he starts drinking heavily and soon finds himself a self-pitying homeless street bum in New York. His life starts improving after he encounters Anamika, a New Age girl who befriends him and introduces him to special friends, one a computer genius and the other, her landlady, a metal sculptor. Together with some assistance from his roommate, the three devise a marvelous set of hands for the boy, ones endowed with special qualities that allow to play music even better than before. Billing himself as Cyberstorm, the lad becomes a star. A hometown concert gives him a chance at revenge. ~ Sandra Brennan, All Movie Guide

Chuck Norris stars in this derivative action film (directed by his brother, Aaron Norris) which bears more than a passing similarity to Steven Seagal's Marked for Death. Norris plays Cliff Garret, a Seattle cop who is mortally wounded in a drug bust. Garret's condition is grave but he manages to pull through. However, the Seattle police have plans for him and put out the word that Garret has died. When Garret regains his strength, he is given a new identity as hit man Danny Grogan and is assigned to go undercover and infiltrate the crime family of Marco Luganni (Al Waxman). "Grogan" must bring both Luganni and rival gang-lord Andre Lacombe (Marcel Sabourin) into police custody. But his past comes back to haunt him in the person of Ronny Delany (Michael Parks), a goon from Grogan's Garret days, who threatens to blow his cover. ~ Paul Brenner, All Movie Guide

This bizarre adaptation of the superb horror novel by Dean Koontz details the mental collapse of writer Hillary Thomas (Victoria Tennant), who is relentlessly stalked by sadistic psycho Bruno Clavell (Jean Leclerc), whom she had once interviewed for her latest book. After he breaks into her apartment to attack her, she is forced to kill him in self-defense... but her torment doesn't stop there. After her apparently still-living tormentor returns to assault her again, she turns to cop Tony Clemenza (Chris Sarandon) for help, and the two form a romantic bond while working together to solve the mystery. The confusing climax tries to tie up the novel's far-flung elements of black magic, incest, drugs, and hordes of hungry cockroaches, but one is left wondering what exactly is going on. Violent, gory, and perverse, this adaptation is dulled by flat performances and a script that fails to keep track of Koontz's complex storytelling techniques. ~ Cavett Binion, All Movie Guide

This entry in the series of Canadian direct-to-video actioners, follows the further adventures of renegade cop/Vietnam war hero Jack Kelly (Lorenzo Lamas). This time he is placed in an asylum after breaking down and slaughtering four drug lords who were cutting their cocaine with rat poison. More violence ensues after he escapes and continues his crime-fighting spree. ~ Sandra Brennan, All Movie Guide

Based on a semi-autobiographical novel by Ania Francos, this tragi-comedy follows the diagnosis and internment of lawyer Lola Friedlander (Carole Laure) in the cancer ward of a large clinic. There Lola encounters Marie-Aude (Jeanne Moreau) and Cathy (Dominique Labourier), two very different patients from opposite walks of life who each contribute to Lola's adjustment. Given that the doctor at this clinic is a media-star, there is a certain aura of unreality to the story that also permeates some of the episodes involving subsidiary characters like Lola's boyfriend or her archetypal Jewish family. ~ Eleanor Mannikka, All Movie Guide

This low-grade thriller centers around Frank Waite (Art Hindle), a sports-car salesman who is suddenly mean-tempered when his wife Lee (Shannon Tweed) becomes turned off by sex, and Anouk Van Derlin, the sex therapist they decide to see (Carole Laure). As Anouk starts to bring out the suppressed sexual fantasies of the couple, their sex life is much better -- but both Lee and Frank are not completely at ease with their new, unrestrained relationship. In the meantime, a series of stabbings occurs in the city that may or may not be related to a transvestite neighbor of the Waites. But as the murders continue, some of the victims turn out to be friends or acquaintances of the couple -- and the guessing game to identify the real killer begins. ~ Eleanor Mannikka, All Movie Guide

Certainly the low point in Glenn Ford's acting career, this Canadian production is, nevertheless, one of the slickest-looking slasher films from that subgenre's early-'80s heyday. The plot (what one can make of it) involves an unseen killer stalking a group of college students at the prestigious Crawford Academy. The well-staged murders are mysteriously linked to the slightly off-kilter Virginia (Melissa Sue Anderson, formerly of Little House on the Prairie), whose disturbing past holds the key to the killer's identity. Though this film brought nothing new to the psycho-horror field, it did feature one of the more interesting ad campaigns of the period. One-sheets loudly boasted, "Six of the most bizarre murders you've ever seen!" and barred all late-arriving patrons from entering the theater during the final ten minutes (a promotional stunt stolen from Psycho). This hype proved less than apropos since the murders in question are not particularly bizarre or original (aside from the shish-kabob impalement depicted in the ads), and the film's climax is so painfully contrived that latecomers may be more able to comprehend it than those bemused viewers who watched the film from the beginning. ~ Cavett Binion, All Movie Guide

Two cultures clash when a young American man and a French-Canadian woman fall in love while studying at a Montreal college. ~ Iotis Erlewine, All Movie Guide

Set at a low-end summer camp and aimed squarely at a teen audience, Meatballs is a light screwball comedy that turned its low-budget Canadian roots into a very profitable box-office run. The biggest reason for the film's success is Bill Murray who stars as Tripper, the head counselor who runs things at Camp Northstar with the help of his love interest Roxanne (Kate Lynch) and the camp's director Morty (Harvey Atkins), who is affectionately known as Mickey. Camp opens with Tripper and Morty preparing the misfit counselors-in-training -- Spaz, Fink, Crockett, A.L., Candace, Wendy, and Wheels among them -- for the arrival of their hyperactive little charges. After settling in, kids and counselors begin their activities with a soccer game in which depressed 11-year-old Rudy (Chris Makepeace) accidentally loses the game. Cast out by the other children, Rudy runs away only to come across Tripper, who befriends the boy and makes him his running partner. Romance, sexy fun, and comic hijinx -- usually with the heavy-sleeping Morty as their target -- lead up to an annual Olympiad in which Camp Northstar battles the wealthier and athletically superior residents of Camp Mohawk. The challenging events include cup stacking, potato-sack racing, and a nauseating hot dog-eating contest in which the portly Fink devours his way to victory. With the two-day event tied up, it comes down to the cross-country run, in which Tripper enters Rudy. Meatballs was the first major directorial effort by multi-talented filmmaker Ivan Reitman, whose name has since become synonymous with the comedy genre. ~ Patrick Legare, All Movie Guide