Eugene Ling Movies

Behind the locked doors of a mental institution resides crooked politico Judge Drake (Herbert Heyes), free from prosecution so long as he pretends to be crazy. To get the goods on Drake, private detective Ross Stewart (Richard Carlson) has himself committed to the asylum as a patient. Meanwhile, reporter Kathy Lawrence (Lucille Bremer), posing as Stewart's wife, acts as his liaison to the outside world. But when Drake figures out what's going on, he pulls strings to have Stewart meet with an "accident" during his stay at the institution. Ralf Harolde, who memorably portrayed a seedy psychiatrist in Murder My Sweet, contributes another excellent performance in Behind Locked Doors as a sympathetic attendant with Something To Hide. ~ Hal Erickson, Rovi

Scientist Alex March (John Agar) is working on developing what he hopes will be a new, non-lethal form of nerve gas -- but following an accident in his lab, he discovers that not only is the gas deadly, but also that it has invaded his entire body, and his touch is instantly fatal to any other living thing. He also realizes that the only thing keeping him alive is the partial immunity that he has developed over the course of months of work, which will soon wear off. He goes into hiding in his employer's home, hoping that a cure can be found, but he's already begun to go mad, tormented by the deaths he's caused and the mounting pain as the gas begins to affect him. Finally, the gas transforms him into a scaly, misshapen creature (vaguely resembling the Lizard from Marvel Comics, who was also, interestingly, a stricken research chemist). He goes on a rampage through suburban Los Angeles while the police hunt for him, and his fiancée (Paula Raymond) desperately hopes that he'll come to his senses long enough to surrender and allow himself to be confined to a hospital. ~ Bruce Eder, Rovi

Loan Shark was one of several independently-produced films made by George Raft in the early 1950s. Raft plays Joe Gargan, a good guy who pretends to turn bad to trap a gang of usurious loan sharks. In order to convince the crooks that he's on their side, Gargan is forced to call it quits with his sweetheart Ann Nelson (Dorothy Hart). Once he's accepted by the villains, Gargan dreams up an elaborate new method of siphoning money from an unsuspecting public. Inevitably, however, the villains get wise to Gargan's subterfuge, and for a while it looks like curtains for our hero. One of the most appealing aspects of Loan Shark is the no-frills cinematography of Joseph Biroc, who went on to such loftier pursuits as The Towering Inferno. ~ Hal Erickson, Rovi

Captain George Slocum (John Hodiak) and First Lieutenant Jerry Barker (Todd Karns) are longtime friends, assigned to the same US Army outfit in Korea during 1950, training South Korean army pilots in flying L5 observation planes. The L5's are slow-moving propeller aircraft, made mostly of wood and fabric and seemingly out-of-place in modern warfare -- but they're absolutely essential to military maneuvers and gunnery, even in the post-World War II era. George is sent to Japan just before Jerry's younger brother Pete (John Derek), also a pilot and a newly-minted second lieutenant, is due to arrive there. Pete is bold and brash, with his plane and his women, far beyond his early twenty-something age -- this gets him nowhere, either with hard-boiled nurse Audrey Totter or the brass, and he quickly reveals himself a to be a hot-headed screw-up who cannot follow orders or obey regulations. Slocum would like to take Pete under his wing, but the younger pilot isn't getting the message, and a day later North Korea invades its neighbor to the south and both men are ordered into combat. Their arrival at Kimpo Air Base -- where Jerry is stationed -- is a true baptism-of-fire, the field littered with bodies and wrecked aircraft and under attack by insurgents with automatic weapons. The wounded Jerry is killed before they can get him to safety, and only Slocum's cool head saves him and Pete, or their planes, which allows them to spirit two VIP passengers to safety -- and Pete nearly manages to turn that into a disaster as well. Slocum recognizes the emergency before them and wants everything done by the book, but Pete can't let go of the idea of revenge, and soon rigs his slow-moving low-altitude L5 plane with a bazooka, with which he plans to hit any targets of opportunity that come up on his observation flights. For his trouble he loses his plane and comes close to getting captured. Pete would be treading dangerously close to a court martial, but for the fact that their CO (Rex Reason) is desperately short of pilots. It takes a North Korean attack on their headquarters and its aftermath to get Pete to literally straighten up and fly right. ~ Bruce Eder, Rovi

The distinctive stamp of action-film director Phil Karlson is very much in evidence in Scandal Sheet. Broderick Crawford plays tabloid editor Mark Chapman, whose burgeoning success is threatened by the arrival of his wife Charlotte (Rosemary DeCamp), whom he deserted 20 years earlier. Hoping to keep Charlotte's mouth shut, Chapman accidentally kills her. He does his best to cover his tracks, but his best is none too good, and another murder follows. Meanwhile, Chapman's star reporter Steve McCleary (John Derek) is busy investigating the still-unsolved murder of Charlotte. Though Steve holds no grudge against his boss, the same cannot be said of feature writer Julie Allison (Donna Reed), who resents Chapman's sensationalist methods. Slowly but surely, the noose tightens around Chapman's neck, thanks to the diligence of McCleary and, indirectly, the inquiries of Julie. Scandal Sheet was based on a novel by former newspaperman Samuel Fuller, an excellent film director in his own right. ~ Hal Erickson, Rovi

In this thriller, psychiatrist Dr. Cross (Vincent Price) kills his wife and expects to get away with murder, until he discovers that the slaying was observed by a next-door neighbor, Janet Stewart (Anabel Shaw). As Janet attempts to convince her husband (Frank Latimore) of the doctor's dastardly deed, Cross shows up to advise him that Janet is in dire need of some in-depth counseling. ~ Iotis Erlewine, Rovi

In this prison drama, a stern hanging judge is assigned to take over a chaotic prison. There he imposes an almost inhumanly strict regimen of discipline on the inmates. He is similarly rigid and harsh with his own two children. Later his compassionate daughter befriends a wrongfully convicted model prisoner who works as the warden's chauffeur. His son becomes a hardened criminal and ends up incarcerated in his father's prison. There he and several other inmates conspire to bust out. Later he sees inmates threatening his father and sacrifices his life to save him. The enraged judge then shoots the convict who killed his son. In the end, the experience changes the judge who becomes a more humane warden in favor of prison reform. ~ Sandra Brennan, Rovi