Simon R. Lewis Movies

The fate of three missing boys lies in the determination of a detective committed to ensuring their safe return in this mystery starring Robson Green and featuring a special appearance by Star Wars star Ian McDiarmid. Three children are missing, and the only clues in the case are a daffodil, a yellow Volvo, and the ominous account of an unstable psychic. Despite the grim outlook of the case, Detective Inspector Dave Creegan (Green)'s gut instinct tells him that the kids are still alive. When the trail of evidence leads Creegan to the door of pharmaceutical engineer Dr. Ronald Hinks (McDiarmid), the case that once seemed cut and dry soon hits a dead end thanks to a lack of sufficient evidence. Now, as the case hits a stalemate and time begins running out for the innocent victims, Creegan must choose between playing by the rules and relegating the children to certain death, or taking a daring gamble that just could bring the boys back home safely. ~ Jason Buchanan, Rovi

In this war adventure a brave British GI saves the beautiful wife of a colonel from a group of AWOL soldiers. The plot is based on a Bernard Cornwell novel. ~ Sandra Brennan, Rovi

In this action adventure, author Bernard Cornwell's fictional Major Sharpe is faced with the daunting task of teaching a ceremonial battalion to fight for real. ~ Sandra Brennan, Rovi

Hume Cronyn and Vincent Gardenia star as two retirement-home residents, longtime friends who possess wildly diverse temperaments. - John Cooper (Cronyn) is crotchety and physically frail, but his brain is sharp as a tack. Michael Aylott (Gardenia) is easygoing and in excellent health, but his mind is slowly deteriorating. The two men form an "us against the world" bond, which crumbles when Michael's memory further fails him and John is advised to move back in with his family. Adapted by Bob Larbey from his Broadway play A Month of Sundays, Age Old Friends was first telecast over the HBO cable service on December 16, 1989. ~ Hal Erickson, Rovi

A young Ohio man moves to Los Angeles in search of a career and a girlfriend in this romantic comedy, whose action centers on the '80s singles scene. Eddy (David Packer) heads to California after his cousin, Skip (Scott McGinnis), promises him a job in the ad biz, but Eddy ends up with the unenviable task of handing out flyers on the beach. Turning his focus from the professional to the romantic, Eddy joins a video dating service and endures a series of inaccurate match-ups that drive him to adopt wilder and wilder guises for his video ads. Along the way, he meets Peggy Kellogg (Bridget Fonda), an employee of the dating service, but she's always got her boyfriend on her arm. Frustrated over Peggy's inaccessibility and the dead-end job he's unfairly been stuck with, Eddy finally decides to take a gamble -- to be himself in the yuppie fantasia of L.A. The soundtrack to You Can't Hurry Love features singer Phil Collins' cover of the '60s song from which the film takes its name. Kristy McNichol, Charles Grodin, and Sally Kellerman all appear in cameo roles. Kellerman previously appeared in writer/director Richard Martini's previous outing as a screenwriter, Three for the Road. ~ Brian J. Dillard, Rovi

The rise of teen culture in 1950s Britain provides the backdrop for Julien Temple's unconventional rock musical Absolute Beginners. The film centers on Colin, an 18-year-old with a talent for photography and a fondness for the neon nightlife of British jazz clubs. He also is in love with Crepe Suzette, an impulsive, ambitious young beauty who abandons him after attracting the attention of a powerful fashion designer. Depressed and aimless, Colin turns for help to a flashy ad executive (David Bowie) who promises to make him a star photographer. The former lovers take parallel paths to success, capitalizing on the youth mania gripping the nation. The film's nostalgic yet gently satirical look at teen culture is tempered by a recognition of the era's social tension, particularly a disturbing rise in racism. Despite these serious undertones, however, the film tells its story with a colorful vibrancy reminiscent of both MTV and old Hollywood musicals, filled with such show-stopping numbers as a memorable sequence in which Bowie dances on a giant typewriter. Critical reception was mixed, with some hailing the film's spectacular cinematography and ambitious scope, while others found the mixture of tones and style too inconsistent. The film also drew lukewarm response at the box office, with the memorable soundtrack receiving more attention than the film itself. ~ Judd Blaise, Rovi