Arthur Lewis Movies
- 1981
William Inge's sexual-awakening drama had already been satisfactorily filmed by director Elia Kazan 1961, twenty years before this TV movie made its debut. Melissa Gilbert and Cyrill O'Reilly are not a completely fair trade for the original film's Natalie Wood and Warren Beatty, but the players are game and the results are occasionally worthwhile. The faults lie principally in Inge's dated storyline about a teenaged middle-class "good girl" being seduced by the town's richest boy during the 1920s. The elements of class-consciousness and "retribution for sin" don't play as well in 1981 as they had two decades earlier. Nor does director Richard Sarafian's decision to slavishly follow the Kazan original scene for scene help to make the 1981 version anything of an improvement. ~ Hal Erickson, All Movie Guide
- Starring:
- Melissa Gilbert, Graham Jarvis, (more)
- 1980
The diary of teenaged Holocaust victim Anne Frank was first published in book form in 1952, then adapted into a Pulitzer Prize-winning stage play by Frances Goodrich and Albert Hackett two years later. Director George Stevens converted The Diary of Anne Frank into a film in 1959, an effort which required three hours' running time. This TV movie version, which first aired November 17, 1980, telescopes the material into two hours, downplaying the story's suspense in favor of character development. Melissa Gilbert stars as Anne Frank; Maximilian Schell and Joan Plowright play her parents; Melora Marshall is seen as Anne's sister, Margot. Doris Roberts and James Coco are cast as the Van Daans, with Scott Jacoby as their son (and Anne's first love), Peter. Clive Revill appears as fussy, obnoxious dentist Dussel. Rounding out the cast are Erik Holland and Anne Wyndham as the non-Jewish Dutch citizens who hid Anne, her family, Dussel, and the Van Daans in a tiny Amsterdam garret for two years during World War II. ~ Hal Erickson, All Movie Guide
- Starring:
- Melissa Gilbert, Maximilian Schell, (more)
- 1978
- R
What if General George S. Patton didn't die in a car accident, as history tells us, but at the hands of a paid assassin? That's the premise of Brass Target, another in a series of espionage thrillers, like The Eagle Has Landed, that speculates on the fates of real-life figures from World War II. Robert Vaughn, Ed Bishop, and Edward Herrmann are three Allied officers in occupied Germany who steal Nazi gold with the help of OSS officer Patrick McGoohan. Patton (George Kennedy) personally supervises the investigation of the theft, assisted by Major Joe DeLuca (John Cassavetes). Soon, however, a professional assassin (Max Von Sydow) is on their trail, Patton is killed on the orders of his own staff, and only DeLuca and his lover (Sophia Loren), who is also involved with the assassin, are left alive for the finale. ~ Don Kaye, All Movie Guide
- Starring:
- Sophia Loren, John Cassavetes, (more)
This second-string Sam Peckinpah action film features James Caan as ex-CIA agent Mike Locken, who has retired due to injuries received at the hands of his ex-partner George Hansen (Robert Duvall). But Mike is lured out of retirement to protect Yuen Chung (Mako), an Asian political leader. There's a contract out on Yuen Chung's life -- and the killer assigned to rub out Yuen Chung is none other than Mike's former partner, George Hansen. The confrontation between the two leads to a showdown on a decaying naval vessel between Mike's forces and a group of ninja warriors. ~ Paul Brenner, All Movie Guide
- Starring:
- James Caan, Robert Duvall, (more)
- 1973
When actor Lionel Jeffries turned to directing in the 1970s, he exhibited a preference for whimsy, as witness The Railway Children. Jeffries' Baxter is a notable exception to this rule, though, as with his other directorial efforts, he shows a keen sensitivity for the travails of troubled youngsters. Scott Jacoby plays Baxter, a boy with a marked speech impediment. His affliction worsens as his parents' marriage disintegrates. Patricia Neal plays a dedicated speech therapist who realizes that Baxter's problems go deeper than his inability to speak normally. Baxter was scripted by "Golden Age" TV veteran Reginald Rose. ~ Hal Erickson, All Movie Guide
- Starring:
- Patricia Neal, Jean-Pierre Cassel, (more)
- 1970
- PG
Joe Orton's black comedy farce has been adapted to the screen in a fast-paced, but ultimately ineffective, adaptation. Hywed Bennett and Roy Holder are two lay-abouts named Dennis and Hal who decide to improve their lot in life by robbing a bank. After pulling the job, they have to hide the loot -- and where else but in the casket of Holder's recently deceased mother? Unfortunately, although the boys hide the money, they can't hide the casket, so they opt for stashing it in the bathroom of the hotel run by Holder's father (Milo O'Shea). All is well until wacky Inspector Truscott (Richard Attenborough) arrives to investigate. Snapping at his heels is Fay (Lee Remick) -- a sexy nurse looking for the loot. Soon, the father's hotel becomes a cacophony of stomping feet and slamming doors, with the loot and the corpse in a farcical shell-game, one step ahead of discovery by the inept Truscott. ~ Paul Brenner, All Movie Guide
- Starring:
- Richard Attenborough, Lee Remick, (more)
- 1953
Cashing in on the popularity of such pro-Native American films as Broken Arrow, Columbia's resident quickiemeister Sam Katzman came up with Conquest of Cochise. John Hodiak plays the eponymous Apache leader, who at the beginning of the film is seen conducting raids on the U.S.-Mexican border in the company of the Comanches. Eventually realizing that the whites are better armed and equipped than the Indians, Cochise wants to put an end to the raids and smoke the peace pipe, but the Comanches don't see things his way. In films of this nature, there is usually a foredoomed love affair between a white man and an Indian girl. This time, however, Cochise falls in love with Mexican aristocrat Consuelo de Cordova (Joy Page), whom he holds hostage while U.S. cavalry officer Burke (Robert Stack) searches for the killer of Cochise's Indian bride. Director William Castle does a nice job matching stock footage with his newly-shot scenes. ~ Hal Erickson, All Movie Guide
- Starring:
- John Hodiak, Joy Page, (more)
- 1951
Golden Girl is the life story (sort of) of legendary 19th-century American entertainer Lotta Crabtree. The daughter of a luckless gambler (James Barton), young Lotta (Mitzi Gaynor) supports herself and her dad by singing and dancing in mining camps during the California Gold Rush of 1849. She carries on her activities into Indian territory, where she saves her scalp by winning over her Native American audiences. During the Civil War, Lotta falls in love with a dashing Confederate spy (Dale Robertson), with whom she is briefly reunited in San Francisco before his inevitable demise. The finale is one of those "smiling through the tears" contrivances that always worked so well in musical films. Golden Girl was produced for 20th Century-Fox by entertainer George Jessel. ~ Hal Erickson, All Movie Guide
- Starring:
- Mitzi Gaynor, Dale Robertson, (more)
- 1949
Another of 20th Century-Fox's Technicolor musical biopics, Oh You Beautiful Doll is allegedly the life story of popular composer Fred Fisher. As played by S. Z. "Cuddles" Sakall, Fisher is a serious musician who yearns to write opera rather than tin pan alley hits. Since the aged, portly Sakall couldn't be the romantic lead, he is third-billed in deference to June Haver as Fisher's daughter and Mark Stevens as a slick song plugger. Despite his shame at being popular, Fisher is gratified when his songs are given a classy symphonic arrangement at Aeolian Hall. Among the tunes heard in Oh, You Beautiful Doll are "Chicago," "Dardanella," "Peg o' My Heart" and the title song. ~ Hal Erickson, All Movie Guide
- Starring:
- June Haver, Mark Stevens, (more)
- 1917
Actor/director Frank Reicher, most familiar to modern movie fans as "Captain Englehorn" in King Kong (1933), wielded the megaphone for the 1917 silent American Widow. In one of her very rare silent-film appearances, Ethel Barrymore plays a young widow who marries a man she doesn't love in order to earn an inheritance. She plans to quietly annul the marriage, then wed the man of her dreams, a European aristocrat. Soon, however, she learns that her new husband was the right man for her all along. This yarn was old in 1917, but Ethel Barrymore brings a welcome-if a bit overplayed-touch of artistry and class to the proceedings. Always a Widow was adapted from a play by Kellett Chambers. ~ Hal Erickson, All Movie Guide
