Albert Lewin Movies

Filmmaker Albert Lewin's fascination with erotic exotica reaches a pinnacle in The Living Idol. James Robertson Justice plays Dr. Alfred Stones, an archeologist working in Mexico. It is Dr. Stones' contention that Indian maiden Juanita (Lilliane Montevecchi) is the reincarnation of an Aztec princess, sacrificed centuries earlier to appease the "jaguar gods". To prove his thesis, the good doctor lets loose a jaguar to see what happens when it sinks its claws into poor Juanita. Coming to the rescue is nominal hero Terry Mathews (Steve Forrest), who, like Juanita, looks as confused as the audience at this point. ~ Hal Erickson, All Movie Guide

Many cineastes consider Pandora and the Flying Dutchman as the masterpiece of filmmaker Albert Lewin, while others write the film off as a pretentious bore. Ava Gardner stars as Pandora Reynolds, a predatory creature who destroys the lives of all men who've been unfortunate enough to fall in love with her. Enter Hendrick van der Zee (James Mason), a mystical figure who proves to be Pandora's match. It turns out that van der Zee is the legendary 17th Flying Dutchman, whose spirit is doomed to wander the earth until he is able to find a woman willing to love him with all her heart -- and thereby sacrifice her own life. Further elaboration would spoil the film for potential Lewin enthusiasts. Suffice it to say that the director's many cinematic obsessions (cat figurines, Egyptology, obscure literary allusions) are exercised to their fullest potential. ~ Hal Erickson, All Movie Guide

The Picture of Dorian Gray was writer/director Albert E. Lewin's fascinating follow-up to his expressive-esoterica masterpiece The Moon and Sixpence. Hurd Hatfield essays the title character, a London aristocrat who would sell his soul to remain handsome and young--and, in a manner of speaking, he does just that. Under the influence of his decadent (albeit witty) friend Lord Henry Wotton (George Sanders), Dorian Gray becomes the embodiment of virtually every sin known to man. The greatest of his sins is vanity: Gray commissions artist Basil Hallward (Lowell Gilmore) to paint his portrait. Admiring his own painted countenance, Gray silently makes a demonic pact. The years pass: everyone grows older but Gray, who seemingly gets younger and more good-looking every day. Hallward eventually stumbles upon the secret of Dorian's eternal youth: he finds his painting hidden in the attic, the portrait's face grown grotesquely aged and disfigured. Gray kills Hallward so that his secret will remain safe. Later on, Gray falls in love with Hallward's niece Gladys (Donna Reed). Certain that Gray is responsible for Hallward's death, Gladys' ex-boyfriend David Stone (Peter Lawford) sets out to prove it. He is joined in this mission by the brother of dance hall performer Sybil Vane (Angela Lansbury), who killed herself after Gray betrayed her. Essentially a black and white film, Picture of Dorian Gray bursts into Technicolor whenever the picture is shown in close-up. ~ Hal Erickson, All Movie Guide

The Nazis are clearly the villains in So Ends Our Night, but since the film was made before America's entry into World War II, Adolph Hitler goes unmentioned (we wouldn't want to lose those foreign markets, would we?) Based on Erich Maria Remarque's novel Flotsam, the film zeroes in on three German refugees. Frederic March despises the Nazis on ideological grounds; Margaret Sullavan, a Jew, is fleeing for her life; and Glenn Ford, born of a Jewish mother and Aryan father, is racked with confusion and torn loyalties. The three separate as they move from country to country in Europe, just a step or so ahead of the advancing Nazis. As Sullavan and Ford fall in love, March puts his life on the line by trying to arrange a reunion with his ailing wife Frances Dee, who has remained in Germany. Had So Ends Our Night been released a few months after the US entry into the war, it might have done better at the box office. ~ Hal Erickson, All Movie Guide

The visual wizardry in this period action picture about Alaskan fishermen won a special honorary Oscar in the years before special effects got its own category. Henry Fonda stars as Jim Kimmerlee, a salmon fisherman in Alaska who has become at odds with a childhood friend, Tyler Dawson (George Raft). While Jim attempts to make an honest living, Tyler, whose frustrated dreams of buying his own schooner don't look to be realized anytime soon, has signed on with a Russian crew that steals the catch from others' nets. While the rivalry between the two one-time pals heats up, Jim begins romancing Dian Turlan (Louise Platt), the daughter of a local newspaperman and renowned tippler, Windy Turlon (John Barrymore). Spawn of the North (1938) was remade as Alaska Seas (1954). ~ Karl Williams, All Movie Guide

Based on Donald Davis and Owen Davis' stage-adaptation of Pearl S. Buck's sprawling novel, Sidney Franklin's The Good Earth is the story of a Chinese farming couple whose lives are torn apart by poverty, greed, and nature. Paul Muni stars as Wang Lung a hardworking, but poor, farmer who weds freed-slave O-Lan (Luise Rainer). They struggle to build a life together, but after finally finding success, a plague of locusts descends upon their land, bringing a true test of the couple's perseverance. For her performance, Luise Rainer won the second of back-to-back Best Actress Oscars, while cinematographer Karl Freund took home an Academy Award for his photography work. The Good Earth was the final film production of Irving Thalberg, who died before the film was completed. ~ Matthew Tobey, All Movie Guide

The 1932 publication of Charles Nordhoff and James Norton Hall's Mutiny on the Bounty sparked a revival of interest in the titular 1789 ship mutiny, and this 1935 MGM movie version won the Oscar for Best Picture. Clark Gable stars as Fletcher Christian, first mate of the infamous HMS Bounty, skippered by Captain William Bligh (Charles Laughton), the cruelest taskmaster on the Seven Seas. Bligh's villainy knows no bounds: he is even willing to flog a dead man if it will strengthen his hold over the crew. Christian despises Bligh and is sailing on the Bounty under protest. During the journey back to England, Bligh's cruelties become more than Christian can bear; and after the captain indirectly causes the death of the ship's doctor, the crew stages a mutiny, with Christian in charge. Bligh and a handful of officers loyal to him are set adrift in an open boat. Through sheer force of will, he guides the tiny vessel on a 49-day, 4000-mile journey to the Dutch East Indies without losing a man. Historians differ on whether Captain Bligh was truly such a monster or Christian such a paragon of virtue (some believe that the mutiny was largely inspired by Christian's lust for the Tahitian girls). The movie struck gold at the box office, and, in addition to the Best Picture Oscar, Gable, Laughton, and Franchot Tone as one of the Bounty's crew were all nominated for Best Actor (they all lost to Victor McLaglan in The Informer). The film was remade in 1962 and adapted into the "revisionist" 1984 feature The Bounty with Mel Gibson as Fletcher Christian and Anthony Hopkins as Captain Bligh. ~ Hal Erickson, All Movie Guide

The legendary theatrical team of Alfred Lunt and Lynn Fontanne made their only starring screen appearance in this 1931 adaptation of Ferenc Molnar's The Guardsman. The Lunts are appropriately cast as a famous husband-and-wife acting duo, the husband of which suspects the wife of infidelity. To find out for certain, he disguises himself as an amorous Russian guardsman, complete with handlebar mustache. After an evening of paradise, Lunt confesses his subterfuge to Fontanne. She says she knew all the time, but that gleam in her eye opens up quite a few doubts which are never truly resolved. The fabled "naturalism" of the Lunts appears slightly strained under the probing eye of the camera lens, but their seemingly ad-libbed repartee sequences are a joy to behold. The Guardsman served as the basis for the Oscar Straus operetta The Chocolate Soldier, which itself was filmed in 1943 with Nelson Eddy and Rise Stevens. ~ Hal Erickson, All Movie Guide

A bit more sedate and reserved than the usual Marion Davies vehicle, this 1927 adaptation of James M. Barrie's Quality Street turned out to be one of the star's best and most likeable films. Davies is cast as Phoebe, a pretty young thing who agrees to be faithful to her sweetheart Dr. Valentine Brown (Conrad Nagel) when he marches off to war. He returns several years later to discover that Phoebe has transformed into a prudish "old maid" (after all, she is nearly thirty!) To win back Dr. Brown's love, Phoebe pretends to be her own teenaged niece, with mirthsome results. Quality Street was attractively remade with Katharine Hepburn in 1936. ~ Hal Erickson, All Movie Guide

Another of William Haines' sports-oriented vehicles, Spring Fever casts the star as lowly shipping clerk Jack Kelly. Falling in love with heiress Allie Monte (a young Joan Crawford), Jack bluffs his way into Allie's country club, posing as a champion golfer. By the time he realizes that Allie loves him for himself, Jack is inextricably committed to representing the club at a $10,000 golf tournament. Based on a play by Vincent Lawrence, Spring Fever proved beneficial not only to the ascending stardom of Bill Haines, but also to the burgeoning career of Joan Crawford. The film was remade and slightly musicalized in 1930 as Love in the Rough. ~ Hal Erickson, All Movie Guide

The fact that the advertising posters for Tin Hats were designed by John Held Jr. is the most memorable aspect of this minor WWI comedy. Conrad Nagel, George Cooper and Tom O'Brien star as Jack, Lefty and Sarge, three American doughboys who manage to get lost behind enemy lines on Armistice Day. Stumbling into a tiny German village, the three soldiers are welcomed as mighty conquerors by the war-weary citizens. As Lefty and Sarge enjoy the fruits of victory (namely booze and women), Jack ardently courts pretty fraulein Elsa Van Bergen (Claire Windsor), the wealthiest woman in town. Fearful for their mistress' well-being, Elsa's servants try to scare off Jack and his pals, leading to a wacky denouement in a seemingly haunted castle. ~ Hal Erickson, All Movie Guide

Legend has it that Dorothy Revier rose to stardom in the Columbia Pictures product of the 1920s because she was the "good friend" of Columbia head man Harry Cohn; some sources suggest that Revier was also the model for the studio's famous torch-lady trademark. In Fate of the Flirt, the actress is cast as Mary Burgess, who declares in front of a sophisticated British society crowd that she'd sooner marry a poor bricklayer than a wealthy nobleman. Smitten by the unpretentious Mary, the aristocratic Sir Gilbert (Forrest Stanley) decides to win her heart by posing as his family's chauffeur. It's all part of a wager between Sir Gilbert and his Uncle John (Thomas Ricketts), who is convinced that Mary is merely a title-chasing golddigger. Most of the laughs in Fate of a Flirt are predicated on the amorous activities of Uncle John, living proof that you can't teach an old dog new tricks. ~ Hal Erickson, All Movie Guide