Kristian Levring Movies

In 1995, speaking at a conference held to celebrate the 100th birthday of the cinema, Danish filmmaker Lars von Trier gave a speech in which he decried the increased technical sophistication of filmmaking, which he believed had come at the expense of the art of storytelling. Von Trier declared that the cinema needed to be "purified," and in collaboration with fellow directors Thomas Vinterberg, Søren Kragh-Jacobsen, and Kristian Levring, announced the birth of the Dogme 95 movement, a stylistic "vow of chastity" in which filmmakers would refrain from using sets, special effects, music that does not originate onscreen, and special lighting beyond what is normally available, and shoot all films with handheld cameras, using the original 1.33:1 Academy ratio. While the Dogme 95 filmmakers and their works gained international attention, they also found themselves struggling with the ascetic stylistic approach they had embraced, and some found themselves violating the rules they helped to create, while others wondered how their fellow filmmakers were to enforce their regulations. Jesper Jargil takes a witty look at the Dogme 95 filmmakers and their credo in The Purified, which examines the excesses which helped inspire the movement, how the Dogme theorists hoped to challenge them, and how the world reacted to them (and they to the world). ~ Mark Deming, All Movie Guide

Shot against the barren sand dunes of Africa's Namib Desert, The King Is Alive is the fourth film to adhere to the stripped-down aesthetic of the Dogma 95 movement, and the first to bear the directorial stamp of the manifesto's co-author Kristian Levring. The improvised, shot-on-digital video production concerns the exploits of almost a dozen tourists who find themselves stranded when their bus breaks down miles from civilization. A thespian amongst the group, Henry (David Bradley), is the first to suggest that their situation may be more dire than it seems. His doubts send the rest of the folks -- including American travelers Ray (Bruce Davison), Liz (Janet McTeer), Ashley (Brion James), and Gina (Jennifer Jason Leigh), and a high-minded Parisian, Catherine (Romane Bohringer) -- into fits of fear and dread. To get their minds off the heat, hunger, and dehydration, the castaways stage an impromptu reading of Shakespeare's King Lear, which they can only fitfully remember. As their situations worsen, the tourists begin to take out their personal aggressions on one another. The King Is Alive was shown as part of the 2000 Cannes and Toronto Film Festivals. ~ Michael Hastings, All Movie Guide

This is an entertaining documentary about people of all ages enjoying various activities that reflect the human propensity to play, to create, to be artful, and to live life for its own sake. On view are costumed dancers in Bali, a little 6-year-old pianist having fun at the ivories, a bullfighter in rehearsal, and even kids fishing on the Amazon. A musical score by the talented Antonio Carlos Jobim enhances the upbeat tenor of this tribute to people at play -- or those who work as though it were play. ~ Eleanor Mannikka, All Movie Guide