Grand L. Bush Movies

In this independent drama, Sarah Paulson stars as Acey Rawlin, a troubled teenager who discovers that she's pregnant after spending a night with a man she had just met. Acey has few friends to confide in, and her most trusted companion, a fisherman named Bob (Jeremy London), may be a spirit guide or just an imaginary friend. So with nowhere else to turn, Acey talks with her mother Anna (Ann Magnuson) about her dilemma. Anna, however, chooses this moment to tell Acey that she's actually adopted, and Acey sets out through a world distorted by her own hallucinations to find her biological mother, Sara Fulton. Guiding Acey along her journey is the music of all-night jazz deejay Downbeat (Ernie Hudson), who spins classic blues sides for Acey and occasionally offers advice and comes to her aid. In an interesting casting twist, Ann Magnuson plays both Acey's adpoted mother Anna and her birth mother Sarah. ~ Mark Deming, Rovi

In director Dennis Hopper's comedy reminiscent of The Last Detail, Rock Reilly (Tom Berenger), a gruff naval veteran who plays by the rules, arrives at a Marine base, in tow with his wheeler-dealer companion Eddie Devane (William McNamara), and finds himself assigned to escort the voluptuous Toni Johnson (Erika Eleniak) to military prison, Toni being sentenced from seven to ten years for assault and going AWOL. As in The Last Detail, the three service-persons get to know each other (in the case of Toni and Rock, they get to know each other intimately) as they make their way across the Southeastern seaboard to deliver Toni to prison. As they travel on, Toni repeatedly tries to escape from the two men as the trio encounters an array of guest-star cameos (Gary Busey, Seymour Cassel, Crispin Glover, Dean Stockwell, Frederic Forrest, and Marilu Henner -- among others). Even Hopper himself makes an appearance -- as a dirty old man with an inflatable date. ~ Paul Brenner, Rovi

The plot of this action film begins in 1996, with Los Angeles in a violence-crazed conflagration. One of the LAPD's most notorious cops, John Spartan (Sylvester Stallone), known as "the demolition man," is in hot pursuit of blonde-haired psychopath Simon Phoenix (Wesley Snipes), who is so nasty he even kills sometimes just because he feels cranky. John captures Simon, but not before Simon kills innocent hostages. John is blamed for the deaths of the hostages, and both he and Simon are cryogenically frozen to remove their brand of ultra-violence from a society that is simply just too violent. The film shifts to the future world of 2032, where Los Angeles has become a megalopolis called San Angeles. There is no poverty, Arnold Schwarzenegger was (at one time) president of the United States, and Taco Bell is the sole survivor of the Franchise Wars. Into this peaceful and bland society, Simon is summarily defrosted by reigning benevolent dictator Dr. Cocteau (Nigel Hawthorne) to have Simon murder Edgar Friendly (Denis Leary), the leader of a group of underground rebels. But Cocteau bites off more than he can chew when the melted-down Simon proceeds to go on a murder-and-looting spree. Reluctantly, Cocteau defrosts John to hunt down his old adversary. As John adjusts to self-driving cars and having sex wearing helmets, he pairs up with Lenina Huxley (Sandra Bullock), a bored cop with a nostalgic fascination for 20th-century culture. ~ Paul Brenner, Rovi

In this futuristic action drama directed by Lewis Teague, Frank Warren (Rutger Hauer) is a man accused of stealing millions of dollars worth of gems. In prison, all the inmates wear collars which are electronically joined to those of an unknown partner. The collars will explode if either partner gets more than 300 feet away from the other. Warren is determined to escape, however, and finds that his partner is Tracy Riggs (Mimi Rogers). They plan and execute an elaborate escape and head off to search for the stolen diamonds. But members of Warren's former gang pursue them. ~ Michael Betzold, Rovi

Just released from prison, Carlos Delgado (Luis Guzman) attends his grandson's christening, where he is reunited with his mobster father Ernesto (Joe Santos). Though Carlos wants to go straight, Ernesto pressures him into remainng with the Organization for one more "hit"--and to make matters worse, Carlos' own son Tomas (Raymond Cruz) likewise insists that his dad resume his life of crime. As a mobster's son himelf, Hunter (Fred Dryer) takes a special interest in this extreme example of family loyalty. ~ Hal Erickson, Rovi

In this inspiring drama, a plucky 14-year-old boy with muscular dystrophy is abandoned in a ramshackle nursing home where he begins fighting to improve the living conditions of its residents. ~ Sandra Brennan, Rovi

Lethal Weapon 2 re-teams Mel Gibson and Danny Glover as, respectively, "loose cannon" L.A. detective Martin Riggs and his partner, the cautious family man Roger Murtaugh. The villain this time is a South African diplomat (Joss Ackland) who doubles as a drug dealer. Though Riggs knows what's going on thanks to characterless character witness Joe Pesci, he can't touch the villain because of "diplomatic immunity." After perils too numerous to mention, Riggs and Murtaugh shoot it out with the heavies on the deck of a South African cargo ship. Lethal Weapon 2, of course, contains as one of its comic high-points a now famous suspense scene: Mel Gibson agonizingly attempting to extricate a terrified Danny Glover from a booby-trapped toilet seat. Director Richard Donner, Gibson, Glover, and Joe Pesci would be reunited three years later for Lethal Weapon 3 and in 1998 for Lethal Weapon 4. ~ Hal Erickson, Rovi

James Brolin costars with his son Josh in the made-for-cable Finish Line. The film's ad copy says it all: "His father made him run. The steroids made him win." In a justifiably melodramatic fashion, the film, based on a true story, examines the win-at-any-cost mentality of high school athletes and their parents. As is proven in the wrenching finale, that cost is a precious one. Finish Line premiered January 11, 1989, on the TNT cable service. ~ Hal Erickson, Rovi

This lackluster attempt at blending equal parts action movie and supernatural thriller ends up sacrificing the merits of both genres. The plot finds baby-faced homicide detective Logan (Lou Diamond Phillips) on the trail of "Pentagram Killer" Patrick Channing (Jeff Kober), negligibly assisted by lots of occult mumbo-jumbo espoused by various doomsaying members of the Catholic Church. Channing is eventually captured and executed, but this turns out to be a big mistake: one of the Satanic powers Channing managed to acquire through ritual sacrifice is the power to transfer his soul into other living bodies, allowing him to roam about incognito and continue his killing spree. There is little overt horror on display, as we usually see only the aftermath of Channing's evil deeds; there is scarcely enough mystery to propel the police-procedural elements either. Worse, the producers apparently decided to toss in a romantic subplot involving Phillips and psychic Tracy Griffith to keep things interesting, but fail to sustain credibility even in this department. ~ Cavett Binion, Rovi

It's Christmas time in L.A., and there's an employee party in progress on the 30th floor of the Nakatomi Corporation building. The revelry comes to a violent end when the partygoers are taken hostage by a group of terrorists headed by Hans Gruber (Alan Rickman), who plan to steal the 600 million dollars locked in Nakatomi's high-tech safe. In truth, Gruber and his henchmen are only pretending to be politically motivated to throw the authorities off track; also in truth, Gruber has no intention of allowing anyone to get out of the building alive. Meanwhile, New York cop John McClane (Bruce Willis) has come to L.A. to visit his estranged wife, Holly (Bonnie Bedelia), who happens to be one of the hostages. Disregarding the orders of the authorities surrounding the building, McClane, who fears nothing (except heights), takes on the villains, armed with one handgun and plenty of chutzpah. Until Die Hard came along, Bruce Willis was merely that wisecracking guy on Moonlighting. After the film's profits started rolling in, Willis found himself one of the highest-paid and most sought-after leading men in Hollywood. ~ Hal Erickson, Rovi

L.A. cop Martin Riggs (Mel Gibson), whose wife has recently died, is a loose cannon with a seeming death wish. This makes him indispensable in collaring dangerous criminals, but a liability to any potential partners. Roger Murtaugh (Danny Glover), a conservative family man who wants to stay alive for his upcoming 50th birthday, is partnered with Riggs. As Riggs gets to know Murtaugh and his family, he begins to mellow, though his insistence on using guerilla tactics to catch criminals is still (put mildly) above and beyond the call of duty. The main villain is The General (Mitchell Ryan), a drug dealer responsible for the death of the daughter of one of Murtaugh's oldest friends. The General is also in charge of a deadly, militia-like gang of smugglers. Adding fuel to the fire is The General's chief henchman, played with all stops out by Gary Busey. Moviegoers familiar only with the relatively tongue-in-cheek Lethal Weapon sequels may be amazed to find out how dangerous and unpredictable Riggs is in the first Lethal Weapon -- and how likely it seems that Murtaugh might not survive until fade-out time. ~ Hal Erickson, Rovi