Sid Levin Movies

Bill Murray teams up with his biggest co-star to date (with the exception of the Stay-Puft Marshmallow Man) in this family-oriented comedy. Jack Corcoran (Bill Murray) is a motivational speaker who makes his living advising others how to tie up the loose ends of their lives, but he has plenty of his own left dangling. Jack is emotionally at the mercy of his mother (Anita Gillette) and his fiancée Celeste (Maureen Mueller), while his booking agent Walter (Jeremy Piven) keeps promising him bigger and better things that don't materialize. Jack has grown up believing that his father died before he was born while trying to rescue a drowning child, but he learns that was not the case at all -- Dad spent a long career working as a circus clown, and died only a few weeks ago. However, Dad was kind enough to bequeath Jack a large stack of debts and his only tangible asset, an Indian elephant named Vera (Tia). Jack is in no position to keep a pachyderm at home, and he has two options for getting rid of the animal -- sell Vera to Terry (Linda Fiorentino), a mean spirited animal trainer, or donate her to Mo (Janeane Garofalo), a zoologist who hopes to return her to the wilds. Either way, Jack has to get Vera from the East Coast to California, and in order to make an important speaking engagement, he and the elephant have five days to cross the country. Larger Than Life also features Matthew McConaughey as an excitable truck driver; Keith David, Harve Presnell, and Pat Hingle also highlight the supporting cast. ~ Mark Deming, All Movie Guide

Based on the novel by Truman Capote, this often-witty coming-of-age drama looks at a young man growing up with an unusual family in the Deep South in the 1940s. After the death of his parents, Collin Fenwick (Edward Furlong) finds himself living in a small town with two of his aunts, Dolly (Piper Laurie) and Verena (Sissy Spacek). Verena is the more stable of the two, an entrepreneur who controls a number of local businesses and rules the roost with a firm hand. Dolly, on the other hand, is a gentle eccentric who claims to hear the voices of the dead as the wind whistles through the grass, and has developed a homemade concoction that supposedly cures dropsy. Dolly's potion attracts the attention of Morris Ritz (Jack Lemmon), a smooth-talking con man from Chicago who wants to snatch the formula away from her. Along the way, Collin also gets to know Catherine (Nell Carter), Verena and Dolly's quick-witted house maid; Amos (Roddy McDowall), a barber who is also the town's one-man rumor mill; Charlie Cool (Walter Matthau), a charmingly cynical retired judge with an opinion about everything; and Sister Ida (Mary Steenburgen), an accordion-toting traveling evangelist who has had a heroic brood of 13 children without benefit of marriage. The Grass Harp was directed by Charles Matthau, the son of Walter Matthau. ~ Mark Deming, All Movie Guide

A man trained for a life of excitement and danger is given a new and unexpected challenge -- minding a grouchy old woman -- in this comedy. Doug Chesnic (Nicolas Cage) is a Secret Service agent who takes great pride in his job, performing his duties with the utmost professionalism and always minding the details. However, his assignment for the last three years has been a severe test of his patience; Tess Carlisle (Shirley MacLaine) is the widow of a former U.S. president who is well-known for her diplomatic and philanthropic work, and Doug has been in charge of her security force. But Tess tends to regard Doug less as a security officer and more as a domestic servant, like her chauffeur Earl (Austin Pendleton) or her nurse Frederick (Richard Griffiths). While Doug regards it as beneath his professional dignity to perform little chores around the house or bring Tess her breakfast in bed, she orders him to do so, and he's in no position to say, "no." Sometimes, Tess even refuses to obey Doug's security instructions, and should he argue his point too strongly, Tess will contact her close friend, the President of the United States, and ask him to give Doug a severe dressing down. So when Doug's three year hitch with Tess comes to an end, he asks to be given a more exciting and challenging assignment. However, Tess has other ideas; she's decided that she likes working with Doug, and she demands that his assignment be made permanent. Director Hugh Wilson also provides the voice of the President. ~ Mark Deming, All Movie Guide

In this socially conscious drama with romantic overtones, Iris (Jane Fonda) is a working mother with a job at a large commercial bakery who is still getting over the death of her husband, though her circumstances don't give her much time to grieve. She's sharing her house with her two children, Kelly (Martha Plimpton) and Richard (Harley Cross), her unemployed sister Sharon (Swoosie Kurtz), and her thuggish brother-in-law. The tensions at home become even greater when teenage Kelly announces that she's pregnant. One of the few bright spots in her life is her blossoming friendship with Stanley (Robert DeNiro), a nice guy who works in the bakery's cafeteria. However, Iris starts noticing a few odd things about Stanley and it slowly dawns on her that he can't read. When the boss figures this out, Stanley loses his job -- an especially troubling development, as Stanley has just had to put his father in a retirement home. Homeless and out of work, Stanley turns to Iris with a special request -- he'd like her to teach him how to read. ~ Mark Deming, All Movie Guide

High-priced hooker Barbra Streisand has been arrested for the murder of one of her clients. The attorney engaged by Streisand's parents hope to cop an insanity plea so that she can avoid a trial and manslaughter conviction. But she refuses this, citing a proviso in New York law that may result in her spending the rest of her life in an institution. Against all odds, struggling lawyer Richard Dreyfuss tries to prove that Streisand is not crazy and capable of standing trial. Dreyfuss certainly has his work cut out for him: from what we've seen in the film thus far, the violently impulsive Streisand is not only "nuts," but certifiably so. Though she has plenty of opportunity in Nuts to give out with her usual bravura Streisandisms, Streisand (who also produced the film and wrote the songs) is surprisingly restrained through most of the proceedings. And then there's that extended-monologue climax. Nuts was adapted by Tom Topor, Darryl Ponicsan and Alvin Sargent from Topor's stage play. ~ Hal Erickson, All Movie Guide

Director Martin Ritt's bucolic rural environments of Norma Rae, Conrack, and Sounder, are re-visited once again in Cross Creek, based on author Marjorie Kinnan Rawlings' memoirs of her times on a remote Florida bayou. Mary Steenburgen plays Rawlings, author of The Yearling, who, in 1928, makes the abrupt decision to leave her husband and move to an isolated orange grove to concentrate on her writing. Rawlings buys a run-down house covered with cobwebs that she restores with quick dispatch. In these desolate surroundings, Rawlings pauses in her housecleaning to listen reflectively to the otherworldly noises of the swamp. But suddenly out of this loneliness, people emerge. There is Geechee (Alfre Woodard), Rawlings' devoted servant; Marsh Turner (Rip Torn), a liquor-guzzling swamp rat; Floyd Turner (Cary Guffey), a cute harmonica-playing boy; and Ellie Turner (Dana Hill), a little girl whose fawn becomes the basis of Rawlings' Yearling book. Rawlings becomes involved with Norton Baskin (Peter Coyote), the owner of the local hotel, and, as she settles into life on the bayou and her friendship with Norton and Geechee, she is inspired to begin writing. ~ Paul Brenner, All Movie Guide

For his follow-up to 1979's Academy Award-winning Norma Rae, director Martin Ritt re-teams with that film's star, Sally Field, for this gritty romantic road comedy. Reportedly Ritt's homage to Frank Capra's films of the 1930s, Back Roads stars Field as Amy Post, a no-nonsense prostitute in the deep South struggling with the fact that she gave up her only child for adoption. When Amy first encounters the recently unemployed Elmore Pratt (Tommy Lee Jones), she is anything but fond of the drifter. But after taking to the road together with dreams of California, the two societal misfits find themselves falling for each other. Ritt and Field would team together once again four years later in another romantic comedy set in the South, Murphy's Romance. ~ Matthew Tobey, All Movie Guide

John Ritter plays an unsuccessful actor who takes a job posing as comic-book hero Captain Avenger at comics stores and conventions. While thus garbed, Ritter foils a grocery store robbery. He skedaddles from the scene when the cops show up, leading witnesses to assume that he is a genuine costumed superhero, the sort that shows up to foil the villains and then modestly retreats after his job is done. Ritter is hired by the mayor's staff, who hope that the Captain Avenger tie-in will help the mayor win an upcoming election. This plan comes acropper, and Captain Avenger finds himself on the outs with the public. Prodded by his girlfriend Anne Archer to be himself and not rely on a costume and mask to gain adulation, Ritter becomes a bonafide hero when he rescues several citizens from a fire. Thanks to the enthusiastic performance of John Ritter, Hero at Large remains amusing even when you know what's going to happen next (a common occurrence in this film). ~ Hal Erickson, All Movie Guide

T.T. (Dennis Christopher), a Midwesterner, has traveled to the beaches of California for a dose of the surfin' life. He believes that the people he finds there are glamorous and knowledgeable. They reject his Midwestern nerdiness, make fun of him, and generally give him a hard time for not fitting in and wanting to. However, eventually he figures out that they are no wiser than he is, and that their lives are surprisingly empty. ~ Clarke Fountain, All Movie Guide

In this family film, based on John D. Fitzgerald's award-winning children's novel, set in Utah during the early 1900s, a young boy has great fun conning his family, friends, and neighbors, until he finds himself in hot water. ~ Sandra Brennan, All Movie Guide

Part 2, Sounder was the sequel to the 1973 filmization of William H. Armstrong's novel Sounder, with the same scenarist (Lonnie Elder III) but with a different director (Graham) and releasing company (Gamma III). Still set amongst Depression-era black sharecroppers in Louisiana, Part 2 features Harold Sylvester and Ebony Wright stepping into the roles originated in first film by Paul Winfield and Cicely Tyson. They're still struggling against poverty and prejudice, but have now been given a ray of hope by activist teacher Anzanette Chase (taking over from first film's Janet McLachlan). Her school is closed down by the white landowners, who don't want the "coloreds" to get too "uppity." The sharecroppers band together to build their own school, so that their children can learn to create a better world. Musician Taj Mahal is back from the first film, doubling in a supporting role and providing the musical score. Originally designed as a made-for-TV movie, Part 2: Sounder was redirected to theatres instead. ~ Hal Erickson, All Movie Guide

Following 24 characters through 5 days in the country music capital, Robert Altman's 1975 epic presents a complexly textured portrayal (and critique) of American obsessions with celebrity and power. Among the various stars, aspirants, hangers-on, observers, and media folk are politically ambitious country icon Haven Hamilton (Henry Gibson) and his fragile star protegée Barbara Jean (Ronee Blakley); Tom (Keith Carradine), a self-absorbed rock star who woos lonely married gospel singer Linnea Reese (Lily Tomlin); Sueleen Gay (Gwen Welles), a talentless waitress painfully humiliated at her first singing gig; Albuquerque (Barbara Harris), a runaway wife with dreams of stardom; nightclub owner Lady Pearl (Barbara Baxley), who reminisces about "those Kennedy boys"; single-minded groupie L.A. Joan (Shelley Duvall); vapid BBC commentator Opal (Geraldine Chaplin); and campaign guru John Triplette (Michael Murphy), who is trying to organize a concert rally for the unseen but always heard populist presidential candidate-cum-demagogue Hal Phillip Walker. Everything comes to a head during a climactic concert at Nashville's replica of the Parthenon temple, as the entertainment-hungry audience is momentarily woken out of its stupor by unexpected violence, only to be lulled into a restorative sing-along to "It Don't Worry Me." ~ Lucia Bozzola, All Movie Guide