Billy Green Bush Movies

Gary Grimes stars in this revisionist western as Ben Mockridge, a 16-year-old boy who has long dreamed of living the life of a cowboy. Wanting adventure, he persuades Frank Culpepper (Billy Green Bush) to take him along on a cattle drive, and Ben learns the hard way just how lonesome, exhausting, and violent the life of a cowhand can be. As one of the men on the drive puts it, "Being a cowboy is what you do when you can't do anything else." Hal Needham, who would later direct a string of successful films starring Burt Reynolds, can be spotted in a small role as Burgess, one of the cowboys. ~ Mark Deming, All Movie Guide

Billy Green Bush guest-stars as Cowboy, a wonder chopper pilot. When Henry (McLean Stevenson) refuses to ship Cowboy home, the outraged pilot threatens dire consequences. Before long, the 4077th is plagued by all manner of weird calamities, ranging from a runaway jeep to an exploding toilet. But the worst is saved for last, when Henry is obliged to take a helicopter ride with the combustible Cowboy. This episode originally aired on November 12, 1972. ~ Hal Erickson, All Movie Guide

This anti-war drama centers on four Vietnam veterans who are driving cross country to California. By the time they hit New Mexico, they are down to $69. They started out with over $9,000 between them. To get some quick cash, they rob a gas station. The irate owner begins shooting at them and they in turn show him that they are carrying a veritable ammunitions dump in their trunk. Donning their Green Beret uniforms, they get revenge upon the town and then begin waiting for the authorities to show up so they can have a showdown with them too. ~ Sandra Brennan, All Movie Guide

Police detective Virgil Tibbs (Sidney Poitier) returns to finds himself in hot water with the police over his acceptance of help from a neighborhood anti-drug group. The group has done some things which are far from textbook legal, such as stealing and destroying a large shipment of drugs. Though they pulled off their robbery without loss of life, a corpse is found at the scene of the heist. Tibbs, now suspended from the force, uses their help to string together clues which enable him to break up a large drug ring. This is the third movie made starring Poitier and based on John Bail's novels In The Heat of the Night and They Call Me Mister Tibbs. ~ Clarke Fountain, All Movie Guide

A disaffected man seeks a sense of identity in one of the key films of Hollywood's 1970s New Wave. Once a promising pianist from a family of classical musicians, Bobby Eroica Dupea (Jack Nicholson, in his first major starring role) leads a blue-collar life as an oil rigger, living with needy waitress girlfriend Rayette (Karen Black) and bowling with their friends Elton (Billy "Green" Bush) and Stoney (Fannie Flagg). Feeling suffocated by responsibilities, Bobby seeks out his sister, Tita (Lois Smith), and, discovering that his father is gravely ill, he reluctantly heads back to the patrician family compound in Puget Sound with a pregnant Rayette in tow. After a road trip featuring a harangue from hitchhiker Palm (Helena Kallianiotes) about filth, and Bobby's ill-fated attempt to make a menu substitution in a diner, he tucks Rayette away in a motel before heading to the house. There Bobby seduces his uptight brother Carl's cultured fiancée, Catherine (Susan Anspach), but Rayette shows up unexpectedly. As Rayette's crassness collides with the snobbery of the Dupea circle, Bobby loses patience with both sides. After trying to reconcile with his mute father, Bobby departs, unwilling to give in to either destiny. Director Bob Rafelson and screenwriter Adrien Joyce (aka Carole Eastman) used the creative control afforded by the low budget to craft a European-influenced character study, catching a cultural mood of anomie and resentment as it was embodied in Bobby. Neither older generation nor hippie, Bobby fits in nowhere, and his desire for independence conflicts with his emotional emptiness. Nicholson's nuanced performance of simmering frustration resonated with 1970 audiences caught between Nixon's "silent majority" and the troubled counterculture; a substantial hit, Five Easy Pieces was nominated for several Oscars, including Best Picture and Best Actor, and established Nicholson as a star. Offering no "easy" answers to Bobby's existential crisis, Five Easy Pieces is one of the pre-eminent films in the early-'70s cycle of alienated American art movies, as even the fantasy of rebellion is reduced to merely running away. ~ Lucia Bozzola, All Movie Guide

Adapted from William Faulkner's final novel, The Reivers top-bills Steve McQueen, but the major character is feisty 11-year-old Lucius McCaslin, played by Mitch Vogel. Growing up in Mississippi in the early 1900s, Lucius finds himself (through a hectic series of circumstances) in a bordello, where he is nearly killed trying to defend the "fast lady" (Sharon Farrell) who has befriended him. He has been brought to the house of ill repute by ne'er-do-well farm hand Boon Hoggenbeck (Steve McQueen), with whom he has been tooling about the countryside in a vintage automobile, together with his very distant African-American relative Ned (Rupert Crosse). This adventure segues into the next, as the three man combine their resources to train a broken-down racehorse. Meanwhile, Vogel's grandfather (Will Geer), who owns the fancy automobile that the "reivers" hope to win back, threatens to reappear at any moment to tan Lucius's bottom. Not exactly as wholesome as a Disney film, The Reivers is nonetheless acceptable family entertainment, with Steve McQueen delivering one of his best and most laid-back performances. ~ Hal Erickson, All Movie Guide