Barbara Rush Movies
Fresh out of the University of California, sprightly Colorado-born actress Barbara Rush attended the Pasadena Playhouse, walking several miles to and from her classes to save up enough money for her tuition. Before launching her film career, she married actor Jeffrey Hunter, the first of two desultory unions. She became a favorite of little boys of all ages due to her leading-lady stints in two of the most influential science fiction films of the 1950s, When Worlds Collide (1951) and It Came From Outer Space (1953). After biding her time in idiotic programmers like Prince of Pirates (1953), she emerged as an A-list leading lady at the major studios, adept at both comedy (Oh Men! Oh Women! [1957]) and drama (The Young Lions [1958]). Easing into character parts in the 1960s, Rush was often cast as viper-tongued shrews, cheating wives, and abrasive alcoholics. She also surprised many of her fans by appearing as "special guest villain" Nora Clavicle on an outrageous 1968 episode of Batman, which proposed that the miniskirted policewomen of Gotham City could be cowed into submission simply by releasing mice into the community. Though she hasn't been seen in many films in later years, Barbara Rush has continued to flourish as a stage actress and TV guest star. ~ Hal Erickson, All Movie Guide- 1989
This is an ABC News documentary which was hosted by Sam Donaldson and Diane Sawyer, giving the viewer a guided tour through the White House with George and Barbara Bush, viewing the historical rooms and the priceless antiques and works of art throughout the mansion. ~ Tana Hobart, All Movie Guide
- 1956
Based on an article in the New Yorker, Nicholas Ray's Bigger Than Life stars James Mason (who also produced the film) as elementary school teacher Ed Avery, a thoughtful, gentle man, with a loving wife, Lou (Barbara Rush), and a young son, Richie (Christopher Olsen), who loves him. Avery is successful and well liked in his community, but he is over-extended in his pursuit of the American dream -- he secretly works a second job to earn extra money, and doesn't dare break stride, despite the increasingly painful physical spasms that he suffers. He collapses one day, and the doctors inform him that he suffers from an arterial disease that will probably give him less than a year to live. But they also offer him one hope, with treatment using cortisone, which was then a new, not-fully-tested drug. Avery makes a seemingly full recovery and returns to work, but it soon becomes clear that he's not the same -- he has a new, cavalier attitude toward money, and then Lou becomes alarmed over his expressions of rage over seemingly insignificant annoyances. He starts expressing himself in grand, exalted terms, first to Lou and then to his colleagues at school, including his closest friend, Wally Gibbs (Walter Matthau). And matters only get worse when Wally determines that it is the cortisone -- which Ed has been taking in far greater doses than prescribed -- that is making him act this way. And his obsession w ith forcing Richie to live up to his full potential soon turns into a much darker fixation. Director Ray later offered regret over having used cortisone by name, as it was still not standard treatment and its benefits and drawbacks weren't known. But this did lend the movie a verisimilitude that was essential for what appeal it did hold for audiences. (Seven years later, screenwriter William Read Woodfield would incorporate Bigger Than Life's cortisone plot device into his script for the Voyage To The Bottom of the Sea episode \"Mutiny\". Bigger Than Life's more immediate problem at the time lay in its broader plot -- with a story that brought drug addiction and fact-based psychological unhingement into a suburban American setting, it was a daring subject for its time, for which audiences were unprepared in 1956. It was also one of a group of offbeat pictures that Mason produced as well as starred in. ~ Bruce Eder, All Movie Guide
- Starring:
- James Mason, Barbara Rush, (more)
Glitz producer Allan Carr tries to cash in on the late-'70s disco boom with Can't Stop the Music -- a film of such Brobdingnagian banality that it almost in itself stopped the disco movement cold. Comedienne Nancy Walker directed this musical chronicle, purporting to relate the legend of the formation of the disco group The Village People. Valerie Perrine is Samantha Simpson, a helpful ex-model who attempts to get her roommate, Jack Morrell's (Steve Guttenberg), songwriting career off the ground by assembling a motley group of her Greenwich Village friends (The Village People) together to cut a demo tape of Jack's ditties. All Samantha has to do is charm the square lawyer Ron White (Bruce Jenner) in order to get him to listen to The Village People's scintillating disco strains. ~ Paul Brenner, All Movie Guide
- Starring:
- Valerie Perrine, Ray Simpson, (more)
- 1955
Rock Hudson stars as Michael Martin, a naive and impetuous young would-be rebel in 1815 Ireland, who turns to robbery in his desire to support the cause against England. Now wanted by the British and forced into hiding, he crosses paths with the renowned rebel leader Captain Thunderbolt aka John Doherty (Jeff Morrow), who takes him under his wing. Impressed with Michael's bravery, Thunderbolt makes him his second-in-command, a job that becomes twice as difficult when Thunderbolt is wounded and must drop out of sight. Michael must replace him, not only as a rebel leader, but also in running the business that Doherty fronts as a cover, and in his household -- and that puts Michaal on a collision course with Doherty's equally impetuous, headstrong daughter Aga (Barbara Rush). Sparks fly between them, as the English draw ever closer in their pursuit of the rebels. ~ Bruce Eder, All Movie Guide
- Starring:
- Rock Hudson, Barbara Rush, (more)
- 1963
This filmization of Neil Simon's first Broadway hit was adapted for the screen by Norman Lear. Once we get past the illogical casting of middle-aged Frank Sinatra and twentysomething Tony Bill as brothers, we're home free. Sinatra, a swinger supreme, uses his New York apartment as a harem of sorts for his legion of lady friends. Bill, wishing to break loose from his protective parents (Lee J. Cobb and Molly Picon), moves in with older brother Sinatra, hoping to emulate his sibling in the sex department. Sinatra teaches Bill the tricks of the trade--to his everlasting regret, since Bill soon wins such prizes as Jill St. John and Barbara Rush away from Sinatra. The third act finds Sinatra behaving more like a parent than his parents, steering Bill on the straight and narrow and finally settling down with Rush. Also appearing in Come Blow Your Horn is singer Phyllis McGuire (an offscreen Sinatra vis-a-vis), Dan Blocker, and, in the uncredited role of a wino, Dean Martin. ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Sinatra, Lee J. Cobb, (more)
- 1972
Crime Club was the umbrella title given a series of monthly mystery novels in the 1930s and 1940s. Several films and radio programs ostensibly based on "Crime Club" stories were produced during that same period. The title was revived for a TV pilot film in 1972; this time the "Crime Club" referred to a high-tech crime solving organization which numbered among its members a private detective, a federal agent, a policeman and a judge. In the pilot, the private eye (Lloyd Bridges) and the judge (Victor Buono) pool their skills to solve the murder of a fellow club member. The film failed to lead to a weekly series, but another Crime Club pilot was commissioned in 1975. ~ Hal Erickson, All Movie Guide
- 1972
NBC was seeking a little ethnic diversity (a la Shaft) in its Mystery Movie lineup when the network commissioned Cutter. Peter DeAnda plays Frank Cutter, an African-American private eye headquartered in Chicago. Cutter's current assignment is to locate a missing pro quarterback. Stepin Fetchit, an echo from an earlier, demeaning era in black entertainment, shows up in the brief role of "Shineman". Cutter received a single 90-minute showing on January 26, 1972; it failed to make the NBC Mystery Movie cut as a regular entry. ~ Hal Erickson, All Movie Guide
- 1979
Former stuntman Hal Needham employed several of his old professional comrades in his made-for-TV Death Car on the Freeway. Shelley Hack plays a TV reporter investigating a series of freeway murders. Some demented van driver is swerving around and about, killing female motorists. This being Los Angeles, Shelley has at least a million suspects-daily-to choose from. This otherwise standard thriller is pepped up by the presence of several TV veterans, including George Hamilton, Frank Gorshin, Peter Graves, Dinah Shore, Harriet Nelson, BarbaraRush and Abe Vigoda. Director Needham also turns up in a cute supporting role. Death Car on the Freeway first aired September 25, 1979. ~ Hal Erickson, All Movie Guide
- 1978
The murder of a policeman is blamed on an ex-hooker, but the real killer may turn out to be her unfaithful husband. ~ All Movie Guide
- 1951
Sterling Hayden and Forrest Tucker, two of Hollywood's most rugged leading men, head the cast of Paramount's Flaming Feather. Rancher Tex McCloud (Hayden) and cavalry lieutenant Tom Blaine (Tucker) despise each other at first sight. Even so, McCloud and Blaine are forced to work together to seek out and capture an elusive outlaw named Lucky Lee (Victor Jory), who heads a band of renegade Indians. Also involved in the manhunt are vengeful saloon gal Carolina (Arleen Whelan) and marriage-minded Nora Logan (Barbara Rush), each pursuing her own agenda (just like everyone else in the film!) The film's violent outcome is predicated upon the desultory romance between Lucky Lee and dour Indian maiden Turquoise (Carol Thurston). ~ Hal Erickson, All Movie Guide
- Starring:
- Sterling Hayden, Forrest Tucker, (more)
- 1980
Ever anxious to enter the "nighttime serial" market engendered by Dallas, NBC commissioned Flamingo Road, a casual remake of the 1949 Joan Crawford film of the same name. The TV-movie pilot, which aired in May of 1980, introduces the dramatiis personae. Howard Duff plays the corrupt political boss of a small Florida town (a role originated by Sidney Greenstreet in 1949). Cristina Raines is the Crawford counterpart, a faded nightclub singer who wanders into Duff's town and upsets the political and social apple cart by shacking up with a local contract (John Beck). Duff tries to destroy Raines by dredging up her past, to no avail. When Flamingo Road became a series in 1981, it manage to hang by its fingertips in the ratings for eighteen months. ~ Hal Erickson, All Movie Guide
- 1956
Tony Dumont (Rory Calhoun) is none too trustworthy at the beginning of Flight to Hong Kong. A dealer in contraband goods, Dumont is the bane of his girlfriend Jean Blake's (Dolores Donlon) existence. She wants him to go straight, but the other woman in his life, novelist Pamela Vincent (Barbara Rush), wants him to remain a crook--the better to provide material for a book she's writing. Dumont has a belated change of heart when he steps on the toes of the Mob once too often. Flight to Hong Kong also includes brief stopovers in San Francisco, Honolulu, Tangiers and Macao. ~ Hal Erickson, All Movie Guide
- Starring:
- Rory Calhoun, Barbara Rush, (more)
- 1958
The mysterious Indian jungle provides the setting for this adventure where a one-legged hunter pursues a terrifying tiger, a man-eater. On the hunt, the man encounters the cowardly fellow who caused him to lose his leg in a POW camp. Together they face the snarling, cornered jungle cat. Again, the fellow chickens out, resulting in the near-fatal mauling of the hunter. Later, the coward's wife helps the battered hunter recuperate. As she ministers to him, the hunter can't help but fall in love with her. He begins to drink heavily. He stops when he learns that the coward's son has wandered off into the dangerous jungle. Not wanting the lad to be tiger chow, the hunter sets off to kill the beast. He succeeds. ~ Sandra Brennan, All Movie Guide
- Starring:
- Stewart Granger, Barbara Rush, (more)
Yes, Paul Newman is a blue-eyed Indian in Hombre, but this apparent ethnic error is carefully justified in the body of the story. Newman plays a white man who was raised by the Apaches, and ever since has straddled two worlds, feeling truly comfortable in neither. While riding a stagecoach, Newman is subject to the racial bias of banker Fredric March and his snooty wife Barbara Rush. In truth, March is an embezzler, and has no reason to feel superior to anyone. This fact comes out when the coach is held up by murderous bandit-chief Richard Boone. When the passengers fight back, Boone takes Rush as a hostage. Newman, who by rights should be supremely satisfied that his tormentors are themselves tormented, proves himself the bravest of the passengers, sacrificing his own life to save Rush and put an end to Boone's reign of terror. Hombre is based on a novel by suspense specialist Elmore Leonard. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Newman, Fredric March, (more)
- 1972
Working undercover, Sgt. Ed Brown (Don Galloway) infiltrates the gang responsible for the kidnapping of the daughter (Kay Lenz) of a famous movie actress (Barbara Rush). Curiously, in his efforts to secure the girl's release, Ed's boss Ironside (Raymond Burr) encounters a stunning lack of cooperation from both the victim's mother and her overbearing business manager (Richard Anderson). Meanwhile, Ed finds out that the kidnapping was an "inside job" and that the abductors have been given strict orders not to hurt the blindfolded girl--but one of the gang members (Kaz Garas) has other ideas. ~ Hal Erickson, All Movie Guide
- 1971
Chief Ironside (Raymond Burr) wants to find out why a terminally ill convict named Walter Butler (Ray Walston) has been denied parole. The trail of clues leads to Madame Jabez (Barbara Rush), a woman who claims to have supernatural powers. Many strange and inexplicable occurences follow as Ironside matches wits with the cagey Mme. Jabez, who is somehow linked with a missing $50,000 and a troubled parole board member. ~ Hal Erickson, All Movie Guide
It Came From Outer Space is one of a handful of science fiction films from the 1950s that plays as well today as it did on its original release, this despite the fact that its original 3-D elements seem to be lost. It was also the first science fiction effort of director Jack Arnold, and one of three excellent 3-D features that he made (the others were Creature From the Black Lagoon and Revenge of the Creature) during that format's short-lived history. It was also, along with The Incredible Shrinking Man, one of the two most sophisticated films he ever made in that genre. Additionally, it was Arnold's first opportunity to use the desert setting that seemed to inspire him in some of his best subsequent movies. Based on a story by Ray Bradbury, the movie starts off in a gentle, lyrical mode, almost reminiscent of Our Town, as the narrator introduces the tiny Arizona town where the action will take place. Writer John Putnam (Richard Carlson), a new arrival to the town and an amateur astronomer, is looking at the skies with his fiancée, schoolteacher Ellen Fields (Barbara Rush), when they see what looks like a huge meteor crash into the desert. Putnam and Ellen go to the site of the crash and find a huge crater. When he goes down inside, Putnam sees what is very obviously some kind of vehicle or device embedded in the ground, but before he can show it to anyone, a rock slide buries what he saw. He reports that a spacecraft of some kind is buried there and is duly ridiculed by the local press and some of his own colleagues in the astronomical community, and even Ellen has her doubts. The local sheriff, Matt Warren (Charles Drake), is downright hostile because he believes that Putnam is not only an interloper, but has also taken Ellen away from him. Putnam is at a loss as to what to do, and doing something -- or, perhaps, not doing anything -- becomes a critical matter when various townspeople start to disappear, including Ellen, to be replaced by alien "duplicates." A small but significant part of this action is told from the standpoint of the aliens, who are only glimpsed in brief flashes as they move through the desert and the underground caves where they are hiding. Putnam ultimately comes to understand that the aliens are actually benign and only need time to repair their ship and leave; but by then, the sheriff and the rest of the town have started taking his original warning seriously and their intervention threatens the lives of everyone. Reason and a peaceful approach prevail, but only just barely, and the space travelers are allowed to go on their way -- in return, they restore the real townspeople. The movie ends on a hopeful note as Putnam predicts that someday, when we're ready here on Earth, the visitors will be back to make formal, peaceful introductions. ~ Bruce Eder, All Movie Guide
- Starring:
- Richard Carlson, Barbara Rush, (more)
- 1955
Barbara Rush is at her most exotically beautiful in the lush costumer Kiss of Fire. Based on Jonreed Lauritzen's novel The Rose and the Flame, the film stars Ms. Rush as Lucia, princess of Spain, who while residing in New Mexico discovers that the king is dying and that she must return home immediately to save her throne from pretenders. Escorting Lucia westward to the Pacific Ocean is former Spanish nobleman El Tigre (Jack Palance). In spite of themselves, the Princess and El Tigre fall in love. But before they can act upon their impulses, hero and heroine must face various and sundry dangers in the wild Southwest. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Palance, Barbara Rush, (more)
- 1954
This second film version of Lloyd C. Douglas' spiritual novel Magnificent Obsession is in its own way as successful as the first (filmed in 1935) in glossing over the plot holes and logic gaps in the original novel. Rock Hudson plays Bob Merrick, a reckless playboy who is indirectly responsible for the death of a kindly and much-beloved doctor. The dead man's wife, Helen Phillips (Jane Wyman), refuses to accept Bob's apologies. When Helen is accidentally blinded, Bob decides to "do right" by her anonymously, illustrating author Douglas' curious edict that the best sort of good deed is the one for which you're not rewarded. In record time, Bob becomes a brilliant physician, and it is he who performs the sight-restoring surgery on Helen. Rather than fade into the woodwork unheralded, Bob is at last forgiven by Helen, who has fallen in love with him during her sightless months without even knowing it. Luxuriously produced by Ross Hunter and directed con brio by Douglas Sirk, Magnificent Obsession was one of the most successful of Universal's big-budget "weepers" of the 1950s. ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Wyman, Rock Hudson, (more)
- 1984
As a personal favor, Deputy DA Carol Baldwin (Kathleen Lloyd) asks Magnum (Tom Selleck) to investigate the alleged murder of a young mother, a death witnessed by the victim's little daughter. It is highly possible that the woman committed suicide and that the main suspect may be guilty of an even worse crime, but Carol hopes to spare the youthful witness the trauma of testifying. But how can Magnum get his job done now that he has been deprived the use of Robin Masters' Ferrari? ~ Hal Erickson, All Movie Guide
- 1987
Barbara Rush guest stars as Magnum's beloved Aunt Phoebe, a Pulitzer Prize-winning playwright known for her extremely vivid imagination. When Phoebe insists that she is being stalked by a murderer, Magnum (Tom Selleck) wonders if the old dear is suffering from the early stages of Alzheimers'. As it turns out, she is--but that doesn't necessarily mean that her life isn't in danger. As an added complication, Magnum must do all of his investigating on the sly: thanks to a bureaucratic oversight, his detective's license has expired. ~ Hal Erickson, All Movie Guide
Filmed for television, this story concerns a series of killings in the Louisiana bayou. The sheriff on the case believes that a werewolf is behind the murders. The film was adapted from a book by Leslie H. Whitten. ~ John Bush, All Movie Guide
- 1987
The first episode of Murder, She Wrote's fourth season is partially filmed on location in Paris. Mystery writer Jessica Fletcher (Angela Lansbury) has arrived in the City of Light to witness the first major presentation of an old friend, now a fashion designer. Our heroine's pleasure becomes business when a loan shark is murdered and Jessica's financially-strapped friend is accused of the crime. Despite all this intrigue, guest star Juliet Prowse finds time to sing a medley of such Gallic favorites as "La Vie en Rose." ~ Hal Erickson, All Movie Guide
- 1957
A handful of suburban couples discover that emotional turmoil lurks behind the placid exterior of the planned community of Sunrise Hills in this drama based on the novel by John McPartland. David and Jean Martin (Jeffrey Hunter and Patricia Owens) find their relationship starting to crumble after Jean is raped by Troy Boone (Cameron Mitchell), an alcoholic war veteran who has been unable to readjust to civilian life. Meanwhile, Troy's wife, Leola (Joanne Woodward), wants to start a family, but Troy isn't interested in having children. Jerry Flagg (Tony Randall) is a used car salesman who turns to drink to deal with the disappointments of his career and his life, which is more than his wife, Isabelle (Sheree North), bargained for in their relationship. And Herman Kreitzer (Pat Hingle) is the good-hearted proprietor of a hardware store who wants to help his Japanese-American assistant Iko (Aki Aleong) find a new home. Though Herman's wife, Betty (Barbara Rush), discourages him because of the reaction that she foresees from the rest of the community, she eventually sides with him and joins him in the effort to help Iko assimilate. ~ Mark Deming, All Movie Guide
- Starring:
- Joanne Woodward, Tony Randall, (more)
- 1957
Edward Chodorov's stage farce Oh, Men! Oh, Women! is somewhat unnecessarily overburdened by star names in this 1957 film version. Dan Dailey plays psychiatrist Arthur Turner, who is somewhat put out when he discovers that one of his patients is the ex-boyfriend of his supposedly "normal" fiancée, Myra Hagerman (Barbara Rush). Having always prided himself on keeping his professional and personal life separated, Dr. Turner finds that he's just as mixed up as any of his patients in matters of the heart. Nominally, David Niven and Barbara Rush are the stars, but top billing is bestowed upon Dan Dailey and Ginger Rogers as bickering married couple Arthur and Mildred Turner, two secondary characters in the original play. Director Nunnally Johnson's screenplay also fleshes out the roles played by Dailey and Rogers with a lengthy, amusing "fantasy" sequence wherein Ginger offers a highly fanciful version of her marital life. In his motion picture debut, Tony Randall is hilarious as Cobbler, Myra Hagerman's neurosis-ridden former beau. Watch for Franklin Pangborn and Roy Glenn Sr. in unbilled cameo roles. ~ Hal Erickson, All Movie Guide
- Starring:
- Dan Dailey, Ginger Rogers, (more)
