Don Letts Movies

Documentarist Don Letts's Soul Brittania constitutes the third installment in a tripartite film series about the role of black music in shaping mass culture across Britain. Featured performers include Mica Paris, Skinnyman, Trevor Nelson and Goldie. ~ Nathan Southern, All Movie Guide

Director Don Letts' documentary Punk: Attitude examines the politics, fashion, and music of this pop culture trend. He interviews and shares performance footage from a variety of famous musical acts including "Black Flag, Jello Biafra, Legs McNeil, The Ramones, and proto-punks The Stooges and New York Dolls. ~ Perry Seibert, All Movie Guide

The New York Dolls were a rock band who titled their second studio album Too Much Too Soon, and it summed up the band's career all too well. Playing hard, swaggering rock & roll that anticipated the aural chaos of punk five years before the Sex Pistols became a cause célèbre, and boasting an androgynous fashion statement that made David Bowie look timid, the Dolls made headlines and earned a loyal cult following between 1971 and 1976, but their look and sound were too extreme for the mass audience at the time, and the fact that several members of the band had serious drug and alcohol problems hardly helped matters. After the New York Dolls finally fell apart in 1977, singer David Johansen went on to a successful solo career (scoring hit records under the alter ego Buster Poindexter), lead guitarist Johnny Thunders and drummer Jerry Nolan kept the band's sound alive in the Heartbreakers, and guitarist Syl Sylvain cut a few solo albums and occasionally worked with Johansen. But bassist Arthur Kane struggled for years to get his musical career back on track while battling alcoholism, with little success on either front. In 1989, after a stay in the hospital, a clean and sober Kane embraced the Mormon faith, and through his contacts in the church he got a job working in a Mormon genealogy library in Los Angeles. Despite his quiet new life, Kane's greatest dream was to someday play a reunion show with the New York Dolls, and in 2004 his wish unexpectedly became a reality when British pop icon Morrissey invited the surviving members of the band to appear at a prestigious music festival he was curating. Filmmaker Greg Whiteley knew Kane as a fellow Mormon, and New York Doll is a documentary about the ups and downs of Kane's life in music, how his faith came into his life, and his unexpected return to the rock & roll stage at the age of 55. ~ Mark Deming, All Movie Guide

This efficient, enjoyable documentary charts the rise and fall of the British punk group the Clash, widely considered one of the greatest bands of all time. Checking in at a brisk 107 minutes, Westway to the World follows a fairly traditional format, interspersing talking-head interviews with band members, live concert clips, still photos, and other assorted footage. Directed by Don Letts, a friend of the band, the movie limns a portrait of a band that took its music and politics seriously. Westway to the World recounts the group's swift rise, as it broke through the formal and commercial limitations of punk -- only to fall apart, Behind the Music-style, as it was reaching the peak of its worldwide popularity. Although not as virtuosic as its subject, Westway to the World nonetheless offers an informative and entertaining look at one of history's most important bands. ~ Elbert Ventura, All Movie Guide

A wildly inventive and entertaining comic nightmare from former Roger Corman prodigy Jonathan Demme (The Silence of the Lambs), this screwball odyssey is a ride to remember. Jeff Daniels plays clean-cut New York bond trader Charlie Driggs, who accepts a ride home from a strange but attractive lower-class woman named Lulu (Melanie Griffith). The sexy Louise Brooks lookalike doesn't take him home, but shanghais him for a bizarre roadtrip to Virginia that includes kinky bondage sex, destruction of property, and robbery. Things get stranger when Lulu tells Charlie that her real name is Audrey and takes him home to meet her mother, asking him to pose as her husband. The charade continues until her high-school reunion, where the roadtrip (and the entire film) takes a sharp U-turn into psycho-thriller territory. Audrey's dangerously psychotic ex-con husband, Ray Sinclair (Ray Liotta), shows up. What had been a liberating fling for Charlie turns into a bloody and vicious battle for survival. ~ Robert Firsching, All Movie Guide

Musician and filmmaker Don Letts made this Super 8 documentary of the London punk rock scene in 1977. Shot mostly at the Roxy, a short-lived punk club that hosted every important rock band in the neighborhood, The Punk Rock Movie captures an exciting moment in the development of some artists that are still imitated and adulated today. While the Sex Pistols and the Clash are likely to be the most familiar names in attendance, The Punk Rock Movie spends plenty of time on some legendary acts that never licked the same brass ring. Fans of the under-documented Johnny Thunders will want to see the footage of the Heartbreakers live on tour in England. Siouxsie & the Banshees, X-Ray Spex, and Eater are other notable rockers who are seen in rare early performances. Backstage revelry and tour bus boredom is preserved as well, with the dark side represented by unflinching scenes of drugs and self-abuse. Most of the film is live, loud, breakneck rock, featuring some energetic footage of the Sex Pistols at the height of their hype and the Clash set for stun and gathering its army. ~ Fred Beldin, All Movie Guide

Sex Pistols: Rock Case Studies documents the brief but influential history of the legendary punk band. In addition to archival footage of appearances by the band, the filmmakers utilize interviews with rock critics, historians, and other musicians who place the band's work in context. ~ Perry Seibert, All Movie Guide