Catherine Allegret Movies

Writer/director Olivier Dahan (Crimson Rivers II) helmed La Vie en Rose, the screen biopic of tragic French songstress Edith Piaf. Marion Cotillard portrays Piaf, the superstar once raised as a young girl by her grandmother in a Normandy bordello, then discovered on a French street corner -- as a complete unknown -- by cabaret proprietor Louis Leplée (Gérard Depardieu). The film segues breezily between various episodes from Piaf's life -- such as her lover, French boxer Marcel Cerdan's (Jean-Pierre Martins) championship bout in mid-'40s New York; her period in Hollywood during the '50s; Piaf's abandonment as a young girl by her contortionist father (and earlier by her mother, a street singer); her brushes with the law as an adult; and her 1951 car accident and subsequent morphine addiction that caused her to age well beyond her years and left her barely mobile; and, through it all, her ability (like Billie Holiday) to funnel personal tragedy and emotional struggles into her vocalizations -- dazzling audiences in the process. ~ Nathan Southern, Rovi

Directed by Philip Sebton, Mister Frost chronicles the life of serial killer Mr. Frost (Jeff Goldblum), who, after stashing 125 tortured corpses in and around his property, is caught by a British detective (Alan Bates) and brought to a mental institution. Strange things begin to happen immediately after his arrival--the egotistical Dr. Reynhardt (Roland Giraud) suddenly loses confidence, an angelic young boy goes insane, and people see images of Satanic eyes in their rear-view mirrors. Meanwhile, the only person Frost (Goldblum) will speak to is psychiatrist Dr. Sarah Day (Kathy Baker), who questions why the police could not find any official records of his existence. He tells her that he is, in fact, none other than Satan himself. According to an angry Frost, the world has tossed aside the notion of pure evil, opting instead to use psychological explanations to aid them in understanding why terrible things happen to good people. Frost's mission on earth is to remind man that the devil does exist, and is still bargaining for immortal souls. He believes if he can convince a psychiatrist (Baker), to murder him because she believes he is the devil, it will not only help his cause, but act as a resounding personal victory. ~ Tracie Cooper, Rovi

An acting couple is forced to assess their life together when the wife falls for a wealthy horse-breeder while shooting a film. ~ Jason Ankeny, Rovi

Noted political filmmaker Costa-Gavras turned his attention to personal issues in this drama. Michel (Yves Montand) has had to deal with the death of his wife, while Lydia (Romy Schneider) is mourning the loss of her daughter. Both Michel and Lydia are lonely, and they are attempting to start a relationship together, but neither has been able to purge themselves of their sorrows, which makes it difficult for them to live in the moment. Clair de Femme was based on a novel by Romain Gary. ~ Mark Deming, Rovi

In this film based on the novel by Jonannes Mario Simmel, Bruno (Heinz Donez) may have served time for petty thievery, and may be an accomplished denizen of the Berlin underworld, but he has heart, and he has plans. When the Berlin wall went up, a whole industry of escape specialists grew up who were rigorously pursued by the East German government. Bruno is recruited to try to capture one of these specialists for trial and imprisonment. However, Bruno wants out and arranges with the Americans and West Germans to entrap the specialists' East German pursuers instead. ~ Clarke Fountain, Rovi

In this ironic French tale of tragedy and love, Laurent (Yves Montand), a world-weary ex-convict and prison-reform writer is coming back to the dreary town his old prison is in. To someone whose life is so imbued with violence, everything he sees seems like a threat. Indeed, the town appears to be populated solely by thugs and elderly people. The banked fires of his passion are awakened when he sees a perfectly normal looking professional woman (Katherine Ross) coming down the street. Soon afterward, his sense of danger fails him, for he is brutally beaten in a men's restroom by a martial-artist nun. When he is taken for medical treatment, he discovers that the lovely woman he saw earlier is to be his doctor. ~ Clarke Fountain, Rovi

This drama tells the tale of union woes at a French factory, and of the single mom who gives her all for the union cause. Pierrette (Dominique Labourier) is the young mother, and she somehow has time to have an affair with her handsome co-worker who is nicknamed Beau Masque (Luigi Diberti). All this grows more complicated when the workers go out on strike. ~ Clarke Fountain, Rovi

French director Claude Berri wrote, directed, and stars in this comedy as Claude, a bookstore owner whose personal life, like his struggling business, is failing. Claude is trapped in a loveless marriage to Isabelle (Juliet Berto), who does not seem to possess any sexual attraction to her husband or affection for her children. The only activity Isabelle does seem to relish is shopping, which means spending Claude's hard-earned income. Then salvation arrives in the form of a business brainstorm. Claude transforms the bookstore into a sex shop, selling everything from leather bondage paraphernalia to pornography; soon business takes off. The proprietorship of the sex shop and his friendship with a sexually uninhibited customer, Jacqueline (Nathalie Delon), open up new possibilities for Claude, and he realizes that he's been repressed. Although he encourages Isabelle to join him in his new erotic adventures, she is at first reluctant to embrace the swinging lifestyle; the couple's attempts at a ménage à trois are disastrous. ~ Karl Williams, Rovi

In this whimsical French comedy, Cookie (Sheila White) is a tough, sweet little rich girl, and is rather smart, too. She's smart enough and charming enough to outwit her kidnappers by setting one against the other until they have all killed each other or died trying to prove their worth to her. ~ Clarke Fountain, Rovi

Elise (Marie-Josee Nat) is a young provincial woman working in a factory in Paris. Her revolutionary brother secured the position for her, and she falls in love with an Algerian native who works with her. She becomes painfully aware of the prejudice he experiences from the police and his superiors. The recent conflict between France and Algeria only compounds the problems of Algerians in France. Her love and concern for the man causes her to search for him after he disappears one day. Elise considers moving to Algeria to find the man she loves in this bitter social drama. ~ Dan Pavlides, Rovi

The discontent of a young married couple forms the backbone of this story, in which the husband works too hard at his job (which supports their two children) for his wife, who needs more physical affection than he is capable of providing. Meanwhile, she has developed a crush on a teacher. When his doctor tells him to slow down, it doesn't particularly help their relationship. ~ Clarke Fountain, Rovi