Alan Jay Lerner Movies

A beloved musical comes back to life with this Columbia Pictures' production, with Keira Knightley stepping into the role of Cockney girl-turned-aristocrat Eliza Doolittle, famously portrayed by Audrey Hepburn in George Cukor's 1964 production. Duncan Kenworthy and Cameron Mackintosh produce the romantic musical, taking their inspiration from the original book and lyrics by Alan Jay Lerner and Frederick Loewe. ~ Jeremy Wheeler, All Movie Guide

Three legendary figures of the American musical theater share songs and stories of their careers in this documentary. In the first part of the program, Fred Ebb and John Kander, the songwriting team whose best known work includes the shows Chicago and Cabaret, sit down at the piano and offer behind-the-scenes stories about their work, as well as play some of their favorite compositions. Later, playwright/lyricist Alan Jay Lerner offers insights into the art of writing for the theater while sharing songs from Gigi and My Fair Lady, among others. Bobbi Baird, David Chaney, and Liz Robertson also appear, providing guest vocals for several of the performances. ~ Mark Deming, All Movie Guide

In this film, set in a British girls school just before the outbreak of WW II, two young girls build a beautiful friendship despite their disparate backgrounds. Their teachers disapprove of their close relationship and try to discourage it, which suggests to the viewer that they suspect a lesbian affair could evolve, but as was true to the era being portrayed, this was never verbalized. This film gently touches upon the vulnerable days of adolescence. ~ All Movie Guide

Stanley Donen directed this lugubrious musical fantasy based on the classic Antoine de Saint-Exupery children's parable, featuring a musical score by Alan Jay Lerner and Frederick Loewe -- their first film score since Gigi. The simple story concerns a French aviator (Richard Kiley) who crashes his airplane in the middle of the Sahara desert and comes upon a young blonde prince (Steven Warner) from another planet. The Little Prince tells the pilot that he is inspecting the universe and stays in the desert long enough to convey to the pilot his impressions of the earth and stories of other planets he has visited. In a supporting role as a serpent that the Little Prince met amongst his travels in the universe, Bob Fosse stops the show with a slithery dance routine. ~ Paul Brenner, All Movie Guide

After a debut on Broadway in 1951, Paramount spent an estimated 17 to 20 million dollars in production costs for this Lerner and Loewe musical. With Loewe's permission, Lerner wrote five additional tunes for the film with Andre Previn. Ben Rumson (Lee Marvin) is the grizzled prospector trying his luck panning for gold in California. Pardner (Clint Eastwood) is his companion. When Ben buys a woman from a Mormon, Elizabeth (Jean Seberg) expects equal rights for her gender and chooses to live with both men. Ben and Pardner tunnel under the boomtown to gather the fallen gold dust that has filtered through the cracks of the saloon and other places. The musical comedy features 13 songs, the most recognizable being "They Call The Wind Maria". The Nitty Gritty Dirt Band helps out on the song "Hand Me Down That Can O' Beans". Both Clint Eastwood and Lee Marvin are given a chance to show their vocal ability (or lack of it) in several songs. The initial release fell far short of regaining the millions put into the production, and most critics dipped their pens in poison to pan the picture -- though the film plays better than the critics would lead anyone to believe. Many jumped on the Paint Your Wagon smear campaign after the film proved to be not nearly as successful as other musicals. ~ Dan Pavlides, All Movie Guide

At one time the longest-running Broadway musical, My Fair Lady was adapted by Alan Jay Lerner and Frederick Loewe from the George Bernard Shaw comedy Pygmalion. Outside Covent Garden on a rainy evening in 1912, dishevelled cockney flower girl Eliza Doolittle (Audrey Hepburn) meets linguistic expert Henry Higgins (Rex Harrison). After delivering a musical tirade against "verbal class distinction," Higgins tells his companion Colonel Pickering (Wilfred Hyde-White) that, within six months, he could transform Eliza into a proper lady, simply by teaching her proper English. The next morning, face and hands freshly scrubbed, Eliza presents herself on Higgins' doorstep, offering to pay him to teach her to be a lady. "It's almost irresistable," clucks Higgins. "She's so deliciously low. So horribly dirty." He turns his mission into a sporting proposition, making a bet with Pickering that he can accomplish his six-month miracle to turn Eliza into a lady. This is one of the all-time great movie musicals, featuring classic songs and the legendary performances of Harrison, repeating his stage role after Cary Grant wisely turned down the movie job, and Stanley Holloway as Eliza's dustman father. Julie Andrews originated the role of Eliza on Broadway but producer Jack Warner felt that Andrews, at the time unknown beyond Broadway, wasn't bankable; Hepburn's singing was dubbed by Marni Nixon, who also dubbed Natalie Wood in West Side Story (1961). Andrews instead made Mary Poppins, for which she was given the Best Actress Oscar, beating out Hepburn. The movie, however, won Best Picture, Best Director, Best Actor for Harrison, and five other Oscars, and it remains one of the all-time best movie musicals. ~ Hal Erickson, All Movie Guide

Reportedly, Vincente Minnelli turned down the opportunity to film Brigadoon on location in Scotland insisting that MGM's studio mockups looked more Scottish than the genuine article. This lavish adaptation of the Lerner and Loewe Broadway musical stars Gene Kelly as an American tourist who stumbles upon an enchanted Scottish village. Every 100 years, the people of Brigadoon awaken for a 24-hour period, then go back to sleep for another century while Brigadoon itself vanishes in the mists. Tommy Albright (Kelly) falls in love with village lass Fiona Campbell (Cyd Charisse) while his hard-drinking pal, Jeff Douglas (Van Johnson), dismisses the legend -- and indeed the existence of Brigadoon as a result of delirium. Fiona's betrothed Harry Beaton (Hugh Laing), upset by Kelly's intervention, threatens to leave Brigadoon -- an act that will spell doom for its residents. When this crisis has passed, Tommy is persuaded against his better judgment to escape Brigadoon himself and return to his own fiancée (Elaine Stewart) in New York. But the love between Tommy and Fiona results in a miraculous finale. Most of the Lerner-Loewe score remains intact, including the hit songs "Almost Like Being in Love," "Heather on the Hill," and "Come to Me Bend to Me." ~ Hal Erickson, All Movie Guide

Gene Kelly does his patented Pal Joey bit as Jerry Mulligan, an opportunistic American painter living in Paris' "starving artists" colony. He is discovered by wealthy Milo Roberts (Nina Foch), who becomes Jerry's patroness in more ways than one. Meanwhile, Jerry plays hookey on this setup by romancing waif-like Lise Bouvier (Leslie Caron) -- who, unbeknownst to him, is the object of the affections of his close friend Henri (Georges Guetary), a popular nightclub performer. (The film was supposed to make Guetary into "the New Chevalier." It didn't.) The thinnish plot is held together by the superlative production numbers and by the recycling of several vintage George Gershwin tunes, including "I Got Rhythm," "'S Wonderful," and "Our Love Is Here to Stay." Highlights include Guetary's rendition of "Stairway to Paradise"; Oscar Levant's fantasy of conducting and performing Gershwin's "Concerto in F" (Levant also appears as every member of the orchestra); and the closing 17-minute "American in Paris" ballet, in which Kelly and Caron dance before lavish backgrounds based on the works of famed French artists. ~ Hal Erickson, All Movie Guide