Mitchell Leisen Movies

This documentary serves as a low-budget travelogue of Las Vegas. Performances by singer Vic Damone, dancer Juliet Prowse, and sex goddess Jane Mansfield are the highlights of the film that was obviously filmed a few years before the premiere at the Hollywood Theatre on June 23rd, 1967. An ironic footnote; Mansfield died in an auto accident June 29th, 1967, the day after Variety reviewed the feature. ~ Dan Pavlides, All Movie Guide

To save Prince Efram (Christopher Held), the "mod" young heir to a mittel-European throne, from an assassination attempt, UNCLE agents April and Mark go undercover as, respectively, a go-go dancer and a rock musician. Meanwhile, Efram's power-hungry aunt, Princess Rapunzel (Patricia Barry), joins forces with Dr. Gork (Vito Scotti), the inventor of an avalanche machine that can be triggered by music. The rock group the Daily Flash performs the deathless {&"My Bulgarian Baby." Written by Boris Sobelman, "The Drublegratz Affair" first aired on January 31, 1967. ~ Hal Erickson, All Movie Guide

Having scoffed at his colleague Warren Marcusson's (Paul Comi) assertion that "People are alike all over the universe," Astronaut Sam Conrad (Roddy McDowall) is given the opportunity to find out if Marcusson was telling the truth when his spaceship crash-lands on Mars. Though Marcusson is killed, Sam survives and is given the "red carpet" treatment by the humanlike Martians. Falling in love with the beautiful Teenya (Susan Oliver) and provided with a fully furnished luxury apartment, Sam is willing to concede that people everywhere are the same -- but just as the episode comes to an end, he realizes that this "sameness" is not an altogether good thing. Vic Perrin, who later provided the "control voice" on The Outer Limits, plays one of the Martian elders. Scripted by Rod Serling from Paul Fairman's short story "Brothers Beyond the Void," "People Are Alike All Over" made it Twilight Zone debut on March 25, 1960. ~ Hal Erickson, All Movie Guide

Hypochondriac Walter Bedecker (David Wayne) would do anything to feel better -- including making a deal with the Devil. When His Satanic Majesty makes an appearance in the form of the jovial Mr. Cadwallader (Thomas Gomez), Walter enters into a contract whereby he will be given perfect health and immortality. Unfortunately, Walter soon discovers that eternal life isn't all it's cracked up to be, while his wife Ethel suffers spectacularly from Walter's efforts to "spice up" his existence. Several 1960s TV icons appear in supporting roles, including commercial "stars" Virginia Christine (aka Mrs. Olsen) and Dick Wilson) (Mr. Whipple), The Beverly Hillbillies' Raymond Bailey, and McHale's Navy's Joe Flynn. First telecast November 6, 1959, "Escape Clause" was written by Rod Serling. ~ Hal Erickson, All Movie Guide

In this dark drama, a young American is on his way to take his final vows as a priest when he encounters a troubled nightclub singer with a checkered past. He honestly wants to help her and soon falls for her and finds himself tempted by her seductive ways. But giving in to temptation could have more serious repercussions than the damnation of his immortal soul, as she is a murderess. The story was filmed in Paris. ~ Sandra Brennan, All Movie Guide

The Young Man with Ideas in this MGM production is idealistic lawyer Maxwell Webster (Glenn Ford). Too self-effacing for his own good, Webster vegetates in Montana with his wife Julie (Ruth Roman) and children for nearly 10 years before starting life anew in California. Living penuriously while studying for his California bar exam, Webster tries out several moneymaking schemes, most of which come acropper. Along the way, he inadvertently gets involved with a bookie ring, culminating in a climactic courtroom scene wherein Webster defends himself -- and surprise, he doesn't have a fool for a client. In typical Hollywood fashion, the script requires the talented Ruth Roman to express jealousy when a brace of lovely females played by Nina Foch and Denise Darcel briefly set their caps for the ingenuous Glenn Ford. ~ Hal Erickson, All Movie Guide

Darling, How Could You is an amiable adaptation of James M. Barrie's stage perennial Alice-Sit- By-the-Fire. Joan Fontaine and John Lund head the cast as Alice and Robert Grey, who return to London from a five-year sojourn at the Panama canal, where Robert, a doctor, has tended to the sick. Upon arriving home, Mr. and Mrs. Grey must become reacquainted with their ever-growing children, especially precocious teenager Amy (Mona Freeman). Having just seen a play about an errant wife, Amy misinterprets the attentions paid to her mother by young physician Steve Clark (Peter Hanson), leading to a bottomless reserve of whimsically comic complications. Long unavailable to TV due to legal hassles with the Barrie estate, Darling, How Could You has since lapsed into public domain, and is now more available than ever. ~ Hal Erickson, All Movie Guide

Alan Ladd plays the title role in Captain Carey USA. A former OSS operative, Captain Carey returns to Italy after the war to avenge the death of resistance worker Giulia (Wanda Hendrix). Much to his surprise, Carey finds that his "deceased" lover is not only still alive, but also the wife of a powerful Italian nobleman (Francis Lederer). He also discovers to his sorrow that the far-from-grateful Italian villagers hold the Americans responsible for their current financial travails. Still, Carey sticks around, hoping to flush out the traitor who'd caused the wartime deaths of several of his OSS colleagues. The box-office success of Captain Carey USA was enhanced by the incidental musical number "Mona Lisa," which subsequently won an Academy Award. ~ Hal Erickson, All Movie Guide

Though her acting range was limited, Wanda Hendrix was cute as all get out, and this cuteness is pretty much all that's required from her in Song of Surrender. The film is set in a small town of the early 1900s. Hendrix is cast as Abigail Hunt, the young bride of fiftyish museum curator Elisha Hunt (Claude Rains). Their connubial bliss is threatened when attorney Bruce Eldridge (Macdonald Carey) falls in love with Abigail, and she with him. When her neighbors discover her indiscretions, Abigail is driven from town. It is only during a near-tragedy that Abigail realizes that her true place is with her aging husband. Still, the script manages to wangle a happy ending for everyone concerned. Of interest in Song of Surrender is the utilization within the plotline of several vintage Enrico Caruso recordings. ~ Hal Erickson, All Movie Guide

A woman stands to inherit a fortune if she can get all her brothers and sisters in one place...which is far more complicated than it might sound. When the Tatlocks, a very wealthy couple, suddenly and unexpectedly die, the executor of the estate informs Nan Tatlock (Wanda Hendrix) that their will stipulates that all members of the immediate family must be present at the reading in order for it to be valid. Nan immediately smells trouble, as the Tatlocks are a notoriously eccentric group of people, and as the sole "normal" member of the family, she's generally the only one who can be counted upon to arrive on schedule. As it turns out, Nan's greatest problem is rounding up her brother Skylar, who is so dizzy that he requires a full-time caregiver, Denno (Barry Fitzgerald). However, Skylar got away from Denno during a trip to Hawaii, and no one is sure where he is -- or even if he's still alive. When Nan learns that she could inherit several million dollars if she can bring her relatives together, and Skylar stubbornly refuses to materialize, the caretaker hires Burke (John Lund), a Hollywood stuntman who bears a striking resemblance to the missing man, to pose as Skylar at the reading of the will. Miss Tatlock's Millions was the first film directed by veteran British comic actor Richard Haydn, who appears in a small role under the pseudonym "Richard Rancyd." Ray Milland and noted director Mitchell Leisen also make cameo appearances. ~ Mark Deming, All Movie Guide

Based on a novel by Yolanda Foldes, this confusing romantic adventure concerns a love affair and international espionage. Told in flashback, British officer Ralph Denistoun (Ray Milland) recounts the story to American journalist Quentin Reynolds. Before WWII, British Intelligence officers Ralph and Richard (Bruce Lester) were held captive by Nazis who wanted to know about Prof. Otto Krosigk's (Reinhold Schunzel) secret formula. Ralph and Richard escape, deciding to look for Krosigk separately with the plan to meet up again in Stuttgart. Then Ralph meets gypsy woman Lydia (Marlene Dietrich) in the forest. She disguises him, gives him golden earrings to wear, and leads him through the forest. Ralph eventually fights the gypsy leader Zoltan (Murvyn Vye) and wins his respect. He joins the band of gypsies and heads to Stuttgart where he meets Richard and reads the horrible fate in his palm. He then meets Krosigk, who gives him the secret formula. He is then able to escape, but promises to return for Lydia. The story ends with Lydia and Ralph meeting again in the forest after the war is over. ~ Andrea LeVasseur, All Movie Guide

Olivia De Havilland won the first of her two Academy Awards for To Each His Own. During World War I, De Havilland falls in love with a young soldier (John Lund). He is killed in battle before they can marry, leaving De Havilland to raise their child alone. She gives the baby up for adoption, then goes to work in the cosmetic business, working her way up to an executive post. While in London on business during World War II, Olivia comes face to face with her grown son (John Lund again), now a military officer himself. Though she resists revealing her true identity, mother and son are brought together by a wise old British peer (Roland Culver). Olivia De Havilland's Oscar win was doubly sweet in that To Each His Own was her first film after an enforced two-year absence, brought about when she sued Warner Bros. to get out of her restrictive contract. Long available only in washed-out TV prints, To Each His Own was eventually restored to its pristine 35-millimeter glory by the American Film Institute. ~ Hal Erickson, All Movie Guide

Kitty is the "Pygmalion" legend, 18th century style. London aristocrat Ray Milland takes it upon himself to make a lady of a guttersnipe (Paulette Goddard, complete with a cockney accent not to be believed). Milland and fellow conspirator Constance Collier aren't bothering with the girl out of the goodness of their hearts. They want their protegee to marry a wealthy nobleman (Reginald Owen), then divide the wealth between them. Based on the novel by Rosamund Marshall, Kitty ends with the heroine in the arms of the penitent Milland. The opulent sets and costumes assembled for this film were too good for Paramount to waste; most of them popped up one year later in the Bob Hope vehicle Monsieur Beaucaire. ~ Hal Erickson, All Movie Guide