Michael Lehmann Movies

Zooey Deschanel, Aaron Stanford, Izabella Miko, and Christopher Lloyd star in director Michael Lehmann's comedy concerning a New Orleans cereal bar manager whose slacker lifestyle is turned upside down when a rival cereal shop threatens both his livelihood and his love life. ~ Jason Buchanan, Rovi

Diane Keaton stars as a unconditionally loving, but meddling, mother whose vain attempt to prevent her insecure youngest daughter from repeating the same mistakes that she made leads to a series of comic misunderstandings in director Michael Lehmann's affectionate family comedy. When it comes to the topic of motherhood, Daphne Wilder (Keaton) has seen it all. Her eldest daughter, Maggie (Lauren Graham), is a highly respected psychologist and her middle daughter, Mae (Piper Perabo), is both sexy and smart, but youngest Milly (Mandy Moore) just can't seem to get things right no matter how hard she tries. Recognizing that the romantic exploits of her charming-but-struggling youngest always seem to end in tears, concerned mother Daphne vows to find Millie the perfect man. Though she always means well, Daphne's misguided attempt to set her daughter up by placing a carefully worded personal ad proves once and for all that even the most well-intending of mothers can sometimes overstep their boundaries. ~ Jason Buchanan, Rovi

Following memorable roles in the military action-adventures Pearl Harbor (2001) and Black Hawk Down (2001), young actor Josh Hartnett is propelled to romantic leading man status with this semi-autobiographical comedy from screenwriter Rob Perez. Hartnett stars as Matt Sullivan, a young man smarting over the bitter breakup of his most recent relationship. With Lent approaching, Matt decides to observe the 40-day tradition by abstaining from all sexual contact, including self-gratification. Once his odyssey of discipline has begun, he meets the girl of his dreams, while his ex begins campaigning to get him back. Co-starring Shannyn Sossamon, Maggie Gyllenhaal, and Vinessa Shaw, 40 Days and 40 Nights inspired another round of controversy between distributor Miramax and the Catholic League, which accused the film of being a "vulgar parody" of Lent. The League previously protested the company's releases of Priest (1994) and Dogma (1999). ~ Karl Williams, Rovi

Third-rate talent agent Sammy Kanin (Billy Crystal) is more devoted to his career than his wife Serena (Kathleen Quinlan) and son Nick (Zane Carney), so instead of going to Nick's birthday party, he chooses to travel to Romania where his teen client Justin Allen (Rider Strong) is acting in a period adventure movie. When Sammy's auto swerves off the road, he wakes up in a monastery, having been removed from the wreckage by sensitive, Shakespeare-quoting, 7'7"-tall giant, Max (pro basketball player Gheorghe Muresan), a ward of the monks who works as a monastery caretaker. Sammy sees Max as his ticket to the top, gets him a warrior role in the adventure movie, and takes him back to the U.S. where Max hopes to win back a long-ago girlfriend Lillianna (Joanna Pacula), living in Gallup, New Mexico. Sammy and Max head for Vegas, where actor Steven Seagal (as himself) is shooting a film with a villain role perfect for Max. When Sammy contacts Lillianna, she expresses disinterest in Max, forcing Sammy to seek a solution that can bring the two together. ~ Bhob Stewart, Rovi

Larry's (Garry Shandling) publicist, Norm (David Paymer), earns his keep when he arranges for People Magazine to cover a visit to the set from Make-a-Wish child Charlie (Chauncey Leopardi) -- whom Beverly (Penny Johnson) reluctantly gets stuck caring for -- and has Ben Stiller bumped from the magazine's "Top Ten Sexiest Men" list in order to make room for Larry. Meanwhile Cuban cigar smuggler Hank (Jeffrey Tambor) starts to panic when a fire in his office coincides with a visit from U.S. Customs. ~ Jason Buchanan, Rovi

In this updated and gender-reversed variation on Cyrano de Bergerac, Janeane Garofalo stars as Abby, the host of a radio talk show for people who have problems with pets. One day, she gets a call from Brian (Ben Chaplin) who is having trouble with his Great Dane (who enjoys roller skating). After a few minutes on the phone, Brian is immediately taken with Abby, and she's certainly interested in him. However, while Abby is not unattractive, she's terribly self-conscious about her appearance. When he asks her for a description, instead of telling him she's a diminutive brunette with big brown eyes, she describes her neighbor Noelle (Uma Thurman), a tall, rail-thin, blue eyed blonde. When Ben sets up a date, Abby is frantic and convinces Noelle to take her place. However, while Abby sounds smart, witty and charming over the radio (or the telephone), Noelle speaks like -- well, I think the phrase dumb blonde is called for here. Brian becomes puzzled -- why is it Abby is so great on the phone but so inarticulate in person? And what's the story with her friend, the cute brunette who sounds so smart? Noelle is even more confused; she wants to help her friend, but she's finding herself falling for Brian as well. The Truth About Cats and Dogs gave Ben Chaplin his first role in an American film and Janeane Garofalo's first starring turn after several notable supporting performances. ~ Mark Deming, Rovi

Hollywood visionary Tim Burton pays homage to another Hollywood visionary, albeit a less successful one, in this unusual fictionalized biography. The film follows Wood (Johnny Depp) in his quest for film greatness as he writes and directs turkey after turkey, cross-dresses, and surrounds himself with a motley crew of Hollywood misfits, outcasts, has-beens, and never-weres. The real story, however, is his friendship with aging, morphine-addicted Bela Lugosi (Martin Landau), whom he tries to help stage a comeback. Landau's unforgettable Oscar-winning performance must be seen to be believed, as must Rick Baker's Oscar-winning makeup. While it would have been easy to make a film simply ridiculing the bumbling director, Burton instead focuses on his driving passion for filmmaking and his unwavering persistence in the face of ridicule and failure. Possibly the most surprising aspect of the film is the genuine sentiment with which Burton treats the relationship between Wood and Lugosi; his devotion to Lugosi is touching, as is Lugosi's final soliloquy -- an inane bit of dialogue from the hilariously bad Bride of the Monster that grows into a poignant metaphor for the actor's life and ultimate triumph of his spirit. Even the look of the film is right; it manages to preserve the air of one of Wood's own films while retaining a sense of artistry in much of the composition on screen (note the scene at the drug rehab where Lugosi endures a horrifying night of detox). In all, Ed Wood is a unique film -- at times side-splittingly funny; at others, tragic or even frightening -- and a heartfelt tribute to the love of movies, good and bad alike. ~ Jeremy Beday, Rovi

Airheads is a variation on Dog Day Afternoon, as well as a comic look at the trials and tribulations of both the music business and Generation X. A hapless rock trio consisting of Chazz (Brendan Fraser), Rex (Steve Buscemi), and Pip (Adam Sandler) hits a brick wall with their attempts to get their demo tape played by record label executives. Chazz, on the edge since being thrown out by his girlfriend (Amy Locane), decides it's time to take more serious action, and he leads his bandmates on a mission to invade the local "alternative" rock station, KPPX, and hold it hostage to get the band's tape played on the air. The station staffers don't realize that they're being held with a water gun, and when they finally agree to play the tape, it gets eaten up by a faulty machine. ~ Don Kaye, Rovi

Michael Lehmann directed this post-modernist hash of To Catch a Thief and The Naked Gun starring Bruce Willis as Hudson Hawk, a cat burglar who wants to go straight, but the circumstances won't allow it. The story begins in a pre-credit sequence that takes place in the renaissance. Leonardo Da Vinci (Stefano Molinari) is rushing through his Mona Lisa painting to work on his latest invention -- a machine to turn lead into bronze. But Da Vinci makes a mistake and, instead of bronze, the machine turns the lead into gold. Realizing the danger of his invention if the contraption gets into the wrong hands, he hides three parts of the apparatus inside three of his other works. Four hundred years later, Hudson Hawk, the world's greatest cat burglar, is being released from jail after pulling a ten-year stretch. He wants to retire from the profession of cat burglary and drink some cappuccino, but two screwball billionaires -- Darwin and Minerva Mayflower (Richard E. Grant and Sandra Bernhard) -- won't let him. Their nefarious plot is to steal the three Da Vinci works, restore Da Vinci's gold-making machine, and destroy the world's monetary system. They blackmail Hawks into working with them to steal the Da Vincis by threatening the life of Hawks's pal Tommy Five-Tone (Danny Aiello). Along with the power-mad billionaires, Hawks has to deal with the CIA, in the person of George Kaplan (James Coburn), breathing down his neck. He also has Vatican art restorer Anna Baragli (Andie MacDowell) falling for his smirk. ~ Paul Brenner, Rovi

A deliciously nasty black comedy, Heathers is set at a cliquish high school in Ohio. The most exclusive of those cliques is the Heathers, comprised of the prettiest and most popular girls in town. The group's leader is the manipulative Kim Walker, who orchestrates the humiliation of anyone who fails to meet her standards. Eventually, Heathers member Winona Ryder begins to exhibit a conscience; together with her hardcase boyfriend Christian Slater, Ryder plots to avenge all the unfortunate victims of the group. Before long, Heather (Kim Walker) ends up dead along with Kurt and Ram, with poignant suicide notes posted near their bodies. ~ Hal Erickson, Rovi