Robert Burton Movies

Paul Newman recreates his Broadway role in the 1962 film version of Tennessee Williams' Sweet Bird of Youth. Newman plays handsome hustler Chance Wayne, who romances fading film star Alexandra Del Lago (Geraldine Page) in hopes of winning a movie contract for himself. The mercenary Wayne and the self-destructive Alexandra find themselves in Chance's home town, where corrupt politician Boss Finley (Oscar-winner Ed Begley) rules the roost. Finley's daughter Heavenly (Shirley Knight), impregnated by Chance during his last visit, dreams of a reunion with her old beau, but Finley and his brutish son Tom Jr. (Rip Torn) make certain that no such reunion occurs. Even the well-intentioned interventions of Heavenly's Aunt Nonny (Mildred Dunnock) fail to move the stubborn Finley. Warned to leave town or risk a broken skull, Chance is dumped by Alexandra, whose recent "comeback" film has proven a success and who thus no longer needs a gigolo to feed her ego. From this point on, Richard Brooks' screenplay departs so radically from the Tennessee Williams original that to elucidate the differences would require a book in itself. Suffice to say that the play's Chance Wayne is rendered "less than a man" by the vengeful Finley, whereas the film's Wayne emerges with all his working parts intact. A second version Sweet Bird of Youth (1989), purportedly based on Williams' own rewrite of his earlier material, was filmed for television in 1989, with Elizabeth Taylor and Mark Harmon in the leads, and with Rip Torn, Tom Finley Jr. in the original, stepping into the role of Boss Finley. ~ Hal Erickson, All Movie Guide

In this film based on a true story, Burt Lancaster plays Robert Stroud, a withdrawn prison inmate who cures a sick bird that flies into his cell and eventually becomes a world-renowned ornithologist -- all while serving a life sentence. An overbearing warden (Karl Malden) eventually transfers Stroud to the notoriously brutal prison on Alcatraz, but he is able to continue his research, abort a riot, start a romance, and eventually get his story out through a determined reporter (Edmond O'Brien). Directed with his usual solid craftsmanship by John Frankenheimer, Birdman Of Alcatraz tells a quietly moving tale for which Lancaster, Telly Savalas (as one of Stroud's fellow inmates), and Thelma Ritter (as Stroud's mother) all received Oscar nominations. ~ Don Kaye, All Movie Guide

An unusually tense and intelligent political thriller, The Manchurian Candidate was a film far ahead of its time. Its themes of thought control, political assassination, and multinational conspiracy were hardly common currency in 1962, and while its outlook is sometimes informed by Cold War paranoia, the film seemed nearly as timely when it was reissued in 1987 as it did on its original release. It opens with a group of soldiers whooping it up in a bar in Korea as their commander, Sgt. Raymond Shaw (Laurence Harvey), arrives to inform them that they're back on duty. These men obviously have no fondness for Shaw, and he feels no empathy for them. While on patrol, Shaw and his platoon are ambushed by Korean troops. Months later, Shaw is receiving a hero's welcome as he returns to the United States to accept the Congressional Medal of Honor, and several of the soldiers who served under Shaw repeatedly refer to him as "the bravest, finest, most lovable man I ever met." It soon becomes evident that after their capture by the Koreans, Shaw and his men were subjected to an intense program of brainwashing prior to their release. While several are troubled by bad dreams and inexplicable behavior, it's Capt. Bennett Marco (Frank Sinatra) who seems the most haunted by the experience. In time, Marco is able to piece together what happened; it seems Raymond Shaw was programmed by a shadowy cadre of Russian and Chinese agents into a killing machine who will assassinate anyone, even a close friend, when given the proper commands. On the other side of the coin, Shaw is also used for political gain by his harridan mother (Angela Lansbury), who guides the career of her second husband, John Iselin (James Gregory), a bone-headed congressman hoping to win the vice-presidential nomination through a campaign of anti-Communist hysteria.

The Manchurian Candidate features a host of remarkable performances, several from actors cast cleverly against type. Frank Sinatra's edgy, aggressive turn as Marco may be the finest dramatic work of his career; Laurence Harvey's chilly onscreen demeanor was rarely used to s better advantage than as Raymond Shaw; James Gregory is great as the oft-befuddled Senator Iselin; and Angela Lansbury's ultimate bad mom will be a shock to those who know her as the lovable mystery writer from Murder, She Wrote. George Axelrod's screenplay (based on Richard Condon's novel) is by turns compelling, witty, and horrifying in its implications, and John Frankenheimer's direction milks it for all the tension it can muster. While Frankenheimer's career has had its ups and downs, The Manchurian Candidate and Seconds (1966) suggest that he deserves to be recognized as one of the most brilliantly paranoid American filmmakers of the '60s. Entertaining yet unsettling, both films indicate that things in the '60s were not what they seemed, with a resonance that still echoes uncomfortably in the present. ~ Mark Deming, All Movie Guide

This children's movie details the adventure of a boy (Kevin Corcoran) who tries to unravel the secrets of the Mooncussers, a group of pirates who destroy ships by guiding them onto rocks with a fake lighthouse. ~ John Bush, All Movie Guide

The Young Savages is what used to be called a "thinking man's picture" about a potentially lurid subject: urban juvenile delinquency. A blind Puerto Rican boy is knifed to death in Spanish Harlem, and three teenage gang members are accused of the crime. Politically ambitious assistant DA Burt Lancaster initially presses for the conviction of all three boys. But as he gets deeper into the case, he realizes that what appears cut-and-dried on the surface is tortuously complex: for starters, the murder victim was hardly the paragon of virtue that the prosecution claims. Despite pressure from his superiors and from members of the accused boys' gang (who at one point threaten Lancaster's wife Dina Merrill with a switchblade,) Lancaster nonetheless sees to it that justice is properly administered. The defendants are portrayed with varying degrees of Brando/Dean "method" by John Davis Chandler, Neil Nephew and Stanley Kristien; more believable, less affected performances are rendered by Shelley Winters, Pilar Seurat and Telly Savalas. Filmed on location in New York, The Young Savages was based on the Evan Hunter novel A Matter of Conviction. ~ Hal Erickson, All Movie Guide

In the final episode of Walt Disney's 17-part miniseries Tales of Texas John Slaughter, John (Tom Tryon), in his capacity as sheriff of Tombstone, AZ, has captured vicious robber and murderer Jimmy Deuce. As a result, every other outlaw in Tombstone has fled for the hills -- thereby utterly ruining the town's economy and causing the populace to turn against Sheriff Slaughter. Urged to give up his badge by his wife Viola (Betty Lynn), John refuses, insisting that his job is far from finished. Meanwhile, professional gunfighter Frank Clell (Ralph Meeker) rides into town, insisting that he's mended his murderous ways -- but has he? Originally telecast as part of the Walt Disney Presents anthology, "Frank Clell's in Town" and the previous episode, "A Trip to Tucson," were in 1966 excerpted for use in the expanded theatrical-feature version of the earlier Tales of Texas John Slaughter entry "A Holster Full of Law." ~ Hal Erickson, All Movie Guide

Although Jack Kelly was the sole star of Maverick as the tongue-in-cheek western series entered its fifth and final season, he continued to share on-screen billing with James Garner--who, despite having left the series at the end of Season Three, was still being represented by reruns of his best episodes. Only thirteen new episodes were shot for Season Five, all starring Kelly as frontier gambler Bart Maverick. In the opener, Bart is cheated out of $5000 by suave con artist Pearly Gates (Mike Road). Likewise swindled by Gates is his partner in crime Marla (Kathleen Crowley), who's out for blood after Pearly jilts her at the altar. Thus, Marla teams with Bart to track Pearly down and make him pay for his sins...presuming, of course, that he won't able to sweet-talk his way out of his predicament, as he has done on so many previous occasions. ~ Hal Erickson, All Movie Guide

The "mutual admiration society" consisting of actor James Cagney and actor/director Robert Montgomery culminated in the 1960 film The Gallant Hours. Cagney stars as war hero Admiral William F. "Bull" Halsey. On the verge of retirement, Halsey recalls his most fateful wartime experience: his five-week showdown between himself and Japanese Admiral Yamamoto (James T. Goto) in 1942. In command of the American naval forces in the Pacific, Halsey scores a crucial, tide-turning victory at Guadalcanal. In concentrating on the participants rather than the battle itself, The Gallant Hours is a character study of a remarkable American. The a cappella "score" performed by Ken Darby and the King's Men Quartet is a matter of taste. ~ Hal Erickson, All Movie Guide

First telcast October 16, 1959, this episode stars Dan Duryea as Al Denton, a once-legendary gunslinger fallen on hard times. Now the town drunk and the object of ridicule, Denton dreams of the day that he will regain his skills with a sixgun. That day comes sooner than expected, thanks to a travelling peddler named Henry J. Fate (Malcolm Atterbury) -- but there's a bizarre price tag attached. Written by Rod Serling, this Twilight Zone episode features an impressive cast of future TV-series stars, including Martin Landau as town bully Hotaling, Doug McClure as punkish fast gun Pete Grant, and Jeanne Cooper as faded saloon girl Liz. Incidentally, this dramatic episode was originally intended as a comic story titled "You Too Can Be a Fast Gun," with a timid schoolteacher unexpectedly gaining renown as a gunfighter. ~ Hal Erickson, All Movie Guide

A trio of energetic young men try to put on a good show for their Army camp, in this lightweight comedy by Raoul Walsh. Luigi (Sal Mineo just risen to stardom), Jerry (Berry Coe), and Mike (Gary Crosby) are in boot camp when they are presented with a chance to represent their unit in competition on a national television show. The three guys are up to the challenge, which begins a chain of unusual circumstances that not only have them singing and dancing at the proper times, but also running into a trio of alluring young women (Barbara Eden, Terry Moore, and Christine Carere). Then there is that little mix-up when the Assistant Secretary of War mistakenly marries herself off to a doped-up Private Jerry, all for a good cause. ~ Eleanor Mannikka, All Movie Guide

A suspenseful courtroom drama, The Story on Page One was the second and last film directed by the distinguished American playwright Clifford Odets (who also wrote the screenplay). Jo (Rita Hayworth) and Larry (Gig Young) are lovers accused of murdering Jo's husband. Their trial lawyer, Victor Santini (Anthony Franciosa) has his work cut out for him on two different fronts. For one, he has to overcome his own tendency to hit the bottle, and for another, he has to somehow win this case. As revealed in the beginning, Jo's husband died accidentally. Yet the unpredictability of the courtroom proceedings indicate that a verdict of "not guilty" is going to be anything but automatic. ~ Eleanor Mannikka, All Movie Guide

A meteor crashes into the frozen mountains of Northern Sweden, though the Laplanders who witness the event swear that it flew horizontally for hundreds of feet and left skidmarks in the snow. American scientist Dr. Vance Wilson (Robert Burton) is called overseas to help investigate, and joins dashing young geologist Erik Engstrom (Sten Gester) in Stockholm to discuss the phenomenon. Erik meets Wilson's niece, Diane (Barbara Wilson), an Olympic ice skater in training, and the two of them begin flirting heavily both on the slopes and the dancefloor. The scientists are called to the scene of the interstellar accident when an entire herd of reindeer are found mutilated nearby, and Diane stows away on their plane to get close to the action. When Erik and Dr. Wilson examine the meteor closely, however, it's clear to them that it's actually some sort of vessel from outer space. Before they can fly back to the city and alert the authorities, a 20-foot tall behemoth with shaggy fur and gruesome fangs kills a guard and destroys their airplane. Erik and Diane ski off for help, but she injures her knee and finds herself a captive of the enormous monster. Strangely, the creature treats her with gentleness despite her screams. What is the origin of this unearthly beast, and what is its connection to the alien spacecraft? This Swedish-made sci-fi picture was purchased by American producer Jerry Warren, who changed the narrative with new footage and released it to state-side audiences as Invasion of the Animal People in 1962. ~ Fred Beldin, All Movie Guide