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Fernand Léger Movies

Fernand Léger is best known as a cubist painter, but he also had some involvement in French cinema. Inspired by a Chaplin feature, Léger was most interested in film as an expressive new medium on which to create his art but showed little interest in the technical aspects of filmmaking. He worked on his first film L'Herbier's L'Inhumane in 1923 as a set designer. Léger made his biggest contribution the following year when he made the classic avant garde short Le Ballet Mecanique with technical help from Dudley Murphy. In 1936 Léger designed the costumes for the fantasy Things to Come a British adaptation of an H.G. Wells story. He came to the U.S. during WW II and there helped to make a documentary biography of his own life The World of Fernand Léger. ~ Sandra Brennan, Rovi
1991  
 
A video compilation of seven experimental French films, mostly from the 1920s. Anaemic Cinema (1926), perhaps the only true Dadaist film, by Marcel Duchamp; Ballet Mechanique (1924) by Fernand Leger; Menilmontant (1926) by Dimitri Kirsanov; Life and Death of 9413, A Hollywood Extra (1928), about the life of a would-be star, by Robert Florey; Seashell and the Clergyman (1928) by Germaine Dulac; Pacific 231 (1944) by Jean Mitry and La Jetee (1962) by Chris Marker. The silent films have musical tracks. ~ All Movie Guide

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1947  
 
Surrealist painter and Dada film-theorist Hans Richter wrote, produced, and directed the experimental exercise Dreams That Money Can Buy, one of the most significant contributions to the 20th-century "avant garde" movement. The project began in 1944, while Richter was director of the Institute of Film Techniques at City College in New York. Combining short scenarios written by such world-renowned artists as Max Ernst, Marcel Duchamps, Man Ray, Alexander Calder and Fernand Leger, Richter came up with a full-color, feature-length study in dreamlike "wish fulfillment." The film's only nod to continuity is the presence of a self-styled heavenly psychiatrist, whose patients purportedly visualize the images which play across the screen. Described by one observer as "surreal yet somewhat Jungian," Dreams That Money Can Buy cost $25,000 and was three years in the making (Richter liked to take his time: his later Dadascope took five years!) Its New York premiere was greeted with a mixture of bravos and bewilderment, especially when the projectionist elected to show the film on the wall and ceiling rather than the screen. One assumes that the projectionist was less capricious when Dreams That Money Can Buy won a special prize at the 1947 Venice Film Festival. ~ Hal Erickson, Rovi

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Starring:
Max Ernst
 
1924  
 
This video art production is an abstract piece in which role reversal is carried to its peak - all the "dancing" is done by inanimate objects and the people are used as stationary, inanimate objects stuck in repeating patterns. ~ Tana Hobart, Rovi

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This compilation video, part of the "Avant Garde" series, features a collection of avant garde and experimental films, including: Un Chien Andalou (1928), by Luis Bunuel and Salvador Dali; Regen (1929), by Joris Ivens and Mannus Franken; Uberfall (1929), by Erno Marzner; Hearts of Age (1934), directed by and starring Orson Welles; and Ballet Mecanique (1924), by Fernand Leger. ~ Tana Hobart, All Movie Guide

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