Michael Alldredge Movies

Football hero Boomer Hayes (Ken Wahl) finds he is in the middle of a looting scheme in this non-stop actioner. Billionaire and owner of LA's pro football team, Bat Masterson (Robert Davi), has arranged a fake toxic chemical spill to provide an opportune situation for his group of ex-cops to plunder an evacuated community in Beverly Hills. Surprised by the state of things when he comes out of the bathroom, Boomer soon grasps the opponent's play and takes it upon his able-bodied self to tackle the situation. Luckily, he not only has the support of his girlfriend, Laura (Harley Jane Kozak), but ex-cop and bad-turned-to-good guy Ed (Matt Frewer) also decides to play on the home-team. With a plethora of explosions and stunts, it shows how the heroes semi-effectively defend their lush neighborhood. ~ Kristie Hassen, All Movie Guide

In this thriller a married woman in an unhappy marriage takes off to get some time alone and finds herself entangled with professional killers. ~ Sandra Brennan, All Movie Guide

Johnny Walker (Anthony Michael Hall) is a hot-shot high-school quarterback who receives intoxicating offers from spirited college recruiters in this adolescent teen comedy. Bathroom humor and sight gags are strung together in a story involving booze, broads, and other benefits for the coveted quarterback. Robert Downey Jr., Uma Thurman, and Paul Gleason co-star. Even cameos from Jim McMahon and Howard Cosell can't save this feature from itself, though it isn't the fault of the cast. Originally rated PG-13, it was reedited to R (with scenes added) for a home video release. ~ Dan Pavlides, All Movie Guide

John Ritter stars in this made-for-television comedy as a lonely philanderer who falls in love with a one-night-stand (Connie Sellecca) who is about to marry another man. ~ Jason Ankeny, All Movie Guide

A seat-of-the-pants militia attitude gets a boost from this conventional drama about the heroics of a teen son anxious to free his father from captivity in a small Middle Eastern nation. Doug's (Jason Gedrick) father is an Air Force pilot who was shot down on a mission near the border of an Arab country and is now held hostage. Failing adequate U.S. intervention causes a desperate Doug to enlist his school chums in a wild plan to essentially sneak away with two Air Force jets and take off on a mission to rescue his father. He convinces the veteran Chappy (Louis Gossett, Jr.) into flying one plane, while Doug himself flies another (he learned how to pilot from his father). Yes. If audiences believe all this, then the ending should come as no surprise either. ~ Eleanor Mannikka, All Movie Guide

The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."

The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, All Movie Guide

Inamusch as Deputy Enos (Sonny Shroyer) has become too honest for their own good, Boss Hogg (Sorrell Booke) and Sheriff Roscoe (James Best) get him out of the way by promoting him to a civilian job. Enos' replacement is Billy Joe Coogan (Michael Alldredge), as dishonest and corrupt as the day is long. Alas, Boss and Roscoe aren't given much time to congratulate themselves over their choice of new deputies: No sooner has Billy Joe accepted the job than he double-crosses his patrons by threatening to open Hazzard Dam and flood the county unless he is paid an enormous ransom! ~ Hal Erickson, All Movie Guide

In this sprawling television miniseries, originally aired in May 1983 on NBC, a race of seemingly human-like aliens arrive en masse on Earth. These "Visitors" promise cooperation and friendship -- then launch a clandestine takeover of the planet by accusing the entire scientific and medical community of conspiring to destroy them, then finally "benevolently" seizing power. Inspired by Sinclair Lewis' It Can't Happen Here, a 1935 account of a fictional fascist takeover of America, V uses a huge ensemble cast and an elliptical method of storytelling to trace the contact between humans and the Visitors, from the arrival of 50 giant flying saucers in low Earth orbit to the first major victory of the underground resistance that opposes the aliens. Major characters include Mike Donovan (Marc Singer), a television cameraman who leverages his experience filming in various war-torn locales to help expose the Visitors' true nature; news anchor Kristine Walsh (Jenny Sullivan), his sometime girlfriend, who allows her ambitions to cloud her journalistic judgment and becomes a pawn of the alien invasion; Juliet Parrish (Faye Grant), a young biochemist who finds herself thrust into the role of resistance leader; Abraham Bernstein (Leonardo Cimino), the patriarch of a Jewish family divided between the lessons of the Holocaust and the need to survive; Elias Taylor (Michael Wright), a petty thief who joins the resistance after the Visitors kill his doctor brother, Ben (Richard Lawson); and Robin Maxwell (Blair Tefkin), the surly eldest daughter of a scientist (Michael Durrell) who finds his family the target of harassment and intimidation. The Visitors, who assume common human first names as their monikers, include supreme leader John (Richard Herd); sultry science and security officer Diana (Jane Badler); hunky Brian (Peter Nelson); and gentle Willie (Robert Englund). V was written and directed by Kenneth Johnson, who initially envisioned the project as a less fanciful story of fascist aggression; when his pitch to NBC seemed to be faltering, Johnson allegedly added the alien angle extemporaneously, securing himself a green light and NBC a sweeps-week hit. The success of V spawned a second miniseries, V: The Final Battle, and a weekly TV series that lasted 19 episodes from 1984 to 1985. Johnson ended his association with the world of V halfway through production on the second miniseries, but his work on the Alien Nation TV spin-off years later would resurrect many of the themes of V. Actor Singer was already known to sci-fi fans as star of The Beastmaster, while Englund would go on to portray Freddy Krueger in countless Nightmare on Elm Street films. ~ Brian J. Dillard, All Movie Guide

Single mom Elaine (Marilu Henner) is having problems at home with her son Jason (David Mendenhall), who has just declared that he's "had it" with his oboe lessons. Sensing that a man's influence might help Jason get his head on straight, Elaine follows the advice offered her by Alex (Judd Hirsch) and agrees to let Jason sign on for the junior boxing program headed by Tony (Tony Danza). As it happens, however, Jason is possessed of a glass jaw -- and when he is flattened in his first bout, guess whom Elaine holds responsible? ~ All Movie Guide

Initially titled The Far Shore, the made-for-TV Another Woman's Child was co-produced by Linda Lavin, who also starred. Lavin and Tony LoBianco play a long-married couple who are confronted with a flash from the past. Young Jenny O'Hara shows up at the couple's doorstep, announcing that she is LoBianco's illegitimate daughter. Once over the initial shock, the couple makes arrangements to adopt O'Hara, but complications ensue when the girl's natural mother takes a hand in things. Another Woman's Child was first telecast January 19, 1983. ~ Hal Erickson, All Movie Guide

Al Pacino stars as Tony Montana, an exiled Cuban criminal who goes to work for Miami drug lord Robert Loggia. Montana rises to the top of Florida's crime chain, appropriating Loggia's cokehead mistress (Michelle Pfeiffer) in the process. Howard Hawks' "X Marks the Spot" motif in depicting the story line's many murders is dispensed with in the 1983 Scarface; instead, we are inundated with blood by the bucketful, especially in the now-infamous buzz saw scene. One carry-over from the original Scarface is Tony Montana's incestuous yearnings for his sister Gina (Mary Elizabeth Mastrantonio). The screenplay for the 1983 Scarface was written by Oliver Stone. ~ Hal Erickson, All Movie Guide

Another "true story" of dubious authenticity, The Entity concerns a libidinous invisible presence. This unseen force repeatedly rapes poor Barbara Hershey, who can't get anyone to believe her stories of sexual assault. Frankly, she doesn't believe them herself until she undergoes therapy conducted by experts in both psychology and the supernatural. The entity, a great, hairy blob, is ultimately tricked into materializing, an act of revelation that proves to be its downfall. The Entity was adapted by Frank de Felitta from his own novel. ~ Hal Erickson, All Movie Guide