Patrice Ledoux Movies

Georges Bizet's 1875 opera about Carmen, the colorful cigarette factory worker whose flirtations with the soldier Don José are forgotten in her love for the matador Escamillo, is the source for director Francesco Rosi's cinematic version of the same story. Plácido Domingo sings the part of Don José, Julia Migenes-Johnson sings Carmen, and Ruggero Raimondi is Escamillo. Although there is nothing to fault in the singing itself, some viewers may feel that director Rosi has stayed closer to a stage production than the medium of film would warrant. Carmen received the 1984 Cesar award for "Best Sound." ~ Eleanor Mannikka, Rovi

As a child of undersea divers, director Luc Besson, who is perhaps best known in the U.S. for La Femme Nikita and The Fifth Element, yearned to become a marine biologist. After spending his entire childhood diving, an accident rendered him unable to dive again, and he turned his energies to becoming a filmmaker instead. However, he never lost his love of the underwater world he grew up in, and this poetic documentary is a hymn to the beauties of that world. It takes underwater footage shot all over the world in slightly over three years time and weaves it with a variety of musical accompaniments into an astonishing visual treat. Without any preaching, this movie makes a strong case for preservation of our rapidly deteriorating ocean world. ~ Clarke Fountain, Rovi

As visually stylish as it is graphically violent, this thriller directed by Luc Besson concerns Mathilda (Natalie Portman), a 12-year-old girl living in New York City who has been exposed to the sordid side of life from an early age: her family lives in a slum and her abusive father works for drug dealers, cutting and storing dope. Mathilda doesn't much care for her parents, but she has a close bond with her four-year-old brother. One day, she returns from running an errand to discover that most of her family, including her brother, have been killed in a raid by corrupt DEA agents, led by the psychotic Stansfield (Gary Oldman). Mathilda takes refuge in the apartment of her secretive neighbor, Leon (Jean Reno), who takes her in with a certain reluctance. She discovers that Leon is a professional assassin, working for Tony (Danny Aiello), a mob kingpin based in Little Italy. Wanting to avenge the death of her brother, Mathilda makes a deal with Leon to become his protégée in exchange for work as a domestic servant, hoping to learn the hitman's trade and take out the men who took her brother's life. However, an affection develops between Leon and Mathilda that changes his outlook on his life and career. Besson's first American film boasted a strong performance from Jean Reno, a striking debut by Natalie Portman, and a love-it-or-hate-it, over-the-top turn by Gary Oldman. Léon was originally released in the U.S. in 1994 as The Professional, with 26 minutes cut in response to audience preview tests. Those 26 minutes were restored in the director's preferred cut, released in 1996 in France as Léon: Version Intégrale and in the U.S. on DVD as Léon: The Professional in 2000. ~ Mark Deming, Rovi

Between a documentary about animals and pure Indiana Jones, Hanuman is a children's film that lavishly narrates the tale of Hanuman, the legendary monkey king of India whose father is the wind and the mother a monkey. Hanuman is the most lovable baby monkey one can imagine. He meets Tom who comes to visit the temple in the Valley of Monkeys and tries to protect it from the robbers. A warm relationship develops between the two. The strongest points of this film are the magical landscape of India reminiscent of Rudyard Kipling books and the acting, particularly by Robert Cavanah who stays day and night with little Hanou. Recommend to children of all ages. ~ Gönül Dönmez-Colin, Rovi

In the 15th century, France is mired in the 100 Years War when a humble voice appears, claiming to have been instructed by the Lord to lead the French army into battle and defend their land against the British. The voice belongs to Jeanne d'Aragon, a teenage girl from a tiny village, and, to the surprise of many, her story does not fall on deaf ears. Wearing the armor of a soldier, the girl known as Joan of Arc leads the French troops in what she believes is a holy battle. Joan would soon be tried for heresy for her actions, but history would vindicate her with sainthood. The Messenger: The Story of Joan of Arc stars Milla Jovovich as Joan of Arc, Faye Dunaway as Yolande d'Aragon, and Dustin Hoffman as The Grand Inquisitor. Directed by Luc Besson, The Messenger was originally titled Joan of Arc but added the prefix to avoid confusion with the 1999 TV movie of the same name, which starred Leelee Sobieski. ~ Mark Deming, Rovi

While there are plenty of stories about gay men who have pretended to be straight for the sake of their careers, this tart comedy from France considers the dilemma of a straight man doing just the opposite. Francois Pignon (Daniel Auteuil) is an accountant whose personality is bland to the point of being nonexistent; he's been down in the dumps ever since his wife left him two years ago, and he becomes even more depressed when he learns that his boss is planning on firing him after 20 years of loyal service. Francois is seriously considering suicide until his next-door neighbor Belone (Michel Aumont) comes up with a plan to save his career. Belone finds some photos snapped at an especially randy gay nightclub, and using his computer, he pastes Francois' face over that of one of the participants. He sends copies of the doctored picture to several of Francois' co-workers, and soon everyone at the office is convinced the quiet little man has a flamboyant secret life. The firm's CEO, Kopel (Jean Rochefort), now has second thoughts about firing Francois, since letting an employee go who is known to be gay could invite a sexual discrimination suit. Meanwhile, the firm's public relations man, Guillaume (Thierry Lhermitte), is dealing with Felix (Gérard Depardieu), an employee relations executive who is well known as a narrow-minded thug. In order to counter charges that he's a rampant homophobe, Guillaume instructs Felix to make friends with Francois, and soon Felix is spending so much time with Francois (while fighting his own internal revulsion) that his wife wonders if he's seeing another woman. Le Placard was writer and director Francis Veber's first film after his international hit Le Diner de Cons -- in which the leading character was also named Francois Pignon. ~ Mark Deming, Rovi

French farce master Francis Veber (The Dinner Game) combines slapstick laughs with rapid-fire dialogue as he tells the tale of a Parisian valet unwittingly drawn into the affairs of a wealthy industrialist. François Pignon (Gad Elmaleh) is a simple valet employed by a posh Paris restaurant. Blissfully unaware of the paparazzi stalking powerful businessman Pierre Levasseur (Daniel Auteuil) and his stunning mistress, Elena (Alice Taglioni), the innocent passerby François wanders haphazardly into the frame. Realizing that the common man in the photograph may be Levasseur's only hope of avoiding a nasty divorce from his wife, Christine (Kristin Scott Thomas), Pierre's quick-thinking lawyer (Richard Berry) arranges for François to live with Elena in order to mislead the tabloids. Having just been dumped by childhood sweetheart Emilie (Virginie Ledoyen), François accepts the proposal, in the hopes he can win her back through jealousy. But Pierre's jealousy flares, Elena grows frustrated with her new digs, and Christine might know more than she's letting on. ~ Jason Buchanan, Rovi

Recalling both Gerard Lauzier's Mon Père Ce Héros (1991) and Stan Dragoti's She's Out of Control (1989), this French-language comedy hones in on the adolescent complications that threaten to destroy a long-estranged dad's newfound relationship with his teen daughter. For years, scientist Philippe Le Tallec (Daniel Auteuil) has lived in the U.S., thousands of miles distant from his daughter Eglantine (Juliette Lamboley). In time, circumstances dictate that Philippe must return to the States to assume guardianship of Eglantine. He anticipates forging a deep and meaningful paternal-filial relationship with her, but fails to anticipate her many preoccupations, including wild partying, boys, and tightly-knit bonds with her girlfriends - preoccupations that threaten to drive a wedge in-between father and daughter. ~ Nathan Southern, Rovi