Charles Lederer Movies

This first of four film versions of the Ben Hecht/Charlrd MacArthur Broadway hit stars Adolphe Menjou as explosive Chicago newspaper-editor Walter Burns and Pat O'Brien as his star reporter Hildy Johnson. Hildy is on the verge of getting married and retiring from Burns' dirty little tabloid, but he agrees to cover one last story: the politically motivated execution of convicted cop killer Earl Williams (George E. Stone). Thanks to the stupidity of the police, Williams manages to escape, and Johnson hides the wounded fugitive in a rolltop desk in the prison pressroom. Burns enters the scene, senses a swell story (and also a means of keeping Johnson on his payroll), and conspires with Johnson to keep Williams out of sight until they can secure an exclusive interview. Burns will do anything to keep Johnson on the scene, including having the reporter's future mother-in-law kidnapped. Complicating matters are Johnson's fiancée Peggy (Mary Brian), Williams' girlfriend Molly Malloy (Mae Clarke), and the corrupt mayor (James Gordon) and sheriff (Clarence C. Wilson), who have railroaded Williams to the death house in order to win votes and are now trying to suppress the news that the governor has commuted Williams' sentence. The Front Page was remade by Howard Hawks in 1939 as His Girl Friday, with the symbiotic relationship between Burns and Johnson changed to a sexual one by transforming Hildy Johnson into a woman (played by Rosalind Russell) with Cary Grant as her old flame Walter. It was again remade by Billy Wilder in 1974 with Jack Lemmon, Walter Matthau, Carol Burnett, and a young Susan Sarandon. ~ Hal Erickson, Rovi

Directed by Raoul Walsh, Baby Face Harrington features actor Charles Butterworth as Willie, a meek clerk who unintentionally gets involved with the mob when he misplaces two thousand dollars from the life insurance policy he was forced to cash after losing his job. While searching for the missing money, Willie (Butterworth) is taken hostage by gangsters. After learning his long-suffering wife Millicent (Una Merkel) plans to divorce him shortly, Willie loses all hope and prepares to hang himself. Just before he jumps to his suicide, however, the crime boss shows up and stops him. It turns out that the mob leader is an old school friend of Willie's, and convinces the former clerk that he still has much to live for. Baby Face Harrington also features actors Harvey Stephens, Eugene Pallette, and Ruth Selwyn. ~ Tracie Cooper, Rovi

In this lively musical, an eccentric philanthropist's will dictates that four people receive $5,000 with the stipulation that the first one who can double the amount-- without dishonesty-- will win a cool million. Hindering the four are the avaricious relatives of the late millionaire. Songs include: "It's On, It's Off," "Double or Nothing," "Listen My Children," "Smarty," "The Moon Got in My Eyes" and "After You." ~ Sandra Brennan, Rovi

Jeanette MacDonald and Lew Ayres make strange bedfellows in the overproduced MGM musical Broadway Serenade. She plays aspiring singer Mary Hale, and he plays her husband, struggling songwriter James Geoffrey Seymour. The couple's vaudeville act breaks up when Mary is hired for a big-time Broadway revue. As she rises to the top of the show-business heap, Seymour hits the skids, having lost his inspiration. On the verge of divorcing Seymour to marry a wealthy producer, Mary finally realizes that her life will be incomplete without her husband by her side. Saving the film from drowning in a sea of cliches are Jeanette MacDonald's musical renditions, not to mention the comedy relief of Frank Morgan and veteran vaudevillian Al Shean. ~ Hal Erickson, Rovi

A half-hearted derivation of Ninotchka, Comrade X stars Clark Gable as an American news reporter stationed in Russia. Gable is actually the mysterious Comrade X, who has been smuggling provocative stories about the crumbling Soviet government out of the country. Threatened with exposure by a hotel porter (Felix Bressart), Gable agrees to help sneak the porter's beautiful daughter (Hedy Lamarr) out of Russia. The girl is a devout "old line" Communist, and thus is regarded as a potential counter-revolutionary by the paranoid Soviet leaders. Gable pretends to be a Communist himself to win Hedy's trust, inviting her to America to espouse her cause. He finds he can only secure her passport by marrying her, which leads to the anticipated complications. The Soviet higher-ups imprison Gable and Lamarr, sentencing them to death--but suddenly the counter-revolutionaries take charge of the government prison and arrest the arresters! The new man in charge (Sig Rumann) is Lamarr's political idol, but when he reveals himself to be vulnerable to blackmail and bribes, Lamarr becomes disillusioned by the Party Line and accompanies her new husband Gable to America. Filmed just before the "shifty" Communists were metamorphosed into brave freedom fighters by World War II-vintage filmmakers, Comrade X is of marginal historical value. Otherwise, it is an unfunny low point in the careers of Clark Gable and Hedy Lamarr. ~ Hal Erickson, Rovi

William Powell and Myrna Loy re-team for this (literally) crazy screwball comedy about a happily married couple who, thanks to a visit from mother, find their marriage on the rocks and the husband committed to a mental institution. Poised to celebrate their fourth wedding anniversary, Steven (William Powell) and Susan Ireland (Myrna Loy) find their domestic bliss shattered by a visit from Susan's mother (Florence Bates). Susan's mother sprains her ankle and extends her visit, just in time to draw the wrong conclusions when her son-in-law pays a friendly visit to his old girlfriend Isobel (Gail Patrick). Susan's mother eavesdrops and reports it all to Susan, who in a jealous rage tries to make Steven jealous. But she winds up being chased through the hallway of her apartment building by half-naked archery enthusiast Ward Willoughby (Jack Carson). The couple agree on a divorce, but Steven then has second thoughts. On the advice of his lawyer, George Renny (Sidney Blackmer), Steven pretends he is insane, since the law prohibits Susan from divorcing him if Steven is mentally ill. Unfortunately, Susan is wise to his charade and has him committed to an asylum. ~ Paul Brenner, Rovi

This airy bit of MGM fluff stars Lana Turner as small-town soda clerk Peggy Evans. After telling off the self-important new drugstore manager Bob Stuart (Robert Young), Peggy, convinced that there's no future for her in her hometown, fakes her suicide and heads for the big city. After a series of dizzying comic complications, she successfully poses as the long-lost daughter of millionaire Cornelius Burden (Walter Brennan). Meanwhile, poor Bob, held responsible for Peggy's "death," comes to town determined to clear his name by exposing Peggy as an impostor. How this all works itself out is as hard to swallow as the rest of the picture, but the stars are attractive and the production values first-rate. ~ Hal Erickson, Rovi

Based in part on a true story, Kiss of Death is given a veneer of reality by being filmed on location in New York, per the insistence of director Henry Hathaway..Victor Mature plays Nick Bianco, a cheap crook who commits a Christmastime jewelry store heist with his gang, and manages to get the rap while the others slip by the police unnoticed. Nick refuses to testify on the others, and gets sent up the river for 20 years for robbery. Before he goes to prison, he's assured by the criminal element that his wife and children will be taken care of while he's behind bars (thanks in no small part to his refusal to testify), but this is a blatant lie: during his incarceration, he learns that the family has gone broke, his wife committed suicide and his children have been sent to an orphanage. Furious, Nick summons district attorney Louie d'Angelo (Brian Donlevy) and makes an unusual deal: parole, in exchange for his willingness to squeal on the others. Louie expresses particularly strong interest in nabbing sadistic mob torpedo Tommy Udo (Richard Widmark, in his chilling screen debut), and helps secure Nick's release with the understanding that Nick will ingratiate himself with Tommy. This he does, spending inordinate amounts of time with the psychopath and earning the man's trust. Meanwhile, Nick also falls in love with Nettie (Colleen Gray), marries her, and regains custody of his two young daughters. The family moves to a small house together (with Nick living under an assumed name), but Louie realizes that his cover will soon be blown. To make matters even more complicated, Louie soon comes calling and pressures Nick into testifying against Tommy. Nick hesitates, given his concern that Tommy will come after him as soon as police surveillance lifts. Moreover, Tommy has a few nasty tricks of his own, however, and vows to make life as difficult as possible for Nick. This is the film in which Widmark's character gigglingly pushes a wheelchair-bound old lady down a flight of stairs. Reviewer James Agee said it best: "You feel that murder is the kindest thing he is capable of". The film made Widmark a star--and also convinced him to start lobbying immediately for good-guy roles so that he wouldn't be typecast as maniacal killers for life. Kiss of Death was remade as the 1958 western The Fiend Who Walked the West, then re-remade under its original title in 1994, with David Caruso in the Mature role and Nicolas Cage in the Widmark part, and the violence and nudity dramatically elevated to conform with the times. ~ Hal Erickson, Rovi

Robert Montgomery directed and starred in this exotic film noir set during a New Mexico fiesta. Montgomery plays a secretive ex-GI who plans to extort money from a prominent gangster (Fred Clark) as retribution for the death of Montgomery's best friend. An FBI man (Art Smith) would like the government to get the incriminating information on the gangster that Montgomery is carrying. Trailed by the FBI agent, Montgomery takes refuge at an old carousel, where he meets a Mexican gamin (Wanda Hendrix) who refuses to leave his side. The girl is on hand when the gangster catches up with Montgomery and has him beaten. She nurses Montgomery back to health, but the would-be blackmailer is determined to confront the gangster again. This time, however, the FBI agent comes to the rescue. Ride the Pink Horse is a properly moody melodrama, containing one of the few truly good performances from eternal ingenue Wanda Hendrix. The film was remade for TV in 1964 as The Hanged Man. ~ Hal Erickson, Rovi

Taken (as far as possible) from the Cole Porter musical comedy of the same name, Red, Hot and Blue stars Betty Hutton as an ambitious chorus girl. Hutton gets a job with a musical comedy bankrolled by gangsters, and is the wrong girl at the wrong place when one of the show's backers (William Talman) is bumped off. She is arrested for suspicion of murder, then is kidnapped by the villains to keep her from spilling the beans. The plot requires that she be rescued by hero Victor Mature, though many disgruntled audience members may have been rooting for the boisterous Hutton to be dumped in the East River. The stage version of Red Hot and Blue starred Ethel Merman, Jimmy Durante, and Bob Hope. Hutton is no Merman, but she gives her all to the brassy production numbers and the self-absorbed ballads--written not by Cole Porter, whose score was dispensed with, but by Paramount's in-house tunesmith Frank Loesser, who also plays a small role as one of the gangsters. ~ Hal Erickson, Rovi

The notoriety of the Ingrid Bergman-Roberto Rossellini liaison resulted in the release of several heretofore obscure Swedish Bergman films in the U.S. One of these, originally filmed in 1935 as Ocean Breakers, finally made it to American screens in 1949 as The Surf. In her second screen appearance, Bergman plays Karin, the daughter of a fisherman. During a raging storm, a young pastor is forced to stay in the fisherman's house during his absence. Much taken by Karin's virginal beauty, the pastor succumbs to his baser instincts. Nine months later, the consequences of this indiscretion take shape in the form of an illegitimate child. With only 64 minutes at its disposal, Surf doesn't have much time to cook up a happy ending -- but amazingly, it does. ~ Hal Erickson, Rovi

On the Loose was produced by the Filmakers Organization, consisting of producer Collier Young and director Ida Lupino (Mrs. Young at the time). Joan Evans stars as Jill Bradley, a teenager with an undeserved reputation as a "bad girl." No one -- not even her parents Melvyn Douglas and Lynn Bari -- will give Jill the benefit of the doubt. Only when the girl attempts suicide are her selfish parents awakened to her plight. Intriguingly, On the Loose was scripted by the husband-and-wife team of Dale Eunson and Katherine Albert, who happened to be the real-life parents of star Joan Evans. Though most Filmakers productions were directed by Ida Lupino, On the Loose was helmed by screenwriter Charles Lederer. ~ Hal Erickson, Rovi

The unbreakable bond between a young man and his pet lion provides the action in this comedy. The trouble begins when the young man becomes a private in the army. Because he cannot bear to sell his lion Fagan to a mean-spirited circus trainer, the private asks his sergeant to help him find a good home for his pet. Naturally, the sergeant at first disbelieves his charge. He becomes a believer after the big kitty escapes from his cage and the Army must send out search parties to get him back. Thanks to Army publicity, a good home is found for the lion. Unfortunately, the loyal feline again escapes to search for his master. He causes chaos during troop maneuvers. ~ Sandra Brennan, Rovi