Sam Leavitt Movies

Banacek was the two-hour pilot film for the 1972-74 detective series starring George Peppard. The cigar-smoking, aphorism-spouting Peppard plays T. Banacek, Polish/American investigator for a major Boston insurance company. Independently wealthy, Banacek will only accept cases that have been deemed "unsolvable" by all previous investigators. In this pilot episode, Banacek tackles the case of a Brink's-truck hijacking in the middle of a Texas roadway. The truck and its costly cargo has seemingly vanished into thin air, and the cops are stymied. But with Banacek on the case, we learn that the whole affair was an elaborately orchestrated inside job. The subsequent Banacek series was a component of The NBC Wednesday Movie. The pilot film has been reissued to TV as Detour to Nowhere. ~ Hal Erickson, All Movie Guide

Olivia De Havilland plays a middle-aged woman who has recently been released from a mental institution after suffering a breakdown. She insists one evening that she can hear the muffled scream of a woman emanating from beneath the ground. Since no one else can hear these screams, De Havilland is dismissed as a crank. But Ms. De Havilland is steadfast in her conviction that the screams are real, and to that end investigates on her own. She discovers--at the peril of her own life--that the screams are those of a woman buried alive at a construction site by her recluse husband. Losing credibility long before the denouement, The Screaming Woman is based on a vastly superior short story by Ray Bradbury, in which the protagonist is not an adult ex-mental patient but a precocious little girl with a reputation for lying. ~ Hal Erickson, All Movie Guide

Jerry Paris's Star Spangled Girl (1971), based on Neil Simon's play (a notorious Broadway flop), never made much of an impression in theaters, which is understandable with a cheap, overlit television look to most of it and Davy Jones singing the song "Girl" over the main titles (which got a lot more visibility from its use in the Brady Bunch episode in which Marsha has to get the singer to appear at her school), it looked too much like a small-screen production blown up; it was dated from the first frame of its opening credits. Tony Roberts and Todd Susman play Andy Hobart and Norman Cornell, a pair of self-styled political radicals living in California, beating the system by stealing as much as they can from neighborhood shops and conning the rest out of anyone around, all for the greater goal of keeping their underground newspaper alive and kicking. Their lifestyle is a cross between the ideas in Abbie Hoffman's Steal This Book and Max Bialystock's dalliances in The Producers. Into their midst moves a transplant from rural Florida, Amy Cooper (Sandy Duncan) (who was called Sophie Rauschmeyer in the play), a perky aspiring Olympic swimmer and old-fashioned, patriotic Southern girl, and as corn-fed a hick as you found in movies in 1971 without a cynical bone in her body. Norman, a hopelessly neurotic and sexually dysfunctional writer, falls in love with her almost instantly upon encountering her; not, mind you, based on her personality or even her looks, but her smell. Andy is, at first, oblivious to her charms and content to maintain his relationship with their libidinous landlady (Elizabeth Allen, totally wasted here), paying their rent with all-night barhopping and trysts involving skydiving. At some point, however, Amy decides she has to have Andy (based on his smell...), and he feels the same way. Andy and Norman end up -- Odd Couple-style -- in conflict over their differing approaches to life; the Odd Couple allusions are further amplified by Roberts' remarkable resemblance to Walter Matthau in his manner and delivery of dialogue. The story is resolved as unconvincingly as it's played. It's also a sign of just how unfunny the play was in that the funniest moment in the movie is new to the screenplay and comes just a minute after the opening credits with a gag referring to a certain John Schlesinger movie from 1969. It's not much of a gag, but it's funnier than anything in the main body of the movie, which otherwise plays like a terminally extended version of a Love American Style episode. The original Broadway production, incidentally, starred Richard Benjamin, Anthony Perkins, and Connie Stevens. ~ Bruce Eder, All Movie Guide

This violent western finds a son leaving his father and family behind in the wake of the elder's violent guerilla warfare against society at large. David Galt (Vince Edwards) leaves his Confederate war-veteran father Josiah (Jack Palance) behind and settles in Texas. The son changes his name, living in relative solitude until his father's gang invades Texas six years later. Father and son battle it out in the inevitable showdown in this family feud. Neville Brand plays the Federal marshall. George Maharis and Christian Roberts play the sons of Parson Josiah Galt, the man driven insane by the death of his wife during the Civil War. ~ Dan Pavlides, All Movie Guide

Mother Simplicia (Rosalind Russell) is the head nun at an all-girl school. Aided by the young Sister George (Stella Stevens), the two try to convert the wayward girls to prim and proper ladies with a solid religious foundation. Rosabelle (Susan St. James) and Marvel Ann (Barbara Hunter), are the leaders of the teenage girls who often rebel against authority.Arthur Godfrey plays the Bishop, and Milton Berle provides a hilarious cameo as a film director whose big cowboy chase scene is ruined by the arrival of the girl's school bus. Farriday (Robert Taylor) is the helpful neighbor, and Van Johnson is the priest who heads the school for boys in this mildly amusing comedy. Tommy Boyce and Bobby Hart sing their self-penned title track. ~ Dan Pavlides, All Movie Guide

Dean Martin reprises his role as Matt Helm, famed secret agent who is part James Bond and part Rat Packer, in Murderer's Row. The film concerns the nefarious plan of arch-villain Julian Wall (Karl Malden) to take over the world by kidnapping Dr. Norman Solaris (Richard Eastham), who has invented a "helio-beam" -- a device that can harness the rays of the sun to destroy the earth. To insure his plans go smoothly, Wall has eliminated most of the ICE (Intelligence and Counter-Espionage) agents. But luckily for the world, super-agent Matt Helm, having escaped from being boiled to death in his own swimming pool, is hot on Wall's trail. Traveling to the Riviera, Helm meets Solaris's mod daughter Suzie (Ann-Margret) and they team up to rescue her father. Helm poses as a gunman on the run and Wall hires him. Wall becomes suspicious when Helm saves Suzie's life after she is threatened by one of Wall's goons, but Matt and Suzie escape from Wall and make their way to his island fortress, where they must find Solaris and disarm the "helio-beam" before Wall destroys Washington, D.C. ~ Paul Brenner, All Movie Guide

An American Dream is adapted from the Norman Mailer novel of the same name. Stuart Whitman plays an acerbic TV talk show host who kills his wife Eleanor Parker during an argument. Whitman exerts his influence to cover up his crime, and the official verdict is suicide. But Whitman has not reckoned with the "Hell hath no fury" intensity of his cast-aside mistress Janet Leigh. When An American Dream bombed at the box office, the desperate distributors re-titled the film See You in Hell, Darling. ~ Hal Erickson, All Movie Guide

A scary old haunted house provides the setting of this spooky thriller that centers on a psycho-magician who cut off his wife's head during a performance. Twenty years pass and he finally dies. His daughter is to inherit his estate, but before she can claim it, she must spend seven nights in his mansion. A reporter decides to stay with her. It's a good thing too because her father isn't dead at all. He is hiding in the house waiting for a chance to lop off her pretty little head. ~ Sandra Brennan, All Movie Guide

Brainstorm is a somewhat contrived but still well done and frightening thriller written and well-directed by actor William Conrad. Jim Grayam (Jeffrey Hunter) is a young scientist who saves Lorrie Benson (Anne Francis) from committing suicide. They fall in love, but Lorrie's husband Cort Benson (Dana Andrews), who had driven her to the brink of suicide before, discovers that Jim has had a history of mental instability and fabricates obscene phone calls and other actions to create the impression that Jim is unstable. The pair decide to murder Cort, using insanity as a defense. The film has a series of interesting plot twists and a plausible ending, and the performances are generally excellent with Conrad's direction maintaining a good pace and an excellent visual style aided by a good, simple musical score by George Duning. ~ Linda Rasmussen, All Movie Guide

In this offbeat melodrama, a crazed gardener is relegated to a mental hospital after he goes berserk and beheads his wealthy boss. The scuttlebutt in the courtroom is that the killer has stolen over a million dollars from his former employer and has hidden it on the estate. A professional actor is hired to feign insanity to get into the home, befriend the maniac, and find out where he hid the cash. Once he is admitted, the hapless actor encounters bedlam as he meets the patients, undergoes electroshock therapy, and suffers through several injections. Eventually he finds himself falling for a manic-depressive woman. ~ Sandra Brennan, All Movie Guide

After an eight-year prison term for rape and assault, Max Cady (Robert Mitchum) is set free. Immediately making a beeline to Sam Bowden (Gregory Peck), the former prosecutor responsible for Cady's conviction, Cady laconically informs Sam that he intends to "pay back" the attorney for his years behind bars. Conducting a meticulous campaign of terror, Cady is careful to stay within the law. Sam, realizing that Cady intends to wreak vengeance by raping the attorney's wife (Polly Bergen) and daughter (Lori Martin), tries to put the ex-criminal behind bars, but has no grounds to do so. Chief Dutton (Martin Balsam) tries to help Sam with a few strong-arm tactics, but succeeds only in having the courts take Cady's side in the matter. Things come to a head when Sam moves his family to the "safety" of a remote houseboat on Cape Fear river. Cady shows up unannounced and is about to ravage Bowden's wife and daughter and when Sam turns the tables. ~ Hal Erickson, All Movie Guide

The first of Allen Drury "all names changed to protect the guilty" political novels, Advise and Consent was brought to the screen by producer/director Otto Preminger. The film hinges upon the appointment of Robert Leffingwell (Henry Fonda) to Secretary of State. Leffingwell has been hand-picked by the President (Franchot Tone), meaning that there'll be a battle on the Senate floor between adherents of and opponents to the current administration. Among the participants are veteran Dixiecrat Charles Laughton, freshman Senator Don Murray and powerseeker George Grizzard. Burgess Meredith also shows up as a man who is brought into the Senate to "prove" that Leffingwell is a communist. To neutralize Murray, Grizzard threatens to dredge up a homosexual incident in Murray's past, which results in the latter's suicide. Advise and Consent is a slow and old-fashioned film, coming to life only when Laughton and Grizzard are on screen--and in the climax, in which the fate of Leffingwell's appointment is left in the hands of acting President Lew Ayres. ~ Hal Erickson, All Movie Guide