Michel Legrand Movies

Based in part on the autobiography of Gale Sayers, an Football Hall of Fame inductee and one of the finest halfbacks in the history of the game, this made-for-TV drama recounts the true story of Sayers (Mekhi Phifer) and his friendship with fellow Chicago Bears player Brian Piccolo (Sean Maher). In the mid-'60s, when Sayers joined the Bears, he was not welcomed by all members of the team, but soon developed a friendly rivalry with Piccolo, a running back who was gunning for the same place on the team as Sayers. Sensing a tension between the two men that might be used to make better players, coach George Halas (Ben Gazarra) decided to make Sayers and Piccolo roommates at training camp and on the road -- a decision that quickly became controversial, since Sayers was African-American and Piccolo was white. However, rivalry grew into respect, and when Sayers suffered a serious knee injury, Piccolo became the man who helped guide him through the difficult process of rehabilitation. Sayers not only returned to the team, he become a star player, but in time it became Sayers' turn to help Piccolo when Brian learned that a lingering illness was actually cancer. A remake of one of the most acclaimed made-for-TV movies ever (with James Caan and Billy Dee Williams as Piccolo and Sayers), Brian's Song also features Elise Neal as Linda Sayers and Janessa Crimi as Lori Piccolo, the players' wives. ~ Mark Deming, All Movie Guide

Daisy von Sherler Mayer directed this family film, an adaptation of the famed book series that Austrian-born writer-illustrator Ludwig Bemelmans (1898-1962) launched in 1939 with the opening lines, "In an old house in Paris that was covered with vines lived twelve little girls in two straight lines. In two straight lines they broke their bread and brushed their teeth and went to bed. They smiled at the good and frowned at the bad and sometimes they were very sad. They left the house at half past nine in two straight lines in rain or shine -- the smallest one was Madeline." This live-action film interpretation, set during the mid-1950s, expands on plot elements found throughout several books in the series. Lord Covington (Nigel Hawthorne) plans to sell the small French boarding school where the young orphan Madeline (nine-year-old British actress Hatty Jones) lives with other girls under the supervision of sympathetic schoolmistress Miss Clavel (Frances McDormand). Hospitalized after an appendectomy, Madeline wanders down the hospital hallway and meets Covington's dying wife, Lady Covington (Stephane Audran), an encounter which becomes an asset in Madeline's efforts to save the school. Moving into the house adjacent to the school is the family of the Spanish Ambassador (Arturo Venegas), including his young son Pepito (Kristian de la Osa), who spends a good deal of time wheeling about on his Vespa, so noisy it serves to irritate possible buyers of the school.
When Madeline falls into the Seine, she is rescued by a dog, Genevieve, who immediately becomes the school's mascot and pet, despite the "no pets" rule and Miss Clavel's allergy to dogs. Pepito's somewhat sinister British tutor Leopold (Ben Daniels) engineers a plan that leads to the county fair kidnapping of Pepito and Madeline. First filmed by UPA in the early '50s as the Oscar-nominated animated cartoon short, Madeline (1952), decades passed before other adaptations appeared: the 23-minute Madeline's Rescue and Other Stories (1990, available from Facets Video), narrated by Louise Roberts; and the 1989-1993 series of half-hours narrated by Christopher Plummer -- Madeline, Madeline and the Bad Hat, Madeline and the Gypsies, Madeline in London, Madeline's Christmas, and Madeline's Rescue. MGM's 1945 Fred Astaire/Vincente Minnelli film Yolanda and the Thief also adapted Bemelmans. Daisy von Scherler Mayer's earlier Party Girl (1995) was the first feature film seen in its entirety on the Internet. ~ Bhob Stewart, All Movie Guide

An amalgam of fairy tales penned by Jewish author Isaac Bashevis Singer, this charming animated musical tale is set in Chelm, a mythical Polish hamlet populated by fools. Chelm became so after one of God's cherubs -- charged by Yaweh to sprinkle foolishness throughout his newly created earth to temper the intelligence and wisdom distributed by other small angels -- clumsily dumps all of the idiot dust on the tiny town. The stuff is potent, and no wisdom or even common sense can be found amongst its residents. One day, orphan Aaron is sent there to be raised by his Uncle Schlemiel and Aunt Sarah. Aaron brings with him his wise, bespectacled goat Zlateh. As the only sources of intelligent life in town, it is up to them to save the people from the wicked machinations of a sorcerer seeking to steal the Book of Marvels from the town hall so he can release a destructive golem, a hideous monster made of clay, to ruin Chelm. Featuring detailed background work and only average animation, the story's appeal is for very young children, though some may not understand some of the Yiddish words used throughout. The songs were penned by Sheldon Harnick (Fiddler on the Roof) and Michel Legrand (Yentl). ~ Sandra Brennan, All Movie Guide

Not a strict adaptation of the oft-filmed Victor Hugo classic, director Claude Lelouch's ambitious epic instead focuses on the story of two men, a father and a son, whose life stories bear striking similarities to Hugo's character Jean Valjean. The father is Henri Fortin (Jean-Paul Belmondo), a chauffeur (in 1900) wrongly accused of his employer's murder. Like Valjean, he is subjected to a harsh and unfair prison sentence. While Henri vainly attempts to escape his unjust fate, his family suffers, with his wife forced to raise their young son alone. The film jumps ahead several decades to show the adult life of this son (also Belmondo), a former boxer turned furniture mover who agrees to help smuggle a Jewish lawyer (Michel Boujenah) out of France during the Nazi occupation. Along the way, the lawyer reads to the younger Fortin from Les Misérables, and Fortin begins to imagine himself in the role of Jean Valjean, on the run from the obsessive Inspector Javert. ~ Judd Blaise, All Movie Guide

This homage to the cinema by venerated movie-maker Agnes Varda, often dubbed the "grandmother" of the French New Wave, features an all-star international cast. The story is based upon the memories and insights of the 100-year old Mr. Simon Cinema. He lives in a magnificent house filled with movie memorabilia. To help him remember the important details of his career he hires Camille, a film student to write down his remembrances and experiences which have involved all areas of movie-making. Camille comes once a day for 101 days. Film clips, photographs and actual visitors highlight his stories. As he continues to spin his yarns, the imagery in the film smoothly morph into other images. Camille, when not recording, is involved in other exploits including a romance with a production assistant, Mica who aspires to becoming a director. She also begins plotting a way to get to Mr. Cinema's fortune by having a friend pose as his long lost heir. Many other characters are peripherally involved including Death, an Italian seeking the rights to his film catalogue, and a memory specialist. ~ Sandra Brennan, All Movie Guide

Paul Mazursky directed this comedy, which blends a broad satire of the film industry with a thoughtful tale of a middle-aged man looking back on his life's failures. Harry Stone (Danny Aiello) is a film director who desperately needs a hit -- so desperately that he gets talked into directing an inane sci-fi film about a group of farm kids (led by Ally Sheedy) who grow an enormous pickle that they turn into a spaceship, allowing them to visit the planet Cleveland (ruled by Little Richard and his right hand man, Griffin Dunne) where everyone eats nothing but meat. Convinced that the film will flop, Harry is in a state of panic as he returns to New York with his Parisian girlfriend Francoise (Clotilde Courau), a mere 20 years his junior, and visits his ex-wife Ellen (Dyan Cannon); his mother Yetta (Shelley Winters); and his son Gregory (Chris Penn). Meanwhile Harry flashes back on his childhood and the film he could have made of it, and pitches his dream film (a historical epic about the life of Montezuma) to studio executives, who instead want him to make a movie kids can relate to. The Pickle was filmed in 1991, but only received a token theatrical release two years later. Actually, the sci-fi story with Little Richard as the undisputed ruler of Cleveland looks like it might have been an ideal vehicle for Edward D. Wood Jr.. ~ Mark Deming, All Movie Guide

Jazz great Miles Davis makes his acting debut and farewell playing an inspirational jazz trumpeter in this lively drama that centers on a young Australian country boy who dreams of becoming just like him. Unfortunately, some dreams are never realized, and the boy grows up to become a dingo trapper with a wife and nearly grown children. As his latest birthday inexorably approaches, he begins suffering a mid-life crisis. The fellow had been playing jazz trumpet with his band, the "Dingo Dusters" for many years. They came up with a unique form of jazz that was popular in their area, but he still cannot escape his disappointment about never playing music in Paris. For many years, he has been writing to Cross, who has never replied, and saving up his pennies for a trip to the City of Light, where Cross lives. But times are hard and money is tight. His devoted wife, seeing her husband is seriously depressed, writes a letter to Cross' agent. The agent's wife, who, knowing that Billy would never listen or respond, has secretly saved all of the Australian's letters and tapes. When she reads the letter, she decides to forward it through. Billy is touched and then asks to hear the demos. In the end, it becomes a touching dream-come-true for the hard-working Australian who somehow manages to discover that he already has the best of both worlds. ~ Sandra Brennan, All Movie Guide

This made-for-cable feature film stars Edward Asner as a fashionable confidence trickster. Asner masterminds an investment scam which cleans out four gullible young men. The foursome pool their resources and decide to beat Asner at his own game with a con of their own. Jenny Agutter is the lovely bait used by the victims to trap the seemingly susceptible crook. Originally shown in two two-hour installments, Not a Penny More, Not a Penny Less had some surface stylishness thanks to director Clive Donner; unfortunately, there's hardly enough story to fill up even 90 of the film's 200 minutes. ~ Hal Erickson, All Movie Guide

In 1980, 20-year-old novice director Stuart Paul exhibited far more chutzpah than talent with Falling in Love Again. Ten years later, an older, wiser Paul has picked up some talent, but it's still outweighed by sheer nerve. In Fate, Paul casts himself as the last of the truly nice guys (or so he regards himself). He has his future all planned, specifically an ideal marriage to the perfect woman. The next step is to find that woman. Cheryl Lynn co-stars, along with veterans Kaye Ballard and Susannah York, who seem to have a better grasp on what they're doing than the ubiquitous Mr. Paul. ~ Hal Erickson, All Movie Guide

In this reportedly autobiographical piece, Michel Legrand makes his directorial debut. He is much better known for his orchestral scores for other movies. In this story, he is fourteen and living in Paris under the German occupation. It is June of 1944, and he and his mother, along with a young woman (who despite her youth is nearly twice his age), steal some bicycles at the train station and cycle their way to a town on the seaside at Normandy just as the invasion is getting underway. Curiously, the woman finds time to initiate the boy into sexual life in an unlikely location: under a bush in a field littered with corpses of the newly dead. ~ Clarke Fountain, All Movie Guide

The 1920s-era play The Front Page was about a Chicago reporter who wants to retire and get married but is tricked by his editor into doing one last story -- which proves to be complicated. It was made into a classic film in 1931 and inspired the 1940 hit movie His Girl Friday, in which the reporter was changed into a woman. Billy Wilder also remade the original film in 1974. Switching Channels is a 1988 remake of His Girl Friday, with Kathleen Turner in the starring role, which has now morphed into that of a cable television network news anchor, Christy Colleran. She wants to marry a rich and handsome sporting goods manufacturer, Blaine Bingham (Christopher Reeve) and move out of town. But her ex-husband, John L. Sullivan IV (Burt Reynolds), who is also her producer and boss, gives her one final assignment to try to keep her around. Her reporting leads her into an investigation of a jail escape that follows a botched-up execution. Writer Jonathan Reynolds updated the original material. ~ Michael Betzold, All Movie Guide

Decked out in powdered wig and pasty "dandy" makeup, Richard Chamberlain stars as legendary Venetian lover Giovanni Casanova (1725-1798) in this made-for-television biopic. The teleplay by George Macdonald Fraser (of "Flashman" fame) follows Casanova as his reputation for being catnip to women builds throughout the 18th century. His sexual exploits cost him several important social and professional posts, and eventually land him in a Venice prison on a morals charge. Casanova's escape attempt provides a strong second act for this 3-hour effort, which also offers an amusing "con job" practiced by Casanova on a willing countess (Faye Dunaway). Frank Finlay co-stars as a nobleman who conducts a decades-long feud with our rakish hero. Filmed in Spain and Italy, Casanova debuted on March 1, 1987. ~ Hal Erickson, All Movie Guide