William Le Baron Movies

American producer William LeBaron left New York University with dreams of becoming a playright. This dream came to fruition, after which LeBaron signed on as managing editor of Collier's magazine. His instinctive sense of what constituted a good story enabled LeBaron to take charge of the East Coast branch of Famous Players/Lasky Studios in 1924. LeBaron had an overriding fascination with low comedians, especially W.C. Fields, whom LeBaron insisted upon starring in silent films even though Fields was hardly big box office at the time. In 1928, LeBaron moved to FBO Studios, which later evolved into RKO Radio, the company where LeBaron served as vice president in charge of production from 1929 to 1932. Again, his fondness for comedians surfaced, this time resulting in the signing of Bert Wheeler and Robert Woolsey, who for a while were RKO's biggest moneymakers. A disagreement with the RKO brass led LeBaron back to Famous Players, which was now formally known as Paramount Pictures. Once more, LeBaron foisted W.C. Fields upon the public, this time with more success; he also nurtured the screen career of Mae West, whose first starring film She Done Him Wrong literally saved Paramount from bankruptcy. With the departure of Ernst Lubitsch, LeBaron became Paramount's chief of production in 1936. Five years later, he set up an independent unit at 20th Century-Fox; one of his first efforts was to engage the services of (you guessed it) W.C. Fields for an all-star picture called Tales of Manhattan (1942). But the Fields footage was cut from the final release print, so LeBaron turned his attentions to brassy musicals starring such favorites as Betty Grable and Carmen Miranda. William LeBaron's final production, released through United Artists, was Carnegie Hall (1947). ~ Hal Erickson, All Movie Guide

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The General Died at Dawn: 1936

General Yang (Akim Tamiroff) is a politically ambitious Chinese bandit who holds the Northern districts in a grip of terror. Yang is opposed by O'Hara (Gary Cooper), an American mercenary who fights on behalf of the peasants. When he is entrusted with a large sum of money to buy guns, O'Hara becomes the target of Yang and his minions. Betrayed by a cowardly Caucasian (Porter Hall), O'Hara nonetheless falls in love with his betrayer's daughter Judy (Madeline Carroll). Yang captures both O'Hara and Judy and spirits them away on his junk, where the General intends to torture O'Hara so as to find out where the money is. A bizarre and gloomy ending caps this atmospheric thriller, adapted from Charles G. Booth's best-selling novel by Clifford Odets--who, along with director Lewis Milestone, novelist John O'Hara and Hollywood columnist Sidney Skolsky, appears as an extra in one scene. ~ Hal Erickson, All Movie Guide

Starring:: Gary Cooper, Madeleine Carroll, (more)

Here Comes Cookie: 1935

The classic comedians Burns and Allen are featured in this fast-paced farce that includes an assortment of corny vaudeville acts. The story centers around Gracie, the daughter of a wealthy business magnate. To prevent a gigolo, who is attempting to seduce his other daughter, from getting his fortune, the father gives all his money, temporarily, to Gracie who promptly turns their Park Avenue manse into a boarding house for impoverished show biz performers. She charges them nothing. Some of the acts that stay there include: Jack Powell, Cal Norris and Monkey, The Buccaneers, Moro and Yaconelli, Pascale Perry and Partner, The Six Candreva Brothers, Seymour and Corncob, Jester and Mole, Jack Cavanaugh and Partner, Six Olympics and Big Boy Williams. In the end, all the residents stage a show to give themselves a chance for a comeback. ~ Sandra Brennan, All Movie Guide

Starring:: George Burns, Gracie Allen, (more)

Goin' to Town: 1935

Mae West is Goin' to Town in this elegant post-Production Code vehicle. West plays Cleo Borden, a nouveau riche cattle rancher who hopes to crash into high society. Though she is willing to subject herself to "refinement" lessons, she still has a high old time puncturing the pretensions of those around her: when aristocratic Ivan Valadov (Ivan Lebedeff) haughtily announces that he is the backbone of his family, West gives him the once-over and replies "Then your family'd better see a chiropractor." Through the connections of her husband-by-convenience Fletcher Colton (Monroe Owsley), Cleo is able to move freely among the glitterati of Southhampton but is forced to rely on her tried-and-true "street smarts" when she crosses swords with haughty villainess Grace Brittony (Marjorie Gateson) at a Buenos Aires race track. Through it all, aristocratic British engineer Edward Carrington (Paul Cavanaugh) awaits the opportunity to claim Cleo for his own -- as if anyone could ever "own" our fiercely self-reliant heroine. The film's highlight is a society operatic gala, in which Mae West delivers a serious (and most effective) rendition of "My Heart at Thy Still Voice" from Samson and Delilah. In a more characteristic vein, the star gets down and dirty (well, at least semi-dirty) with "He's a Bad Bad Man, But He's Good Enough for Me." ~ Hal Erickson, All Movie Guide

Starring:: Mae West, Paul Cavanagh, (more)

Baby Face Harrington: 1935

Directed by Raoul Walsh, Baby Face Harrington features actor Charles Butterworth as Willie, a meek clerk who unintentionally gets involved with the mob when he misplaces two thousand dollars from the life insurance policy he was forced to cash after losing his job. While searching for the missing money, Willie (Butterworth) is taken hostage by gangsters. After learning his long-suffering wife Millicent (Una Merkel) plans to divorce him shortly, Willie loses all hope and prepares to hang himself. Just before he jumps to his suicide, however, the crime boss shows up and stops him. It turns out that the mob leader is an old school friend of Willie's, and convinces the former clerk that he still has much to live for. Baby Face Harrington also features actors Harvey Stephens, Eugene Pallette, and Ruth Selwyn. ~ Tracie Cooper, All Movie Guide

Starring:: Charles Butterworth, Una Merkel, (more)

The Man on the Flying Trapeze: 1935

W.C. Fields plays Ambrose Wolfinger, the henpecked husband to end all henpecked husbands. A widower, Ambrose married a second time only to provide a mother for his pretty daughter (Mary Brian). What he got was an overbearing harpy of a wife (Kathleen Howard), a fussy and imperious mother-in-law (Vera Lewis) and a shiftless brother-in-law (Grady Sutton). Ambrose plans to attend a much-awaited wrestling match, but can't get the day off of work. He lies for the first time in his life, telling his boss that his mother-in-law has died. En route to the wrestling meet, Ambrose suffers one mishap after another, from a string of traffic tickets to an encounter with a runaway tire. He gets to the match just in time to miss the whole thing, and ends up bruised and battered on the sidewalk. Meanwhile, his home is being deluged with flowers, offered in sympathy for his "dead" mother-in-law who is very much alive but not amused. When his boss discovers the deception, he fires Ambrose. The poor man returns home to face the cold stares of his wife's family. They goad and harass him until he can stand no more: when brother-in-law insults his daughter, Ambrose punches him out (a scene that always results in audience cheers) and tells everyone else where to go. Soon after, his anxious ex-boss calls up; only Ambrose can decipher the important messages left behind on his cluttered desk, and would Ambrose like to come back to work? His loyal and loving daughter negotiates a hefty salary hike for Ambrose, and the film ends with Our Hero assuming his proper role as head of the household, with his obnoxious in-laws literally left out in the rain. An uproarious "worm turns" farce, Man on the Flying Trapeze was an expanded version of 1932 Mack Sennett two-reeler, Too Many Highballs, and a partial remake of Fields' own silent feature Running Wild (27). ~ Hal Erickson, All Movie Guide

Starring:: W.C. Fields, Mary Brian, (more)

Rumba: 1935

A follow-up to the highly successful Bolero, this lively romantic drama stars George Raft as Joe Martin, a Cuban-American dancer who lives and works in Havana with his lovely partner Goldie Allen until a bad case of varicose veins forces impacts his career. One night, the beauteous gringa heiress Diane Harrison (Carole Lombard) comes to the club. Joe is immediately smitten. His interest takes a less fleshly turn when he learns that she owns a yacht. When Diane compliments Joe on his moves, her escort gets jealous and a fight ensues. Joe finds himself jobless and flees to the jungle where he learns the rumba from the exotic Carmelita (Margo). He loves the dance and predicts that it will be the next fad. To promote it, he and Margo open a new club in Havana. The place is a smash. Diane returns, is wowed by both Joe and the dance and offers to bring back to his native New York. But Joe came to Havana after ratting on a gangster and if he returns, will surely die. Still, he and Margo decide to take the risk and their choice results in romance. The spectacular dance numbers were choreographed by the famed dance team Veloz and Yolanda. ~ Sandra Brennan, All Movie Guide

Starring:: George Raft, Carole Lombard, (more)

All the King's Horses: 1935

Paramount Pictures decided in 1935 to create a new romantic team, thus cast singing stars Carl Brisson and Mary Ellis in the frothy operetta All the King's Horses. Brisson does the "Prisoner of Zenda" bit as a movie star who is forced by circumstances to impersonate a look-alike king. Ms. Ellis is the highborn lady who seems to be fooled by the ruse. The plots roll merrily onward while various and sundry musical-comedy character actors (including Edward Everett Horton and Eugene Pallette) fuss and fume in the background. Danish singer Carl Brisson had created a minor sensation by introducing "Cocktails for Two" in Paramount's Murder at the Vanities (34), but the studio's attempts to turn him into a Scandinavian Maurice Chevalier were unsuccessful. ~ Hal Erickson, All Movie Guide

Starring:: Carl Brisson, Mary Ellis, (more)

Coronado: 1935

Former child actor Johnny Downs acts his first adult lead in this nonsensical but charming little musical which benefits greatly from the appearance of Eddy Duchin and his band. To keep troublesome socialite Johnny Marvin (Downs) out of mischief, Coronado Hotel manager Carlton (Jameson Thomas) persuades Duchin to hire the lad as a band member. Johnny falls in love with singer June Wray (Betty Burgess), but she mistakenly believes he is interested in her sister Violet (Alice White), newly married to sailor Chuck Hornbostel (Jack Haley). Marvin Sr. (Berton Churchill) and June's vaudevillian father Oscar (Leon Errol), meanwhile, conspire to keep their offspring apart by exaggerating their differences, but after a jaunt into Mexico -- during which the young hero impersonates a doctor in order to spring Chuck and his pal Pinky Falls (Andy Devine) from the local jail -- Johnny and June are reunited with the blessings of their fathers. Accompanied by Eddy Duchin and His Orchestra, Betty Burgess, Johnny Downs, Jack Haley, and Leon Errol perform "All's Well," "Coronado by the Sea," "Doing the Coronado," "You Took My Breath Away," and "Down on the Isle of Oomph," all by Richard Whiting and Sam Coslow. ~ Hans J. Wollstein, All Movie Guide

Starring:: Jack Haley, Andy Devine, (more)

Belle of the Nineties: 1934

Originally titled It Ain't No Sin until the censors prevailed, then St. Louis Woman and Belle of New Orleans, until complaints were registered from those two communities, Belle of the Nineties was Mae West's first post-Production Code film. West is cast as cabaret entertainer Ruby Carter, plying her trade along the Mississippi. Having no trouble surviving on her own terms in a man's world, Ruby fends off the unwarranted attentions of a steady stream of libidinous males, reserving her affections for a muscular boxer called The Tiger Kid (Roger Pryor). In keeping with the star's casual liberality, a number of black entertainers and athletes are given ample opportunities in this film, notably Duke Ellington and His Orchestra. The surest sign that the Code had "tamed" West a bit is the fact that she actually marries the hero at film's end. The musical highlights include West's unforgettable rendition of "My Old Flame". ~ Hal Erickson, All Movie Guide

Starring:: Mae West, Roger Pryor, (more)

It's a Gift: 1934

W.C. Fields is in fine fettle as small-town grocer Harold Bissonette (pronounced Biss-o-NAY). Harold dreams of becoming a California orange farmer, but his gorgon wife (Kathleen Howard) will have none of it. After a grueling day at the store, during which his electric light stock is destroyed by a cane-wielding blind man (Charles Sellon), and his floor is flooded with molasses by the impish Baby LeRoy, Harold announces that he's sold the store and bought an orange grove. Seeking to escape his wife's nagging, Harold tries to sleep on his porch, which proves impossible thanks to innumerable interruptions--not least of which is an insurance salesman (T. Roy Barnes) loudly asking for Karl LaFong ("capital L, small A, capital F, small O, small N, small G!") The next day, Harold packs his family into the car and heads off for California. Once there, the little band of pilgrims drives onto the property of a wealthy man, assuming that it's a public park. They make a shambles of the grounds while trying to have a picnic, whereupon they are chased off the land by the scowling owner (Guy Usher). Finally, Harold arrives at his "vast" orange grove--consisting of a tumbledown shack and one scrawny tree. Harold sits silently ruminating over his bad luck until his new neighbor informs him that a wealthy land developer wishes to buy Harold's property to build a stadium. "Don't let them bluff you," advises the neighbor. "You can get any price." The potential buyer turns out to be the same fellow whose property had been invaded by Bissonette the day before, but business is business. The buyer offers several insulting sums, but Harold, fortified by a flask of gin, holds firm. "You're drunk!" the buyer shouts. "And you're crazy," responds Harold. "But tomorrow I'll be sober, and you'll always be crazy." Harold's stubbornness saves the day, and we fade on the satisfying sight of the Bissonette family living in luxury on the huge orange grove of Harold's dreams. A remake of Fields' silent It's the Old Army Game, It's a Gift was written by J.P. McEvoy and one Charles Bogle--and there isn't a Fields fancier alive who doesn't know who Charles Bogle really is. Downplayed by detractors as being merely three two-reelers strung together, It's a Gift has survived such piddling criticism to emerge as one of W.C. Fields' funniest efforts, as well as a comedy classic by any standards. ~ Hal Erickson, All Movie Guide

Starring:: W.C. Fields, Jean Rouverol, (more)

You're Telling Me: 1934

W.C. Fields stars in a remake of his silent comedy So's Your Old Man. Fields plays Sam Bisbee, an erstwhile inventor who is the laughingstock of his small town. Returning in defeat from a disastrous big-city demonstration of his latest invention, Sam makes the acquaintance of a beautiful young woman (Adrienne Ames) who happens to be an incognito foreign princess. After Bisbee tells her of how he'd like to be a success for the sake of his family, the princess decides to use her celebrity to Sam's benefit. She arrives in his town and lets it be known of her high regard for the downtrodden Bisbee. Suddenly Sam is the town's big shot, enabling him to merchandise his inventions and do right by his wife and daughter. Sam earns the respect he's so long deserved--but he's never completely convinced that the princess is who she claims to be, and keeps congratulating her on her "racket." Based on a story by Julian Street, You're Telling Me is climaxed by a sidesplitting recreation of W.C. Fields' Ziegfeld Follies golf routine. ~ Hal Erickson, All Movie Guide

Starring:: W.C. Fields, Joan Marsh, (more)

The Lemon Drop Kid: 1934

Marshall Neilan, a great silent film director on the verge of obscurity, had one last big-studio stand with The Lemon Drop Kid. Lee Tracy plays a racetrack tout who calls himself a "horse medium"--that is, he reads the horse's minds for the gullible bettors. He quits the track for the love of a good woman (Helen Mack) and settles down in a small town, determined to go straight. But when his wife falls ill, Tracy goes back to his old crooked ways to raise money for her treatment. Adapted from a Damon Runyon story, Lemon Drop Kid was refilmed in 1951 with a whole new plot to accommodate Bob Hope, the Christmas season, and the hit song "Silver Bells". ~ Hal Erickson, All Movie Guide

Starring:: Lee Tracy, Helen Mack, (more)

The Old-Fashioned Way: 1934

W.C. Fields plays the Great McGonigle, the manipulative manager of a large 19th century theatrical troupe. Notorious for skipping board bills and forgetting the pay his actors, McGonigle descends on a small town, where he relies on the hospitality of a wealthy widow (Jan Duggan). He secures lodging for his cast and financing for his production by promising the widow a major part in his upcoming production of The Drunkard. The play goes on as schedule, but the widow's part is cut down to one line which she's never permitted to deliver. McGonigle escapes with his hide again, but not before securing the future happiness of his daughter (Judith Allen) so that she won't have to spend the rest of her life one step ahead of the sheriff. The storyline of The Old-Fashioned Way is conveniently shunted aside as W.C. Fields does battle with Baby LeRoy, cons everyone in sight with equanimity, and offers the audience an uninterrupted display of his remarkable juggling skills. ~ Hal Erickson, All Movie Guide

Starring:: W.C. Fields, Joe Morrison, (more)

I'm No Angel: 1933

Mae West's second starring vehicle, I'm No Angel casts the divine Miss West as the star performer in a seedy circus. Though she lives with Ralf Harolde, West allows herself plenty of time for other men. When Harolde runs afoul of the law, West secures extra money by becoming a lion tamer. While thus employed, West is "discovered" by playboy Kent Taylor; she willingly accepts his gifts and other favors, but she only has eyes for Taylor's cousin Cary Grant. Still, love takes second place to commerce in West's life, and she ends up suing Grant for breach of promise. When Grant allows her to win the case, she realizes she's truly in love with him after all. By rights, I'm No Angel should have been as big and bawdy a success as West's earlier She Done Him Wrong, but by late 1933 the censors were beginning to have their way with Hollywood. Several of the more ribald (and more hilarious) elements of the film were toned down--not least of which was the title, which was supposed to have been It Ain't No Sin. ~ Hal Erickson, All Movie Guide

Starring:: Mae West, Cary Grant, (more)

Terror Aboard: 1933

In this suspenseful mystery, a murderous psychopath aboard a luxury liner begins a series of grisly but creative murders. One victim is found in a refrigerator, one is poisoned. Still others are shot and stabbed. In the end, he dumps a lifeboat filled with sailors into the sea where they drown. ~ Sandra Brennan, All Movie Guide

Too Much Harmony: 1933

There can never be Too Much Harmony in a Bing Crosby picture, not even in a bucolic backstage musical like this. Crosby plays Eddie Bronson, a big-time singing star stranded in a one-horse town. Refusing to let any grass grow under his feet, Eddie combs through the local talent, discovering comedians Benny Day (Jack Oakie) and Johnny Dixon (Skeets Gallegher) and aspiring actress Ruth Brown (Judith Allen). He brings his new protegees with him to Broadway, where Ruth becomes a huge success in spite of the machinations of prima donna Lucille Watson (Lilyan Tashman). Featured in the cast as Benny Day's mother is Jack Oakie's real-life mom Evelyn, who's absolutely terrific. A partial remake of 1929's Close Harmony, Too Much Harmony features such hummable Crosby tunes as Thanks, Black Moonlight and the self-parodying Boo Boo Boo. ~ Hal Erickson, All Movie Guide

Starring:: Bing Crosby, Jack Oakie, (more)

She Done Him Wrong: 1933; Add She Done Him Wrong to Queue Add She Done Him Wrong to top of Queue

"I'm the finest woman who walked the streets," declares bejeweled, hip-swishing Lady Lou (Mae West) at the beginning of She Done Him Wrong. Lou works as a singer at the Gay Nineties saloon of Gus Jordan (Noah Beery Sr.), who plies her with diamonds to keep her by his side. She runs afoul of stalwart mission captain Cummings (Cary Grant), who warns her that she's on the road to perdition. Mae West's first starring film, She Done Him Wrong literally saved Paramount Pictures from bankruptcy. It would remain the best of her feature films, most of which were severely watered down by the Production Code (whose renewed stringency of 1933 was brought about in great part by West herself). She Done Him Wrong was based on West's own stage play, Diamond Lil, which ran on Broadway for 97 weeks. West sings "Frankie and Johnny," "I Like a Man Who Takes His Time," and ""I Wonder Where My Easy Rider's Gone."" ~ Hal Erickson, All Movie Guide

Starring:: Mae West, Cary Grant, (more)

Night After Night: 1932

In one of his first starring roles, George Raft plays Joe Anton, a tough but basically decent speakeasy owner who falls in love with Park Avenue socialite Miss Healy (Constance Cummings). Hoping to come up to the girl's social level, Joe starts taking lessons in speech and behavior from haughty dowager Mrs. Jellyman (Alison Skipworth). What he doesn't know is that Miss Healy pays attention to him only because he's living in the posh apartment where her family had resided before the Stock Market crash. Even so, the girl genuine falls in love with Joe when it appears as though he's about to desert her in favor of his ex-flame Iris Dawn (Wynne Gibson). A dreary retread of stock movie-drama themes, Night After Night would be utterly forgotten today were it not for the presence of Mae West, making her film debut. A scant few seconds after her first appearance, the generously bejeweled West is accosted by a hatcheck girl who coos "Goodness, what lovely diamonds." Swivelling those famous hips, La West replies expansively "Goodness had nothing to do with it, dearie." Commenting years later on Night After Night, George Raft, who suggested that Mae West be cast in the film, ruefully recalled "She stole everything but the cameras." ~ Hal Erickson, All Movie Guide

Starring:: George Raft, Constance Cummings, (more)

Ladies of the Jury: 1932

Edna May Oliver portrays a society dowager called for jury duty on a murder trial wherein a pretty young woman is accused of killing her older husband. She takes her job quite seriously, and soon is playing both "prosecutor" and "DA" with judge and witnesses alike. In this unorthodox but highly entertaining fashion, Ms. Oliver gets to the truth and exposes the genuine murderer before the final fade-out. Incidentally, despite the title, there are gentlemen on the jury, but all eyes are on the formidable Ms. Oliver. Ladies of the Jury was remade in 1937 as We're on the Jury, with Helen Broderick in the Edna May Oliver role. ~ Hal Erickson, All Movie Guide

Starring:: Edna May Oliver, Ken Murray, (more)

Girl Crazy: 1932

The 1930 George & Ira Gershwin musical smash Girl Crazy was refashioned for the screen in 1932 as a vehicle for comedians Bert Wheeler and Robert Woolsey. Most of the original play's romantic plotline has been jettisoned, shifting the emphasis to cabdriver Jimmy Deegan (Wheeler) and his larcenous passengers Slick and Kate Foster (Woolsey and Kitty Kelly). After a tortuous cross-country trip, Jimmy, Slick and Kate end up in Custerville, Arizona, where each of the new sheriffs is routinely bumped off by local reprobate Lank Sanders (Stanley Fields) and his gang. When the newly-opened nightclub of city slicker Danny Churchill (Eddie Quillan) proves successful thanks to the singing talents of Kate Foster, Lank Sanders, owner of a rival cabaret, plots to run for the sheriff's office so that he can close down Danny's establishment. Hoping to stave off this eventuality, Danny conspires with Slick to nominate Jimmy as sheriff (Slick figures that a dead man won't be able to collect his gargantuan cab fare!). With the help of his tagalong kid-sister Tessie (Mitzi Green), Jimmy wins the election then has to run for his life when Lank comes a-gunnin' for him. Ending up south of the border in Mexico, Jimmy and Slick manage to get the drop on Lank, and all's right with the world. Contrary to previously published reports, only three of the original Gershwin songs were retained for the film version of Girl Crazy: I Got Rhythm, performed Ethel Merman-style by Kitty Kelly; But Not for Me, rushed through by nominal romantic leads Eddie Quillan and Arline Judge, then parodied by juvenile impressionist Mitzi Green (who does quickie imitations of George Arliss, Bing Crosby and Edna May Oliver); and Bidin' My Time, used as background music for an opening scene in which the camera slowly pans across the tombstones of Custerville's former sheriffs. Bert Wheeler and his perennial screen vis-a-vis Dorothy Lee deliver the film's best number, You've Got What Gets Me, originally written by the Gershwins for their 1927 production Funny Face. Long unavailable thanks to the 1943 MGM remake, Girl Crazy was resurrected in the late 1970s; though it proved a disappointment for Gershwin purists, it won a whole new fan following for Wheeler & Woolsey, who are very funny throughout. ~ Hal Erickson, All Movie Guide

Starring:: Bert Wheeler, Robert Woolsey, (more)

Roar of the Dragon: 1932

Richard Dix stars as a heroic riverboat captain in this lurid action-melodrama produced under the aegis of David O. Selznick. Trapped at a hotel in a Mandarin town under siege, a group of Occidentals turn to alcoholic riverboat captain Chauncey Carson (Dix) for help. Among the besieged are Helen (Arline Judge), an American entertainer; her admirer, Busby (Edward Everett Horton); a German doctor (William Orlamond); Carson's cowardly boss, Johnson (Dudley Digges); and Natascha (Gwili Andre), a Russian whom everybody takes for a spy. Carson, who has a long history with Voronsky (C. Henry Gordon) and his Tartar bandits, manages to keep the attackers at bay while at the same time romances the mysterious Natascha, who is no spy after all. A machine gun manned by a self-sacrificing Busby eventually decides the outcome in favor of the westerners, who manage to escape on Carson's riverboat. ~ Hans J. Wollstein, All Movie Guide

Starring:: Richard Dix, Gwili Andre, (more)

Are These Our Children?: 1931

Eternal movie juvenile Eric Linden offers perhaps the best performance of his career in RKO's Are These Our Children? In this pioneering Juvenile Delinquent drama, Linden plays a know-it-all high school dropout who falls in with a bad crowd. While burglarizing the delicatessen of a family friend (William Orlamond), Linden accidentally kills the old man. No one can connect him with the crime, and for a while Linden privately gloats as he reads newspaper stories of the killing. But one of his friends (Ben Alexander), who was in on the robbery, spills the beans, and Linden winds up going to the chair. The true impact of Are These Our Children? is Linden's performance as an emotionally immature youth who cannot fully fathom the seriousness of his dilemma: he tries to jolly himself into believing that he hasn't killed anyone, and as he sits on death row he continues displaying a childish bravado, as if expecting to wake up from a bad dream at any moment. Despite its age and the corniness of some of the dialogue, Are These Our Children? is an unforgettably powerful film. ~ Hal Erickson, All Movie Guide

Starring:: Eric Linden, Rochelle Hudson, (more)

Caught Plastered: 1931

After briefly splitting for a brace of unsuccessful solo ventures, the comedy team of Bert Wheeler and Robert Woolsey were reunited in one of their best vehicles, Caught Plastered. Bert and Bob are cast as itinerant vaudevillians Tommy and Egbert, who find themselves stranded in a small Midwestern town. Here they befriend Mrs. Talley (Lucy Beaumont), the sweet old proprietor of a near-bankrupt drugstore. To prevent slimy medicinal wholesaler Harry Waters (Jason Robards Sr.) from buying the store at a ridiculously low sum, the boys decide to help Mrs. Talley drum up business. They set up a soda fountain, novelties counter, book shop and even a radio station ("Y.M.I Broadcasting") in the store, and soon business is booming. But Waters, who secretly moonlights as a bootlegger, sabotages the enterprise by spiking the store's lemon syrup with booze. Things look bad when Tommy's sweetheart Peggy (Dorothy Lee) -- who happens to be the daughter of the police chief -- gets roaring drunk on the "syrup," but our heroes manage to save Mrs. Talley's store and expose Waters as a crook in one fell swoop. Though Caught Plastered has the usual quota of corny Wheeler-and-Woolsey repartee, it also has more "heart" than usual, especially the wonderful scene wherein the boys cheer up Mrs. Talley by performing their gloriously awful vaudeville act. The film re-established the team's box-office popularity, ending up as RKO Radio's biggest moneymaker of 1931. ~ Hal Erickson, All Movie Guide

Starring:: Bert Wheeler, Robert Woolsey, (more)

The Woman Between: 1931

Lily Damita, an actress best known today for her tempestuous marriage to screen idol Errol Flynn, is the Dietrich-like heroine in RKO Radio's The Woman Between. Damita plays a knockout French modiste who marries the much-older widower O.P. Heggie. She immediately incurs the wrath of Heggie's grown children (Lester Vail, Miriam Seegar), who suspect that Damita married the old coot for her money. She didn't, but she does eventually tire of Heggie, ending up running off with her handsome "stepson" Vail. In an incredible climactic about-face, our heroine decides to remain faithful to Heggie after all, apparently for no other reason than RKO's fear of the Hollywood censors. Director Victor L. Schertzinger also wrote the film's theme song, Close to Me. ~ Hal Erickson, All Movie Guide

Starring:: Lili Damita, O.P. Heggie, (more)

Friends and Lovers: 1931

The old bromide about joining the Foreign Legion to "forget," so often parodied by such comedians as Laurel and Hardy, was played straight in 1931's Friends and Lovers. A very young Laurence Olivier plays Lt. Nichols, who has retreated to the desert to get over his affair with Alva Sangrito (Lily Damita). Nichols is befriended by another of Alva's victims, Captain Roberts (Adolphe Menjou). Once back in England, however, the two castaway lovers find themselves rivals once more, leading to a potentially deadly payoff. Erich von Stroheim is delightful in a depraved sort of way as Lily Damita's cynical husband. Based on the novel The Sphinx Has Spoken by Maurice de Kobra, Friends and Lovers represented one of Laurence Olivier's last early-talkie Hollywood films before he returned to England to hone his acting skills. ~ Hal Erickson, All Movie Guide