Lidsay Law Movies

Ethan Frome is an adaptation of Edith Wharton's 1911 novella . Set in Massachusetts in the late-19th century, the film relates the sad story of reclusive farmer Ethan Frome (Liam Neeson). Considering himself too homely for romance, he enters into a loveless marriage with the wealthy but spiteful Zeena (Joan Allen). Things become nearly unendurable when Zeena becomes an invalid, imperiously demanding her husband's attentions day and night. Ethan seeks solace in an affair with Zeena's pretty cousin Mattie Silver (Patricia Arquette), who has arrived to act as housekeeper. Produced on behalf of PBS' American Playhouse, Ethan Frome was released theatrically in late 1992. ~ Hal Erickson, Rovi

At the turn of the century, West African slaves were brought to a small island near South Carolina to labor in the indigo trade. Isolated in the swampy atmosphere, the Gullah community was built based on ancient Yoruba traditions. They spoke in a distinct dialect, a combination of English and West African languages. This unique community is explored in Julie Dash's debut feature Daughters of the Dust, a costume drama about the Peazant family, a fictional group of Gullah natives living on Ido Landing. The secluded family experiences conflicts surrounding religion, industrialization, and tradition. The mystical matriarch Nana (Cora Lee Day) holds true to the beliefs of their anscestors, while Haagar (Kaycee Moore) can't wait to move away. Yellow Mary (Barbara O) returns from a life as a prostitute in Cuba with her girlfriend, and gets morally attacked by the reformed Christian Viola (Cheryl Lynn Bruce). Meanwhile, indifferent Eula (Alva Rogers) is pregnant with a baby that may or may not be the result of a rape. While the story doesn't attempt to follow a standard Eurocentric narrative, the plot revolves around a picnic on the shore in honor of the family members who chose to move to the prosperity of the north. The narrator is a spirit called the Unborn Child, who appears sometimes as a rambunctious little girl. A photographer accompanies the group to capture the events on film. ~ Andrea LeVasseur, Rovi

Produced on a shoestring $2 million budget, documentary director Nancy Kelly and her husband, editor Kenji Yamamoto created this romantic western based on a true story. Rosalind Chao stars as Lalu Nathoy, a young woman sold into marriage by her impoverished father in late 19th century China. Lalu is transported to the U.S. by a slave trader, Jim (Dennis Dun), on whom she develops a crush. Although conflicted, Jim fulfills his professional obligation to deliver Lalu to Hong King (Michael Paul Chan), a saloon owner in a rough Idaho mining town. Refusing to participate in Hong King's plan to make her into an exotic prostitute, Lalu keeps her dignity about her and wins the adoration of Charlie (Chris Cooper), Hong King's white, alcoholic partner. Despite the prejudice of the locals, Lalu becomes a cleaning woman and a successful laundress. Though she dreams of marriage to Jim or escape to China, she recognizes Charlie's admirable qualities after a violent incident that casts him in a different light. ~ Karl Williams, Rovi

At the time of Longtime Companion's release in 1990, the devastating disease of AIDS was seen as a mysterious and deadly scourge, replete with rumors, lies, and panic. As the first narrative film to examine the AIDS epidemic, screenwriter Craig Lucas and director Norman René place the disease in an historical context, dramatizing the impact of the disease through time in a series of vignettes involving seven gay men. AIDS first made its presence felt surreptitiously, as an article in The New York Times reported on a rare cancer attacking gay men called Karposi's syndrome. Then the Village Voice began a series of in-depth articles concerning a "gay plague" which later became known as AIDS. The film follows the AIDS crisis through the lives of the seven main characters so that they are only aware of AIDS in the historical framework of each episode. The characters include former gay couple Willy (Campbell Scott) and John (Dermot Mulroney), first seen partying at a Fire Island club, who don't pay much attention to the mysterious article in The New York Times but become intimately effected by the disease. There is also Sean (Mark Lamos), a soap opera writer whose mind is slowly deteriorating because of the disease, and his supportive friend David (Bruce Davison). ~ Paul Brenner, Rovi

Eat a Bowl of Tea is set in New York's Chinatown during the immediate postwar years. After a seeming eternity of separation, Chinese immigrants are finally allowed to bring their spouses to the U.S. thanks to looser immigration laws. Those husbands and wives no longer able to procreate fully expect their own sons to head back to China to seek out new brides. Russell Wong plays Ben Loy, a young man who decides not to marry the bride picked out for him, but a girl of his own choice, Mei Oi (played by Cora Miao). The film tackles several issues, including Mei's difficulty in assimilation, Ben's problems with his intrusive relatives, the outside pressure brought to bear in producing an heir, and the ongoing struggle of making ends meet financially. Both bride and groom respond to their insecurities by indulging in extramarital affairs. It takes several near-catastrophic events to prompt a happy reconciliation. Partially funded by PBS' American Playhouse production staff, Eat a Bowl of Tea is based on an extremely popular Chinese-language novel by Louis Chu. ~ Hal Erickson, Rovi

Not many filmmakers can claim to have freed a convicted murderer from jail, but Errol Morris accomplished that feat with his stunning documentary about Randall Dale Adams. Morris, whose brilliant previous features Vernon, Florida and Gates of Heaven had focused on less substantial subjects, learned of Adams' plight when the director was in Texas in preparation for a film about a psychiatrist who testified in murder trials. In November 1976, after his car broke down on a road outside Dallas, Adams had accepted a ride from a stranger, David Harris. Harris was driving a stolen car, and when Dallas police officer Robert Wood pulled the two men over to check on the vehicle, Harris shot and killed Wood. A jury believed that Adams was the killer, thanks to the perjured testimony of Harris and the misleading accounts of two witnesses. A story about Adams on 60 Minutes helped to bring public attention to the case, but it was Morris' film, which contained extensive interview material with both Adams and Harris as well as stylized reenactments of the crime, that clinched the case for Adams' innocence. He was set free on March 15, 1988. Although Morris' film made many critics' top ten lists, it was unaccountably not nominated for an Academy award, raising doubts about the credibility of the Motion Picture Academy's nominating process in this category. ~ Tom Wiener, Rovi

Veteran Hawaii-born actor Mako is never less than brilliant in director Michael Toshiyuki Uno's The Wash. The film is a study of love lost and love renewed in California's Asian community. Since his retirement, a husband (Mako) becomes increasingly sullen and withdrawn. Only when his wife (Nobu McCarthy) announces that she wants a separation does the husband begin to reexamine his life. While the story in The Wash is a familiar one, its ethnic overtones set the film apart from others of its ilk. ~ Hal Erickson, Rovi

Edward James Olmos portrays the real-life Jaime Escalante, a no-nonsense mathematic teacher in a tough East LA high school. Handed a classroom full of "losers" and "unteachables," Escalante is determined to turn his young charges' lives around. Drawing from his own cultural heritage, Escalante forms a bond with his largely Hispanic student body, evoking the names of famous Spaniards and Latin Americans whose great accomplishments were predicated on their ability to learn. The students gradually come to realize that the only way they'll escape their own poverty-stricken barrio is to improve themselves intellectually. As a result, the class' academic achievements soar dramatically -- too dramatically for the Educational Testing Service, which is convinced that the class' high test scores are the results of cheating. The triumphant exoneration of Escalante's students provides Stand and Deliver with its rousingly upbeat conclusion. ~ Hal Erickson, Rovi

Rachel River is a small town in Minnesota. When local "looney tune" Aileen Cole dies, the town comes to the slow realization that the reclusive Cole has in fact touched the lives of virtually every citizen--and nearly always in a positive manner. That realization is so slow because, immediately after Cole's demise, everyone is more concerned with scrambling to recover a buried treasure rumored to be on the old woman's property. The very thin plotline is fleshed out by individual episodes involving some of the town's more visible denizens: Cole's slobbish nephew Craig T. Nelson, Nelson's viper-tongued sister Jo Henderson, elderly Viveca Lindfors, local radio personality Pamela Reed, covetous undertaker James Olson, and "village idiot" Zeljko Ivanek, whose top billing in the opening credits is justified as the story develops. Rachel River premiered in June of 1989 as a PBS American Playhouse telecast, then enjoyed a brief theatrical distribution. ~ Hal Erickson, Rovi

Stacking stars Megan Follows as a Montana teenager struggling to keep her family's farm together. The time is the 1950s, when rural 14-year-olds were supposed to be seen and not heard. But Follows intends to be seen and heard, and in so doing finds several strong adult allies. The film has been unfavorably compared to the strikingly similar theatrical feature Desert Bloom; while it's true that this takes forever to get started, it is saved by the powerful performances of Follows, Frederic Forrest, Christine Lahti, Peter Coyote and James Gammon. Completed in 1987, Stacking (the title refers to the bundling of crops) received its widest exposure when it aired February 15, 1989, over PBS' American Playhouse. ~ Hal Erickson, Rovi

Previously filmed in Argentina in 1951, black author Richard Wright's powerful race-conscious novel Native Son was remade in this barely released 1986 version. The story involves Bigger Thomas (Victor Love), an angry Depression-era Chicago black who hopes to elevate himself through his chauffeur's job with a prosperous white Gold Coast family. The family's daughter (Elizabeth McGovern) takes advantage of Bigger's servile status by ordering him to drive her to a rendezvous with her communist-activist lover (Matt Dillon). Their "parlor liberal" attitude both pleases and confuses Bigger, as do the girl's apparent sexual advances toward him. One evening, Bigger drives the girl home after she's gotten herself drunk. She flirts harmlessly with him in her bedroom; when her blind mother (Carroll Baker) stumbles onto the scene, the terrified Bigger, certain that he'll be accused of rape, tries to muffle the girl so she can't talk. He accidentally kills her, whereupon the panicky Bigger hides the body and tries to pin the girl's "kidnapping" on her lover. Tragedy piles upon tragedy before Bigger's climactic murder trial and execution; throughout, we are given the impression that this sorry state of affairs would never have taken place without the black-white tensions and divisiveness that existed in 1930s, and which still exist to this day. During the trial scene, TV talk host Oprah Winfrey makes a heavily-made-up cameo appearance as Bigger's mother. The whole scene has the earmarks of an "Oscar clip," but Oprah's excessive histrionics pale in comparison to her brilliant, well-modulated performance in the earlier The Color Purple. The 1986 version of Native Son was co-produced by PBS' American Playhouse. ~ Hal Erickson, Rovi

Produced for PBS's American Playhouse series, Smooth Talk was given a brief theatrical release before its "official" February 9, 1987 TV debut. Laura Dern plays a teenager anxious to experience the pleasures of sexual contact. Left alone in the family summer cottage when her mother (Mary Kay Place), father (Levon Helm) and sister (Elizabeth Berridge) go shopping, Dern decides to wander into town for male companionship. She makes the acquaintance of Treat Williams, a handsome if mildly psychotic type who identifies himself as "A. Friend" and behaves like James Dean. When she returns home, Dern is bewildered and dishevelled. We can only speculate as to whether or not she was raped by Williams; we do know that she isn't the same person we met at the beginning of the film. Smooth Talk was based on a 1970 short story by Joyce Carol Oates entitled "Where Are You Going, Where Have You Been?" ~ Hal Erickson, Rovi