Charles Laughton Movies

The Suspect is a well turned out period melodrama, with an excellent leading performance by Charles Laughton. He plays an amiable, hopelessly henpecked shopkeeper who yearns for the affections of pretty stenographer Ella Raines. When he is pushed to brink by wife Rosalind Ivan, Laughton kills her, making the death look like the result of a fall down the stairs. Detective Stanley Ridges, not altogether unsympathetic to Laughton, suspects foul play, but decides to bide his time and allow the suspect to trip himself up. Laughton is on the verge of getting off scot free when he makes the error of trying to stifle his blackmailing neighbor Henry Daniell. Based on the novel This Way Out by James Ronald, this is one of the most thoroughly satisfying American films of mercurial German director Robert Siodmak. ~ Hal Erickson, All Movie Guide

The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide

Tales of Manhattan is a sumptuous multipart film centered around a formal tailcoat. The coat is specially designed for stage actor Charles Boyer, who wears it during a rendezvous with his lady friend (Rita Hayworth). The lady's husband (Thomas Mitchell) shoots Boyer, thus the tailcoat is damaged merchandise and sold at a discount to a bridegroom (Cesar Romero). When the groom's peccadillos catch up to him, the bride (Ginger Rogers) chooses to marry the best man (Henry Fonda) instead, and the coat is shipped off to a second hand store. It is purchased by a would-be composer (Charles Laughton), who wears it the night that he is to conduct his first symphony; alas, the coat is too tight and tears apart, nearly ruining the conductor's debut. Stitched back together, the coat is donated to a skid row mission, wherein the kindly proprietor gives the coat to a down and out drunkard (Edward G. Robinson) so that the shabby gentleman can attend his 25th college reunion. Later on, the coat is stolen by a crook (J. Carroll Naish) in order to gain entrance to a fancy charity ball. The crook holds up the ball and stuffs the loot in the pockets of the coat, but while escaping in an airplane he loses the outer garment. The coat floats down to an impoverished African American shanty community; a farmer (Paul Robeson) decides to distribute the "money from heaven" amongst his needy neighbors. At the end, the tattered coat adorns the shoulders of a scarecrow. Tales of Manhattan is one of the best "portmanteau" dramas turned out by Hollywood; it was directed by French expatriate Julien Duvivier, a past master of the multi-story technique. ~ Hal Erickson, All Movie Guide

When two young island-dwelling people fall for each other, their rival parents do not embrace the romance with welcomed arms as one family is content with a simple and lazy life and the other is just the opposite. ~ Kristie Hassen, All Movie Guide

Like its predecessors, this third cinema version of Sidney Hoiward's Pulitzer Prize-winning play They Knew What They Wanted suffers from Hollywood censorship. Still, this story of the grim consequence of a misbegotten mail-order marriage has much to offer. Carole Lombard is superb as the waitress who lies about herself while carrying on a romance by correspondence with the Italian-born owner of a Napa Valley vineyard. Equally fine (if a shade too effusively hammy) is Charles Laughton as the grape grower, who also misrepresents himself in his letters, going so far as to pass off a photograph of handsome hired hand William Gargan as a picture of himself. Vowing to be loyal to her new husband Laughton, despite her distaste for him, Lombard nonetheless enters into an affair with Gargan. For the most part, the film moves along harmoniously. It falters only in the censor-dictated alterations (why is Lombard crying at the end?) and the horrendous performance by Frank Fay as a sanctimonious priest. Keep an eye peeled during the engagement party for a young, unbilled Karl Malden and Tom Ewell. Previous versions of They Knew What They Wanted included The Secret Hour (1928) and A Lady in Love (1930). ~ Hal Erickson, All Movie Guide

Alfred Hitchcock directed this disappointing misfire, memorable solely for the fact is that it is the final film from Hitchcock's early British period before he left for the Hollywood studio system and David O. Selznick. In the England of the 1800s, a group of ruthless smugglers, led by Sir Humphrey Pengallon (Charles Laughton), prey on ships by blacking out warning signals. When the ships crash on the rocks, the nefarious group loots the remains and kills the sailors. The plot kicks in when the beautiful orphan Mary Yelland (Maureen O'Hara) goes to visit her uncle Joss Merlyn (Leslie Banks) at a creepy hotel called the Jamaica Inn, the home of the gang of smugglers. Mary doesn't realize that Uncle Joss is one of them. Meanwhile, Lloyd's of London sends one of their ablest men, Jem Trahearne (Robert Newton), to investigate the recurring shipwrecks. Jem checks in to the Jamaica Inn, and when the coven of smugglers finds out who he is, they capture him and attempt to kill him. But Mary comes to his rescue and saves him. Through the inn, the smugglers try to recapture Jem -- along with Mary. Thrown together by dire circumstances, the two fall in love. Meanwhile, all the shenanigans occurring at the Jamaica Inn appear to be driving Pengallon insane. ~ Paul Brenner, All Movie Guide

Based on a story by Somerset Maugham, The Beachcomber was originally released in Great Britain as Vessel of Wrath. This English version was much franker--and much more fun--than the abbreviated, watered-down US release prints. Even the American version, however, is successful in capturing the spirit of Maugham's tale of slovenly remittance man Charles Laughton drinking and wenching away his monthly allowance in the picturesque Dutch Islands. Elsa Lanchester (the real-life Mrs. Laughton) plays the prim sister of sanctimonious missionary Tyrone Guthrie, who slowly regenerates the wastrelly Laughton. Our hero redeems himself fully through his courageous behavior during a cholera epidemic. This version of The Beachcomber is based on the stage adaptation by Bartlett Cormick; the 1955 remake, which played faster and looser with the Maugham original than the Cormack version did, starred Robert Newton, who plays the local British authority in the 1938 film. The Beachcomber was the only film directed by producer Erich Pommer, who spent most of the 1930s as Charles Laughton's business partner. ~ Hal Erickson, All Movie Guide

The 1932 publication of Charles Nordhoff and James Norton Hall's Mutiny on the Bounty sparked a revival of interest in the titular 1789 ship mutiny, and this 1935 MGM movie version won the Oscar for Best Picture. Clark Gable stars as Fletcher Christian, first mate of the infamous HMS Bounty, skippered by Captain William Bligh (Charles Laughton), the cruelest taskmaster on the Seven Seas. Bligh's villainy knows no bounds: he is even willing to flog a dead man if it will strengthen his hold over the crew. Christian despises Bligh and is sailing on the Bounty under protest. During the journey back to England, Bligh's cruelties become more than Christian can bear; and after the captain indirectly causes the death of the ship's doctor, the crew stages a mutiny, with Christian in charge. Bligh and a handful of officers loyal to him are set adrift in an open boat. Through sheer force of will, he guides the tiny vessel on a 49-day, 4000-mile journey to the Dutch East Indies without losing a man. Historians differ on whether Captain Bligh was truly such a monster or Christian such a paragon of virtue (some believe that the mutiny was largely inspired by Christian's lust for the Tahitian girls). The movie struck gold at the box office, and, in addition to the Best Picture Oscar, Gable, Laughton, and Franchot Tone as one of the Bounty's crew were all nominated for Best Actor (they all lost to Victor McLaglan in The Informer). The film was remade in 1962 and adapted into the "revisionist" 1984 feature The Bounty with Mel Gibson as Fletcher Christian and Anthony Hopkins as Captain Bligh. ~ Hal Erickson, All Movie Guide

Previously filmed in 1918 and 1923, Harry Leon Wilson's novel achieved movie classic status when it was remade by Leo McCarey in 1935. The story opens in Paris, circa 1908. Ruggles, beautifully underplayed by Charles Laughton, is the ultra-obedient manservant to the bibulous Earl of Burnstead (Roland Young). During one of the Earl's nocturnal forays, nouveau riche American cattle baron Egbert Floud (Charles Ruggles) wins Ruggles in a poker game. Terrified at the prospect of being bundled off to the Wild West, Ruggles' resolve is weakened somewhat when he and the raucous but ingratiating Egbert spend a wild night on the town. (The besotted butler's periodic exclamations of "Whoopee!" are priceless.) Back in the frontier "boom town" of Red Gap, a misunderstanding obliges Egbert's social-climbing wife Effie (Mary Boland) to pass off Ruggles as an aristocratic British army officer, immediately arousing the suspicions of priggish social arbiter Charles Belknap-Jackson (Lucien Littlefield). The longer he spends in America, the more Ruggles grows to like the concept of democracy and self-determination. Of the film's many highlights, two are standouts: the scene in which Ruggles silences a rowdy saloon crowd with his recitation of Lincoln's Gettysburg Address, and the droll, semi-improvised vignette in which dancehall girl Nell Kenner (Leila Hyams) teaches the Earl of Burnstead how to play the drums. Ruggles of Red Gap was filmed for a fourth time in 1950 as the Bob Hope-Lucille Ball musical Fancy Pants. ~ Hal Erickson, All Movie Guide

Charles Laughton became an international star by chewing both mutton and scenes in his Oscar-winning turn as King Henry VIII. Alexander Korda's British super-production also put the British cinema on the map, which, until this film, received precious little respect in the international film community. The film, with tongue planted firmly in cheek, details the private life of the famous British monarch. His first wife, Catherine of Aragon, is barely mentioned -- explained away by a prologue which states that she was "too respectable to be included." Henry then marries Anne Boleyn (Merle Oberon) but she is soon beheaded. His next wife, Jane Seymour (Wendy Barrie), dies during childbirth. His next wife is Anne of Cleves (Elsa Lanchester, in a prelude to her Bride of Frankenstein role), whom Henry reluctantly beds with his famous sigh, "The things I've done for England." They divorce and Henry next marries Katherine Howard (Binnie Barnes), who also finds herself beheaded when she has an affair with Henry's friend, Thomas Culpepper (Robert Donat). Finally, Henry is brought down to size with his final wife, Catherine Parr (Everley Gregg). ~ Paul Brenner, All Movie Guide

A mentally unstable naval officer goes mad with jealousy when his wife's recent lover shows up as a lieutenant on the submarine he commands. It is the smell of cheap perfume that arouses the husband's suspicions, and he plans to confront the lieutenant in the sub. The wife follows him there, knowing very well that while in a jealous rage her husband cannot be responsible for his actions. Her husband catches her and locks her in his cabin then deftly steers the sub towards a freighter. Just before the ships collide, he forces the lieutenant to take the controls. It is a terrible crash and the sub sinks, stone-like, towards the bottom. Even as they go down, the cuckoo commander insists the lieutenant is to blame for the tragedy. Meanwhile the woman successfully convinces the remaining crew members of her husband's lunacy, they accept the orders of their new commander, the lieutenant, and escape together just in the nick of time. ~ Sandra Brennan, All Movie Guide

Director Cecil B. DeMille returned to Paramount Pictures for this typically epic production, which became his first box office hit after the close of the silent era. Fredric March stars as Roman Prefect Marcus Superbus, a noble military leader of the year 64 A.D. Emperor Nero (Charles Laughton) has just burned down the city and blamed the conflagration on Christians, which has exacerbated anti-Christian sentiment. Marcus encounters a beautiful young Christian woman, Mercia (Elissa Landi), pleading with soldiers over the arrest of her beloved stepfather Titus (Arthur Hohl). The Prefect intervenes on her behalf, hoping for romance. Mercia rebuffs him, however, so Marcus attempts to humiliate her by sentencing her to live with a lesbian (Joyzelle Joiner), who has even less luck seducing the chaste Mercia. The Empress Poppaea (Claudette Colbert) desires Marcus for her own bed and becomes jealous of Mercia. When Nero orders that Christians are to be fed to the lions in the arena, Poppaea seizes the opportunity to get rid of her romantic rival, though Marcus pleads in vain with Nero to spare her life. ~ Karl Williams, All Movie Guide