Michael Laughlin Movies

This long-delayed romantic comedy from director Peter Chelsom stars Warren Beatty as a wealthy New York architect, Porter Stoddard. The revelation that his best friend Griffin (Garry Shandling) is cheating on his wife Mona (Goldie Hawn) leads to a mid-life crisis of sorts for Porter, jeopardizing his marriage to Ellie (Diane Keaton). When Mona leaves Griffin for her family's antebellum home in Mississippi, Porter accompanies her to lend his professional assistance in designing some home improvements and ends up entangled in a romantic assignation with his best friend's estranged wife. He then embarks on a series of other illicit, comical affairs. Among Porter's conquests are a cellist, Alex (Nastassja Kinski), the beautiful Eugenie (Andie MacDowell), and a Halloween reveler named Auburn (Jenna Elfman). He also runs afoul of Eugenie's overprotective father (Charlton Heston), who's armed with a shotgun and disturbingly unable to view his daughter as an adult. Town & Country (2001) is based on a script co-written by Buck Henry. ~ Karl Williams, All Movie Guide

In this subtly humorous, alien-invasion film by Michael Laughlin, who co-wrote the screenplay with William Condon, the aliens infiltrate a small Midwestern town in 1958 and beam the "spirits" of several of the townspeople up to their spacecraft in little blue bubbles, while they settle into the bodies of their new farm personae. But Margaret (Diana Scarwid), one of their number, leaves for life and marriage in New York and has a daughter Elizabeth by her earthling husband Charles Bigelow (Paul LeMat), a professor. After two decades or so go by, the aliens opt for returning to their home planet, but they have to first go to the city dressed as farmers and round up Margaret and her daughter. Soon Charles figures out what is going on with the help of the tough, optimistic Betty Walker (Nancy Allen), a reporter for a tabloid paper, and the two head to the town where it all started.The light contrast between the bucolic '50s and the street-wise '80s gives way to a few shocking scenes of repugnant aliens in transformation with formidable special effects. ~ Eleanor Mannikka, All Movie Guide

Maverick director Floyd Mutrux made his feature debut with this offbeat semi-documentary look at the realities of the Los Angeles drug scene. Mutrux and his camera crew follow a handful of real-life heroin addicts as they go through their daily routines of scoring dope and whiling away the hours until their next fix. (The dealers are played by actors, among them William Fraker, a noted cinematographer who helped shoot the film, and Billy Gray, a former child star from Father Knows Best.) Dusty and Sweets are a thirty-something couple whose often strained relationship is held together by their shared dependence on heroin. Kit is a blasé male hustler who turns tricks to support his habit. Tip is a self-described "everyday card-carrying dope fiend" who demonstrates his technique for ripping off supermarkets and explains how to keep up a habit behind bars. And a cheerfully blank teenage couple seem to spend their days either shooting up, nodding off, or wondering where to get more dope. Though featuring enough on-screen skin popping to make nearly any audience wince, Dusty and Sweets McGee's beautiful photography and languid mood captures the blissfully narcotic allure of Los Angeles in a way that makes the film compelling, while allowing its subjects to seem both human and tragic. Dusty and Sweets McGee also includes a soundtrack of vintage rock and roll radio, and a brief appearance by the group Blues Image, playing their sole hit "Ride Captain Ride". ~ Mark Deming, All Movie Guide

In this comedy a golden-boy tennis player in search of Life's meaning is corrupted by Hollywood, too much praise, and the temptation to sell out. His life therefore, becomes a metaphor for the morals of Hollywood society. ~ Sandra Brennan, All Movie Guide

Forgotten 20th Century Fox starlet Geneviève Waïte and forgotten "trendy" director Michael Sarne teamed for the eminently forgettable Joanna. Waïte stars as the title character, a swinging London art student who uses up men like other people use Kleenex. Her carefree lifestyle comes to an end when she is impregnated by Gordon (Calvin Lockhart) -- one of the first black-white relationships in a major motion picture. Joanna frequently becomes a musical, notably in the final sequence, in which the heroine joins in a chorus with the entire cast and production crew Donald Sutherland co-stars as one of Joanna's wealthy paramours. Director Michael Sarne went from Joanna to Myra Breckinridge, then disappeared from view. ~ Hal Erickson, All Movie Guide