Robert Lantos Movies

Randy Quaid and Jay Baruchel star in writer/director Randall Cole's comedic drama detailing the unique relationship between a compulsive gambler, and the coolly detached hit man assigned the task of taking him out. Andy (Baruchel) is an excitable gambler who has incurred one debt too many. When stoic hit man Reuban shows up to kill Andy, his target's initial reaction is disbelief. It soon becomes obvious that this is no joke, however, and now with less than sixty minutes to live the desperate Andy does his best to squeeze as much living into his final hour as possible. From one final session with a prostitute to a chance to get revenge on a former boss and a desperate search for a missing childhood toy, the bizarre series of final requests made by Andy prompt both the trigger man and his target to realize that there is more to their lives - and their current missions - than surface impressions would indicate. ~ Jason Buchanan, All Movie Guide

French Canadian director Denys Arcand pushes the boundaries of the mockumentary with Stardom, the tale of a fictional neophyte supermodel (Jessica Pare) told entirely through clips of her appearances on talk shows, television interviews, and documentaries. Originally titled 15 Moments, Stardom begins its portrait at a women's hockey game in the nether regions of Ontario, Canada. When the team's formidable teenage forward Tina (Pare) pulls her helmet off, letting her brunette tresses fly, a bystander snaps a photo, and Tina soon becomes the buzz at the country's hottest fashion houses. Her rise through the industry, however, is plagued by advances from older men with sundry motives: a smitten French photographer (Charles Berling), a smarmy entrepreneur (Dan Aykroyd), the Canadian Ambassador to the U.N. (Frank Langella), and a slick promoter (Thomas Gibson, the latter half of TV's Dharma and Greg). Stardom was the closing film at the 2000 Cannes Film Festival, marking the first time in over 50 years that a Canadian production was chosen for such an honor; it would go on to open the 2000 Toronto International Film Festival before its theatrical premiere. ~ Michael Hastings, All Movie Guide

One of the most successful Canadian drama series of the late 1990s, Da Vinci's Inquest was also one of the CBC's slickest efforts -- not to mention one of the most realistic. Nicholas Campbell starred as Dominic Da Vinci, a former cop who worked as a police coroner in Vancouver. Like Quincy before him, Da Vinci used his official capacity to right wrongs, help those in distress, and in general boldly go where the "regular" cops feared to tread. In this he was assisted by a number of friends, business associates, and family members, who frequently found themselves in jeopardy, obligating the hero to effect a last-minute escape. Compared by some critics to the American TVer Homicide (albeit with a bit more melodrama), the series was created by Chris Haddock, who also wrote many of the 60-minute teleplays. Da Vinci's Inquest began its long and profitable CBC TV run on October 7, 1998. ~ Hal Erickson, All Movie Guide

Produced in Canada for a Canadian and U.S. viewership, the weekly, hour-long drama series Fast Track starred Keith Carradine as Richard Beckett. A former racecar driver, Beckett had become a doctor, working almost exclusively along the speedway circuit and tending to the injuries of his fellow motorists. Naturally, Beckett also got involved with various domestic crises, and occasionally put in time as an amateur detective. The impressive supporting cast included Duncan Regehr as Christian Chandler Jr., Tristan Rogers as Harry, Fred Williamson as Lowell Carter, and Sebastian Spence as Stevie Servine. Produced by Alliance Atlantis, Fast Track unveiled the first of its 23 episodes on August 3, 1997, telecast simultaneously on Canadian and American cable TV. ~ Hal Erickson, All Movie Guide

Set in Australia, this romantic drama chronicles the renewal and the vengeance of an abused child who grows up to become the troubled April, a young mother who is kidnapped during a robbery and taken to an abandoned warehouse where she later falls for a crook who is as physically scarred as she is emotionally scarred. ~ Sandra Brennan, All Movie Guide

As the star of Knight Rider, you've seen him fight crime from behind the wheel of one of the most advanced automobiles ever, and as the leader of the Baywatch team, you've watched him rescue countless innocent souls from being swept out to sea -- now join television superstar David Hasselhoff in his most daring journey yet as he takes to the sky in this edge-of-your-seat action thriller from writer/director Sandor Stern (The Amityville Horror). Temporarily reassigned to air traffic control as a result of his maverick attitude, Jake Gorsky (Hasselhoff) is a New York City helicopter cop who never shies away from a good fight. When a well-organized group of bank robbers blows up nearly all of the bridges in Manhattan in an attempt to distract authorities and clean out the Federal Reserve Bank, the NYPD believes the action to be the work of a terrorist group run by Mr. One (Miguel Fernandes) -- but Gorsky knows better. Determined to save the bank and rescue his girlfriend, Michelle (Kathy Ireland), Gorsky once again bucks authority to launch his own offensive and take the skies back from the murderous bank robbers. ~ Jason Buchanan, All Movie Guide

Adapted by Brian Moore from his own novel, The Black Robe is a sprawling recreation of a turbelent period in Canadian history. In 1634, Jesuit missionary Father Laforgue (Lothair Bluteau) arrives in the New World, hoping to convert the Huron Indian tribe to Catholicism-and, incidentally, to expedite the French colonization of Quebec. Laforgue is regarded with a combination of warmth and wariness by the natives, who refer to Laforgue and his fellow priests as "black robes". Offering his services as both guide and friend is Algonquin chief Chomina (August Schellenberg). The by-the-book Laforgue does little to endear himself to the Indians-one of whom, a holy man, labels the priest as a demon who will bring nothing but death and destruction. The one who suffers most is Chomina, the man who most desires peaceful coexistence. In an ironic coda, we learn that the "black robes" have set into motion the fall of the Hurons, simply by imposing their Christian values upon them. Black Robe has been compared to Dances with Wolves, but the films do not share the same philosophy: while the idealistic hero of Wolves strives to understand and appreciate his new Indian comrades, the pious protagonist of Black Robe has only conversion in mind. ~ Hal Erickson, All Movie Guide

Accidentally peering through a window while on his nightly jog, stockbroker Kenneth Gilman can't take his eyes off beautiful Barbara Law. He returns to the same neighborhood night after night, for the express purpose of sneaking a peek at Law and her lover in various states of sexual passion. When the woman is murdered, Gilman is fingered as the culprit--and it doesn't help matters that he's been discussing his chronic voyeurism with psychiatrist Dayle Haddon. Now it's up to our obsessive hero to find out who's trying to frame him. More successful as a semi-comedy than as a thriller, Bedroom Eyes drew enough of an audience to warrant a sequel, ingeniously titled Bedroom Eyes 2. ~ Hal Erickson, All Movie Guide

Agency tackles the question of the efficiency of media manipulation. An unscrupulous advertising agency, in league with equally untrustworthy political campaign manager Robert Mitchum, plants subliminal messages in its TV commercials. Just as Vance Packard warned in the 1950s expose The Hidden Persuaders, these hidden messages persuade the viewers to vote for Mitchum's candidate. Given the potency of the the film's premise, it's disappointing to watch director George Gaczender handle the material (based on a novel by Paul Gottleib) is so cut-and-dried a fashion. But Mitchum is good, as are his costars Valerie Perrine, Lee Majors, Saul Rubinek and Alexandra Stewart. ~ Hal Erickson, All Movie Guide

Author Anne Michaels's poetic novel comes to the screen courtesy of director Jeremy Podeswa in this period drama concerning a Holocaust survivor who remains eternally haunted by the uncertain fate of his beloved sister. Athos (Rade Sherbedgia) is an archeologist conducting a dig in Nazi-occupied Poland. When Athos discovers a seven-year-old boy named Jakob (Robbie Kay) hiding near the work site, he smuggles the frightened boy back to Greece and promises to shelter him when the Nazis come knocking there as well. Having previously witnessed the brutal massacre of his family at the hands of Hitler's henchmen, Jakob longs to find out what fate befell his sister, Bella (Nina Dobrev) -- who wasn't executed with the majority of his other relatives but subsequently disappeared without a trace. After the war, Athos and Jakob emigrate to Toronto in hopes of starting a new life. But even after all these years, Jakob (Stephen Dillane) can't seem to shake the grief of losing his family and not knowing what ever became of Bella. Later, when Jakob marries the radiant Alex (Rosamund Pike), the bright-eyed beauty does her best to illuminate the dark corners within her husband's soul. To maintain one's connection to ghosts requires a certain shunning of the living, however, and only when Jakob discovers the strength to let go of his painful past will he finally be able to move forward into the future. ~ Jason Buchanan, All Movie Guide

A woman scorned unleashes her fury in this droll comedy based on a story by W. Somerset Maugham. Julia Lambert (Annette Bening) is a famous and well-respected actress, but though her life in the limelight seems glamorous, things are not going well for her off-stage. Julia's husband is unfaithful to her (and not especially discreet about it), her son is angry with her, and she's afraid she's losing her looks and allure as she advances further into middle age. In the midst of this, Julia meets a handsome and dashing young American named {%Tom.. Tom makes no secret of his attraction to Julia, and the feeling is mutual, leading the two into a torrid affair. But, while Julia at first dives into this adulterous romance with little care for how it could affect her reputation, she becomes livid with rage when she learns that Tom is also involved with a younger actress, and is only using Julia to advance himself. Julia then plots an elaborate revenge against Tom in a scheme that will help her win back the pride and confidence life has recently stripped from her. Being Julia also stars Jeremy Irons, Michael Gambon, Bruce Greenwood, and Shaun Evans. ~ Mark Deming, All Movie Guide

Canadian filmmaker Atom Egoyan explores his Armenian heritage, and how the country's tragic history has touched several generations of the nation's expatriates, in this ambitious drama. Edward Saroyan (Charles Aznavour), a veteran filmmaker of Armenian descent, is in Toronto shooting a film about the Siege of Van, in which invading Ottoman armies forced the evacuation of Armenian communities in 1915, leading to the genocide of over a million Armenian people at the hands of Turkish troops. Twenty-one-year-old Raffi (David Alpay) has been sent to Turkey to shoot background footage for the film; Raffi's mother Ani (Arsinee Khanjian), an author and historian, is also involved in the project as a consultant. Lately Raffi and Ani have been at odds; Raffi has been dating Celia (Marie-Josee Croze), Ani's stepdaughter, who is convinced that Ani is somehow responsible for the death of her father. Ani's first husband, who was Raffi's father, is also dead, after taking part in an assassination attempt on a Turkish political leader. As Raffi attempts to re-enter Canada with cans of exposed film, he's detained by David (Christopher Plummer), a suspicious customs official who has his own tenuous link to Saroyan's film -- David is struggling to come to terms with the gay lifestyle of his son Philip (Brent Carver), whose lover Ali (Elias Koteas) is playing the villain in the picture. Ararat also features Eric Bogosian and Bruce Greenwood. ~ Mark Deming, All Movie Guide

Canadian filmmaker David Cronenberg, who has long been fascinated by the ways new technology shapes and manipulates the human beings who believe they are its masters, is in familiar territory with eXistenZ, a futuristic thriller which combines elements of science fiction, horror and action-adventure. What is eXistenZ? According to the glossary Cronenberg put together for this film, it is a new organic game system that, when downloaded into humans, accesses their central nervous system, transporting them on a wild ride in and out of reality. What's more, it changes every time it is played, by adapting to the individual user -- you have to play the game to find out why you are playing the game. More than one person can plug into the same game and set out on a series of bizarre and surrealistic adventures together. The narrative takes place sometime in the near future, when game designers are worshipped as superstars and players can organically enter inside the games. Allegra Geller (Jennifer Jason Leigh), the goddess among computer game designers whose latest invention, 'eXistenZ,' taps deeply into its users' fears and desires by blurring the boundaries between reality and escapism, is subject to an assassination attempt and forced to flee. Her sole ally is Ted Pikul (Jude Law), a novice security guard sworn to protect her. Persuading Ted to play the game, Allegra draws them both into a phantasmagoric world where existence ends and eXistenZ begins. Jennifer Jason Leigh, who is supposedly something of a computer nerd in real life, is hip and sexily alluring as Allegra Geller. When she and Pikul make love and are transported to the bizarre setting of a trout farm which has been converted to an assembly line production plant for games, they delve deeper into the dangerously intriguing game. Soon the forces of Anti-eXistenZialism will close in on Pikul and Allegra. eXistenZ marks the first time since Videodrome that Cronenberg has written a completely original screenplay. eXistenZ was inspired by the tribulations of the fugitive writer Salman Rushdie, author of the Satanic Verses. After interviewing the author for a magazine article in 1995, Cronenberg was struck with the idea of an artist who suddenly finds himself on a hit list for religious or philosophical reasons and is forced to go into hiding. The idea of a game came later on, for which he created a new vocabulary. According to Cronenberg, eXistenZ thematically connects to Crash, Videodrome, Naked Lunch and even M. Butterfly in terms of exploring the extent to which we create our own levels of reality and the idea of a creative act being dangerous to the creator. This is the second film on which Alliance Atlantis has been associated with Cronenberg, after Crash, which won the Special Jury Prize at the 1996 International Cannes Film Festival. On the occasion of the presentation of eXistenZ, Cronenberg received a Silver Bear for his outstanding artistic achievements at the 49th International Berlin Film Festival in 1999. ~ Gönül Dönmez-Colin, All Movie Guide