Perry Lang Movies

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, Rovi

The 2-part TV movie Rumor of War was based on the 1977 memoirs of Vietnam veteran Philip Caputo. Brad Davis stars as Caputo, who during the mid-1960s was a Marine lieutenant. In battle after battle, Caputo performs his duties admirably, even when questioning the wisdom of America's Vietnam involvement. As both the war and the body count escalate, Caputo suffers a nervous breakdown. A Rumor of War bears an inevitable resemblance to the much-earlier antiwar epic All Quiet on the Western Front, right down to the presence of a father-figure combat sergeant (Brian Dennehy). Its few cliches aside, the film is a powerful indictment of the brutalization and depersonalization of America's Vietnam forces. A Rumor of War premiered on September 24 and 25, 1980. ~ Hal Erickson, Rovi

Pleading guilty to her crimes, Syd's mother, Irina (Lena Olin), is sentenced to death. Though there is little love lost between mother and daughter, Syd (Jennifer Garner) nonetheless tries to prevent her mother's execution by writing a letter to CIA director Devlin (James Handy), revealing her father Jack's (Victor Garber) involvement in Project Christmas, an insidious method of indoctrinating future secret agents at an early age -- and one for which Jack used the young Syd as a guinea pig. Meanwhile, Sloane (Ron Rifkin) comes closer to a reunion with his "dead" wife, Emily; and Vaughn (Michael Vartan) is shocked upon discerning the contents of Khasinau's so-called Red Ball. This episode was originally scheduled to air on November 3, 2002. ~ Hal Erickson, Rovi

Lewis Teague directed this sly horror-comedy from a script by John Sayles, which plays off the old urban legend about the dangers of flushing one's pet alligator down the toilet. One such unlucky reptile is "Ramon," who survives in the subterranean cesspool by feeding on the steroid-saturated carcasses of dogs dumped there by chemical company researchers and eventually bulks up to the size of a Winnebago. When assorted sewage workers start disappearing into Ramon's massive maw, hard-boiled cop David Madison (Robert Forster), who has a history of unlucky partners, reveals a strong personal interest in the case. Deemed a jinx and a nutcase by his superiors, he's kicked off the force and must go underground (literally) to destroy the beast with the help of young reptile-expert Marion (Robin Riker). The witty screenplay is filled with clever references, eccentric characters and in-jokes aplenty (a style reflective of Joe Dante's Piranha and The Howling, both of which Sayles also scripted), which combines with decent effects and a good amount of suspense (particularly in the sewer scenes) to make this an entertaining romp overall. Highlights include Henry Silva's over-the-top performance as a misplaced big-game hunter who recruits urban "native guides" in his back-alley search for the elusive Ramon. ~ Cavett Binion, Rovi

Mare Winningham stars as a sister determined to find out the truth in this fact-based made-for-television drama. Patricia Arquette stars as an FBI informant who has a secret affair with a married agent (Stephen Webber). When her older sister Dana (Winningham) admonishes her to be careful, she refuses to heed the warning and plunges deeper into the relationship, which unfortunately has deadly consequences. TV-movie veteran Winningham is good as always and Arquette and Webber are a believable duo. ~ Bernadette McCallion, Rovi

A medical student decides to enter the world of boxing and dives into a life of superficial values and corruption in this remake of the 1947 classic. ~ Kristie Hassen, Rovi

Not to be confused with the 1994 exchange-of-murders melodrama Dead On, this 1991 film was originally shipped out under the title Relentless 2: Dead On. You may recall that in the first Relentless in 1989, Judd Nelson starred as a serial killer. Nelson isn't around for the sequel, though two of his near-victims, a mother (Meg Foster) and her son (Leo Rossi), make return appearances. Relentless 2 elaborates on the possible aftereffects of Nelson's psychotic behavior, as manifested in young Rossi. Could the kid have learned too much about the inner workings of a murderer's mind? The premise is a workable one, and the film makes the most of it, with several genuinely frightening setpieces. ~ Hal Erickson, Rovi

Writer/director John Sayles' dramatization of the most infamous episode in professional sports -- the fix of the 1919 World Series -- is considered by many to be among his best films and arguably the best baseball movie ever made. This adaptation of Eliot Asinof's definitive study of the scandal shows how athletes of another era were a different breed from the well-paid stars of later years. The Chicago White Sox owner, Charlie Comiskey (Clifton James), is portrayed as a skinflint with little inclination to reward his team for their spectacular season. When a gambling syndicate led by Arnold Rothstein (Michael Lerner) gets wind of the players' discontent, it offers a select group of stars -- including pitcher Eddie Cicotte (Sayles regular David Strathairn), infielder Buck Weaver (John Cusack), and outfielder "Shoeless" Joe Jackson (D.B. Sweeney) -- more money to play badly than they would have earned to try to win the Series against the Cincinnati Reds. Sayles cast the story with actors who look and perform like real jocks, and added a colorful supporting cast that includes Studs Terkel as reporter Hugh Fullerton and Sayles himself as Ring Lardner. ~ Tom Wiener, Rovi

In this horror outing, two adventuresome young men embark upon a motorcycle trip across the country and end up fleeing a vicious psycho-killer. ~ Sandra Brennan, Rovi

Phillip Schuman's women-in-prison film is an account of a group of female prisoners who decide to organize a variety show. ~ Jason Ankeny, Rovi

Richard Roundtree stars as tennis-coach Chip Williams in this uneven adolescent comedy. Coach Williams must whip his players into shape for the big tournament in Las Vegas. The Kid (Scott Strader) and his cohorts run wild in Vegas on and off the court as the coach tries to keep the star players out of trouble before the match. Christopher Lee and R. G. Armstrong appear in character roles and Jane Mansfield's daughter Mariska Hargitay is the heroine Nicole. ~ Dan Pavlides, Rovi

In the opening episode of M*A*S*H's 11th and final season, Margaret (Loretta Swit) drives the nurses of the 4077th mercilessly while her own superior officer, the notoriously severe Colonel Buckholtz (Peggy Seury), conducts an inspection. In the process, Margaret learns to fully appreciate the women in her command. So does Hawkeye (Alan Alda), as he witnesses an act of effortless efficiency and unexpected compassion performed by the hitherto taken-for-granted Nurse Kellye (Kellye Nakahara). This episode was directed by veteran actress Susan Oliver. ~ Hal Erickson, Rovi

Sam Grimm (Perry Lang) and his brother Max (Christopher Atkins) stand to inherit the mortuary academy that bears their family name in this black comedy. The two brothers must first graduate, and their progress is monitored by school manager Dr. Paul Truscott (Paul Bartell) and the academy's top lecturer Mary Purcell (Mary Woronov). Truscott is blackmailed when he falls in love with a corpse (Cheryl Starbuck), a beautiful cheerleader who choked to death on popcorn. Dickson (Tracey Walter) is the mechanical wizard whose animatronic expertise brings a dead heavy-metal band back to life for one last encore performance. Co-starring Wolfman Jack and Cesar Romero. ~ Dan Pavlides, Rovi