Perry Lang Movies

Kirsten Baker and Leslie Cedarquist are the Girls Next Door in this buoyant sexploitationer. The ladies move in bag and baggage into a sleepy suburban community. Before long, every husband in the vicinity has fallen for their charms. A few trousers have fallen as well, which is why the film carries an R rating. The Girls Next Door is worth watching for an early performance by TV favorite Perry Lang. ~ Hal Erickson, Rovi

In this horror outing, two adventuresome young men embark upon a motorcycle trip across the country and end up fleeing a vicious psycho-killer. ~ Sandra Brennan, Rovi

Jan-Michael Vincent plays a self-destructive beach bum to whom surfing is a Zen experience. We first meet Vincent in the devil-may-care 1960s, in the company of his carefree buddies William Katt and Gary Busey. The boys reunite ten years later, after one has served time in Vietnam. The beach is still there, the waves still break upon the shore, and towards the end of the film, the characters become people that we truly care about. Barbara Hale, the real-life mother of costar William Katt, makes a piquant supporting appearance. Cut from 129 minutes to 104 for its pay-cable release, Big Wednesday is also known as Summer of Innocence. ~ Hal Erickson, Rovi

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, Rovi

The Hearse, directed by George Bowers is a clichéd, predictable horror film which, despite its interesting cast, is derivative and uninspired. Jane (Trish Van Devere) inherits a mansion from an aunt, whom she closely resembles. The townspeople believe that her aunt was possessed by Satan, and Jane becomes increasingly frightened when she is haunted by visions of a hearse that keeps showing up in front of her door. Walter Prichard (Joseph Cotton) is a argumentative attorney who does nothing to help Jane, who begins to think she is having a nervous breakdown. All of this is familiar and has been done far better elsewhere. Director Bowers paces the film far too leisurely to create much suspense, and the "surprise" ending is evident to all but the most unsophisticated viewer. The Hearse, routine and slow, will lull most horror fans to sleep. ~ Linda Rasmussen, Rovi

The 2-part TV movie Rumor of War was based on the 1977 memoirs of Vietnam veteran Philip Caputo. Brad Davis stars as Caputo, who during the mid-1960s was a Marine lieutenant. In battle after battle, Caputo performs his duties admirably, even when questioning the wisdom of America's Vietnam involvement. As both the war and the body count escalate, Caputo suffers a nervous breakdown. A Rumor of War bears an inevitable resemblance to the much-earlier antiwar epic All Quiet on the Western Front, right down to the presence of a father-figure combat sergeant (Brian Dennehy). Its few cliches aside, the film is a powerful indictment of the brutalization and depersonalization of America's Vietnam forces. A Rumor of War premiered on September 24 and 25, 1980. ~ Hal Erickson, Rovi

A medical student decides to enter the world of boxing and dives into a life of superficial values and corruption in this remake of the 1947 classic. ~ Kristie Hassen, Rovi

Students at a college with obviously low graduation requirements spend their time and energy playing a game that involves mock assassinations with rubber-tipped darts fired from plastic guns. If you are shot, you are assassinated and out of the game and whoever remains alone at the end wins. When Gersh (Bruce Abbott), the odds-on favorite is about to do one of his opponents in, the hapless victim drops his dart gun, it misfires, and bonks a dart at Gersh - who is pushed over the edge, pulls out a real gun and kills his unfortunate opponent. Gersh drags the body to his room and stuffs it in his closet. Having killed once, the blood-thirsty student goes on a rampage, killing as many of these players as he can and stuffing them all in his closet. ~ Eleanor Mannikka, Rovi

Although it is based on an intriguing premise -- Dale (Brooke Shields), disguised as a man, takes the place of her late father in a 1927 car race through the Sahara -- this film perversely falls flatter than a blow-out, and just as quickly. After starting the race and because of tribal warfare, Dale winds up a prisoner of the thug Rasoul (John Rhys-Davies) but is appropriately rescued by a dashing sheik (Lambert Wilson). Then after she is back in the race, she is captured and thrown into a leopard's cage by another desert villain. The Indy 500, this is not. ~ Eleanor Mannikka, Rovi

Sand, surf, sun, and sex alternate in this bikini-clad movie about student lemmings heading to the sea at Ft. Lauderdale, Florida, the moment the last test is taken (and sometimes before). This time, Nelson (David Knell) and his three friends get into various types of innocent trouble while Nelson tries to evade his overbearing stepfather. Wet T-shirt contests vie for attention with bikini and He-shirt contests and a Playboy centerfold, but other than a fairly standard venting of pent-up energy, there is not much else to remember about this Spring Break. ~ Eleanor Mannikka, Rovi

Writer/director John Sayles' dramatization of the most infamous episode in professional sports -- the fix of the 1919 World Series -- is considered by many to be among his best films and arguably the best baseball movie ever made. This adaptation of Eliot Asinof's definitive study of the scandal shows how athletes of another era were a different breed from the well-paid stars of later years. The Chicago White Sox owner, Charlie Comiskey (Clifton James), is portrayed as a skinflint with little inclination to reward his team for their spectacular season. When a gambling syndicate led by Arnold Rothstein (Michael Lerner) gets wind of the players' discontent, it offers a select group of stars -- including pitcher Eddie Cicotte (Sayles regular David Strathairn), infielder Buck Weaver (John Cusack), and outfielder "Shoeless" Joe Jackson (D.B. Sweeney) -- more money to play badly than they would have earned to try to win the Series against the Cincinnati Reds. Sayles cast the story with actors who look and perform like real jocks, and added a colorful supporting cast that includes Studs Terkel as reporter Hugh Fullerton and Sayles himself as Ring Lardner. ~ Tom Wiener, Rovi

A tortured man finds himself caught in a middle-ground between hallucination and reality in this supernatural thriller, scripted by Bruce Joel Rubin of Ghost (1990) and My Life (1993).
Jacob Singer (Tim Robbins) is a soldier stationed in Vietnam who undergoes a traumatic experience on the battlefield - the nature of which is initially unclear. The film then moves into his post-Vietnam experience in 1970s New York, where he feels consistently traumatized, but can never quite remember exactly what happened to him in Southeast Asia or to free himself from his anxieties over the recent tragic death of his young son (Macaulay Culkin). Though well educated, Jacob works as a letter carrier for the U.S. Postal Service and has become romantically involved with one of his co-workers, Jezzie (Elizabeth Pena), after divorcing his wife. Soon, Jacob's tenuous hold on reality starts to slip as horrifying events befall him; he is nearly run over by a subway train, pursued by faceless demons in cars, and spots reptilian tails and horns protruding from the bodies of those he encounters. Jacob also suffers severe panic attacks related to the chaos that may be reality, or may exist only in his mind. He seeks counsel from Louis (Danny Aiello), a kindly chiropractor, as his ex-wife Sarah (Patricia Kalember), fellow Vietnam vet Paul (Pruitt Taylor Vince), and enigmatic stranger Michael (Matt Craven) all try to help the tortured soul. Jason Alexander, Ving Rhames and Eriq LaSalle highlight the supporting cast. ~ Mark Deming, Rovi

Anthony John Denison stars as Carmine DeCarlo, a man trying to break free of familial mob ties after his middle-aged lover (Anne Francis) dies. ~ Jason Ankeny, Rovi