Perry Lang Movies

In the opening episode of M*A*S*H's 11th and final season, Margaret (Loretta Swit) drives the nurses of the 4077th mercilessly while her own superior officer, the notoriously severe Colonel Buckholtz (Peggy Seury), conducts an inspection. In the process, Margaret learns to fully appreciate the women in her command. So does Hawkeye (Alan Alda), as he witnesses an act of effortless efficiency and unexpected compassion performed by the hitherto taken-for-granted Nurse Kellye (Kellye Nakahara). This episode was directed by veteran actress Susan Oliver. ~ Hal Erickson, All Movie Guide

This ghostly made-for-television romance tells the story of a struggling widower who finds that life becomes easier once his beloved comes back from the grave to assist him. ~ Sandra Brennan, All Movie Guide

A medical student decides to enter the world of boxing and dives into a life of superficial values and corruption in this remake of the 1947 classic. ~ Kristie Hassen, All Movie Guide

The Hearse, directed by George Bowers is a clichéd, predictable horror film which, despite its interesting cast, is derivative and uninspired. Jane (Trish Van Devere) inherits a mansion from an aunt, whom she closely resembles. The townspeople believe that her aunt was possessed by Satan, and Jane becomes increasingly frightened when she is haunted by visions of a hearse that keeps showing up in front of her door. Walter Prichard (Joseph Cotton) is a argumentative attorney who does nothing to help Jane, who begins to think she is having a nervous breakdown. All of this is familiar and has been done far better elsewhere. Director Bowers paces the film far too leisurely to create much suspense, and the "surprise" ending is evident to all but the most unsophisticated viewer. The Hearse, routine and slow, will lull most horror fans to sleep. ~ Linda Rasmussen, All Movie Guide

The 2-part TV movie Rumor of War was based on the 1977 memoirs of Vietnam veteran Philip Caputo. Brad Davis stars as Caputo, who during the mid-1960s was a Marine lieutenant. In battle after battle, Caputo performs his duties admirably, even when questioning the wisdom of America's Vietnam involvement. As both the war and the body count escalate, Caputo suffers a nervous breakdown. A Rumor of War bears an inevitable resemblance to the much-earlier antiwar epic All Quiet on the Western Front, right down to the presence of a father-figure combat sergeant (Brian Dennehy). Its few cliches aside, the film is a powerful indictment of the brutalization and depersonalization of America's Vietnam forces. A Rumor of War premiered on September 24 and 25, 1980. ~ Hal Erickson, All Movie Guide

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, All Movie Guide

In this horror outing, two adventuresome young men embark upon a motorcycle trip across the country and end up fleeing a vicious psycho-killer. ~ Sandra Brennan, All Movie Guide

Jan-Michael Vincent plays a self-destructive beach bum to whom surfing is a Zen experience. We first meet Vincent in the devil-may-care 1960s, in the company of his carefree buddies William Katt and Gary Busey. The boys reunite ten years later, after one has served time in Vietnam. The beach is still there, the waves still break upon the shore, and towards the end of the film, the characters become people that we truly care about. Barbara Hale, the real-life mother of costar William Katt, makes a piquant supporting appearance. Cut from 129 minutes to 104 for its pay-cable release, Big Wednesday is also known as Summer of Innocence. ~ Hal Erickson, All Movie Guide