Richard Lane Movies
A repertory actor since childhood, Wisconsin-born Richard Lane was singing and dancing in vaudeville by the time he reached his thirteenth birthday. Lane toured europe with a circus "iron jaw" act, then bluffed his way into a dance band job. After more vaudeville work, Lane began securing "legit" gigs on Broadway. He appeared with Al Jolson in the late-'20s musical Big Boy, and was a headliner with George White's Scandals when he was signed to an RKO movie contract in 1937. While at RKO, Lane developed his standard characterization of a fast-talking sharpster, which secured him a recurring role on Al Pearce's popular radio program. He played a variety of detectives, con artists and travelling salesmen throughout the '40s, most often at 20th Century-Fox, Universal and Columbia. He was featured in several Abbott and Costello and Laurel and Hardy comedies during the decade, and costarred as Inspector Farraday in Columbia's Boston Blackie B-series; he also appeared in 11 Columbia 2-reel comedies, teamed with comic actor Gus Schilling. Though most closely associated with breezy, urban characters, Lane was also effective in slow-and-steady dramatic roles, notably the father in the 1940 sleeper The Biscuit Eater and baseball manager Clay Hopper in 1950's The Jackie Robinson Story. A television pioneer, Lane worked at Los Angeles' KTLA-TV as a newsman, sportscaster and used-car pitchman. For over twenty years, he was the mile-a-minute commentator on KTLA's nationally syndicated wrestling and roller derby matches. Significantly, Richard Lane's last screen appearances were in Raquel Welch's roller-derby epic Kansas City Bomber (1978) and Henry Winkler's pro-wrestling spoof The One and Only (1982). ~ Hal Erickson, All Movie Guide- 1941
Sunny was one of three RKO Radio Broadway-musical adaptations tailored to the talents of British favorite Anna Neagle by her soon-to-be-husband Herbert Wilcox (the other two were No No Nanette and Irene). The story has been updated a bit and transposed to New Orleans' Mardi Gras, but remains at base a "Cinderella" yarn, replete with a poor girl/rich boy romance. Circus entertainer Sunny Sullivan (Neagle) falls in love with Larry Warren (John Carroll), wealthy scion of an auto-manufacturing family. Accepting his invitation to meet his family at a fancy weekend party, Sunny elects to hide the fact that she's in (horrors!) show business. Just as she's won over the entire family, who should arrive but her circus cohorts, immediately blowing her cover. The shamefaced Sunny returns to the big top, but Larry will not be dissuaded from his intention to make her his bride. The film is at its best when the talented Anna Neagle trades steps with loose-limbed dancer Ray Bolger. A more faithful (but less enjoyable) version of this Otto Harbach-Oscar Hammerstein II-Jerome Kern musical was made in 1930, with the original "Sunny" Marilyn Miller repeating her Broadway role. ~ Hal Erickson, All Movie Guide
- Starring:
- Anna Neagle, Ray Bolger, (more)
- 1941
San Antonio Rose is an amiably wacky mini-musical evenly divided between its "official" stars, The Merry Macs, and a strong cast of supporting clowns. Robert Paige plays roadhouse operator Con Conway, whose establishment is in danger of being squeezed out by its competition. Stranded entertainers Hope Holloway (Jane Frazee) and Gabby Trent (Eve Arden) decide to revivify Conway's establishment by staging an energetic floor show built around the talented Merry Macs. A rival club owner dispatches his two top hooligans Jigsaw Kennedy (Lon Chaney Jr.) and Benny the Bounce (Shemp Howard) to wreck Conway's club by posing as waiters, but the two stupes are easily cowed into submission--by the leading ladies! San Antonio Rose never stops moving, not even during the closing credits, as the Merry Macs reprise the energetic novelty tune "Mexican Jumping Beat". ~ Hal Erickson, All Movie Guide
- Starring:
- Jane Frazee, Robert Paige, (more)
- 1941
Fresh from his contract-player duties at Warner Bros., future TV "Superman" George Reeves heads the cast of 20th Century-Fox's Man at Large. Reeves is cast as FBI agent Bob Grayson, working in collaboration with Max (Richard Derr), a British agent posing as a fugitive German aviator. Meanwhile, fearless girl reporter Dallas Dayle (Marjorie Weaver) is assigned by her editor to track down the enemy aviator and get an exclusive story. When she catches up with Grayson and Max, Dallas is under the impression that Grayson is a rival reporter and Max is the genuine fugitive, leading to the usual complications. All three protagonists ultimately pool their resources to expose a German spy ring operating in the United States. ~ Hal Erickson, All Movie Guide
- Starring:
- Marjorie Weaver, George Reeves, (more)
- 1941
Boston Blackie, the suave crook-turned-detective created in 1910 by pulp writer Donald Boyle, had been popping up sporadically in films for nearly two decades by the time Columbia launched its "Boston Blackie" series in 1941. Chester Morris starred as the title character in Meet Boston Blackie, wherein the ex-thief protagonist and his underworld cronie The Runt (Charles Wagenheim) meet a mysterious young lady named Marilyn Howard (Constance Worth) while disembarking from an ocean liner. When a murder takes place, Blackie and the Runt trail Marilyn to Coney Island, followed in close proximity by Inspector Farraday (Richard Lane), who thinks (as he always does) that Blackie is somehow tied in with the killing. Before long, our hero and heroine are mixed up with a gang of foreign spies operating out of a funhouse. Cleverly directed by Robert Florey and atmospherically lensed by cinematographer Franz Planer, Meet Boston Blackie was an excellent launching pad for one of Columbia's most profitable film series. ~ Hal Erickson, All Movie Guide
- Starring:
- Chester Morris, Rochelle Hudson, (more)
- 1941
The girl is stenographer Dot Duncan (Lucille Ball); the guy is her boss, stuffy young shipping magnate Stephen Herrick (Edmond O'Brien); and the gob is a brash sailor known as Coffee Cup (George Murphy). Not surprisingly, the plot involves the efforts by the self-effacing Stephen and the self-confident Coffee Cup to woo and win the lovely Dot. And that's about all the "story" there is; the rest of the picture is jam-packed with round-robin comic misunderstandings and wild slapstick setpieces. A Girl, a Guy and a Gob was one of two RKO Radio films produced by silent-screen great Harold Lloyd, who reportedly dropped in on the set from time to time to offer a bit of sage comedy advice (note the "handkerchief" bit utlized by Edmond O'Brien; it had previously done service in Lloyd's own Welcome Danger). Not as big a moneymaker as Harold's starring features of the 1920s, the RKO film nonetheless turned a tidy profit for the studio. ~ Hal Erickson, All Movie Guide
- Starring:
- George Murphy, Edmond O'Brien, (more)
- 1941
Meet the Chump is an hour's worth of nonsense ideally suited to the talents of Hugh "Woo Woo" Herbert. The star plays Hugh Mansfield, the bumbling trustee of the estate of his nephew John Mansfield (Lewis Howard), who will come into a fortune when he reaches his 25th birthday. As John's natal day approaches, Hugh begins to panic, as well he should: thanks to his ineptitude, he's managed to fritter away $10 million. Hoping to cover up his financial foolishness, Hugh feigns insanity (it's not much of a stretch) and allows himself to be thrown into the booby hatch. The plot is resolved by the timely arrival of gangsters in the last reel, among them the notorious Stinky Fink (Shemp Howard, who seems right at home in this elongated 2-reel comedy). ~ Hal Erickson, All Movie Guide
- Starring:
- Hugh Herbert, Lewis Howard, (more)
- 1941
Hellzapoppin' is the film version of the "anything goes" Broadway hit starring Ole Olsen and Chic Johnson. The original production was part musical comedy, part "blackout" revue, with wild sight gags, zany props, audience participation sequences, dirty jokes, and never-ending gunshots. There was no plot, and in fact no two performances were exactly alike. When Hellzapoppin' was optioned by Universal, the original intention was to film the play as it stood (minus the more ribald one-liners), but the studio got cold feet and grafted on a conventional plot and romantic interest. The film's story concerns a musical show being staged at a fancy estate, and the romantic triangle of the show's producer (Robert Paige), the wealthy girl who lives at the estate (Jane Frazee), and the girl's erstwhile fiance (Lewis Howard). The show's stars are Olsen, Johnson, and Martha Raye. Martha is mistaken for the wealthy girl by a penniless Russian aristocrat (Mischa Auer), and the entire proceedings are "investigated" by a goofy private detective (Hugh Herbert). Olsen and Johnson are thus reduced to supporting players in their own film, but when they do manage to command the screen, the results are hilarious. The best moments range from a throwaway gag about Citizen Kane (Johnson finds a sled marked "Rosebud" and mutters "I thought they burned that!") to the more elaborate special-effects routines involving the mixed-up projectionist (Shemp Howard) who's ostensibly running Hellzapoppin for the benefit of the film audience. While the movie version fails to completely capture the spirit of the original play (except in a bizarre opening sequence), and the finale is a major disappointment, Hellzapoppin remains one of the few sustained filmic examples of the "nut humor" exemplified by Olsen and Johnson. ~ Hal Erickson, All Movie Guide
- Starring:
- Ole Olsen, Chic Johnson, (more)
- 1941
Previously filmed three times, the evergreen Zane Grey yarn Riders of the Purple Sage was given a fourth go-round by 20th Century-Fox in 1941. George Montgomery stars as Jim Lassiter, who learns early on that his niece Fay (Patty Patterson) has been cheated out of her inheritance by crooked Judge Dyer (Robert Barrat). What Lassiter doesn't know-at least at first-is that Dyer is the head of a vigilante group, ostensibly organized to protect the local settlers but actually intent upon driving everyone out of the territory. Several acts of skullduggery and one kidnapping later, Lassiter is finally able to thwart the villains and settle down in a hidden valley with his sweetheart Jane Witherspoon (Mary Howard). Breezing along at 58 minutes, Riders of the Purple Sage by necessity eliminates several of Zane Grey's underlying themes (the villain is no longer a Mormon, for example), but works quite well as straightforward entertainment. ~ Hal Erickson, All Movie Guide
- Starring:
- George Montgomery, Mary Howard, (more)
- 1941
A Clarence Buddington Kelland story was the source for the mildly farcical For Beauty's Sake. If he wants to inherit a fortune, bookish astronomy professor B. E. Dillsome (Ted North) must operate his aunt's beauty parlor for a two-year period. Business is very, very slow, prompting Dillsome's girlfriend Dime Pringle (Marjorie Weaver) to bring in a hot-shot press agent Jonathan B. Sweet (Ned Sparks) to publicize the establishment. Before long, our benighted hero finds himself mixed up in a murder plot and a blackmail scheme. The raucous comedy relief of Joan Davis and the patented deadpan asides of Ned Sparks more than make up for the film's plot deficiencies. ~ Hal Erickson, All Movie Guide
- Starring:
- Ned Sparks, Marjorie Weaver, (more)
- 1941
The 1940 peacetime draft spawned a whole slew of military and naval comedies, the most successful of which was Abbott and Costello's Buck Privates. In this vein, Warners' Navy Blues features several studio contractees (including Ann Sheridan and Jack Carson), a few borrowed comedians (Jack Oakie, Jack Haley, Martha Raye) and a plethora of forgettable musical numbers. The plot: A ship's crew goes on leave in Honolulu, has a high old time, meets a few pretty girls, and heads back to sea. That's all. Modern viewers will get a kick out of spotting Navy Blues supporting actor Jackie Gleason, who must have relished the opportunity of working with his idol Jack Oakie. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Sheridan, Jack Oakie, (more)
- 1940
While paging through a scrapbook, Dr. Wyman (Robert Sterling) recalls his college days. Though preferring to stick to his studies, Wyman was strong-armed into joining the football team because of his athletic abilities. Sure enough, his gridiron activities caused his grades to drop, while his dalliance with seductive Janice (Katherine Aldridge) endangered his campus romance with Lee (Jean Rogers). It took his best pal Garrett (Russell Gleason) to put Wyman's priorities in order. An excellent early showcase for Robert Sterling, Yesterday's Heroes is also a treat for serial fans, featuring former "Dale Arden" Jean Rogers and future "Nyoka the Tiger Woman" Katherine Aldridge in prominent roles. ~ Hal Erickson, All Movie Guide
- Starring:
- Jean Rogers, Robert Sterling, (more)
- 1940
The physically challenged bride of the title is played by Lynne Roberts, but it's reporter Ted North who's the film's true central character. Low man on the newspaper totem pole, North gets a chance to scoop everyone in town when he witnesses a bank robbery. Rather than file his story, North tracks down the crooks himself, infiltrates their gang, and helps deliver them to the cops. The whole megillah is over in a brisk 55 minutes. Incidentally, Lynne Roberts has two perfectly good legs (does she ever!) during most of the proceedings, despite the title. ~ Hal Erickson, All Movie Guide
- Starring:
- Lynne Roberts, Ted North, (more)
- 1940
Margie is one of the fast and funniest of Universal's pocket musicals, though its two-director dichotomy hardly seems necessary. Newlyweds Bret (Tom Brown) and Margie (Nan Grey) both aspire to show-biz careers: he wants to be a songwriter, while she is desirous of becoming a radio scripter. Inevitably, Bret and Margie quarrel and break up, only to be reunited by their efforts to snag "banana king" Gomez (Mischa Auer) for a lucrative radio contract. The old 1920s tune "Margie" is heard throughout the proceedings, frequently fitted out with ludicrous new lyrics ("Bananas! We're Always Thikin' of Bananas!" etc.) by a zany songwriting team (Eddie Quillan and Wally Vernon). And just in case anyone should take this thing seriously, Andy Devine bursts onto the set in full cowboy regalia, guns at the ready--only to withdraw apologetically a few seconds later, explaining that he's in the wrong movie. ~ Hal Erickson, All Movie Guide
Clark Gable is "Big John" and Spencer Tracy is "Square John"; both "Johns" seek their fortunes in the Texas oil fields. They simultaneously fall in love with Claudette Colbert, but it's "Big John" who wins out. When both Johns grow rich on oil, "Big John" lets money go to his head, and he begins neglecting wife Colbert for Hedy Lamarr, the "been around" companion of businessman Lionel Atwill. "Square John", who still carries a torch for Colbert but doesn't want to see her heart broken, tries to buy off Lamarr; when this fails, he decides to ruin "Big John" financially. But when "Big John" is charged with violating anti-trust rules by the crooked Atwill, "Square John" rushes to the side of his old pal. Both men end up where they started--broke but happy. "Big John" returns to faithful Colbert, while "Square John" stands by with an ear-to-ear grin. Boom Town was the last film to co-star Clark Gable and Spencer Tracy; though Tracy was fond of Gable, he resented playing "eunuch" in their on-screen romantic triangles. Claudette Colbert's scenes with Clark Gable are pleasant enough, but the sparks that had ignited their scenes in It Happened One Night are largely absent here. ~ Hal Erickson, All Movie Guide
- Starring:
- Clark Gable, Spencer Tracy, (more)
- 1940
Rosalind Russell and Brian Aherne go through their customary farcical paces in the formula romantic comedy Hired Wife. Russell plays Kendal Browning, the superefficient secretary of business executive Stephen Dexter (Brian Aherne). When Dexter is legally obliged to put his business and its assets in his wife's name, he is momentarily stymied, inasmuch as he has no wife. Rather than enter into a hasty marriage with one of his various amours, Dexter proposes to Kendal, with the firm understanding that their union will be strictly a business arrangement. Is it any surprise that this "in-name-only" set-up culminates in a deep and abiding romance by fade-out time. Also contributing mightily to the overall frivolity is Robert Benchley as Dexter's prudish business partner and Virginia Bruce as a sexy model whom Dexter plans to wed as soon as his financial problems are straightened out, and John Carroll as a temperamental Latin Lover-type-stock characters all, but consummately played. ~ Hal Erickson, All Movie Guide
- Starring:
- Rosalind Russell, Brian Aherne, (more)
- 1940
The Biscuit Eater is what is known in Hollywood as a "sleeper"--a small, unpretentious film that catches on with the audience and turns into an unexpected hit. Child actor Billy Lee plays the son of southern bird dog trainer Richard Lane. Lee adopts a dog named Promise, who turns out to be a "biscuit eater"--a dog that refuses to hunt for anything but its own food. Ordered by his father to get the dog off his property, Lee and his African-American friend Cordell Hickman secretly train Promise, hoping to enter the pooch in the annual field trials. Just when Promise is on the verge of winning, Lee discovers that he's in direct competition with his own father--who, if he loses the trials, will lose his farm. Lee demoralizes Promise by calling him a no-good biscuit eater, thereby assuring that Lane's dog will win. Realizing the sacrifice his son has made, Lane apologizes to the boy; Lee in turn tearfully begs forgiveness from Promise, just before the dog dies from an accidental gunshot. This 1940 version of James Street's The Biscuit Eater is a genuinely moving experience; when remade by the Disney Studios in 1972, it became just another boy-and-his-dog yarn. ~ Hal Erickson, All Movie Guide
- Starring:
- Billy Lee, Cordell Hickman, (more)
Edward G. Robinson plays orchid-loving gangster Little John Sarto, who aspires to "real class." During a power struggle with usurping mobster Jack Buck (Humphrey Bogart), Sarto is taken for a one-way ride, but he escapes his would-be assassins and hides out in a monastery overseen by Brother Superior (Donald Crisp). Sarto insists that he'd like to become a monk himself, but in fact he's using the monastery as a hideout, the better to mount his counterattack against Buck. Eventually Sarto's resolve is weakened by the kindness of the monks, and he decides to turn over a new leaf. He sees to it that Buck is brought to justice, and also fixes up his true-blue "moll," Flo Addams (Ann Sothern), with good-hearted Texas rancher Clarence Fletcher (Ralph Bellamy). (News flash! Bellamy gets the girl for once!) Sarto, now known as "Brother Orchid," returns to the monastery for good, declaring that he's finally found the real class. Though Edward G. Robinson didn't want to play another gangster, he agreed to star in Brother Orchid in exchange for being allowed to essay the lead in Warner Bros.' historical drama A Dispatch From Reuter's (1940). ~ Hal Erickson, All Movie Guide
- Starring:
- Edward G. Robinson, Humphrey Bogart, (more)
- 1940
In this musical comedy, a young woman is sent to a National Youth Administration camp after her father is arrested for making moonshine. While there, a local developer endeavors to buy up the camp. To save it, the young woman stages an elaborate camp show. The developer is enchanted and changes his mind. More trouble ensues when the developer's payroll is purloined. Fortunately, the girl's father escapes from prison and brings the crooks to justice. ~ Sandra Brennan, All Movie Guide
- Starring:
- Jane Withers, Jane Darwell, (more)
- 1940
Two Girls on Broadway is an updated reworking of MGM's Oscar-winning 1929 musical Broadway Melody. Joan Blondell and Lana Turner play a vaudeville "sister" act, slightly more talented than the similar duo in Broadway Melody. The twosome have sworn never to break up, but that was before hoofer George Murphy entered the scene. Blondell realizes that it's Turner whom Murphy loves, so she nobly steps aside to make room for her baby sister. Two Girls on Broadway was another step in the right direction for the blossoming career of Lana Turner, here permitted to show off her terpsichorean skills. ~ Hal Erickson, All Movie Guide
- Starring:
- Lana Turner, Joan Blondell, (more)
- 1940
The mystery surrounding the gender of infant film star Baby Sandy was finally solved in her penultimate vehicle, Sandy is a Lady. The plot involves the efforts of Sandy's parents Mary and Joe Phillips (Nan Grey and Tom Brown) to improve their financial status, which are alternately aided and endangered by the antics of two-year-old Sandy. The film's climax plays like something out of a "Sweepea" cartoon, with the toddling heroine perilously perambulating atop an unfinished skyscraper. Also on hand for a bit of adolescent deviltry are Butch and Buddy, better known for their appearances in W. C. Fields' Never Give a Sucker an Even Break and Abbott & Costello's In the Navy. And as was often the case in the Baby Sandy films, Sandy is a Lady is enhanced by the presence of such reliable character players as Mischa Auer (who was in all of Sandy's pictures), Edgar Kennedy, Billy Gilbert and Friz Feld. ~ Hal Erickson, All Movie Guide
- Starring:
- Baby Sandy, Butch and Buddy, (more)
- 1940
Former Latin Lover Ricardo Cortez directed this farfetched but fast-paced gambling melodrama in which girl reporter Julie Reynolds (Lynn Bari) attempts to infiltrate a crooked gaming establishment by pretending to be a naïve girl from Texas. Julie's plans go awry, however, when one of the owners, Steve Walker (Donald Woods), recognizes her as his childhood sweetheart. Although Steve's mentor, The Judge (C. Aubrey Smith), warns him of the consequences, the young man insists on resuming his relationship with Julie, a decision that almost costs him his life when rival gangster Marty Connors (Richard Lane) decides to move in on the operation. But Steve and Julie pull a fast one on Marty and The Judge skips the City of Chance on a floating casino. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Lynn Bari, C. Aubrey Smith, (more)
- 1940
Free, Blonde and 21 was one of a handful of films directed by former leading man Ricardo Cortez. Two of 20th Century-Fox's busiest leading ladies, Mary Beth Hughes and Lynn Bari, head the cast of this soap opera-style yarn about life in a hotel catering to women. Hughes plays Jerry, a duplicitious wench who gets involved with gangsters ends up behind bars, while Bari plays Carol, an honest lass who is rewarded at fadeout time with a happy marriage to millionaire Dr. Mayberry (Henry Wilcoxon). Joan Davis injects a few moments of hilarity as the hotel chambermaid, while Alan Baxter is his usual steely-eyed self as a stickup man. For its original New York run, Free, Blonde and 21 was paired with Fox's The Grapes of Wrath, leading several reviewers to note that both films would have been better off with a single-feature presentation. ~ Hal Erickson, All Movie Guide
- Starring:
- Lynn Bari, Mary Beth Hughes, (more)
- 1939
Newspaper editor Steve Drum (Preston Foster) is willing to pull any dirty trick in the book to boost his rag's circulation. Drums's latest escapade is to blame a former criminal, now a respected politician, for a series of murders. Once the damage has been done, Drum puts on his "crusader" hat and stirs up enough public sympathy to save the politician from the electric chair. Only he's been forced to eat a few heaping helpings of humble pie does Drum redeem himself in the eyes of his long-suffering star reporter Maxine Thomas (Lynn Bari). Real-life newspapermen were mildly amused with the liberties taken in this fanciful "stop the presses" seriocomedy. ~ Hal Erickson, All Movie Guide
- Starring:
- Preston S. Foster, Lynn Bari, (more)
- 1939
Pulp-novel detective Nick Carter was created in the 1880s, but most film versions of the character have been updated to modern times. Such was the case with MGM's three-episode "Nick Carter" series, which got off to a good start with Nick Carter, Master Detective. Walter Pidgeon plays the title character, who in this episode gets mixed up with industrial espionage. Posing as one "Robert Chalmers", Nick gets the goods on a gang of foreign spies (no country names, please!), bringing them to heel during a serial-like waterfront chase. Rita Johnson essays a rare sympathetic role as stewardess Lou Farnsby, while Donald Meek steals the show as Bartholomew the beekeeper (a character who would grow increasingly annoying as the series went on). Nick Carter, Master Detective was coscripted by Bertram Millhauser, who also penned several of the Rathbone-Bruce "Sherlock Holmes" films. ~ Hal Erickson, All Movie Guide
- Starring:
- Walter Pidgeon, Rita Johnson, (more)
- 1939
The Hero for a Day is elderly night watchman Frank Higgins (Charley Grapewin), still basking in the memories of his long-age college football triumphs. To stir up publicity for a crucial post-season game, his alma mater plucks Higgins out of obscurity and once more showers him in glory. The old man's triumph turns to tragedy when he drops dead during the Big Game, but at least he goes out secure in the knowledge that his protégé Brainy (Dick Foran) has scored the winning touchdown. Critics in 1939 were amused by the inconsistencies during the gridiron sequences (the scenes appeared to have been shot at several different stadiums, then haphazardly patched together in the cutting room) and by the lavish wardrobe sported by "humble" stenographer Sylvia Higgins (Anita Louise). Featured in the cast of Hero for a Day is Richard Lane, who seems to have been in every sports movie ever produced between 1935 and 1945. ~ Hal Erickson, All Movie Guide
- Starring:
- Anita Louise, Dick Foran, (more)
