Richard Lane Movies

Director Robert Aldrich's last film, All the Marbles stars Peter Falk as a "win-at-all-costs" type manager of a ladies tag-team wrestling combo. These girls are good and Falk wants them great. And he doesn't really care what they've got to do to get there. (This film's "R" rating is not for Raunchy, but it could be for "Revealing.") Following sort of a Rocky theme, this film finds our ladies tag team climbing its way to the top of the women's wrestling world where they face off against the world's best. ~ All Movie Guide

This feature is taken from a popular Australian television series and the novel by John Cleary. Frankie McCoy (Ken Shorter) is a cynical bookie, in a rundown bar in Sydney, who is summoned for military service. After a barroom brawl, he goes AWOL from the service and takes an apartment above the bar to resume his bookmaking operation. He has eyes for the barmaid Margie (Rowena Wallace), an old-fashioned girl who wants a traditional marriage before she lets Frankie have his way with her. Margie breaks up with him until he promises to return to the army. After he pays off too many bets, he steals some money from a butcher shop and goes on a drinking binge. He spends the night soothing the loneliness of Myra (Carmen Duncan), the pill-headed floozie who can't believe she was involved with a married man. Frankie gives her the rest of his money the next day in a gesture of who knows what. Myra charges some new clothes but hasn't spent the money when a panic-stricken Frankie bursts in wanting the money. The cops have the numbers on the stolen loot, and tragedy ensues as Myra and Frankie fight over the money. ~ Dan Pavlides, All Movie Guide

Late for school again -- the third time this week -- Beaver (Jerry Mathers) and Larry (Rusty Stevens) decide to avoid getting punished by playing hooky; after all, they can think up a good story as to why they were absent later. Unfortunately, the boys end up in the studio audience of Marshal Moran's live TV show -- and practically everybody in town, including Wally, sees the telecast! The best bit is the boys, explaining how they -- and they alone -- were excused early from school. Richard Lane, an L.A.-based actor and newscaster best remembered for his play-by-play commentary on the old roller derby broadcasts appears as Marshal Moran. ~ Hal Erickson, All Movie Guide

Mickey Rooney, with his kid roles and musicals behind him, went for a major change of image in this harrowing film noir. He gives what many consider to be the best performance of his career as Danny Brady, a well-meaning grease monkey whose life is destroyed in less than a week. Danny finds himself short of cash when he's supposed to take out Vera (Jeanne Cagney), a waitress whom he's just met who works at a hash-house. He borrows 20 dollars from the cash register, planning on paying it back with 20 dollars that a buddy owes him the next day, but the friend doesn't turn up. To get the 20 dollars, he buys a 100-dollar watch on a payment plan and then hocks it for the 20 dollars, but a detective picks up on the purchase and threatens to have him jailed if he doesn't pay the full 100 dollars immediately; desperate to raise the money, he robs a drunken bar patron of his bill-fold. His money problems seemingly behind him, Danny takes Vera out with the extra cash, but gets into a fight with her former boss, Nick (Peter Lorre), who picks up a clue that Danny did the robbery. Nick pressures Danny to provide him with a new car (a hard-to-get commodity in 1950) from the garage where he works, in return for keeping quiet. Danny steals the car and turns it over to Nick, but he and Vera decide to get even by robbing Nick's safe that night -- now they've got 3,600 dollars, which they split. But Danny's boss, Mackey, tells him he knows who stole the car, and wants either the car back or the full value, or he'll turn Danny in to the police. Vera has already blown her share on a mink coat, and he goes back to Mackey with what he has, 1,800 dollars. Mackey takes it and proceeds to call the police. Danny attacks him and leaves him for dead. Danny goes on the run, convinced he's wanted for Mackey's murder. Danny runs into Helen (Barbara Bates), a nice girl that he was dating and then dumped, and they end up fleeing together, hijacking a car and holding an innocent man at gunpoint. Impending tragedy seems to loom up even larger when they cross paths with police officers on a manhunt. Realizing that Helen has been good to him, he ends up on the run alone, with a gun in hand, as the law closes in. ~ Bruce Eder, All Movie Guide

By the standards of low-budget Lippert Productions, Everybody's Dancin' is an "A" picture. Country-western favorite Spade Cooley (who also co-produced and co-scripted) heads the enormous cast of this innocuous musical comedy. Setting the plot in motion is fast-talking Dick Lane, playing a phony entrepreneur who hopes to rescue a bankrupt ballroom called "Waltzland." The climax is the standard-issue Big Show, staged at the studios of Los Angeles television station KTLA (where Dick Lane was gainfully employed as a sportscaster). Featured acts include The Sons of the Pioneers, the Chuy Reyes Orchestra, The Flying Taylors, the Great Velardi and the Medians. Also thrown into the stew are a bunch of guest stars, including Roddy McDowall, western stars Jimmy Ellison , and Russell Hayden, and UPI columnist Virginia McPherson. ~ Hal Erickson, All Movie Guide

In this final episode of the Boston Blackie mystery series, our hero and his side-kick find themselves accused of murder after they are seen exiting a Chinese laundry where the proprietor is soon found murdered. Blackie must find the real killers before he gets in real trouble. Action and mystery ensue. ~ Sandra Brennan, All Movie Guide

So baseball pictures never make money, eh? Try telling that to MGM, which raked in a box office gross of $4 million on their 1949 baseball musical Take Me Out to the Ball Game. Set in 1906, the film concerns the adventures and misadventures of The Wolves, a champion ball club. The team's success is contingent upon the double-play combination of "O'Brien to Ryan to Goldberg." But while Goldberg (Jules Munshin) lives to play baseball, O'Brien (Gene Kelly) and Ryan (Frank Sinatra) would rather pursue their off-season vaudeville career. Both erstwhile song-and-dance men decide to stick around on the baseball diamond when they mutually fall in love with the Wolves' new owner, the lovely K.C. Higgins (Esther Williams). Though O'Brien wins K.C. for himself, Ryan is compensated with the aggressively affectionate Shirley Delwyn (Betty Garrett). Gambler Joe Lorgan (Edward Arnold), who has bet heavily against the Wolves in an upcoming Big Game, woos O'Brien away from the team with promises of a big role in an upcoming musical comedy. Having let down K.C. and the rest of the team, O'Brien vows to redeem himself by playing in the crucial game. Lorgan gets wind of this, and orders his henchmen to do away with O'Brien. Hoping to shield his buddy from harm, Ryan beans O'Brien with a pitched ball, thereby incapacitating the prodigal player. The crooks are vanquished, and K.C. forgives O'Brien. But upon learning that Ryan had knocked him out, O'Brien charges onto the diamond, thirsting for revenge. Believe it or not, this action results in no fewer than two winning home runs! We offer you this detailed synopsis because it's likely that you'll be too entertained by the film's musical numbers to pay any attention to the story. Outside of the title number and Gene Kelly's solo "The Hat My Father Wore on St. Patrick's Day," the picture's best songs are contributed by Betty Comden, Adolf Green and Roger Edens. Take Me Out to the Ball Game is so delightful as it stands that one can only wonder what the film would have looked like had MGM's first choice Kathryn Grayson--or the studio's second choice, Judy Garland--played the Esther Williams role (In a similar vein, the Frank Sinatra character was originally to have been played by real-life Brooklyn Dodgers manager Leo Durocher!) ~ Hal Erickson, All Movie Guide

Filmed in 1946, Tenth Avenue Angel is yet another treacly vehicle for little Margaret O'Brien. The juvenile star is cast as Flavia Mills, an 8-year-old tenement dweller who insinuates herself into the lives of several down-and-outers, among them ex-convict Steve Abbott (George Murphy). Flavia's well-intentioned efforts to help Steve go straight, and to promote the blossoming romance between Steve and Susan Bratten (Angela Lansbury), are destined to hit several emotional roadblocks before the "End" title. Disillusioned by the contradictory behavior of her adult friends, Flavia eventually learns not to give up on the human race just because of a few setbacks. The Harry Ruskin/Eleanor Griffin screenplay was based on a story by Angna Enders, which in turn was based on a vaudeville sketch by veteran mystery writer Craig Rice. ~ Hal Erickson, All Movie Guide

When Universal went briefly out of the "B" horror film business in 1946, the studio sold two of its productions to other studios. The Brute Man went to PRC, while The Creeper was shipped off to 20th Century-Fox, where it lay on the shelf for nearly two years before its release. Dr. Morgan (Onslow Stevens) and Dr. Cavigny (Ralph Morgan) star as a brace of scientists who return from the West Indies with a potent, phosphorescent serum that allegedly changes human beings into cats. Though the medical value of this serum is rather doubtful, that doesn't stop Morgan from experimenting on human guinea pigs-nor from killing Cavigney when the latter disapproves. All sorts of mayhem transpires before the clawed, meowing "Creeper" is halted in his paw-tracks. Though billed first, Eduardo Ciannelli has little to do in his red-herring role. ~ Hal Erickson, All Movie Guide

The Plan 9 From Outer Space of baseball biopics, The Babe Ruth Story is definitely in the "So Bad It's Good" category. An outrageously miscast William Bendix stars as George Herman "Babe" Ruth, who as depicted herein is a childish, misunderstood oaf who happens to be one of the greatest ballplayers of all time. With an almost perverse disregard for the facts, the film chronicles Babe's school days in Baltimore, his brief tenure with the Baltimore Orioles, his glory days with the New York Yankees, his precedent-breaking 60th homer, his "called shot" of 1932, his fall from grace with the Boston Braves, and his slow death from an unnamed but obviously cancerous illness. Along the way, Ruth marries nightclub performer Claire Hodgson (Claire Trevor) with whom he spends many happy years (the earlier Mrs. Ruth, Helen Woodford, is ignored as if she never existed, as is Babe's daughter Dorothy). It's difficult to remember all of the film's howling innacuracies, which include Claire Hodgson's performance of "Singin' in the Rain" ten years before the song was written, the Yankee Stadium billboard for Ballantine Beer in the middle of Prohibition, and Babe's promise to a dying child that he'd hit a homer during the 1932 World Series (this famous incident actually occured in 1927, and the kid wasn't dying). It's also fun to note that Babe's spiritual mentor Brother Matthias (Charles Bickford) remains steadfastly the same age from 1914 to 1948. It was probably to much to expect the truth from coscripter Grantland Rice, who during his newspaper career spent most of his time covering up Ruth's many sexual and alcoholic peccadilloes "for the good of baseball." Despite its multitude of flaws, The Babe Ruth Story is worth sitting through if only for the jaw-dropping final scene (which is even more ridiculous than the earlier vignette in which a Ruth home run enables a crippled child to walk for the first time!) Yes, it's awful, almost stupefyingly so, but The Babe Ruth Story is an experience not to be missed. ~ Hal Erickson, All Movie Guide

It's nice to see perennial supporting player (and future TV sportscaster) Richard Lane in a full-fledged leading role, even in an inconsequential "B" like Columbia's Devil Ship. Lane plays a tuna-boat skipper whose business is in the dumpster. To pad his income, he agrees to ship convicts to Alcatraz Island. You don't need a crystal ball to predict what happens next. The Devil Ship was produced by Martin E. Mooney, a real-life ex-jailbird who put together several low-budget prison pictures in the 1940s. ~ Hal Erickson, All Movie Guide

If Eagle-Lion's Out of the Blue looks more like a slick Warner Bros. product at times, it's because the film was peopled by former Warners personnel, both in front of and behind the cameras. George Brent and Carole Landis play the Earthleighs, tenants in a roomy Greenwich Village apartment. When Mr. Earthleigh isn't being nagged by his domineering bride, he's enmeshed in a feud with his neighbor, loose-living artist David (Turhan Bey). During his wife's absence, Earthleigh makes the mistake of inviting Olive (Ann Dvorak), a glamorous interior decorator who's somewhat the worse for drink, to his apartment. When Olive passes out on his floor, Earthleigh assumes that she's dead-and in the course of subsequent events, so does everyone else. Adding to the general zaniness is Deborah (Virginia Mayo), one of David's sexier models, who weaves in and out of the proceedings at the most inopportune moments, and a huge, cantankerous canine named Rabelais. Despite some formidable competition, the comedy honors in Out of the Blue are won hands-down by Ann Dvorak, in a truly offbeat performance. ~ Hal Erickson, All Movie Guide

This twelfth entry in Columbia's "Boston Blackie" series is essentially a remake of 1942's Alias Boston Blackie. In the original, a falsely accused convict (Larry Parks) escapes while Blackie (Chester Morris) is putting on a magic show for a men's prison, prompting Blackie to stop the escapee before he can kill the man who framed him. In the remake, Blackie stages yet another magic act, this time at a woman's prison. Sure enough, a female inmate (Constance Dowling) escapes, determined to wreak vengeance on the man who done her wrong. Implicated in the escape, Blackie manages to clear himself and to extract a recorded confession from the actual killer. In both the original and the remake, Chester Morris is given ample opportunity to show off his considerable skills as a magician. ~ Hal Erickson, All Movie Guide