William S. Burroughs Movies

Produced for theatrical released by PBS' American Playhouse, Bloodhounds of Broadway is not exactly a remake of the 1952 film of the same name, though both pictures use the same Damon Runyon stories as inspiration. The scene is Broadway: the time is New Year's Eve, 1928. Madonna plays small town girl-turned-hoofer Hortense Hathaway, who loves gambler Feet Samuels (Randy Quaid) more than somewhat. Since it is known far and wide that Feet has not a penny to his name, he must find some way to pay off his debts in a hurry. So he offers to sell his huge feet to a demented-an operation which will, alas, cost Feet the use of his life. Upon waking up to the fact that Hortense loves him, Feet decides that he prefers breathing to pushing up daisies. Meanwhile, a society doll named Harriet MacKyle (Julie Hagerty) turns on the spigots when her pet parrot is laid low by a clumsy gunman. And while all this is transpiring, high-roller Regret (Matt Dillon) has to beat a murder rap. Even while Regret is sweating it out, "The Brain" (Rutger Hauer), who is bleeding profusely after confronting the business end of a shiv, searches high and low for someone willing to donate blood to save his life. If you can, keep an eye out for author William Burroughs as a butler. Bloodhounds of Broadway was the first non-documentary effort of filmmaker Howard Brookner-and the last, since he died before the film was released. To gloss over the film's plot holes, the distributors added a Winchell-like narrator to the proceedings, courtesy of actor Joseph Sommer. ~ Hal Erickson, All Movie Guide

The bizarre hallucinations of a heroin addict in withdrawal provide the basis for this unstructured, autobiographical film by director Conrad Rooks. It begins as he arrives strung-out in Paris for a sleep-cure. As the strange visions begin, the story jumps haphazardly between reality and his dream-world memories of growing up in Chappaqua, New York. The score was composed and played by sitarist Ravi Shankar. ~ Sandra Brennan, All Movie Guide

German sci-fi film about a futuristic society influenced by "muzak." Featuring William S. Burroughs and music by Dave Ball, John Caffery and Alexander van Borsig, Matt Johnson, Bill Rice and many others. ~ All Movie Guide

Writer/director Gus Van Sant's early bid for big-time commercial success -- a success he didn't manage to achieve until Good Will Hunting -- is based on Tom Robbins' 1976 feminist bestseller. Uma Thurman plays Sissy Hankshaw, a woman born with very large thumbs. After her parents (Grace Zabriskie and Ken Kesey) take her to a doctor (Buck Henry), who offers her parents no remedy for their daughter's condition, the film races ahead to the 1970s. Sissy is now a popular feminine hygiene spray model for a product called Yoni Yum, the product of a company owned by The Countess (John Hurt in drag). Sissy travels to the Rubber Rose beauty ranch, also owned by The Countess, to shoot a Yoni Yum commercial. At the ranch, she makes the acquaintance of the inscrutable Chink (Pat Morita) and Bonanza Jellybean (Rain Phoenix). But under the nose of The Countess, the cowgirls on the ranch are talking mutiny, with the women trying to liberate the Rubber Rose Ranch from the chains of patriarchal oppression. ~ Paul Brenner, All Movie Guide

This documentary by filmmaker Maria Beatty explores the lives, careers, and creative inspirations of the beat poets, forging insight into the minds of such artists as Gregory Corso, Marianne Faithfull, Richard Hell, Allen Ginsberg, Lydia Lunch and Henry Rollins. ~ Cammila Albertson, All Movie Guide

Famed performance artist Laurie Anderson both directed and starred in the 90-minute concert film Home of the Brave. While the film refuses to "explain" Anderson to those unfamiliar with her work, it serves as a valuable primer, encouraging the uninitiated to do their own further research. Anderson's non sequitur combinations of music and visuals can be very funny at times, but don't make the mistake of dismissing her as a mere court jester. The film's litmus test is its middle section; you'll either revere or despise Anderson after experiencing this lengthy segment. Among the peripheral personalities in Home of the Brave is legendary self-destructive novelist William Burroughs. ~ Hal Erickson, All Movie Guide

The comedy and thrills are a little anemic in this movie based on a real-life experience of director Jacob Burckhardt. Warren (Reed Bye) is accosted in Brooklyn one evening by rather unusual muggers -- they steal his can of film (this movie's first version?). Warren is alone in his anxiety over his work being lost for good, since the police, his neighbors and friends, and several other characters including the muggers themselves are not deeply moved by his problem. This motley crew misuse him, harass him, threaten him, or they just offer advice. In spite of the efforts of poet Allen Ginsberg as a shady lawyer and William Burroughs as a shadier Mafioso, the stolen film recedes into the murky distance, taking with it the conclusion to Warren's dilemma. ~ Eleanor Mannikka, All Movie Guide

In this romantic, sentimental homage to America's well-known Beat writer Jack Kerouac, director John Antonelli combines readings from Kerouac's works, footage of the writer with figures such as Steve Allen and William Buckley, views of his home and favorite locales, commentary by fellow writers like the late Allen Ginsberg, and scenes in which Jack Coulter takes the role of Kerouac. A jazz score enhances this docudrama. ~ Eleanor Mannikka, All Movie Guide

This cinematic/literary hybrid fuses motifs from Beat writer William S. Burroughs's novel of the same name with elements of the author's biography and plenty of the cerebral alienation and biomorphic special effects fans of creepy cult director David Cronenberg have come to expect. Bill Lee (Peter Weller) wants to write, but he exterminates bugs to pay the bills. His wife, Joan (Judy Davis), becomes addicted to Bill's bug powder dust, and soon he joins her in a world of unorthodox hallucinogens; he visits the kindly yet sinister Dr. Benway (Roy Scheider) and walks away with his first dose of the black meat -- a narcotic made from the flesh of the giant aquatic Brazilian centipede. Soon, monstrous beetles are whispering conspiracy theories in Bill's ears and his nebbish writer friends Hank (Nicholas Campbell) and Martin (Michael Zelniker) are sleeping with Joan under his nose. When a party trick involving a liquor glass and a gun goes awry, killing Joan, Bill flees to Interzone, a Mediterranean city full of talking insectoid typewriters, double agents, offbeat aesthetes, and plots within plots. As he navigates this paranoid landscape, Bill begins ingesting another drug called mugwump jism and writes fragments that Hank and Martin soon assemble into a novel under the title Naked Lunch. As beat literature aficionados know, Interzone is based on Tangiers -- the city where Burroughs wrote Naked Lunch. The incident in the film in which Hank and Martin appropriate Bill's writing and have it published closely approximates the real-life circumstances of the novel's publication, although it was Allen Ginsberg and Jack Kerouac who helped out the real-life Burroughs. The William Tell incident that kills Bill's wife is also drawn from the author's real life. "William Lee" is both Burroughs' literary stand-in and the name under which he published his first autobiographical novel Junky. Ian Holm, who plays Joan Frost's husband, Tom, would appear in Cronenberg's similarly experimental eXistenZ several years later. ~ Brian J. Dillard, All Movie Guide

Jack Kerouac penned such books as On the Road and The Dharma Bums, which captured the essence of the bohemian life that he came to personify. This documentary follows him on the road from the life of a beatnik in New York City, and across the country to California, as he set out to find America and himself. Archival photographs, film clips, interviews with those who knew him, readings from his books, and scholarly commentary provide insight into this icon of the Beat generation. ~ Rose of Sharon Winter, All Movie Guide

Produced on behalf of the National Film Board of Canada, Prologue is a story of the youth-rebellion movement of 1968. The film concentrates on Jesse (John Robb), who wanders the streets of Montreal selling underground newspapers. Despite the influence of his passive, drug-using roomie David (Gary Rader), Jesse insists upon pursuing the cause of political dissidence. Jesse heads for the fateful Chicago Democratic convention, while David moves to a commune with Jesse's girl friend Karen (Elaine Malus). Tired of trying to run away from controversy, Karen heads to Chicago for a reunion with Jesse, and a few philosophical discussions with "guest stars" Dick Gregory and Abbie Hoffman. Other members of the Intellectual Left making brief appearances in Prologue include Allen Ginsberg, Jean Genet, John Kenneth Galbraith, and William S. Burroughs. Director Robin Spry co-wrote the screenplay with Sherwood Forest (no, really). ~ Hal Erickson, All Movie Guide

This is a documentary chronicling the life of Charles Henri Ford (now in his nineties and still as alert as ever), a pivotal figure in the European and American avant-garde scene from the late '20s through the present. Born to a Southern family that owned a hotel and included sister Ruth Ford, an actress who is best known for the U.S. debut of Jean-Paul Sartre's No Exit, Charles moved to New York City in 1930, where his unmistakable male beauty sparked interest in the city's burgeoning gay scene. In the 1940s, he founded the literary journal Blues and the later View, which provided space for future notables such as Jean Genet and Vladimir Nabokov. The filmmakers made this motion picture over the course of ten years, lining up -- in the process -- a number of legendary avant-garde figures to discuss Ford, several of whom died by the time directors James Dowell and John Kolomvakis finished the picture. These include: William S. Burroughs, Allen Ginsberg, Philip Johnson, Paul Cadmus, Paul Morrissey, Ned Rorem, Paul Bowles and Gerard Malanga. Ford relates several anecdotes about them as well. The filmmakers spent over a decade creating this picture, tapping various historians, critics, and curators for additional details. ~ Jason Clark, All Movie Guide

In the U.S., in the 1950s, contemporary jazz was becoming more and more esoteric, and a small group of writers, poets and musicians who were hip to that beat were exploring the cracks in the American dream. Meanwhile, the Cold War and insistently cheerful and upbeat attitudes were being promoted by Dale Carnegie and his many imitators. America was never so prosperous, so virtuous, or so happy, and the writers and artists of the Beat generation were among the first to see the worm in that particular apple. Because so many of them couldn't get enthusiastic about the Cold War, they were derisively called "beatniks," the "nik" being an imitation Russian diminutive. In this 1980s documentary, surviving eminences from that period discuss the times and their experiences. Among those appearing are Allen Ginsberg, Jack Kerouac's daughter and wife, William S. Burroughs, Amiri Baraka (a.k.a. LeRoi Jones) and others, while archival footage gives viewers a taste of other greats of the period. The former Tonight Show host and author Steve Allen narrates. ~ Clarke Fountain, All Movie Guide