William S. Burroughs Movies

More commonly known as the expatriate author of The Sheltering Sky, Paul Bowles actually first made his mark on the world as a composer. This documentary sets out to rediscover this forgotten master of 1930s American music. Shot in New York, Paris, and Tangiers, the film details his studies with Aaron Copland, and the time he missed a meeting with Sergei Prokofiev. Night Waltz: The Music of Paul Bowles also features interviews with William S. Burroughs, Allen Ginsberg (both posthumously), and Bowles himself. ~ Jonathan Crow, All Movie Guide

Expatriate American writer Paul Bowles came to the limelight with an adaptation to screen by Bernardo Bertolucci of his first novel The Sheltering Sky. Subsequently, ambitious documentarists from several countries went down to Tangiers, Morocco where Bowles has been living for more than 50 years to capture the last days of an aging artist and composer, who played an important role in shaping the artistic trends of the 20th century along with other celebrities such as Allen Ginsberg, Truman Capote, Tennessee Williams and William S. Burroughs.

In this definitive film biography which took director Jennifer Baichwal more than four years to complete, the 87-year-old Bowles reflects on his life, work and friends while lying in bed at his home in Tangier smoking kif (cannabis) from an elegant black cigarette holder. Although his monologue serves as the structure of the film, director Baichwal cuts to archival footage of North Africa in the 1930s and 1940s to set the mood and uses the comments of late William S. Burroughs, Allen Ginsberg and David Herbert on Bowles and his work to counterbalance what Bowles says about the same issues. Moroccan writer Mohammed Choukri's harsh analysis of the expatriate scene in Morocco before Independence provides another perspective.

One of the highlights of the film is the exclusive footage of the last meeting of Bowles, Burroughs and Ginsberg in 1995 in a Manhattan hotel room in New York before the latter two passed away. This was Bowles's first visit to the U.S. in 33 years at the invitation of The EO Orchestra, which performed two sold-out performances of his music at the Lincoln Center. Let It Come Down is compact and well balanced. It avoids being voyeuristic, which is not easy to do considering the iconoclastic nature of its subject. Whether it brings the viewer closer to the enigmatic artist is arguable, simply because as Burroughs says of Bowles' autobiography, he might look like he's saying a lot about himself, but in fact, "he says nothing." ~ Gönül Dönmez-Colin, All Movie Guide

Jack Kerouac penned such books as On the Road and The Dharma Bums, which captured the essence of the bohemian life that he came to personify. This documentary follows him on the road from the life of a beatnik in New York City, and across the country to California, as he set out to find America and himself. Archival photographs, film clips, interviews with those who knew him, readings from his books, and scholarly commentary provide insight into this icon of the Beat generation. ~ Rose of Sharon Winter, All Movie Guide

David Blair's Wax: Or the Discovery of Television Among the Bees is the first independent feature film to have been edited on a digital non-linear system. It is also the first film (independent or otherwise) to have been re-formatted as hypertext and posted on the Internet. The New York Times recognized the accomplishment, and ran the article "Cult Film is First on the Internet" in its May 23, 1993 business section.

Director Blair pieced Wax together over a period of six years, writing the film as he edited it, letting creative accidents and "directed random readings at the public library" (as Blair puts it) guide its creation. The result is a work much like the early structuralist films of British director Peter Greenaway, an obsessive, artificial history which has been fastidiously detailed with fragments of real and imagined facts.

The film is set at a flight simulation factory in Alamagordo, New Mexico, where Jacob Maker (Wax's narrator, played by Blair) is a computer programmer. Jacob designs gun sight displays and lives with his wife Melissa near the weapons testing range. He is also a beekeeper, whose "Mesopotamian" bees have been handed down to him from his grandfather, Zoltan. These bees are not ordinary bees; they have the power to put thoughts and images into Jacob's mind, and Jacob soon realizes that he is able to personally identify with the weapons he is helping to create. One day the bees put a special "television" in Jacob's mind. Through the bee television Jacob is subject to a bizarre series of fictions and hallucinations, and is finally lead by the bees to their subterranean home: an enormous cave below the Alamagordo desert. In the cave it is revealed to him that he must actually become a weapon and destroy his "target" in Iraq, before rebirth in a new body.

Wax wears its low-budget origin on its sleeve (it was shot on video) but has enjoyed an art-house reputation due to its wild imagination, its hybrid media existence as part-film-part-Internet-site, and its similarity to works of postmodern literature. Enthusiasts of Greenaway's early films, and readers of Jorges Louis Borges, Italo Calvino, and Thomas Pynchon, should look this one up. ~ Anthony Reed, All Movie Guide

In the U.S., in the 1950s, contemporary jazz was becoming more and more esoteric, and a small group of writers, poets and musicians who were hip to that beat were exploring the cracks in the American dream. Meanwhile, the Cold War and insistently cheerful and upbeat attitudes were being promoted by Dale Carnegie and his many imitators. America was never so prosperous, so virtuous, or so happy, and the writers and artists of the Beat generation were among the first to see the worm in that particular apple. Because so many of them couldn't get enthusiastic about the Cold War, they were derisively called "beatniks," the "nik" being an imitation Russian diminutive. In this 1980s documentary, surviving eminences from that period discuss the times and their experiences. Among those appearing are Allen Ginsberg, Jack Kerouac's daughter and wife, William S. Burroughs, Amiri Baraka (a.k.a. LeRoi Jones) and others, while archival footage gives viewers a taste of other greats of the period. The former Tonight Show host and author Steve Allen narrates. ~ Clarke Fountain, All Movie Guide

Famed performance artist Laurie Anderson both directed and starred in the 90-minute concert film Home of the Brave. While the film refuses to "explain" Anderson to those unfamiliar with her work, it serves as a valuable primer, encouraging the uninitiated to do their own further research. Anderson's non sequitur combinations of music and visuals can be very funny at times, but don't make the mistake of dismissing her as a mere court jester. The film's litmus test is its middle section; you'll either revere or despise Anderson after experiencing this lengthy segment. Among the peripheral personalities in Home of the Brave is legendary self-destructive novelist William Burroughs. ~ Hal Erickson, All Movie Guide

The comedy and thrills are a little anemic in this movie based on a real-life experience of director Jacob Burckhardt. Warren (Reed Bye) is accosted in Brooklyn one evening by rather unusual muggers -- they steal his can of film (this movie's first version?). Warren is alone in his anxiety over his work being lost for good, since the police, his neighbors and friends, and several other characters including the muggers themselves are not deeply moved by his problem. This motley crew misuse him, harass him, threaten him, or they just offer advice. In spite of the efforts of poet Allen Ginsberg as a shady lawyer and William Burroughs as a shadier Mafioso, the stolen film recedes into the murky distance, taking with it the conclusion to Warren's dilemma. ~ Eleanor Mannikka, All Movie Guide

In this romantic, sentimental homage to America's well-known Beat writer Jack Kerouac, director John Antonelli combines readings from Kerouac's works, footage of the writer with figures such as Steve Allen and William Buckley, views of his home and favorite locales, commentary by fellow writers like the late Allen Ginsberg, and scenes in which Jack Coulter takes the role of Kerouac. A jazz score enhances this docudrama. ~ Eleanor Mannikka, All Movie Guide

After World War II there was a group of young men -- writers primarily -- who were disillusioned by the pursuit of the American dream. These men and other artists, associated through mutual friendships, were looking for new ways and means to express themselves and their ideals. Soon their writings found an audience and the American media took notice of their bohemian lifestyles, dubbing them the Beat Generation. Members of this group included writers Jack Kerouac and William Burroughs and poet Allen Ginsberg. essentially forming the Trinity of the Beats, and influencing the works of others during that era, including the "hippie" movement of the '60s. In this 55-minute video narrated by Allen Ginsberg, members of the Beat Generation are reunited to share their works and recollections. ~ Forrest Spencer, All Movie Guide

In this film, outspokenly homosexual filmmaker Rosa von Praunheim has documented his encounters with friends in the New York "underground" arts movement, the better-known of whom are William Burroughs (who says nothing for the camera), Andy Warhol (seen in the distance) and Fernando Arrabal (who is interviewed in Spanish). The emigrants named in the title are notable Germans who left the country before World War II, such as Greta Keller and Grete Mosheim. Reviewers at the time of the film's release considered it to have been a sort of paid vacation for the filmmaker rather than a serious effort. ~ Clarke Fountain, All Movie Guide

Produced on behalf of the National Film Board of Canada, Prologue is a story of the youth-rebellion movement of 1968. The film concentrates on Jesse (John Robb), who wanders the streets of Montreal selling underground newspapers. Despite the influence of his passive, drug-using roomie David (Gary Rader), Jesse insists upon pursuing the cause of political dissidence. Jesse heads for the fateful Chicago Democratic convention, while David moves to a commune with Jesse's girl friend Karen (Elaine Malus). Tired of trying to run away from controversy, Karen heads to Chicago for a reunion with Jesse, and a few philosophical discussions with "guest stars" Dick Gregory and Abbie Hoffman. Other members of the Intellectual Left making brief appearances in Prologue include Allen Ginsberg, Jean Genet, John Kenneth Galbraith, and William S. Burroughs. Director Robin Spry co-wrote the screenplay with Sherwood Forest (no, really). ~ Hal Erickson, All Movie Guide