Ely Landau Movies

Director John Frankenheimer and writers Edward Anhalt and George Axelrod try to inject some life into this adaptation of Robert Ludlum's best-selling espionage novel. Michael Caine stars as Noel Holcroft, who was adopted in Germany by an American family in the waning days of World War II. Now middle-aged, Noel learns that his biological father, who had been one of Hitler's key economic advisors, left him more than $4 billion at his death. Noel is supposed to dispense the money to specific individuals who had suffered under the oppression of Hitler. But Noel comes to realize the money is, in fact, being used by fascists starting a new Nazi regime. When the neo-Nazis find out Noel is wise to their plans, they chase him through Europe, trying to assassinate him and make way for a Fourth Reich. ~ Paul Brenner, All Movie Guide

The overemphatic acting of Robby Benson was something of an endurance test to certain critics of the 1980s, but even these carpers were impressed by Benson's outstanding performance in The Chosen. Set in the Brooklyn of the 1940s, the film elucidates the friendship between two young Jews of differing factions. Benson is Hassidic, while Barry Miller is a Zionist. Though separated ideologically, the boys find a common bond through their love of stickball. Rod Steiger costars as Benson's rabbi father, delivering a performance virtually devoid of the mannered stridency that has marred many of his more recent film work. Based on a novel by Chaim Potok, The Chosen has become an annual Hannukah-season TV attraction in many cities; years after its release, the film served as the basis for a short-lived Broadway musical. ~ Hal Erickson, All Movie Guide

The producers of The Greek Tycoon insisted that their film was not based on any "actual persons, living or dead." Yeh, right. Anthony Quinn stars as Greek shipping-magnate Theo Tomassis, who becomes the second husband of socialite Liz Cassidy (Jacqueline Bisset). It seems that Liz is the widow of young, charismatic American president James Cassidy (James Franciscus), who was felled by an assassin's bullet. When Tomassis marries the former Mrs. Cassidy, it is over the strident protests of his former love, Paola Scotti (Luciana Paluzzi), not to mention the millions of American who consider Liz to be an icon. Too long at 106 minutes, The Greek Tycoon was nonetheless expanded to 112 minutes for home video. ~ Hal Erickson, All Movie Guide

Actor/writer Robert Shaw's powerhouse stage play The Man in the Glass Booth was transferred to the screen as part of the American Film Theatre series. Maximilian Schell plays Arthur Goldman, a Jewish businessmen living in Manhattan in 1965. A group of Israeli underground agents barge into Goldman's office and kidnap him. He is brought to Israel, placed in a bulletproof glass booth, and put on trial. His accusers charge that Goldman is not a Jew, but in fact a notorious Nazi war criminal, guilty of unspeakable crimes against humanity. Robert Shaw's name does not appear in the credits of The Man in the Glass Booth; he was so displeased with Edward Anhalt's screen adaptation that he had his name removed from the project. ~ Hal Erickson, All Movie Guide

The American Film Theatre has made movies of a number of significant theatrical performances, including Laurence Olivier's Othello. Another of these filmed theatricals is Simon Gray's Butley, which was brought to the screen by playwright Harold Pinter, and which features an astonishing performance by Alan Bates. The story focuses on one very bad day in the life of Butley (Bates), a feisty, sharp-tongued, lazy and pathetic professor of English. His professional ascendancy is challenged by a slick, accomplished woman many years his junior; his ex-wife gives him conniptions when she announces her remarriage to someone he cannot bear; and his male lover of several years chooses this time to announce that he is leaving him for a sweeter-tempered but very ordinary man of the sort Butley despises. Bleak though this sounds, Butley's unconquerable wit and biting repartee transform this otherwise tragic tale into something of a celebration of survival. ~ Clarke Fountain, All Movie Guide

Lost in the Stars was an American Film Theatre adaptation of the musical play by Maxwell Anderson and Kurt Weill--which in turn was based on the Alain Paton novel Cry the Beloved Country. Brock Peters portrays a South African minister who goes to the Big City to locate his son Raymond St. Jacques, who is now a criminal in the eyes of the white rulers. The minister forges a curious, foredoomed friendship with a white farmer (Paul Rogers). Lost in the Stars has sometimes been accused of blunting the edge of Paton's angry study of the cruelties of Apartheid; fans of musical theatre will be more politely inclined to this loving filmization of the Broadway play. On its own, Cry the Beloved Country was previously filmed in 1951, with Canada Lee, Sidney Poitier and Charles Carson. ~ Hal Erickson, All Movie Guide

In The Homecoming, adapted from the play by Harold Pinter, Michael Jayston brings his wife Vivien Merchant home to visit his long-estranged family. Jayston's father Paul Rogers is a washout, his uncle Cyril Cusack is on the edge of senility, and his brothers Ian Holm and Terence Rigby are, respectively, a slimy pimp and a brutish boxer. The sparser the dialogue, the thicker the tension in the air. Though British in origin, The Homecoming was presented as part of the American Film Theatre series. ~ Hal Erickson, All Movie Guide

A Delicate Balance is the 1973 film adaptation of Edward Albee's Pulitzer Prize-winning play. Katharine Hepburn and Paul Scofield play an old married couple, Agnes and Tobias, who much prefer to be alone. Each time someone visits them, their "delicate balance" is threatened. The first intruder is Agnes' inebriated sister, Claire (Kate Reid). The next is their much-divorced daughter, Julia (Lee Remick). The limit is reached when well-meaning friends Harry (Joseph Cotten) and Edna (Betsy Blair) show up unexpectedly and threaten to stay forever. In keeping with the austerity of the other American Film Theatre presentations, director Tony Richardson eschews his usual cinematographic pyrotechnics here. ~ Hal Erickson, All Movie Guide

Russian playwright Anton Chekhov's three upper-class Prozorov sisters -- Masha, Olga, and Irina -- come no closer to their dream of returning to Moscow in director Laurence Olivier's 1970 film version of Three Sisters than they did in Chekhov's original 1900 play. This melancholy classic about shattered dreams, self-delusion, and compromise was directed by Olivier for Britain's National Theatre in 1967. The film, a literal record of Olivier's stage version, was produced in order to raise money for the ever-imperiled National. Olivier, who'd just recovered from a serious illness, plays the mischievous army doctor Chebutikin, while Olivier's wife, Joan Plowright, essays the major role of Masha, the snobbish general's daughter who tries to escape the stultifying banality of her provincial marriage by having an affair. Three Sisters was released in the U.S. in 1974 as part of the American Film Theatre series. ~ Hal Erickson, All Movie Guide

The Three Sisters is a literal transcription of the 1965 Actor's Theatre production of the Chekhov drama. Kim Stanley, Geraldine Page and Shelley Winters play the title characters, all members of a wealthy but unhappy 19th-century Russian family. Stuck in a forsaken garrison town by their army-officer father, the sisters long to return to Moscow, a dream that, along with all their other dreams, is doomed to be unfulfilled. Featured in the cast are Kevin McCarthy and Sandy Dennis, the latter performer somewhat less mannered than usual. Originally lensed on videotape, The Three Sisters was transferred to 35 millimeter film for limited theatrical release. ~ Hal Erickson, All Movie Guide

Playwright Eugene O'Neill sold Random House the text of his intensely autobiographical 1941 play on the proviso that the play not be produced during O'Neill's lifetime. Two years after the playwright's death in 1953, the play was given its first Broadway staging and won a Pulitzer Prize. Set in 1912 New England, the story takes place in the summer home of aging actor James Tyrone (Ralph Richardson) and his family. Tyrone, patterned after Eugene O'Neill's father James O'Neill, has long abandoned any aspirations to be a truly great actor, choosing instead to tour in the same weary stage vehicle year after year. Thanks to an earlier act of stinginess on Tyrone's part, his wife Mary has turned into a rambling morphine addict, with little or no contact with reality. Oldest son Jamie is a troublemaking alcoholic, envious of the writing talent of sickly younger brother Edmund (the Eugene O'Neill counterpart). The long's day journey concludes with a hellish night in which the three Tyrone men sit about drunkenly as Mary Tyrone hallucinates about her younger, happier days. Katharine Hepburn emerged from a three-year retirement to essay the back-breaking role of Mary Tyrone; Ralph Richardson exhumed all the "ham" of his student-actor days to portray the pathetic James Tyrone; Jason Robards Jr., a man seemingly put on this earth to interpret O'Neill, repeats his Broadway role as Jamey; and Dean Stockwell adds one more superb characterization to his gallery of portrayals as the tubercular Edmund. ~ Hal Erickson, All Movie Guide