Gavin Lambert Movies

This documentary from British director Stephen Frears represents England's entry in the British Film Institute commissioned series, "Century of Cinema," designed to be a collection of the personal opinions of renowned international filmmakers concerning the cinema of their native countries. Frears is joined by four other notable British directors who sit 'round a table sipping tea while discussing the past, present and future of English films. Included is Alexander Mackendrick, who died before this film was released. ~ Sandra Brennan, Rovi

Previously filmed in 1962 with Geraldine Page and Paul Newman in the leads, Tennessee Williams' Sweet Bird of Youth was restaged for television in 1989 by Nicolas Roeg. Elizabeth Taylor stars as Alexandre Del Lago, a fading, alcoholic, drug-dependent movie star. Mark Harmon co-stars as Chance Wayne, a shiftless would-be actor who romances Alexandre in hopes of getting a few producer's doors opened for him in Hollywood. Assuming that it'll be a simple task to unload Alexandre when he's through with her, Chance has not reckoned with the star's smothering ego. Chance must also contend with Tom Finley (Rip Torn), the fire-breathing political boss who is the father of Chance's hometown sweetheart (Cheryl Paris). The TV remake of Sweet Bird of Youth was first broadcast October 1, 1989. ~ Hal Erickson, Rovi

This was the "unofficial" Liberace biopic, as opposed to the error-ridden "official" Liberace (telecast one week earlier in October of 1988). The star of Liberace: Behind the Music is Broadway actor Victor Garber, who later scored a personal triumph as the devilish Mr. Applegate in the revival of Damn Yankees. Behind the Music is an unauthorized TV movie based on the recollections of the pianist's business manager, giving scriptwriter Gavin Lambert far more leeway in delineating the title character, warts and all. The closing sequences delve much deeper into the AIDS question than was possible in the family-approved Liberace starring Andrew Robinson (who, to be fair, looks more like the real entertainer than does Victor Garber). Liberace: Behind the Music could have descended into tabloidism ("Behind the rumors and the secrets" read the advertising copy), but emerges as a work of conspicuous dignity and (reasonably) good taste. ~ Hal Erickson, Rovi

Two women find their friendship tested when one rises from obscurity to success in this glossy remake of Old Acquaintance. Liz Hamilton (Jacqueline Bisset) and Merry Noel (Candice Bergen) are close friends who met while they were freshmen at Smith College in the 1950s. Liz has become a highly respected novelist, while Merry wed Doug Blake (David Selby) and raised a family. While Merry is happy, she can't help but envy Liz for her glamorous career as an author. Merry decides to write a novel of her own, and with Liz's help, the book soon finds a publisher. While Merry's trashy potboiler earns few positive reviews, it's a massive best-seller, and Merry's fame and wealth soon outstrips that of Liz, leading to jealousy between the old friends and problems in Merry's marriage. Rich and Famous was the final picture directed by Hollywood legend George Cukor; the guest list at the party sequences include such literary and cinematic notables as Christopher Isherwood, Ray Bradbury, Paul Morrissey, and Roger Vadim. ~ Mark Deming, Rovi

In her final role, Merle Oberon stars as a middle-aged woman who falls in love with a painter (Robert Wolders) who is two decades younger than she is. ~ Jason Ankeny, Rovi

In this English film, a group of orphans visiting the home of a wealthy, retired singer (Shelley Winters) discover that the woman is hiding a disturbing secret. ~ Iotis Erlewine, Rovi

Vivien Leigh plays Karen Stone, a middle-aged actress whose career is in a tailspin. To assuage her hurt feelings, Karen goes on a vacation to Rome with her husband, who dies en route. Her best friend (Coral Browne) compassionately arranges for a young Italian escort (read: gigolo) to keep Karen from wallowing in her grief in Rome. The man hired for the task is sneering, contemptuous Pablo di Leo, played by Warren Beatty. Despite Pablo's rude behavior, the lonely Karen throws herself at him, showering him with expensive gifts and demanding his undivided attention. This being an adaptation of a Tennessee Williams novel, Blanche Dubois --er, Karen Stone must pay the piper for her eleventh-hour surfeit of passion; she is dispensed with by an "Angel of Death" in the form of psycho Jeremy Spencer. More operatic than dramatic, The Roman Spring of Mrs. Stone represents the only feature-film directorial effort of experimental-theatre maven Jose Quintero; his assistant was future Bullitt helmer Peter Yates. ~ Hal Erickson, Rovi

In Nicholas Ray's WWII drama, two British officers, Captain Leith (Richard Burton) and Major Brand (German character actor Curd Jürgens, who would later play Bond foe Karl Stromberg in The Spy Who Loved Me), a South African, are being considered to lead a daring raid to steal crucial documents from a Nazi stronghold in Libya. The two don't seem particularly fond of each other. Brand's wife, Jane (Ruth Roman of Strangers on a Train), arrives on the base. There's an odd awkwardness when Brand introduces her to Leith at the officers' club. It turns out the two already know each other, intimately. They were romantically involved long ago, until Leith broke it off without warning. Jane later met Brand. Leith and Jane keep their relationship a secret from Brand, but he realizes something's up when he goes out for a bit and comes back to find them dancing together. He later gets angry when his wife slips up and refers to Leith as "Jimmy." Brand and Leith are chosen to lead the mission together. Jane says goodbye to Leith, and Wilkins (Nigel Green of The Ipcress File) and some other soldiers see them together. The raid goes fairly smoothly, until Brand can't bring himself to kill a German sentry, and Leith feels compelled to step in and do it for him. Brand's resentment of Leith grows. The team steals the documents and heads out across the desert to make their escape. They're attacked by a German patrol, and after the melee, Brand arouses suspicious when he orders Leith to stay with three badly wounded soldiers while the rest of the group leaves for the rendezvous point. Bitter Victory is based on the novel by René Hardy. Jean-Luc Godard famously said of the film in his review, "Nicholas Ray is cinema." ~ Josh Ralske, Rovi