William Burress Movies

In this gangster movie, a criminal king-pin and his gang hide out in his hometown where they witness a religious revival that inspires the man to begin billing himself as a "born-again" evangelist so he can cash in on the guilty consciences of local businessmen. At first he keeps it all for himself, but eventually his conscience kicks in and uses the money for good. ~ Sandra Brennan, All Movie Guide

This second of MGM's Thin Man films reteams William Powell and Myrna Loy as, respectively, bibulous private detective Nick Charles and his socialite wife Nora. The Charleses are sucked into another murder case via Nick's lovely cousin Elissa Landi, whose husband Alan Marshall has vanished. Hubby has been conducting an affair with nightclub thrush Dorothy McNulty (later known as Penny Singleton) and is also blackmailing gangsterish Joseph Calleia. When the corpses begin piling up, Nick and Nora try to piece the clues together, with the earnest assistance of Jimmy Stewart, who carries a torch for Landi. You won't believe who turns out to be the murderer in this one--then again, given the plot's strict adherence to "least likely suspect" formula, you probably will. ~ Hal Erickson, All Movie Guide

Shirley Temple's first costume picture -- and one of her best pictures of any kind -- was 1935's The Little Colonel. The story begins in 1870, when unreconstructed Southerner Colonel Lloyd (Lionel Barrymore) disowns his daughter Elizabeth (Evelyn Venable) when she stubbornly marries damn-Yankee Jack Sherman (John Lodge). Several years pass, during which time the Shermans' daughter, Lloyd (Temple), dubbed "the little colonel," is born. When Jack and Elizabeth suffer a series of financial reverses, they are compelled to move into a small cottage owned by Elizabeth, near her father's estate. As tenacious and opinionated as her grandpa, little Lloyd befriends the crusty old codger and tries to effect a reunion between the colonel and Elizabeth. Her efforts at first meet with failure, but when the ailing Jack is imperiled by all-around villain Swazey (Sidney Blackmer) does the colonel race to the rescue, with the "little colonel" leading the way. The film's brief Technicolor finale, long missing from TV prints, was restored in the mid-'80s. Why Fox felt that Technicolor was needed is a mystery; Shirley Temple's name in and of itself was the principal drawing card of The Little Colonel, while Temple's famous stair-dance duet with Bill "Bojangles" Robinson was worth the admission price in itself. ~ Hal Erickson, All Movie Guide

Paul Muni is a prominent physician who is kidnapped by gangsters and forced to tend the needs of head crook Barton MacLaine. MacLaine takes a liking to the intellectual doctor and allows him to go home after his job is done. Muni finds himself the reluctant "staff physician" for the gangster, thus is periodically spirited away from his practice to look after the criminal. He has given his word not to "rat" on the crooks, but he can't sit idly by while the gangsters loot the city. Muni foils the crooks by injecting them with a drug which induces temporary blindness. Dr. Socrates was remade in 1939 as King of the Underworld, with Humphrey Bogart as the gangster boss and actress Kay Francis in Paul Muni's role (with surprisingly few dialogue alterations to accommodate the gender switch!) ~ Hal Erickson, All Movie Guide

A best-selling nonfictional book of the 1920s provided the title for this Will Rogers vehicle. Rogers plays a small town newspaper editor who prints all the news that fits his own homespun view of the world. Against the wishes of the town higher-ups, Rogers tries to clear the name of Richard Cromwell, a young man accused of a long-ago bank robbery. Along the way, the genial editor smooths the path of romance between Cromwell and sweet Rochelle Hudson. Life Begins at 40 contains some great bits of dialogue, notably Rogers' comment after unloading a box of canned goods that the American emblem should be changed from an eagle to a can opener. ~ Hal Erickson, All Movie Guide

This version of the Charlotte Bronte classic is the first to use sound. The story closely follows the book as it chronicles the romantic travails of a troubled orphan girl who grows up to be a governess in love with her employer who returns her affections. She has finally found happiness. Alas, her happiness is short-lived as she learns that her love has locked his crazy wife in a remote wing of the house. The distraught governess flees and gets engaged to a new man. Just before they marry, she learns that her true love's house has burned down, immolating his wife and leaving him nearly blind. Without hesitation she returns to him and romantic bliss ensues. ~ Sandra Brennan, All Movie Guide

March of the Wooden Soldiers is the 1952 reissue title for Hal Roach's 1934 film version of Victor Herbert's Babes in Toyland. Stan Laurel and Oliver Hardy star as Stannie Dum and Ollie Dee, bumbling apprentices to the master toymaker of Toyland. This joyous fairy-tale community is populated by all the colorful Mother Goose characters we know and love; the one sour apple in the barrel is mean old Silas Barnaby (portrayed by Henry Kleinbach, aka Henry Brandon). Barnaby holds the mortgage on the outsized shoe where Widow Peep (Florence Roberts) and her daughter Little Bo Peep (Charlotte Henry) reside, and where Stannie and Ollie pay room and board. Bo Peep will be forced to marry the odious Barnaby if the rent isn't paid, so Stannie and Ollie try to raise the money by asking the toymaker for a raise. But the boys are fired when Stannie messes up an order from Santa Claus: instead of making six hundred toy soldiers one foot high, the dumb Mr. Dum makes one hundred toy soldiers six feet high. The wedding between Barnaby and Bo Peep goes on as planned--except that it's Stannie, disguised as the bride, who ends up walking down the altar. Publicly humiliated, Barnaby vows revenge. He steals one of the Three Little Pigs and places the blame on Bo Peep's boy friend, Tom-Tom the Piper's Son (Felix Knight). The penalty for pignapping is banishment to Bogeyland, a fearsome subterranean world populated by hideous bogeymen (look closely and you'll see the zippers on their costumes!) Stannie and Ollie expose Barnaby's perfidy and rescue Tom-Tom from Bogeyland, whereupon Barnaby rallies the bogeymen and leads an all-out attack on Toyland. Taking refuge in the toy warehouse, Stannie and Ollie activate the 100 6-foot wooden soldiers (a neat bit of stop-motion photography, courtesy of Hal Roach's "fx" wizard Roy Seawright), who vanquish the Bogeymen and save the day. One of the best of all the Laurel and Hardy features, March of the Wooden Soldiers has been a television holiday perennial ever since the cathode tube was invented. Only a handful of Victor Herbert's songs are utilized, but these lilting compositions more than compensate for the omissions (one song, "I Can't Do That Sum", is used as the leitmotif for the clueless Stannie and Ollie). For years available only in the 70-minute reissue version, March of the Wooden Soldiers has recently been fully restored to its full glorious 78 minutes. The parent property Babes in Toyland was remade by Disney in 1961 (with Gene Sheldon and Henry Calvin as Laurel and Hardy wannabes) and for television in 1986, with new songs by Leslie Bricusse. ~ Hal Erickson, All Movie Guide

In this comedy a maid and a butler work for a very rich man. The trouble begins when their employer dies and leaves his estate to them. Once he is gone, they are free to finally marry. Unfortunately, they do not enjoy being wealthy, and they must lose everything and break up before they get back together and have a happy life. ~ Sandra Brennan, All Movie Guide

Inspired in part by the sensational Snyder-Gray murder case (which was also the source of The Postman Always Rings Twice), The Famous Ferguson Case casts an unflattering light on the journalist "feeding frenzy" attending such crimes. A wealthy banker named Ferguson is found murdered, and his bound-and-gagged wife (Vivienne Osborne) is rescued by the police. It appears at first that the murderer was an unknown burglar, but the cops think otherwise, hypothesizing that Mrs. Ferguson actually conspired with her lover Judd Brooks (Leon Waycoff, aka Leon Ames) to murder her husband. The small town where the murder occurred suddenly becomes the center of a media circus, with reporters from all over the country grasping and clawing for a "hot scoop." At first, hard-boiled girl reporter Maizie Dickson (Joan Blondell) is no better than the rest of the journalist jackals, but she soon becomes disillusioned at the manner in which the truth has been crushed to earth by her insensitive brethren. She also has her heart broken when her husband, likewise a reporter, uses his assignment as an excuse to sleep around. The relentless media blitz eventually drives Mrs. Ferguson (whose guilt or innocence is never completely established) to kill herself and also ruins the lives of everyone around her. Once considered a relic of its period, The Famous Ferguson Case grows more timely with each passing year. ~ Hal Erickson, All Movie Guide

James Cagney was originally pegged to play brash Broadway columnist Jimmy Russell in this pleasant if somewhat lightweight newspaper yarn, but when director William Wellman called "action," Douglas Fairbanks Jr. had replaced him. In love with pretty actress Mary Wodehouse (Frances Dee), Jimmy can only watch as gangster Eddie Shaw (Lyle Talbot) takes on the girl's mounting debt. Sending Jimmy on a wild goose chase to Atlantic City, Shaw then attempts to lure Mary to his penthouse but is instead confronted with the girl's gun-toting Aunt Hattie (Cecil Cunningham). Jimmy manages to escape Shaw's goons and arrives at Shaw's apartment just in time to watch Aunt Hattie hide the murder weapon. There is an attempt at a coverup, and the eventual ruling of the court reads suicide. The ambitious Mary, meanwhile, marries theatrical entrepreneur Max Boncour (André Luguet) and Jimmy vows to stay away from the "love racket" for good. Or at least until gal-pal Sally (Ann Dvorak) can convince him otherwise. Although George Raft is listed in most credits for Love is a Racket, he is not in the surviving print. The drama was retitled Such Things Happen for release in Great Britain, where the word "racket" meant something entirely different. ~ Hans J. Wollstein, All Movie Guide

The butt of many a practical joke at the office where he works as a clerk, Joe Holt (Joe E. Brown) is nonetheless determined to prove himself a brilliant inventor. His latest creation is an unsinkable swim suit, which works quite well in theory. In practice, however, it is another matter; Joe can't test out the suit because he can't swim. As the result of a series of dizzying circumstances, Joe is mistaken for a swimming champ (Guinn "Big Boy" Williams) also named Joe Holt, and as such he makes the acquaintance of wealthy debutante Alice Brandon (Ginger Rogers). Through the auspices of Alice's father, "our" Joe is entered in the annual swimming marathon from Catalina Island to the California coastline. After taking a few "dry" swimming lessons from a youngster named Sam (Allan "Farina" Hoskins), the nervous Joe dives into the Catalina surf and starts the 22-mile swim. His unsinkable suit is a success, but there's many a slapstick obstacle placed in Joe's path before he can resurface at the finish line, thanks largely to the machinations of rival swimmer Edward Dover (Preston S. Foster). ~ Hal Erickson, All Movie Guide

Blonde Crazy describes the perpetual mental state of James Cagney. A conniving bellhop, Cagney increases his bank account by using his blonde girlfriend Joan Blondell as a come-on to various "sugar daddies" whom he suckers out of their hard-earned cash. When the pair try their con game in New York, they fall victim to sharpster Louis Calhern. Angry that Cagney has lost their money, Blondell marries straight-arrow Ray Milland. Cagney tries to get back the dough by committing a holdup, and is promptly arrested. Blondell, realizing that Cagney has landed in jail because of her, throws over her husband and vows to wait for Cagney. As amoral as a bagful of alley cats, Blonde Crazy is good dirty fun from Hollywood's randy pre-code era. ~ Hal Erickson, All Movie Guide