Edward Lachman Movies

Michael Ruppert is an independent journalist who has made a minor career out of telling people news that most folks do not want to know. Ruppert, a former police officer, predicted the Wall Street debacle of 2008 several years before the fact, at a time when most analysts were still imagining infinite growth for the stock market and major investment banks. Since then, his vision of the world's future has grown only darker. As Ruppert sees it, civilization and the global economy has yet to wean itself off fossil fuels, and when the world's supply of oil finally runs out, it will lead to a global financial catastrophe that will leave no one unscathed. But while most of what Ruppert has to say bears the ring of truth, there's a small audience for his dire message -- the primary medium for his work is a self-published newsletter, and his most recent book has done so poorly in the marketplace that he faces eviction from his home. Is Ruppert right? And if he is, why doesn't anyone care? Filmmaker Chris Smith profiles Michael Ruppert and gives him a chance to explain his apocalyptic vision of the future at length in the documentary Collapse, which was an official selection at the 2009 Toronto International Film Festival. ~ Mark Deming, All Movie Guide

Director Ulrich Seidl's quirky drama Import/Export unfolds against the backdrop of contemporary Europe. As Ukrainian nurse Olga (Ekateryna Rak) leaves her family and heads west to search for a better life -- ultimately pinning down a job as a charwoman in the geriatric wing of a hospital -- laid-off Viennese security guard Paul (Paul Hofmann) treks out of Austria with his stepfather in tow and lands in the Ukraine. Each of these characters, courting great optimism, attempts to start over and begin a new and dazzling life, but encounters instead a bleak, grim, and difficult reality. Their separate journeys also impart much newfound experiential wisdom about death and sexuality -- plus a lesson or two about how to clean the teeth of a stuffed animal. ~ Nathan Southern, All Movie Guide

A precocious but troubled young girl living in 1950s-era Alabama seeks solace in the music of Elvis Presley in director Deborah Kampmeier's controversial tale of childhood trauma and musical healing. An air of repression lingers over the home of spirited youngster Lewellen (Dakota Fanning), who finds both comfort in the music of pop sensation Presley, as well as a place to store her pain and anger. In time Lewellen begins to find her own voice, a voice that will instill her with the strength to move beyond the pain of her past and into a more hopeful future. Piper Laurie, David Morse, and Robin Wright Penn star in a period drama that made its debut at the 2007 Sundance Film Festival. ~ Jason Buchanan, All Movie Guide

Is the time approaching when a persona in its entirety could be a mere fabrication of modern culture and technology? Or did Hollywood enter that time long ago? Either way Viktor Taransky (Al Pacino) finds himself growing more and more aware of the media-obsessed culture in which he tries to earn his living. Taransky is a film director struggling to survive in an industry that doesn't require or want his artistic vision. When first he meets a stranger whose vision is considered somewhat questionable, he doesn't realize the potential of the idea to digitally incorporate a character into his otherwise unsalvageable film. However, in time, not only the director and the entire studio, but American pop culture at large will grow to embrace Simone. As Taransky earns popularity and acclaim via the success of the digitally constructed actress he "discovered," he struggles to define his own identity as an artist and a person, and finds that lying to cover up Simone's non-existence is altering his life entirely. His ex-wife and former employer Elaine (Catherine Keener) notices the difference in his personality, upsetting their daughter Lainey (Evan Rachel Wood) and her hopes of their reconciliation. Meanwhile, stray paparazzi turned private investigators threaten to make public incriminating evidence, which could destroy the limelight Taransky enjoys while "hiding" Simone. Amazingly, what Simone doesn't say or do creates all the more buzz, and causes Taransky to face the reality of his industry. Written and directed by Andrew Niccol (Gattaca), Simone takes a satirical approach to an otherwise fantastical comedy. ~ Sarah Sloboda, All Movie Guide

Filmmaker Larry Clark reunites with Kids screenwriter Harmony Korine, with some additional directorial assistance from cinematographer Ed Lachman, for this look at a group of troubled teens and their guardians living in Southern California. The film opens at a skate park, where a troubled character takes his own life; it then proceeds to chronicle the somewhat-interrelated lives of his classmates. The audience is introduced to Tate (James Ransome), a young man living in relative misery with his board-game-playing grandparents. Also tormented by his living situation is Claude (Stephen Jasso), a quiet, shy teen constantly henpecked by his brutish father (Wade Andrew Williams). Meanwhile, the vapid Shawn (James Bullard) occasionally trades verbal spars with his mother, in between leaving the house for sex sessions with his girlfriend's mom. Finally there is Peaches (Tiffany Limos), living alone with her devoutly religious father as she covertly experiments with her boyfriend (Mike Apaletegui). Though Ken Park played at such festivals as Toronto and Telluride in the fall of 2002, it would languish on the shelf for months and months afterward, as its explicit content made finding a U.S. distributor near-impossible. ~ Michael Hastings, All Movie Guide

This romantic melodrama reunites The Devil's Advocate (1997) co-stars Keanu Reeves and Charlize Theron, and is directed by Irish filmmaker Pat O'Connor (Circle of Friends). Sara Deever (Theron) is a beautiful young woman who begins a new romantic relationship with a man each month, then helps him to evolve into a better and kinder human being before she moves on to the next partner. Although she's remained friendly with some of her former lovers, she's never broken her one-month rule. November's candidate is a particularly heartless business exec named Nelson Moss (Reeves), who takes a while to come around. Once he does, however, Nelson falls deeply in love, hoping to woo Sara for good; eventually, her resolve weakens. What Nelson doesn't know is the tragic secret behind the brevity of Sara's romances. A remake of a 1968 Sandy Dennis film by the same name, this contemporary version of Sweet November is less comedic and emphasizes more of its story's tearjerker qualities than the original. ~ Karl Williams, All Movie Guide

A dark comedy punctuated by moments of drama, The Virgin Suicides explores the emotional underpinnings of a family starting to come apart at the seams in 1970's Midwestern America. The Lisbons seem like an ordinary enough family; Father (James Woods) teaches math at a high school in Michigan, Mother (Kathleen Turner) has a strong religious faith, and they have five teenage daughters, ranging from 13-year-old Cecilia (Hannah Hall) to 17-year-old Therese (Leslie Hayman). However, the Lisbon family's sense of normalcy is shattered when Cecilia falls into a deep depression and attempts suicide. The family is shaken and Mother and Father seek the advice of psychiatrist Dr. Hornicker (Danny DeVito), who suggests the girls should be allowed to socialize more with boys. However, boys soon become a serious problem for Cecilia's sister Lux (Kirsten Dunst). Lux has attracted the eye of a high-school Romeo named Trip (Josh Hartnett), who assures Father of his good intentions. But Cecilia finally makes good on her decision to kill herself, throwing the Lisbons into a panic; and after attending a school dance, Trip seduces and then abandons Lux. The Lisbons pull their daughters out of school, as an emotionally frayed Mother keeps close watch over them. Meanwhile, Lux continues to attract the attentions of the local boys, and she responds with a series of clandestine sexual episodes with random partners as often as she can sneak out of the house. The debut feature from Sofia Coppola (whose father, Francis Ford Coppola, co-produced this film), The Virgin Suicides also features supporting performances from Scott Glenn and Giovanni Ribisi. The film was shown as part of the Directors Fortnight series as the 1999 Cannes Film Festival. ~ Mark Deming, All Movie Guide

Gregory Nava directed this biographical drama on the brief but intense life of singer Frankie Lymon who stayed with the popular Frankie Lymon & the Teenagers group only for a year. Lymon was 13 years old when the group erupted from radios and jukeboxes with their 1956 hit, Why Do Fools Fall in Love? and appeared in the movie Rock, Rock, Rock (1956). After Mr. Rock and Roll (1957), Lymon turned solo, but then it all fell to pieces. Lymon's career was over by the time he was 18, and he died of a heroin overdose eight years later. Jumping from the '50s to the '80s, this film traces the rise and fall of Lymon (Larenz Tate) in a series of flashbacks as courtroom claims on Lymon's royalties are outlined by three women: Zola Taylor (Halle Berry) of the Platters R&B group; Elizabeth Waters (Vivica A. Fox), who turned prostitute to cover costs of Lymon's recovery from addiction; and schoolteacher Emira Eagle (Lela Rochon). Little Richard also makes a courtroom appearance, while Miguel A. Nunez Jr. portrays Little Richard in scenes set in the '50s. Shown at the 1998 Urbanworld Film Festival (NY). ~ Bhob Stewart, All Movie Guide

Selena Quintanilla was a major figure in Tejano music, a Grammy-winning recording artist, a beloved star in the American Southwest and Mexico, and seemed poised to cross over into mainstream popularity on the U.S. pop charts when she was murdered on March 31, 1995 by the president of her fan club. Written and directed by Gregory Nava, this biopic concentrates on Selena's relationship with her family and her rise to fame, dealing only briefly with her tragic death. Abraham Quintanilla (Edward James Olmos) is a veteran musician who leads a family-based singing group, The Dinos. At a young age, he notices that his daughter Selena (played as a child by Becky Lee Meza) has a strong singing voice, and he works her into the act (her big number is a version of Over the Rainbow). However, as she grows older, Selena (played as an adult by Jennifer Lopez) wants to establish her own musical identity; while her heritage is Mexican-American, her primary language is English, and her favorite artists are American pop acts like Donna Summer. While Selena and Abraham sometimes argue about the musical direction of the group, he always respects and supports her talent, and her blend of Tejano roots music and danceable pop rhythms soon sparks a revolution in Latin music. Selena later earns the wrath of her father when she becomes romantically involved with Chris Perez (Jon Seda), a rebellious and long-haired guitarist hired to play with the group, but when they elope and Selena convinces Abraham that their love is sincere, Chris is welcomed into the family. After a long string of successes on the Latin charts and playing to a sellout crowd at the Houston Astrodome and a crowd of 100,000 at a stadium in Monterey, Mexico, Selena begins recording her first album in English, which is expected to make her a mainstream star on the level of Whitney Houston or Gloria Estefan. However, the fates decreed it was an album she would never complete. Selena was produced with the participation of the Quintanilla Family (Abraham was executive producer), and Selena's own recordings were used on the soundtrack. ~ Mark Deming, All Movie Guide

Stacy Cochran's debut film is a black comedy about a yuppie couple (Diane Lane and Stephen Collins) whose lives are turned upside down by the purchase of a .38 revolver. ~ Jason Ankeny, All Movie Guide

Originally prepared for European release under the title Catchfire, Backtrack wasn't given a wide distribution until 1991, and then only to capitalize on the Oscar win of Silence of the Lambs star Jodie Foster. In Backtrack, Foster plays a youngish innocent who witnesses a mob hit. Professional assassin Dennis Hopper is contracted to silence Foster for keeps. Instead, he falls in love with her. Directed by star Hopper, Backtrack has some of the feel of his earlier, better Easy Rider: the cast is populated by such old Hopper chums as Dean Stockwell, Charlie Sheen, Joe Pesci, Bob Dylan, Vincent Price and Julie Adams; and, like Easy Rider, it looks as though the story was improvised during filming. ~ Hal Erickson, All Movie Guide