Hanif Kureishi Movies
Hanif Kureishi's writings often deal with the darker aspects of human nature and the unseen struggles of those living on the fringes of society, and the Oscar-nominated screenwriter has earned a quite a reputation as a result of his ready willingness to tackle otherwise unmentionable issues. Born to an Indian father and English mother in London and raised in suburban Bromley, Kureishi sensed early on the casual racism that surrounded his family. He studied philosophy at London's King's College, and his interest in philosophical psychology led him toward the writings of Nietzsche, Freud, and Lacan, among others. Language and gender proved an endlessly fascinating issue for the burgeoning writer, and Kureishi's acute perception of his surroundings would be elemental in his unique portrayals of the painful everyday struggles overlooked by the majority of society. In 1976, Kureishi's first play, Soaking the Heat, made its debut at the Royal Court Theater Upstairs, and in the years that followed, The King and Me, The Mother Country, Outskirts, and Boarders eventually led to a position as a writer-in-residence at the Royal Court. Subsequent efforts Birds of Passage and Mother Courage solidified Kureishi's status as a respected playwright.In 1985, Kureishi's screenplay for My Beautiful Laundrette proved an early hit for British director Stephen Frears. An incisive story that dealt with racism in Thatcher-era London, Kureishi's script earned him Oscar and BAFTA nominations as well as a New York Film Critics Circle award for Best Screenplay. His past once again influenced his writing when he teamed with Frears for 1987's Sammy and Rosie Get Laid and when Kureishi stepped behind the camera himself to film London Kills Me in 1991. In 1993, Kureishi penned the miniseries The Buddha of Suburbia -- a direct reflection on his youthful experiences as an English-Indian growing up in London. The novel on which the series was based earned Kureishi the Whitbread Award for Best First Novel. Also that year, Kureishi's play Mother Courage hit the road on a mobile tour for the U.K.'s National Education department, and two years later, the author released his second novel, The Black Album. Kureishi's short story My Son the Fanatic was adapted for film in 1997, and the following year saw the publication of his third novel, Intimacy. As the new millennium approached, filmmakers were increasingly adapting his novels for the screen. After Kureishi wrote the screenplay for Mauvaise Passe, Intimacy went before the camera under the direction of director Patrice Chéreau. Proving that Kureishi's edge certainly hadn't dulled with age, his screenplay for the 2003 drama The Mother made audiences squirm more than ever as it detailed the sexual exploits of a 70-year-old single mother. ~ Jason Buchanan, Rovi
One man's sexual obsessions and emotional weaknesses are laid bare in this controversial drama. Jay (Mark Rylance) is a cold, emotionally distant man who abandoned his wife and children several years ago andnow works in a nightclub. Jay enters into an affair with a married woman, an amateur actress named Claire (Kerry Fox), in which their emotional needs barely enter the picture; they meet once a week and have sex, talking as little as possible and parting ways once they're done. One week, Jay follows Claire after their weekly encounter and sees her meeting her husband Andy (Timothy Spall), a cheerful and good-natured cab driver. Jay becomes curious about Andy and strikes up an acquaintance with him; as they become friendly, Jay begins sharing with Andy the details of his affair with a married woman, without mentioning his lover's name. Claire has already begun moving away from her affair with Jay, and when she discovers that he's been meeting with her husband and sharing information about their relationship, she becomes understandably furious. Intimacy was the first English-language film for French director Patrice Chereau; the film received its North American premiere at the 2001 Sundance Film Festival. ~ Mark Deming, Rovi
- Starring:
- Mark Rylance, Kerry Fox, (more)
- 1991
- R
Screenwriter Hanif Kureishi marked his directorial debut in this slice-of-life chronicle about a collection of drug-dealing slackers in London. Centering on a band of delinquents calling themselves "the posse," the group is led by an ambitious male hustler named Muffdiver (Steven Mackintosh). His friend, Mr. Clint Eastwood (Justin Chadwick), begins to wonder about Muffdiver when he announces that he will no longer sell drugs for the gang. But soon Clint is wondering about himself, and after being beaten and stripped naked, he decides to go legitimate and look for a real job. He applies to a chic restaurant for a job as a waiter. The owner, Hemingway (Brad Dourif), promises to hire him if he comes back to the restaurant wearing a good pair of shoes. Obsessed with landing the job, he tries any way he can to get the pair of shoes. Impressed by the efforts of Clint and Muffdiver to get normal jobs, Sylvie (Emer McCourt), a drug addict who lives with the two, is inspired to leave the street life behind herself and pursue a more ordinary vocation. ~ Paul Brenner, Rovi
- Starring:
- Justin Chadwick, Steven Mackintosh, (more)
After the death of his wife and his subsequent descent into alcoholic near-agoraphobia, a crotchety Pakistani intellectual convinces his shady entrepreneur brother to provide work for his son in this multi-layered portrait of the immigrant experience in Great Britain. Young Londoner Omar (Gordon Warnecke) isn't sure what he wants out of life, but his uncle Nasser (Saeed Jaffrey) provides a corrupt, capitalist role model as Omar graduates from washing cars for the old crook to running his run-down laundromat. After a chance meeting with Johnny (Daniel Day-Lewis), an old school chum whose flirtation with fascism deeply wounded Omar's principled Papa (Roshan Seth), Omar hires the young thug to work for him. Soon, the pair begin a romantic relationship that remains as under wraps as the illicit drug-running and enforcement work they perform for Nasser's associate, Salim (Derrick Branche). On the domestic front, Omar must balance his knowledge of Nasser's long-running affair with posh Brit Rachel (Shirley Ann Field) with his own loyalty and attraction to Nasser's westernized daughter, Tania (Rita Wolf). After successfully transforming his laundrette into a vision of resplendent pastel suds and providing a bright spot in his otherwise squalid London neighborhood, Omar seems to have a bright future in Nasser's organization. The spectre of Johnny's past, however, combines with Omar's conflicted immigrant loyalties to threaten the sense of identity the young man has managed to stake out for himself. British-born, half-Pakistani playwright and novelist Hanif Kureishi won an Oscar nomination for his screenplay for My Beautiful Laundrette, which was originally filmed for BBC television. Kureishi collaborated again with director Stephen Frears on Sammy and Rosie Get Laid. ~ Brian J. Dillard, Rovi
- Starring:
- Daniel Day-Lewis, Gordon Warnecke, (more)
In a small city in the English midlands, a Pakistani immigrant named Parvez (Om Puri) works long hours driving a cab to provide modest comfort for his disapproving wife, Minoo (Gopi Desai), and better opportunities for his collegiate son, Farid (Akbar Kurtha). When Farid breaks off his engagement with the daughter of the city's white police commissioner, drops out of university and joins a cell of Islamic fundamentalists, Parvez must bide his time and hope that his son will come around to his own liberal, assimilationist views. Meanwhile, a monied German entrepreneur named Schitz (Stellan Skarsgard) arrives in town on business and retains Parvez's services as not only driver but navigator of the city's steamy underbelly. Parvez recommends the services of Bettina (Rachel Griffiths), a local hooker with whom he has struck up an unlikely but warm friendship. Schitz's callous treatment of both of his new employees soon, however, sickens Parvez. After his son convinces Parvez to let a visiting holy man move into the family home, the conflicts between Parvez's nocturnal activities and his home life escalate. The screenplay was adapted by Hanif Kureishi from his own short story, which appears in the collection Love in a Blue Time. ~ Brian J. Dillard, Rovi
- 1987
- R
In this alternately comic and grave reflection on the effects of Thatcherism on polyethnic England, middle-class liberals Rosie (Frances Barber) and Sammy (Ayub Khan Din) engage in an openly adulterous marriage while living in a lower-class neighborhood in London. When they're not hiding their troubled marriage behind a series of "enlightened" affairs, the couple associates with a social circle that ranges from leftist to radical and includes enigmatic street philosopher Victoria (Roland Gift). Sammy's long-lost father, Rafi (Shashi Kapoor), a South Asian politician, arrives for a visit just as rioting erupts in response to the killing of an innocent black woman by British police. Rafi decries not only the social upheaval that has transformed the country where he spent his halcyon university years, but also the lack of propriety on display in his son's marriage. Admitting that he's on the run for allegedly corrupt and violent political activities, the well-mannered yet manipulative Rafi uses his wealth to try to rein in what he sees as Sammy and Rosie's sexual and political excesses. Meanwhile, he tries to court Alice (Claire Bloom), the proper British lady he deserted decades earlier. The messy whirl of desire, resentment, and dogma that alternately throws these characters together and rips them apart ultimately reflects the confused and confusing society in which Sammy and Rosie live; soon even the unassailable Rafi must question his beliefs about life after empire. Sammy and Rosie Get Laid marked the second collaboration between director Stephen Frears and writer Hanif Kureishi; star Ayub Khan Din would go on to write another Anglo-Asian culture-clash comedy, 1998's East Is East. ~ Brian J. Dillard, Rovi
- Starring:
- Shashi Kapoor, Frances Barber, (more)
In the new tradition of "Tales of the City," this long, complex British satire profiles a decade in the life of a British family. The story opens in a South London suburb where main protagonist Karim Amir lives with his Indian father, Haroon, and his English mother during the 1970's. Haroon is a civil servant who makes extra cash, and gains notoriety for teaching "Eastern Philosophies," of which he knows nothing. Still, as Buddhism is in fashion, people pay him a bundle to hear his vapid, happy ramblings. When not preaching, Haroon is trysting with a rich follower, Eva Kay. Karim's mother learns of the affair and leaves with his younger brother. Karim stays with his father and his new love. He begins a career on the stage. The story also follows Charlie, Eva's boy as he aspires to become a rocker. Other plots and subplots abound in this film. ~ Sandra Brennan, Rovi
- Starring:
- Roshan Seth, Naveen Andrews, (more)
Hanif Kureishi wrote this drama about a woman whose late-blooming romance causes a serious rift with her family. May (Anne Reid) and Toots (Peter Vaughan) are an elderly couple who travel to London to visit their two grown children, Bobby (Steven Mackintosh) and Paula (Cathryn Bradshaw). While Bobby tries to be attentive to his parents, he's busy with his two young children, a major project at work, and completing some renovations on his large and expensive house, while his wife, Helen (Anna Wilson-Jones), shows little interest in her in-laws. Meanwhile, Paula is unsatisfied with her work and carries on an affair with Darren (Daniel Craig), a builder who is working on Bobby's home. When Toots suddenly dies, May moves in with Paula, but with Paula at work all day, she has little to do. Darren stops by Paula's flat periodically, and soon he strikes up a friendship with May; their conversations soon develop into flirtation, and before long, the two have become lovers, meeting regularly for afternoon trysts in Paula's spare room. While May's relationship with Darren makes her feel happier and more alive than she has in years, it leads to an ugly confrontation when Paula learns about the affair. The Mother was screened as part of the Director's Fortnight series at the 2003 Cannes Film Festival. ~ Mark Deming, Rovi
- Starring:
- Anne Reid, Daniel Craig, (more)
An aging pair of veteran English actors whose success never quite took hold finds their quiet existence suddenly interrupted by the arrival of one of the men's precocious grandnieces in director Roger Michell's affectionate comedy drama. Maurice (Peter O'Toole) and Ian (Leslie Phillips) may still land the occasional paying gig -- Maurice has recently been cast as a corpse in a popular television drama -- but for the most part, their days are spent cataloging their ailments over meals at their favorite café. Though the arrival of Ian's grandniece Jessie doesn't immediately set so well with her curmudgeonly great uncle, Maurice takes an immediate liking to the girl, and makes it a mission to expose the youngster to some of the bustling capitol's best-known sights. As the newly invigorated septuagenarian does his best to teach the wide-eyed youngster a thing or two about life, he soon comes to realize just how little he truly knows about the subject at such a late point in life. ~ Jason Buchanan, Rovi
- Starring:
- Peter O'Toole, Leslie Phillips, (more)
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