Paul E. Burns Movies

In this western adventure, a sheriff prepares to retire and finds himself forced to deal with his past when he is assigned to round up a gang of outlaws comprised of the sons of the man who raised him after his own parents were killed. The sheriff has to kill one of the desperadoes. The other he will transport to jail on the stage coach. He ends up waiting at the station owned by the parents of his ex-lover. The hapless lawman is watched over by a hired gun who is to make sure the sheriff does indeed deliver the criminal. ~ Sandra Brennan, Rovi

Director Frank Capra's last feature film, Pocketful of Miracles is a Technicolor remake of his 1933 film Lady for a Day. A barely recognizable Bette Davis plays Apple Annie, the besotted, unkempt, rag-clad street vendor who controls the activities of all the beggars on Broadway. Apple Annie is the pet of Dave the Dude (Glenn Ford), a tough but basically kind-hearted gangster who believes that Annie's apples bring him luck. One morning, Annie fails to show up at her usual corner. That's because she is sitting disconsolate in her squalid shack, contemplating suicide. The reason: Annie has received a letter from her daughter Louise (Ann-Margret, in her screen debut). Annie has been supporting Louise's high-priced European education, leading the girl to believe that she, Annie, is a high-society dowager. Now Louise is returning home with her wealthy fiance Carlos Romero (Peter Mann) in tow, and it looks as though Annie's cover will be blown to bits. Partly out of sympathy, but mostly because of his superstitious belief in the power of Annie's apples, Dave the Dude arranges with his Broadway cohorts to "doll up" Annie so that she can pass as a woman of means, then stage-manages a huge, expensive reception for Louise and her beau. The complications that ensued in the original 1933 version of Lady for a Day exercise their prerogative once more, with a few added plot twists to pad out Glenn Ford's screen time. Cutting through the sentimental goo like a machete is Peter Falk, who is hilarious as Dave the Dude's sarcastic bodyguard. Evidently, Falk was one of the few actors on the set of Pocketful of Miracles with which Capra remained sympatico throughout shooting. In his autobiography (a not altogether reliable tome), Capra insisted that Pocketful of Miracles was ruined by Glenn Ford's autocratic and self-serving on-set behavior, and by Ford's demand that his current lady friend Hope Lange be (mis)cast as brash nightclub chirp Queenie Martin. As usual, Capra was not telling the whole story: at 63, he was beginning to lose his grip on his movie-making skills, allowing every scene to run well past its value and concentrating on cute isolated "bits" rather than the story at hand. Way too long at 136 minutes (Lady for a Day ran but 90), Pocketful of Miracles still has a lot going for it, especially the glowing performance of Bette Davis and the basic, foolproof Damon Runyon story on which it is based. While it disappointed at the box office, Miracles has since its release become a Christmastime TV perennial, seldom failing to draw big ratings numbers. ~ Hal Erickson, Rovi

Charles Underhill (John McIntire) and his niece Anne (Suzanne Pleshette) offer a ride to Len (Robert Morse), the nice young man who helped Charles repair his stalled car. Shortly thereafter, Underhill learns that Len has spent several years in a reform school. Now in fear of his life, Underhill wonders how he can rid himself of the youthful hitchhiker -- but as it turns out, Len is the least of his worries. ~ Hal Erickson, Rovi

This 1959 episode is set in "the future" -- precisely, July 13, 1980. Worn to a frazzle by his domineering old mother-in-law, John Treadwell (Henry Jones) joins the Society of Gerontology, an organization dedicated to eliminating those people who have lived too long to suit the younger members. Unfortunately, Treadwell learns from another member named Bunce (Dick York) that his worries won't end with his mother-in-law's demise. ~ Hal Erickson, Rovi

Several Los Angeles supermarkets have been burglarized over the past few weeks. Friday (Jack Webb) and Smith (Ben Alexander) have but one clue to go on: The burglar always leaves cracker crumbs scattered on the floor of the crime scene. Among the supporting players is Sid Melton, best remembered by baby-boomers as "Ichabod Mudd" on Captain Midnight and "Charlie Halper" on The Danny Thomas Show. ~ Hal Erickson, Rovi

Perry (Raymond Burr) receives an urgent telegram from Frank Lawton (Stewart Bradley), an old Army buddy who apparently is in trouble. Not long afterward, Frank is charged with the murder of his boss, Scott Shelby (Tom Shelby). Offering to defend Frank, Perry is shocked to learn that his friend never sent that telegram, and was never in trouble...until now. This episode is based on a 1945 novel by Perry Mason creator Erle Stanley Gardner). ~ Hal Erickson, Rovi

Producer-director David Butler once listed Glory as among his favorite films. Margaret O'Brien plays her first grown-up role as the owner of the eponymous racing filly. Despite the fact that the horse seems to be a dud, Margaret insists upon entering Glory in race after race. This proves financially draining to Margaret and her grandmother Charlotte Greenwood, but Walter Brennan, trainer for handsome horse breeder John Lupton, helps to raise the necessary funds to enter Glory in--what else?--the Kentucky Derby. The inevitable romance between Margaret and Lupton is less interesting than the combative (but basically affectionate) relationship between ageing ex-sweethearts Greenwood and Brennan. With the uncredited aid of Lawrence Welk Show costar Norma Zimmer, Margaret O'Brien warbles three songs. ~ Hal Erickson, Rovi

A small Kansas town braces itself for the arrival of the first Texas trail herd. The marshal (Robert Ryan) expects trouble from the herd drivers, who'll be thirsty and lascivious after months on the trail. The town's saloon owner (Robert Middleton), anticipating a business boom, wants to remove the marshal and thus leave the town wide open. The marshal can expect little help from his deputy (Jeffrey Hunter), whose father was killed by the lawman. The Proud Ones builds slowly to an explosive climax, in which the deputy chooses the right side and Law & Order is maintained. ~ Hal Erickson, Rovi

In this musical comedy, a young woman endures the drudgery of working as a charwoman in her aunt's hotel. She is not paid much for her hard work. To make her drab existence a little more exciting, she enrolls in a correspondence charm course, which unbeknownst to her is a scam. Soon the swindlers show up and plan to use her to help them con her aunt and a bank president out of their money. When one of the con men sees the good hearted girl working with the orphans on her family farm, he has a sudden change of heart. Her life takes a sudden turn for the better when oil is discovered under her farm. Suddenly the drab little drudgess finds herself living like a duchess. ~ Sandra Brennan, Rovi

Three Hours to Kill is a "message" Western that manages to entertain without preaching. Jim Guthrie (Dana Andrews), unjustly accused of murder, is forced out of town by an angry mob. After several tough years living off the land, Guthrie returns to clear his name. Fearing that Guthrie is out for blood, the townsfolk arrange a "necktie party." The one person who might show some compassion is ex-fiancée Laurie Mastin (Donna Reed), who'd been left pregnant by Guthrie and had married another man on the rebound. But Laurie's brother was the murder victim, so she's just as determined to rid the world of Guthrie as everyone else. With the help of sympathetic Chris Plumber (Dianne Foster), Guthrie traps the real murderer. The mentality of mob rule is exposed for all its ugliness in Three Hours to Kill, ironic in that real-life Hollywood had been governed by mob pressure to enforce the Blacklist during the same period. ~ Hal Erickson, Rovi

A priceless Chinese jade statuette is stolen just before it is to be donated to the National Museum. The culprit is the misguided Harry Wong (Victor Sen Yung), a resident of Metropolis' Chinatown, who has arranged the theft because of a falling out with his prospective father-in-law. Superman (George Reeves) works together with Inspector Henderson (Robert Shayne) to recover the statuette and prevent Wong from ruining his life. ~ Hal Erickson, Rovi