Peter Krikes Movies
The true story of Anna Leonowens' experiences as a governess to the children of an eccentric Asian king has been adapted into a book of memoirs, a biography, a stage play called Anna and the King of Siam -- which was adapted into a 1946 film, a stage musical called The King and I -- made into both the live-action The King and I (1956)) and the animated The King and I (1999) feature films, and a short-lived 1972 TV series. Now the story is brought to the screen yet again, as Jodie Foster stars as Leonowens, hired by the king of Thailand (Chow Yun-Fat) in the 19th century to help care for his children. The king wants the best for his children, but Anna soon discovers that he is a strong-willed but quixotic leader, and her stay in Thailand becomes a struggle for power with romantic overtones, as they decide who will have authority over the royal youngsters. Anna and the King was directed by Andy Tennant, best known for his 1998 variation on the Cinderella story, Ever After. ~ Mark Deming, All Movie Guide
- Starring:
- Jodie Foster, Chow Yun-Fat, (more)
Jean-Claude Van Damme proves that two cracked heads are better than one in Double Impact. Van Damme plays twins Chad and Alex, who were separated at birth when their parents were brutally murdered by members of a Hong Kong criminal cartel. Incredibly both Chad and Alex have grown up to become world-class martial arts experts. Chad is a snobbish Californian karate instructor, while Alex is a cigar-smoking smuggler in Hong Kong. The two are brought back together by the family bodyguard Frank Avery (Geoffrey Lewis) to team up to avenge their parents' murder. But stacked against them is a thoroughly nasty, over-the-top assassin named Moon (martial arts film great Bolo Yeung). ~ Paul Brenner, All Movie Guide
- Starring:
- Jean-Claude Van Damme, Geoffrey Lewis, (more)
Frankie Avalon and Annette Funicello not only starred in the delightfully "retro" Back to the Beach, but also served as executive producers. Appropriately set 25 years after such drive-in faves as Beach Blanket Bingo, the film finds Frankie and Annette as husband and wife, living far from the surf 'n' sand in Ohio. Heading to California to visit their daughter Lori Loughlin, Frankie and Annette are appalled to learn that she has been keeping time with punker Tommy Hinkley. In time-honored fashion, our hero and heroine set about to make the beach safe for funlovers everywhere by driving out Hinkley's unsavory pals. Along the way, Frankie nearly bollixes up his marriage by dallying with Connie Stevens-one of several pop-culture icons appearing in Back to the Beach, including Don Adams, Bob Denver, Jerry Mathers, Tony Dow, Dick Dale & the Del-Tones , Stevie Ray Vaughan, and even Pee-wee Herman! Back to the Beach is fun for a while, but its six-person writing team can't figure out a logical way to wind it all up. ~ Hal Erickson, All Movie Guide
- Starring:
- Frankie Avalon, Annette Funicello, (more)
On the eve of his Hawaiian vacation, irresponsible high school teacher Mark Harmon is forced into teaching a summer school class. His students are all malcontents and layabouts with the standard repertoire of teenaged hangups and hostilities (two of the kids, who can't see enough slasher movies to suit them, are hilarious precursors to Beavis and Butt-Head). Harmon would rather spend his time with history teacher Kirstie Alley, but she doesn't think much of his laziness and lack of dedication. Harmon finally begins to take his job seriously when he realizes his students' problems are not all of their own making. ~ Hal Erickson, All Movie Guide
- Starring:
- Mark Harmon, Kirstie Alley, (more)
Star Trek IV: The Voyage Home (1986) concludes the story arc begun with Star Trek II: The Wrath of Khan (1982) and continued in Star Trek III: The Search for Spock (1984), but on a wholly new, different, and upbeat note. As the movie opens, months have elapsed since the events in Star Trek III; Admiral Kirk (William Shatner), McCoy (DeForest Kelley), Scott (James Doohan), Sulu (George Takei), Uhura (Nichelle Nichols), and Chekhov (Walter Koenig) are marooned in self-imposed exile on Vulcan, along with the resurrected and regenerated Spock (Leonard Nimoy, who also directed). While Spock tries to sort out the Vulcan and human halves of his resurrected psyche, the others prepare to return to Earth to face a brace of charges by the Klingon Empire and Star Fleet over events on Genesis. Taking off in their commandeered, jerry-rigged Klingon ship, they head to Earth, not knowing that a new crisis could destroy their home world -- a huge, immensely powerful alien probe has entered the galaxy and established a position near Earth, disabling every vehicle and installation in its path with its energy and communication output, and has ionized the entire atmosphere and started vaporizing the oceans, leaving the planet only hours to survive.
Spock determines that the probe is sending out signals to another intelligent terrestrial life form, humpbacked whales, which no longer exist. Using the gravity slingshot time-warp effect (established early in the original series) to travel back into Earth's 20th century, Kirk and company land in 1980s San Francisco to try and bring humpbacked whales to the 23rd century, to respond to the probe. Thus starts a surprisingly breezy, light-hearted, yet serious odyssey through the past (comparable to the best work of the original series), as the crew learns to deal with exact-change buses, angry drivers, punk-rock enthusiasts and other elements of '80s life, and Kirk tries to persuade a scientist (Catherine Hicks) of his good intentions for two whales in captivity. The screenplay, co-authored by Steve Meerson, Peter Krikes, Nicholas Meyer, and Harve Bennett (from a story by Nimoy and Bennett), is the cleverest and most sophisticated of all the Star Trek movie screenplays, recalling some of the elements of Meyer's earlier time-travel movie Time After Time and also anticipating the feel and tone of the series Star Trek: The Next Generation (which would be on the air not quite a year later). Nimoy's direction offers a combination of brisk pacing and a deep love of the characters and the actors, as well as a serious appreciation of the humorous aspects of the script, and Shatner gives his best performance of any of the movies. ~ Bruce Eder, All Movie Guide
Spock determines that the probe is sending out signals to another intelligent terrestrial life form, humpbacked whales, which no longer exist. Using the gravity slingshot time-warp effect (established early in the original series) to travel back into Earth's 20th century, Kirk and company land in 1980s San Francisco to try and bring humpbacked whales to the 23rd century, to respond to the probe. Thus starts a surprisingly breezy, light-hearted, yet serious odyssey through the past (comparable to the best work of the original series), as the crew learns to deal with exact-change buses, angry drivers, punk-rock enthusiasts and other elements of '80s life, and Kirk tries to persuade a scientist (Catherine Hicks) of his good intentions for two whales in captivity. The screenplay, co-authored by Steve Meerson, Peter Krikes, Nicholas Meyer, and Harve Bennett (from a story by Nimoy and Bennett), is the cleverest and most sophisticated of all the Star Trek movie screenplays, recalling some of the elements of Meyer's earlier time-travel movie Time After Time and also anticipating the feel and tone of the series Star Trek: The Next Generation (which would be on the air not quite a year later). Nimoy's direction offers a combination of brisk pacing and a deep love of the characters and the actors, as well as a serious appreciation of the humorous aspects of the script, and Shatner gives his best performance of any of the movies. ~ Bruce Eder, All Movie Guide
- Starring:
- William Shatner, Leonard Nimoy, (more)
