Stanley Kramer Movies

Director Stanley Kramer ended his career with this absorbing drama, adapted from the play by Milan Stitt and based on a real-life event from 1927. Dick Van Dyke stars as Father Rivard, an intellectual priest in a small, impoverished mining town in the state of Washington. A lonely man with low self-esteem, Rivard is depressed by the arduous and dreary lives of his flock, until the arrival of Sister Rita (Kathleen Quinlan), a bright, spirited young nun who joins his parish to teach at its school. Rita appreciates Rivard on a level that few others in the community can, and soon the priest falls in love with her. But when Sister Rita is murdered, Rivard's infatuation is revealed and the love-struck priest is put on trial. Only Rivard's housekeeper, Mrs. Shandig (Maureen Stapleton), knows the truth about Sister Rita's death. Kramer broke up the staginess of his source material by structuring The Runner Stumbles (1979) into three acts that unfold not sequentially but simultaneously, revealing Rivard's developing relationship with Rita, his prison stint, and his murder trial all at the same time. ~ Karl Williams, Rovi

Stanley Kramer, a director known for his socially pointed films, tackles yet another political topic with Judgement: The Court Martial of Lt. William Calley. This docudrama follows the court-martial of the title character, the man held responsible for the My Lai massacre during the Vietnam War. The cast includes Harrison Ford, Richard Basehart, and Tony Musante. ~ Perry Seibert, Rovi

Bless the Beasts and Children is most fondly remembered as the film which introduced the song "Nadia's Theme" (better known as the title music for CBS' Young and the Restless). The film itself is a well-meaning if heavy-handed tale of six idealistic young boys whom come to the rescue of a buffalo herd. There's a symbiotic relationship between the boys and the beasts: the kids have all been shunted aside as misfits and losers, while the buffalo have likewise been targetted for obscurity. Once the film makes its point, it really has nowhere to go; still, the location photography (with Catalina standing in for Arizona) is outstanding. Besides, how many other films have honored Billy Mumy with top billing? ~ Hal Erickson, Rovi

Italo Bombolini (Anthony Quinn) is the mayor of the hillside village of Santa Vittorio. The wine-loving town leader erases a pro-Mussolini slogan when he hears of the fascist being killed and hanged from a meathook. His wife Rosa (Anna Magnani) throws him out of their wine shop when he and his friends celebrate and he gives away too much wine. When he hears the retreating Nazi Army will soon be in town, hundreds of villagers turn out to hide the wine in an old Roman cave. The people work day and night, hiding 1 million bottles just before the Nazis enter the town. SS officers threaten death to anyone who withholds the wine. Italo presents a single bottle to the irate general (Hardy Kruger), as the hapless Germans are powerless to force the villagers to produce the coveted bottles. Not even a pistol to the head of their beloved mayor is effective as the town stands by, watching in complete silence. ~ Dan Pavlides, Rovi

The first person the audience sees in Ship of Fools is dwarf Michael Dunn, who speaks to viewers directly and acts as a Greek chorus throughout the film. It begins on the deck of an ocean liner travelling from Vera Cruz to Bremerhaven. The time is the 1930s, so close and yet so far from war. The cross-section of humanity on board includes ship's doctor Oscar Werner, Spanish political activist Simone Signoret, aging coquette Vivien Leigh, hedonistic baseball player Lee Marvin, philosophical Jew Heinz Ruhmann, a smattering of pro- and anti-Hitlerites (Jose Ferrer plays the nastiest and most vocal "pro") and young lovers George Segal and Elizabeth Ashley. Yes, it's Grand Hotel at sea, a feast for stargazers and an endurance test for those who aren't comfortable with non-stop speechmaking. Despite such lines as "What can the Nazis do? Kill all six million of us?," Ship of Fools manages to stay afloat throughout its 148 minutes. Michael Dunn was nominated for an Academy Award for his interlocutory characterization; the rest of the performances range from brilliant to merely filling up the room. Other Oscars were presented to cinematographer Ernest Lazslo and to the art-direction staff. Ship of Fools was adapted by Abby Mann from the novel by Katharine Ann Porter. ~ Hal Erickson, Rovi

Produced by Stanley Kramer, A Child is Waiting is set in an institution for the mentally handicapped, with many actual residents playing supporting and bit roles. Doctor Burt Lancaster and instructor Judy Garland often find themselves at odds over teaching methods, with Garland preferring an intense one-on-one approach with her students. Bruce Ritchey, a non-developmentally challenged youth, plays the retarded son of Gena Rowlands and Steven Hill, whose intellectual and social progress becomes the focal point of the film. The most uplifting sequence in A Child is Waiting takes place during a play staged by the genuinely handicapped children for their parents; while director John Cassavetes gilds the lily with close-ups of the teary-eyed audience, the kids themselves are earnest, engaging, and totally devoid of self-pity. According to Stanley Kramer, Judy Garland left her best work in this film on the cutting room floor; whenever completing a scene in which she'd exercised professional restraint, she'd insist upon a retake, then resort to the sobbing and breast-beating that her fans had come to expect. ~ Hal Erickson, Rovi

After the end of World War II, the world gradually became aware of the full extent of the war crimes perpetrated by the Third Reich. In 1948, a series of trials were held in Nuremberg, Germany, by an international tribunal, headed by American legal and military officials, with the intent of bringing to justice those guilty of crimes against humanity. However, by that time most of the major figures of the Nazi regime were either dead or long missing, and in the resulting legal proceedings American judges often found themselves confronting the question of how much responsibility someone held who had "just followed orders." Judgment at Nuremberg is a dramatized version of the proceedings at one of these trials, in which Judge Dan Haywood (Spencer Tracy) is overseeing the trials of four German judges -- most notably Dr. Ernst Janning (Burt Lancaster) and Emil Hahn (Werner Klemperer) -- accused of knowingly sentencing innocent men to death in collusion with the Nazis. Representing the defense is attorney Hans Rolfe (Maximilian Schell), while prosecuting the accused is U.S. Col. Tad Lawson (Richard Widmark). As the trial goes on, both the visiting Americans and their reluctant German hosts often find themselves facing the legacy of the war, and how both of their nations have been irrevocably changed by it. Judgment at Nuremberg also features notable supporting performances by Marlene Dietrich, Judy Garland, and Montgomery Clift. Originally written and produced as a play for television, the screen version of Judgment at Nuremberg was nominated for 11 Academy Awards, with Maximilian Schell and Abby Mann taking home Oscars for (respectively) Best Actor and Best Adapted Screenplay. ~ Mark Deming, Rovi

Although there'd been "doomsday dramas" before it, Stanley Kramer's On the Beach was considered the first "important" entry in this genre when originally released in 1959. Based on the novel by Nevil Shute, the film is set in the future (1964) when virtually all life on earth has been exterminated by the radioactive residue of a nuclear holocaust. Only Australia has been spared, but it's only a matter of time before everyone Down Under also succumbs to radiation poisoning. With only a short time left on earth, the Australian population reacts in different ways: some go on a nonstop binge of revelry, while others eagerly consume the suicide pills being issued by the government. When the possibility arises that rains have washed the atmosphere clean in the Northern hemisphere, a submarine commander (Gregory Peck) and his men head to San Diego, where faint radio signals have been emanating. The movie's all-star cast includes: Peck as the stalwart sub captain, Ava Gardner as his emotionally disturbed lover, Fred Astaire as a guilt-wracked nuclear scientist, and Anthony Perkins and Donna Anderson as the "just starting out in life" married couple. ~ Hal Erickson, Rovi

As was his custom, producer/director Stanley Kramer made some iconoclastic casting decisions when mounting his $5 million production The Pride and the Passion. Adapted from The Gun, a novel by C. S. Forester, the film is set in Spain during the Napoleonic wars. Captain Anthony Trumbull (Cary Grant), a British military officer, is ordered to retrieve a large and unwieldly abandoned cannon, then transport the weapon to the British lines, where it will be used to attack the French garrison at Avila. Hotheaded guerilla leader Miguel (Frank Sinatra) agrees to help Trumball move the cannon over hill and dale, even though he hates the Englishman's guts. Tagging along on the arduous odysseys is Miguel's fiery mistress Juana (Sophia Loren), who develops a yearning for the stolid Trundall (then-lovers Loren and Grant would later be teamed in Houseboat). Pride and the Passion made a mint at the box-office for both Kramer and United Artists. ~ Hal Erickson, Rovi

"What are you rebelling against?" asks someone. "What've you got?" responds surly, leather-jacketed motorcycle punk Marlon Brando. It comes as a disappointment to discover that The Wild One, the quintessential Brando "rebel" film, is at base a traditional "misunderstood youth vs. the nasty system" effort, with a particularly banal finale. Based on a true incident, the film begins with Brando and his motorcyle gang invading a small town after having been kicked out of a cycle competition (but not before stealing the second-prize trophy). Brando's bikers raise hell all day, but some of the townsfolk are shown to be little better than the invaders. Sheriff Robert Keith, whose daughter (Murphy) has gone fond of Brando, finally responds to the bikers' destructiveness by jailing Lee Marvin, leader of a rival gang. When Marvin's buddies goes on a rampage, Brando exhibits his essential decency by safely escorting the sheriff's daughter out of the melee. The townsfolk misunderstand, assuming that Brando intends to rape the girl. He is attacked by a vigilante mob led by town hothead Ray Teal, who uses this excuse to exercise his own sadistic tendencies. Keith breaks up the mob and suggests that Brando leave; he tries to do so, but another angry response from the mob causes him to inadvertently strike and kill a pedestrian. At the subsequent hearing, the girl rushes to Brando's defense. Though grateful for the unexpected kindness, Brando is constitutionally unable to say "thank you" and rides out of town alone. The image of Marlon Brando astride his Triumph has entered movie folklore, just like King Kong on the Empire State Building or the billow-skirted Marilyn Monroe standing over a subway grating; it's too bad that The Wild One isn't a more worthy vehicle for Brando's talents. ~ Hal Erickson, Rovi

Ted Geisel, better known as Dr. Seuss, wrote and helped design this eccentric fantasy about a young boy named Bart (Tommy Rettig) who, like most young boys, doesn't enjoy his piano lessons with the mean-spirited Dr. Terwilliker (Hans Conried). He figures his time would be better spent playing baseball with his friends or helping his grown-up buddy Arthur Zabladowski (Peter Lind Hayes), a plumber. One night, while fast asleep, Bart has a long and remarkable dream in which he's trapped in the kingdom of the fearsome Dr. T, who has enslaved hundreds of little boys, forcing them to practice on the world's largest piano until they drop. With the help of a friendly plumber, Bart plans a revolt that will topple Dr. T's evil empire once and for all. The 5,000 Fingers of Dr. T also features several songs for which Geisel contributed lyrics. ~ Mark Deming, Rovi

25-year-old Julie Harris convincingly recreates her Broadway role of 12-year-old tomboy Frankie Addams in the 1952 screen version of Carson McCullers' play. Feeling rejected when her older brother goes off on his honeymoon without inviting her along, Frankie runs away from her middle-class southern home. She endures several other adolescent traumas, not least of which is the sudden death of her bespectacled young cousin John Henry (Brandon De Wilde). With the help of warmhearted housekeeper Berenice Sadie Brown (Ethel Waters), Frankie eventually makes an awkward transition to young womanhood. One of several Stanley Kramer productions released by Columbia in the early 1950s, The Member of the Wedding wisely used several of the original Broadway cast members. Co-starring as a drunken soldier who tries to take advantage of the vulnerable Frankie is former child actor Dick Moore, making his last screen appearance. The Member of the Wedding was remade for television in 1983 (and unofficially "reworked" into the 1991 sleeper My Girl). ~ Hal Erickson, Rovi

This Western classic stars Gary Cooper as Hadleyville marshal Will Kane, about to retire from office and go on his honeymoon with his new Quaker bride, Amy (Grace Kelly). But his happiness is short-lived when he is informed that the Miller gang, whose leader (Ian McDonald) Will had arrested, is due on the 12:00 train. Pacifist Amy urges Will to leave town and forget about the Millers, but this isn't his style; protecting Hadleyburg has always been his duty, and it remains so now. But when he asks for deputies to fend off the Millers, virtually nobody will stand by him. Chief Deputy Harvey Pell (Lloyd Bridges) covets Will's job and ex-mistress (Katy Jurado); his mentor, former lawman Martin Howe (Lon Chaney Jr.) is now arthritic and unable to wield a gun. Even Amy, who doesn't want to be around for her husband's apparently certain demise, deserts him. Meanwhile, the clocks tick off the minutes to High Noon -- the film is shot in "real time," so that its 85-minute length corresponds to the story's actual timeframe. Utterly alone, Kane walks into the center of town, steeling himself for his showdown with the murderous Millers. Considered a landmark of the "adult western," High Noon won four Academy Awards (including Best Actor for Cooper) and Best Song for the hit, "Do Not Forsake Me, O My Darling" sung by Tex Ritter. The screenplay was written by Carl Foreman, whose blacklisting was temporarily prevented by star Cooper, one of Hollywood's most virulent anti-Communists. John Wayne, another notable showbiz right-winger and Western hero, was so appalled at the notion that a Western marshal would beg for help in a showdown that he and director Howard Hawks "answered" High Noon with Rio Bravo (1959). ~ Hal Erickson, Rovi